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    ‘We’ll Be Back,’ Broadway Says, on Shutdown Anniversary

    #masthead-section-label, #masthead-bar-one { display: none }At HomeRoast: Thick AsparagusVisit: National ParksRead: Shirley HazzardApologize: To Your KidsAndré De Shields, singing in Times Square at the “We Will Be Back” pop-up performance.Credit…Vincent Tullo for The New York Times‘We’ll Be Back,’ Broadway Says, on Shutdown AnniversaryA pop-up performance in Times Square on Friday, featuring stars like André De Shields, was full of excitement as reopenings may be on the horizon.André De Shields, singing in Times Square at the “We Will Be Back” pop-up performance.Credit…Vincent Tullo for The New York TimesSupported byContinue reading the main storyMarch 12, 2021, 5:50 p.m. ETOne year ago, the grim news that Broadway was shutting down was sweeping through the theater district. Performers were packing up their things and heading home; theater staff were stationed in lobbies to intercept ticket holders and explain to them that the show was canceled.As a return date was pushed further and further, performers and theater staff resigned themselves to finding work elsewhere.But on Friday, the anniversary of the day their beloved industry shut its doors, Broadway singers, dancers, actors and front-of-house staffers gathered in Times Square, just across from the TKTS discount ticket booth, to perform live for a small audience of industry insiders and passers-by.Chita Rivera spoke about the power of theater to heal society, at the pop-up show.Credit…Vincent Tullo for The New York TimesDancers at the show, on the anniversary of the theater shutdown in New York.Credit…Vincent Tullo for The New York TimesThe pop-up show was part concert, part rally. The Broadway legend Chita Rivera spoke about the power of theater to heal a beleaguered society, and then André De Shields, decked out in a glittering gold suit and a transparent face shield, sang the opening song from “Pippin” along with an array of Broadway stars, backup singers and dancers.“I’m just happy that we’re all trying to remind the world that we’re still here, and we will be back,” said Bre Jackson, a singer who belted out a solo in the “Pippin” number.One year ago, Jackson, 29, was returning to New York from a national tour of “The Book of Mormon,” and preparing herself for five auditions. Within 12 hours, she said, the auditions were all canceled, and suddenly she was thrust into a job market without much need for professional singers and actors. Jackson eventually found work as an office manager for a therapy practice, finding performing gigs every so often.Jackie Cox was in Times Square as Broadway singers, dancers, actors and front-of-house staffers gathered to perform for a small audience of industry insiders and passers-by.Credit…Vincent Tullo for The New York TimesA dancer at the show. Bre Jackson, a singer who belted out a solo in the “Pippin” number, said, “I’m just happy that we’re all trying to remind the world that we’re still here.”Credit…Vincent Tullo for The New York TimesHeath Saunders, singing at the show. The performance was funded by several organizations, including the nonprofits Broadway Cares/Equity Fights AIDS and NYCNext.Credit…Vincent Tullo for The New York TimesOne of the main purposes of these pop-up performances — of which there have been dozens across the city — is to provide paying gigs for people in the industry who have lost their entire incomes during the pandemic, said Blake Ross, one of the event’s producers. The performance was funded by a collection of organizations, including the nonprofits Broadway Cares/Equity Fights AIDS and NYCNext.Although they aren’t likely to perform inside theaters again until after Labor Day, the message of the show was that the end of the industry’s nightmare seemed to be getting closer. Last night, President Biden asked states to make all adults eligible to be vaccinated by May 1, a hopeful sign that shows might be able to start rehearsals over the summer.Lillias White, right, who, with Nikki M. James, Peppermint and Solea Pfeiffer, joined in “Home” from “The Wiz.”Credit…Vincent Tullo for The New York TimesJoel Grey, giving a speech in between numbers.Credit…Vincent Tullo for The New York TimesThe performance landed on one of the first warm springlike days of the year in New York City, adding a jolt of excitement. It felt like a reunion of sorts: After a long time working from home, some people shrieked when they saw each other, keeping their distance, but air-hugging or elbow-bumping. To make sure that crowds didn’t form in Father Duffy Square, the event planners made no public announcement of the performance, but passers-by gathered on the edges of the makeshift stage and stood on elevated surfaces to get better views.The actor Charl Brown, among the participants in the event, which was part rally.Credit…Vincent Tullo for The New York TimesCostumes from shows including “Wicked” and “Phantom of the Opera” lined the stage edges, glittering and gleaming on mannequins.Credit…Vincent Tullo for The New York TimesThere was no formal announcement of the pop-up show, and passers-by moved around to get better views, capturing it on cellphones.Credit…Vincent Tullo for The New York TimesPeppermint, center, taking a photo with Nikki M. James, left, and Lillias White.Credit…Vincent Tullo for The New York TimesThe cast started with a topical classic, George Benson’s “On Broadway,” with a group of high-energy sneaker-clad and masked backup dancers. (There had been barely any time to rehearse beforehand, so just before showtime, the dancers ran through their choreography just offstage on the concrete.) Next, the singers Lillias White, Nikki M. James, Peppermint and Solea Pfeiffer joined in “Home” from “The Wiz.” And a choir sang an original song written about the pandemic hiatus, “We Will Be Back,” by Allen René Louis. Costumes from shows like “Wicked” and “Phantom of the Opera” lined the stage edges, glittering and gleaming on mannequins.During the pandemic, two musicals, “Mean Girls” and “Frozen,” announced that they would not be returning to Broadway, as well as two plays that were in previews, Martin McDonagh’s “Hangmen” and a revival of Edward Albee’s “Who’s Afraid of Virginia Woolf?” On Friday, several shows promised that they would indeed be back, including “Mrs. Doubtfire,” which got through three performances before it was forced to close, and “Six,” which had been scheduled to open on March 12, 2020.Nikki M. James, in Times Square. She is among those who sang “Home” from “The Wiz.”Credit…Vincent Tullo for The New York TimesMembers of the media and other onlookers, capturing the midday show.Credit…Vincent Tullo for The New York TimesThat day, Judi Wilfore, the house manager for the Imperial Theater, remembers standing in the lobby before the scheduled evening performance of “Ain’t Too Proud” and breaking the news to ticketholders. Even though Broadway shut down on a Thursday, Wilfore came to work that weekend, too, in case any audience members showed up.Over the summer, Wilfore decided that she needed to find work elsewhere, so she took an online course at Health Education Services, to get certified as a Covid compliance officer. At Friday’s event in Times Square, it was her job to make sure people were following safety guidelines and to manage a team of front-of-house theater staffers who were hired to help run the event.Wilfore has been a compliance officer for gigs here and there — including the load-out of the “Beetlejuice” set from the Winter Garden Theater — but like many in the industry, she yearns for the eventual return to indoor theater, where she oversaw the bustling movements of staffers and audience members.“We love what we do,” she said, “and the fact that we haven’t been able to do it in a year is unfathomable.”AdvertisementContinue reading the main story More

