More stories

  • in

    Drake Says New Album 'Certified Lover Boy' Is 'Currently Being Chef'd'

    WENN

    The ‘Toosie Slide’ hitmaker promises his next studio installment is coming soon as he tides fans over by releasing a follow-up to his 2018 mini album ‘Scary Hours’.

    Mar 7, 2021
    AceShowbiz – Drake has promised fans “Certified Lover Boy” is “in the pot and coming soon.”
    The “Toosie Slide” hitmaker has given an update on the delayed record and teased it’s “currently being chef’d in every way possible” as he revealed that he’s been cooking up tunes once again with Noel Cadastre and Noah ’40’ Shebib.
    Speaking on OVO Sound Radio, he continued, “I don’t have an exact date, but it’s in the pot and it’s coming soon.”
    This week (end07Mar21) saw the 34-year-old rapper release three news songs on “Scary Hours 2”.

      See also…

    After teasing a follow-up to his 2018 EP “Scary Hours”, the hip-hop superstar delivered three new tracks on the sequel, “What’s Next”, “Wants and Needs” featuring Lil Baby, and “Lemon Pepper Freestyle” with Rick Ross.
    “Certified Lover Boy” was delayed in order for Drake to focus on his recovery from knee surgery.
    The album was originally scheduled for release early this year.
    “I was planning to release my album this month but between surgery and rehab my energy has been dedicated to recovery,” he explained to his online devotees on Instagram Story. “I’m blessed to be back on my feet feeling great and focused on the album, but CLB won’t be dropping in January. I’m looking forward to sharing it with you all in 2021. (sic)”
    While details of the album are still sketchy, the rapper previously said his new music might draw mixed response, just like the reaction he got for his 2016 record. “They hated on Views just like they will CLB (Certified Lover Boy) but it’s music to evolve to,” he said.

    You can share this post!

    Next article
    Billie Eilish Granted Five-Year Restraining Order Against Stalker

    Related Posts More

  • in

    Myleene Klass Blames Hear'Say Messy Breakup for Her Refusal to Reunion

    Instagram

    During an appearance on Sink The Pink’s ‘Pop Tarts’ Instagram Live, the ‘Dancing on Ice’ contestant admits to have been approached by ex-bandmate Suzanne Shaw about the get-together.

    Mar 6, 2021
    AceShowbiz – Myleene Klass didn’t want to reunite with Hear’Say because she resented being the one left to deal with their messy breakup.
    The “Pure and Simple” hitmakers, which also included Kym Marsh, Suzanne Shaw, Noel Sullivan and Danny Foster, mark 20 years since they were formed on TV show “Popstars” this year (2021). And though they had been rumored to get back together, the 42-year-old pianist turned down an approach – partly because she was very busy, but also because she’s still unhappy about how things ended.
    Kym quit the group in December 2001 amid rumors of tension between her and Myleene, but failed to tell her bandmates before the news was made public, creating a “bitter” atmosphere.
    And during an appearance on Sink The Pink’s “Pop Tarts” Instagram Live, Myleene explained, “You’ve got to remember though, for me, I feel like I was the last to leave the band as I was the one to turn the lights out in the office.”
    “I had to walk into a massive brand [meeting] and they said, ‘What are we gonna do now? We’ve got half a million Easter eggs and there’s five of you on them’ and I’m 21 years old going, ‘umm.’ ”
    “They want their money back and I’m like, ‘I don’t have it. I assure you I don’t have that money for your half a million pound easter egg deposit.’ Every day there is a member depleting, so I remember having to close down the books on that kind of stuff, shut down the accounts.”

      See also…

    Myleene also revealed Suzanne visited her at home last year to urge her to take part in the reunion, but she wouldn’t change her mind.
    “There was definitely talk last year,” she continued. “Suzie came to my house just to have the discussion. I said, ‘look at the minute, I have so much on.’ ”
    The “Dancing on Ice” contestant recalled how devastated she was when the band, which ultimately replaced Kym with Johnny Shentall, went their separate ways.
    “It’s funny, isn’t it, because it’s 20 years ago. So, if I asked you what happened around the photocopier in the office 20 years ago, you can’t really remember,” she mused. “But, of course, it was sad when it ended because we thought we were going to be bigger than U2. Well, I did. I don’t know what everyone else thought.”
    Despite Myleene’s repeated public refusals to be part of a reunion, Kym recently insisted they will mark the milestone in some way.
    She said, “We’d like to give a little nod to the fact that it’s 20 years. What we’ll do, I have no idea. But we’d like to do something to mark the occasion — we’ll have to wait and see…”

    You can share this post!