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    Kelly Clarkson, Selena Gomez, Khalid and More Join Matthew McConaughey's Texas Fundraiser

    WENN

    The upcoming fundraiser for Texas residents impacted by winter storms is going to be a star-studded affair with the likes of Willie Nelson, Jonas Brother, Miranda Lambert, and Jamie Foxx.

    Mar 13, 2021
    AceShowbiz – Willie Nelson, the Jonas Brothers, Selena Gomez, and Kelly Clarkson are joining forces with Matthew McConaughey to raise much-needed funds for those affected by the deadly Texas winter storms.
    The “Dallas Buyers Club” star, a proud son of Texas, has recruited a string of famous faces to appear during his upcoming livestreamed benefit gig, with all proceeds donated to the Oscar winner’s “Just Keep Livin’ Texas Relief Fund” to support local organisations in the recovery and rebuilding effort following the deep freeze which struck in late February (21).
    Simply titled “We’re Texas”, the 21 March event will also feature Don Henley, George Strait, Miranda Lambert, Khalid, Kacey Musgraves, Gary Clark Jr., Post Malone, Leon Bridges, Lyle Lovett, Kirk Franklin, and Jamie Foxx, with more special guests set to be announced in the lead up to the show.
    McConaughey reveals he didn’t have to try hard to convince his fellow celebrities to lend a hand to those in need.
    “Everybody I called, within the first two minutes, (said), ‘I’m in.’ I didn’t have to call anybody back,” he told U.S. breakfast show “Today”.

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    “So, Texas is really rallying around helping out the people that are gonna need it.”
    McConaughey will be co-presenting the charity concert with his wife, Camila, but he plans to get really involved in the entertainment aspect of the gig.
    “I’m gonna host it, I’m gonna DJ it, I’m gonna intro bands, outro bands, rap myself… I’ll have to rap somehow. I’ll rhyme something…!” he laughed.
    Explaining what drove him to put together “We’re Texas”, he said, “I have a privileged life, I have three children, I have a family, I have a career, and I had purpose, but something like this happens, purpose comes in with a capital ‘P.’ ”
    And he cannot wait to bring everyone together for the good cause, “You’re gonna see a revival and a restoration, people coming together to help out our neighbours here in Texas, and we’re inviting the world to come in and help us out as well. It’s gonna be a shindig!”
    We’re Texas will stream at 8pm ET on the actor’s YouTube page.

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    Report: Justin Bieber Not Attending Grammys After Protest Over 'Changes' Pop Album Nomination

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    The ‘Yummy’ singer is reportedly joining the list of artists boycotting the 2021 awards show after he complained about his album being nominated in pop category instead of RnB.

    Mar 12, 2021
    AceShowbiz – Justin Bieber is allegedly joining the list of artists who are boycotting the 63rd annual Grammy Awards. The Canadian pop star is said planning not to attend the upcoming ceremony, set to take place on Sunday, March 14.
    In addition to not being scheduled to perform at the show, the “Lonely” crooner’s decision to skip this year’s Grammy is reportedly due to his protest over his album “Changes” being nominated in pop category instead of R&B. The 27-year-old previously expressed his displease with the nomination after the nominations were announced in November 2020.
    “To the Grammys,” he wrote on Instagram at the time. “I am flattered to be acknowledged and appreciated for my artistry. I am very meticulous and intentional about my music. With that being said, I set out to make an R&B album.”

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    “I grew up admiring R&B music and wished to make a project that would embody that sound. For this not to be put into that category feels weird considering from the chords to the melodies to the vocal style all the way down to the hip hop drums that were chosen it is undeniably, unmistakably an R&B Album!” he explained.
    “To be clear I absolutely love Pop music it just wasn’t what I set out to make this time around,” the husband of Hailey Baldwin also noted. “My gratitude for feeling respected for my work remains and I am honored to be nominated either way.”
    Should the report of Justin boycotting the Grammys be true, he’s following the footsteps of fellow Canadian star The Weeknd who has expressed his disappointment at the Recording Academy. On Thursday, March 11, just days ahead of the 2021 ceremony, he announced that he will never submit his music to the Grammy in the future. “Because of the secret committees, I will no longer allow my label to submit my music to the Grammys,” he told the New York Times.
    Responding to the “Blinding Lights” hitmaker’s statement, interim Academy CEO Henry Mason Jr. said in a statement, “We’re all disappointed when anyone is upset. But I will say that we are constantly evolving. And this year, as in past years, we are going to take a hard look at how to improve our awards process, including the nomination review committees.”

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    Nick Jonas Stuck in Distant Planet in 'Spaceman' Music Video

    [embedded content]

    The Jonas Brothers star debuts the clip, which depicts him as a spaceman trying to get home to his wife, ahead of his performance of the song on ‘Saturday Night Live’.

    Mar 12, 2021
    AceShowbiz – Nick Jonas has released a music video for his new single “Spaceman”. Apt to the song’s title and lyrics, the cinematic visuals depicts him as a spaceman who is stuck in a distant planet with no one but himself.
    In the song, the Jonas Brothers star describes the feeling of being alone. “And the numbers are high but we keep goin’ down/ ‘Cause we ain’t supposed to live with nobody around/ I’m a spaceman/ Yeah, I’m a spaceman,” he sings.
    Later in the chorus, he sings about missing his loved one as the music video shows him trying to get back home to his wife, portrayed by his real-life spouse Priyanka Chopra. Part of the lyrics goes, “From thе dark side of the moon/ I know that it’s sad but it’s true/ I’m tryna get home, I’m a spaceman/ Yeah, yeah, I’m a spaceman/ Out on my own.”
    The “Spaceman” video, directed by Anthony Mandler, comes just hours ahead of the release of Nick’s fourth solo album of the same title. “Spaceman” is the lead single of the album and was released on February 25, followed by the second single “This Is Heaven” on March 4.