    Next article
    Alice Cooper Compares Inability to Separate Self From Stage Persona to ‘Organized Schizophrenia’

    Related Posts More

  • in

    Bruno Mars Responds to Cultural Appropriation Accusations

    Instagram

    The ‘That’s What I Like’ hitmaker addresses the accusations in an episode of ‘The Breakfast Club’, telling host Charlamagne Tha God that his music ‘comes from love’

    Mar 6, 2021
    AceShowbiz – While his music is critically acclaimed, Bruno Mars has faced accusations of cultural appropriation throughout his career. The “Versace on the Floor” singer has finally addressed the matter during his appearance on “The Breakfast Club” interview alongside his Silk Sonic teammate Anderson .Paak.
    “People love to accuse you of being a cultural thief, which I find interesting because you are a person of color,” host Charlamagne Tha God said to the biracial singer. “What would you say to those people?”
    Sharing that he has always given credit to the funk, R&B and pop artists who appeared before him, Bruno responded, “I would say: You can’t look at an interview, you can’t find an interview where I’m not talking about the entertainers that’ve come before me. And the only reason why I’m here is because of James Brown, is because of Prince, [Michael Jackson]–that’s the only reason why I’m here.”

      See also…

    The “24K Magic” artist went on to say, “I’m growing up as a kid, watching Bobby Brown [and] saying, ‘OK, if that’s what it takes to make it, then I’ve got to learn how to do the running man, I’ve got to learn how to do the moon walk.’ That’s it.” Bruno also insisted that “this music comes from love, and if you can’t hear that, then I don’t know what to tell you.”
    He further noted that it was totally normal for musicians to learn something from artists who came before them. “What is the point if us, as musicians, can’t learn from the guys that’ve come before us? What did they do?” he questioned.
    [embedded content]
    When asked if the criticism made him upset, Bruno said, “It comes with the gig. And there’s real merit to what people are saying about Black entertainers not getting their flowers, and I’m championing with that, I’m with that … I understand, but it’s just Twitter.”

    You can share this post!

    Next article
    Dead at 30, ‘Moonshiners’ Star Lance Waldroup Found Not Breathing by Mother

    Related Posts More

  • in

    Bruno Mars and Anderson .Paak Debut Silk Sonic's First Single

    Instagram

    The pair have launched ‘Leave the Door Open’, their first single as a duo, as they are gearing up for the release of their upcoming debut studio album titled ‘An Evening With Silk Sonic’.

    Mar 6, 2021
    AceShowbiz – Bruno Mars and Anderson .Paak have released Silk Sonic’s first single, “Leave the Door Open”.
    The pair have teamed up to record an album called “An Evening With Silk Sonic”, and the first tune from the record – which also features “special guest host” Bootsy Collins – is out now with a music video, which sees them dripping in pieces from Bruno’s Lacoste x Ricky Regal Collection.
    [embedded content]
    The “Finesse” singer has just teamed up with Lacoste to launch his new lifestyle brand, Ricky Regal.
    “Inspired by a lust for life and an entrepreneurial Midas touch, the collection bridges Bruno’s enigmatic personality and distinct style with Lacoste’s iconic blend of sport and luxury,” the company said in a statement.

      See also…

    Teasing the new single and record from his new outfit, Bruno previously tweeted, “We locked in and made an album. The band’s called Silk Sonic. First song drops next Friday 3/5. (sic)”
    Rapper Anderson tweeted, “WE MADE AN ALBUM!! YALL GET THE FIRST SONG NEXT FRIDAY 3/5!! ROCKET EMOJIS AND ALL THAT!!! (sic)”
    The pair are no strangers to working together, after they toured with each other on the 35-year-old singer’s “24K Magic World Tour” in 2017.
    Bruno hasn’t dropped an album since 2016’s “24K Magic”.
    Details of their upcoming collaborative album are still sketchy, but there was speculation that the pair had worked on new material with Chic guitarist Nile Rodgers and a member of Disclosure after a video emerged on social media of the quartet at the famous Abbey Road Studios in London.

    You can share this post!

    Next article
    Harry Styles to Romance David Dawson in New Movie ‘My Policeman’

    Related Posts More

  • in

    Drake Releases Three New Songs From 'Scary Hours 2'

    WENN

    The ‘Scorpion’ star has delighted his loyal devotees as he releases three tracks from a follow-up to his 2018 mini album ‘Scary Hours’ to tide fans over his next studio installment.