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    Nick is also set to perform “Spaceman” for the first time on “Saturday Night Live” on February 27. In the upcoming episode of the NBC sketch series, the “Sucker” singer will take double duty, serving as the host in addition to being the musical guest.
    Despite his solo album and his upcoming solo gig, the Jonas Brothers are still very much together. The trio have quashed rumor about their disbandment following the release of Nick’s new song “Spaceman”.
    Marking the second anniversary to the day they announced their comeback, they wrote on Twitter on February 24, “That day and every day that followed has meant everything to us Red heart Playing music together, getting back on the road, seeing all of your faces in the crowd, hearing your stories…”
    They went on teasing their future projects as a band, adding, “Our 2019 (and even some of 2020!) was so special and it’s all because of how amazing you guys are … We have the best fans in the world and we love you so much! We all have a ton of exciting stuff coming (together and apart Winking face) and we can’t wait for you guys to hear all about it.”

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    Mickey Guyton Tapped as First Black Woman to Host 2021 ACM Awards

    ABC

    The ‘Black Like Me’ singer is set to make history as she’s officially announced as an emcee for the upcoming Academy of Country Music Awards along with Keith Urban.

    Mar 12, 2021
    AceShowbiz – New mum Mickey Guyton is returning to the spotlight to co-host the 2021 Academy of Country Music Awards with Keith Urban.
    The “Black Like Me” singer, who became a first-time mother last month (Feb21), will join forces with Urban, who is returning for his second consecutive year as emcee, to present the show from three iconic venues in Nashville, Tennessee – the Grand Ole Opry House, the historic Ryman Auditorium, and The Bluebird Cafe – the same places which hosted live performances for last year’s ceremony, during the height of the COVID-19 crisis.
    “I’m beyond thrilled to be co-hosting with my friend Mickey,” Urban shared in a statement. “I love that finally everyone will get to see her infectious energy and uber creative spirit in full light.”

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    And Guyton, who shared the stage with Urban at the 2020 event, added, “Last year I had the opportunity to perform at the Academy of Country Music Awards with someone I long admired, Keith Urban, and this year I am incredibly excited to share hosting duties with him.”
    “As I’ve said before, ‘If you can see it, you can be it,’ and it’s such an honor to step onto the ACM stage as the first ever Black woman to host the show.”
    “Over the years, the Academy of Country Music has always been a home for me through opportunities both onstage and throughout their work on diversity and inclusion. This is a moment of great significance for me and I am so thrilled to share it with all the fans.”
    The 56th annual ACM Awards will air on 18 April (21).

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    Grammys Is 'Disappointed' by The Weeknd's Declaration of Eternal Boycott, Vows to 'Improve'

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    The Recording Academy’s interim chief executive Harvey Mason Jr. responds after the ‘Blinding Lights’ singer said he will never submit his music to the Grammys again.

    Mar 12, 2021
    AceShowbiz – The Recording Academy isn’t all too pleased when it is at the receiving end of a snub. Following The Weeknd’s decision to boycott the Grammys for good, the Academy’s boss has admitted that they’re “disappointed.”
    “We’re all disappointed when anyone is upset,” interim Academy CEO Henry Mason Jr. said in a statement in response to The Weeknd’s eternal boycott. Vowing to make a change, he added, “But I will say that we are constantly evolving. And this year, as in past years, we are going to take a hard look at how to improve our awards process, including the nomination review committees.”
    On Thursday, March 11, just days ahead of the 63rd annual Grammy Awards, The Weeknd once again spoke of his disdain at the award show. “Because of the secret committees, I will no longer allow my label to submit my music to the Grammys,” he told the New York Times.

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    The Canadian artist was standing by his stance after he was understandably upset due to the Grammys snub. The 31-year-old received zero nominations at the upcoming ceremony, despite his single “Blinding Lights” being the biggest hit to date this year. “The Grammys remain corrupt. You owe me, my fans, and the industry transparency…,” he tweeted after the nominations were announced on November 24, 2020.
    He also hinted that he had already been planning his Grammy performance for weeks until he learned of the nominations snub. “Collaboratively planning a performance for weeks to not being invited? In my opinion zero nominations = you’re not invited!” he wrote in another tweet.
    The Academy later responded to The Weeknd’s complaint, with Mason Jr. saying, “There were a record number of submissions in this unusual and competitive year. We understand that The Weeknd is disappointed at not being nominated. I was surprised and can empathize with what he’s feeling. His music this year was excellent, and his contributions to the music community and broader world are worthy of everyone’s admiration.”
    Addressing speculation that The Weeknd being snubbed had anything to do with his Super Bowl LV performance, Mason Jr. stated, “We were thrilled when we found out he would be performing at the upcoming Super Bowl and we would have loved to have him also perform on the Grammy stage the weekend before. To be clear, voting in all categories ended well before The Weeknd’s performance at the Super Bowl was announced, so in no way could it have affected the nomination process. All Grammy nominees are recognized by the voting body for their excellence, and we congratulate them all.”

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    The Weeknd Will No Longer Submit His Music to Grammys Following Nomination Snub

    WENN

    The ‘Blinding Lights’ hitmaker hits back at the Recording Academy again, revealing that he bans his label from submitting his music to the Grammy committees.

    Mar 12, 2021
    AceShowbiz – The Weeknd is so ticked off about his Grammys snub he has instructed his label bosses to stop submitting his music for consideration.
    Music fans were stunned when the singer failed to pick up a single nod for music’s big night, despite breaking records and winning acclaim for his album “After Hours” and single “Blinding Lights” in 2020.
    Following his snub, an angry The Weeknd took to social media to attack Grammys bosses, stating, “The Grammys remain corrupt. You owe me, my fans and the industry transparency…”
    He later admitted he was “blindsided” by the snub and now he has chosen to boycott the Recording Academy’s awards shows indefinitely.

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    “I will no longer allow my label to submit my music to the Grammys… because of the secret committees,” he tells the New York Times.
    Meanwhile, the singer’s manager, Wassim Slaiby, admits he and his label bosses still haven’t been able to get a straight answer as to why The Weeknd was left off the nominations list, “We were many weeks and dozens of calls in with the Grammy team around Abel’s (The Weeknd) performance right up to the day of nominations being announced. We were scratching our heads in confusion and wanted answers.”
    As a result of the snub, the pop star pulled out of performing at the Grammys.
    He’s not the only star taking aim at the Grammys bosses this week – new dad Zayn Malik also lashed out after his music failed to make the nominations list.
    The former One Direction star scolded Recording Academy officials via social media, writing, “F**k the grammys and everyone associated. Unless you shake hands and send gifts, there’s no nomination considerations. Next year I’ll send you a basket of confectionary (sic).”

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    Lou Ottens, Father of Countless Mixtapes, Is Dead at 94