    Mar 6, 2021
    AceShowbiz – Drake has released three news songs on “Scary Hours 2”.
    After teasing a follow-up to his 2018 EP “Scary Hours”, the hip-hop superstar has delivered three new tracks on the sequel: “What’s Next”, “Wants and Needs” featuring Lil Baby, and “Lemon Pepper Freestyle” with Rick Ross.
    [embedded content]
    Fans are currently awaiting a release date for the rapper’s upcoming album, “Certified Lover Boy”, which he delayed to focus on his recovery from knee surgery.
    The LP was set to arrive in January (21), but he decided to push back the release because all of his “energy” went into healing from the operation he had last year.
    [embedded content]

      See also…

    In a statement to fans on his Instagram Story, Drake wrote, “I was planning to release my album this month but between surgery and rehab my energy has been dedicated to recovery.”
    “I’m blessed to be back on my feet feeling great and focused on the album, but CLB won’t be dropping in January. I’m looking forward to sharing it with you all in 2021. (sic)”
    [embedded content]
    So far, the Grammy-winner has released the lead single, “Laugh Now Cry Later”, featuring Lil Durk.
    Drake previously admitted he expects some people to “hate on” his new record like they did 2016’s “Views”.
    Responding to a fan who said “Views” “be hittin’ different” four years later, Drake replied, “They hated on Views just like they will CLB (Certified Lover Boy) but it’s music to evolve to.”
    Drake’s last studio album was 2018’s “Scorpion”.

    You can share this post!

    Next article
    Prince Philip Transferred Back to King Edwards VII’s Hospital After Heart Surgery

    Related Posts More

  • in

    Justin Bieber Robs a Bank for Love in 'Hold On' Music Video

    [embedded content]

    ‘The song is just a hopeful record of just holding on,’ the ‘Love Yourself’ hitmaker explains the song, which will be included in his upcoming sixth album ‘Justice’.

    Mar 5, 2021
    AceShowbiz – Justin Bieber has finally released the music video for his latest single “Hold On”. Unveiled on Thursday, March 4, the visuals sees the Canadian heartthrob being on the run after robbing a bank to save the love of his life.
    The video, which is directed by Collin Tilley, opens with Justin trying to escape from police as he rides a motorbike. Later, the scene cuts to him suffering a gunshot wound.
    In the flashback scene, it is revealed Justin’s girlfriend is having a deadly disease. Struggling with the medical bills, Justin is forced to commit a crime by robbing a bank. However, his plan doesn’t work out because authorities arrive before he can flee the scene.

      See also…

    “I need you to hold on/ Heaven is a place not too far away/ We all know I should be the one to say we all make mistakes/ (We all make mistakes),” Justin sings in the chorus. “Take my hand and hold on/ Tell me everything that you need to say/ Cause I know how it feels to be someone/ Feels to be someone who loses their way.”
    “The song is just a hopeful record of just holding on, because a lot of us want to give up at times,” Justin explains the song, which will be included in his upcoming sixth album “Justice”. “There’s a lot to look forward to. There’s a lot we can’t control sometimes, but there’s always hope.”
    Elaborating the new direction that his music will take with his next album, the husband of Hailey Baldwin shares, “In a time when there’s so much wrong with this broken planet we all crave healing and justice for humanity. In creating this album my goal is to make music that will provide comfort, to make songs that people can relate to and connect to so they feel less alone.”

    You can share this post!

    Next article
    Phora Gets Shot at on His Way to Las Vegas Meet and Greet, One Is Injured

    Related Posts More

  • in

    Tory Lanez's New Album 'Playboy' Comes 'From a Place of Hurt and Vulnerability'

    Dubbed an RnB capsule, the newly-released project, which features a Chris Brown-assisted track, captures the Canadian artist’s ’emotions caused by a breakup that left him vulnerable.’

    Mar 5, 2021
    AceShowbiz – Tory Lanez shows his vulnerable side in his new album “Playboy”. Dubbed an R&B capsule, the seventh studio album from the Canadian artist just dropped on midnight Friday, March 5 and he describes the creative process behind the project in a press release.
    “Emotionally, I was able to flow creatively. Some of my best creations come out when I’m vulnerable,” he explains. “This is me being as honest as I can be on a record. For the first time in a long time, I was writing R&B from a place of hurt and vulnerability, Unlike a lot of my other R&B which is based on the pure vibe and catchy melodies.”
    Lanez additionally reveals his objective with the album, “I want my listeners to walk away with an understanding of how my emotions are and I want them to understand that this is an honest depiction of how I feel about relationships and people that are close to me.”
    Off the twelve tracks in the album, “Deceiving Eve” is perhaps the best to convey Lanez’s emotions as it is the song he felt the most vulnerable of the project. The album also also features “Feels” as the lead track. Featuring R&B crooner Chris Brown, the song is described as a seductive ballad that showcases the two singers rhapsodizing over bedroom antics.
    Breezy also appears in the music video directed by Christian Breslauer, which was released on February 20. On working with Brown, Lanez says, “Me and my Bro are not playing. This song is kicking off my new capsule ‘PLAYBOY’. This is one of my favorite bangers to date. It’s R&B season.”