    AdvertisementContinue reading the main storySupported byContinue reading the main storyLou Ottens, Father of Countless Mixtapes, Is Dead at 94He led the team at Philips that changed the audio world in 1963 by introducing a small, portable way to play and record: the cassette.Lou Ottens in 1988, 25 years after he led the team that introduced the cassette tape to the world.Credit…Philips Company ArchivesMarch 11, 2021, 6:58 p.m. ETIn these digital days, it may be hard to appreciate how radically Lou Ottens changed the audio world when, in 1963, he and his team at Philips, the Dutch electronics company, introduced the cassette tape.“As the story goes, Lou was home one night trying to listen to a reel-to-reel recording when the loose tape began to unravel from its reel,” Zack Taylor, who directed the 2017 film “Cassette: A Documentary Mixtape,” said by email.Mr. Ottens was in charge of product development at the Philips plant in Hasselt, Belgium, at the time.“The next morning,” Mr. Taylor continued, “a frustrated Lou Ottens gathered the engineers and designers from the Philips audio division and insisted that they create something foolproof: The tape had to be enclosed, and the player had to fit in his jacket pocket.”The cassette was a way to play music in a portable fashion, something not easily done with vinyl, and to record it conveniently as well. Artists started using cassettes to record passing ideas. Bootleggers used them to record live concerts for the underground market. Young lovers used them to swap mixtapes of songs that expressed their feelings.Soon record labels began releasing entire albums on cassettes and automakers were installing cassette players on dashboards.Another portable technology, the bulkier 8-track cartridge, was introduced in the same period, but cassettes, smaller and recordable, quickly doomed those devices, and also cut into the vinyl market.The cassette was a way to play music in a portable fashion, and to record it conveniently as well. “It was a big surprise for the market,” Mr. Ottens said in 2013.Credit…Philips Company Archives“It was a big surprise for the market,” Mr. Ottens told Time magazine in 2013, the 50th anniversary of that wallet-size breakthrough. “It was so small in comparison with reel-to-reel recorders that it was at that moment a sensation.”Mr. Ottens died on Saturday in Duizel, in the Netherlands, Tommie Dijstelbloem, a spokesman for Philips, said. He was 94.In the 1970s, after spearheading the development of the cassette, he contributed to the development of the compact disc, a product Philips and Sony jointly unveiled in 1982. The new format soon pushed the cassette aside.“The best thing about the compact cassette story,” the newspaper Nederlands Dagblad wrote in 2011, “is that its inventor also caused its downfall.”Not quite. Cassettes remain popular with some aficionados, in a retro sort of way. Mr. Ottens, though, was not one of them.“Now it’s nostalgia, more or less,” he said in the documentary. “People prefer a worse quality of sound out of nostalgia.”Lodewijk Frederik Ottens was born in Bellingwolde, the Netherlands, on June 21, 1926. He graduated from what is now Delft University of Technology with a degree in mechanical engineering and began working at Philips in 1952.He became head of product development in Hasselt in 1957 and began overseeing the development of a portable reel-to-reel machine in 1960. Olga Coolen, director of the Philips Museum in Eindhoven, the Netherlands, said that when he conceived the idea of a cassette tape, he carried a wooden block in his coat pocket that was the size and shape of what he envisioned.“His wooden block prototype was lost when Lou used it to prop up his jack while changing a flat tire,” she said by email. “However, we still have the very first cassette recorder he developed on display, a testimony to his foresight and innovation.”The company unveiled the cassette in 1963 at a product exhibition in Berlin. The old saying about imitation being the sincerest form of flattery was quickly proved.“Our cassette was extensively viewed and photographed by the Japanese,” Mr. Ottens told an interviewer in 2013. “A few years later, the first Japanese imitations came, with a different tape format, different dimensions, different playing time. Not shocking, but too many hit the market. Then it becomes a big mess.”Mr. Ottens in 2013. When he conceived of the idea of a cassette tape half a century earlier, he carried a wooden block in his coat pocket that was the size and shape of what he envisioned.Credit…Jerry Lampen/Agence France-Presse — Getty ImagesPhilips made its licensing available free, largely at Mr. Ottens’s urging, and its version of the cassette soon became the standard.“That’s the reason that it didn’t become obsolete too early,” Mr. Ottens said in the film, “and it’s taken 50 years to die.”Philips says 100 billion cassettes have been sold worldwide.After the cassette, Mr. Ottens worked on an unsuccessful videodisc project before shifting to the CD. And before that innovation was released, he had shifted his focus to Video 2000, a system intended to compete with VHS; it, too, did not catch on.He retired from Philips in 1986. Information on his survivors was not immediately available.The makers of “Cassette: A Documentary Mixtape” took a romanticized view of the cassette and its importance to the countless people who made use of it in myriad ways, but Mr. Taylor said Mr. Ottens had a much more utilitarian view.“Lou was never comfortable taking credit for the cassette, or for the incalculable impact it had on the history of music,” Mr. Taylor said. “What I saw as a deeply personal medium, Lou saw as a pragmatic answer to the cumbersome nature of the reel-to-reel.”In the film, Mr. Ottens and three of the men who worked under him on the cassette project reminisce. Mr. Ottens still seems surprised by the impact of the little gizmo.“We expected it would be a success,” he says, “but not a revolution.”AdvertisementContinue reading the main story More