      See also…

    [embedded content]
    Ahead of the “Playboy” release, Lanez debuted three unreleased tracks as non-fungible tokens (NFTs) through a collaboration with leading blockchain company Bondly.Finance. This unorthodox approach pairs rare digital art with music where fan’s and NFT collectors are able to prove ownership of these items through the blockchain.
    By taking this approach, Lanez becomes the highest streamed, independent artist to release full songs as NFT’s prior to the album’s release on other digital platforms. “This album is one of the biggest releases of my career, so I had to make the release strategy bigger than ever,” says Lanez. “This meant getting the tracks to my superfans early before the album hits on Friday. So I’m dropping my first NFT, allowing 450 fans to get 3 unreleased tracks from my discography and a chance to meet and hang out with me digitally.”
    The three songs include two from his upcoming album “Playboy” and one from his yet to be announced 80’s themed album.
    “Playboy” is available for stream and download here.

    You can share this post!

    Next article
    Edie Falco to Portray Hillary Clinton on FX’s ‘Impeachment: American Crime Story’

    Related Posts More

  • in

    Henry Goldrich, Gear Guru to Rock Stars, Is Dead at 88

    AdvertisementContinue reading the main storySupported byContinue reading the main storyHenry Goldrich, Gear Guru to Rock Stars, Is Dead at 88The owner of Manny’s Music in Manhattan, he brought wah-wah to Hendrix and Clapton and connected musicians with equipment that helped define their styles.Henry Goldrich in an undated photo in front of his store, Manny’s Music, which until it closed in 2009 was the largest and best-known of the cluster of music shops on West 48th Street in Manhattan.Credit…via Ian GoldrichMarch 4, 2021, 6:29 p.m. ETWhen asked about his musical ability, Henry Goldrich would often demur, “I play cash register.”His stage was Manny’s Music in Manhattan, where Mr. Goldrich, the longtime owner, supplied equipment to a generation of rock stars. But even though he sold instead of strummed, Mr. Goldrich secured an important role in rock by connecting famous musicians with cutting-edge equipment.“To these guys, Henry was the superstar,” his son Judd said. “He was the first guy to get gear they had never seen before.”Mr. Goldrich died on Feb. 16 at his home in Boca Raton, Fla. He was 88.His death was confirmed by his other son, Ian, who said he had been in frail but stable health.Manny’s, which closed in 2009 after 74 years in business, was long the largest and best-known of the cluster of music shops on the West 48th Street block known as Music Row.It was opened in 1935 by Mr. Goldrich’s father, Manny, and it was a second home for Henry since his infancy, when the shop’s clientele of swing stars doted on him. Ella Fitzgerald would babysit for him in the shop when his parents went out for lunch, Ian Goldrich said.By 1968, when his father died at 62, Henry Goldrich had largely taken over operations and had turned the shop into an equipment mecca and hangout for world-renowned artists.He did this by expanding its inventory of the latest gear and by solidifying connections with suppliers that helped him consistently stock high-level instruments and new products.Mr. Goldrich sold guitars to Jimi Hendrix, Eric Clapton, Pete Townshend and many others. He was not happy about Mr. Townshend’s penchant for smashing them.Credit…Chester Higgins Jr./The New York TimesAt a time before rock stars were lavished with the latest equipment straight from the manufacturers, Manny’s was favored by top musicians searching for new gear and testing out new equipment.These included two guitar gods of the 1960s, Jimi Hendrix and Eric Clapton — to whom, Ian Goldrich said, his father recommended the wah-wah pedal, an electronic device that immediately became a staple of both musicians’ approaches. He added that Hendrix would buy scores of guitars on credit and have Mr. Goldrich fine-tune them to the guitarist’s demanding preferences.Many rock and pop classics were either played or written on instruments sold by Mr. Goldrich.John Sebastian, founder of the Lovin’ Spoonful, recalled in an interview how Mr. Goldrich in the mid-1960s helped him select the Gibson J-45 he used on early Spoonful recordings like “Do You Believe in Magic?”Mr. Goldrich similarly matched James Taylor with a quality Martin acoustic guitar early in his career, his son Ian said. And Sting used the Fender Stratocaster Mr. Goldrich sold him to compose “Message in a Bottle” and many other hits for the Police before donating it to the Smithsonian Institution.The photos on the Manny’s Wall of Fame constituted a Who’s Who of popular music. Credit…Chester Higgins Jr./The New York TimesIn 1970, he sold the Pink Floyd guitarist David Gilmour the 1969 black Stratocaster he played on many of the band’s seminal recordings. It sold at auction in 2019 for a record $3,975,000.Pete Townshend of the Who would order expensive electric guitars by the dozens from Mr. Goldrich, who was not happy when he heard about the guitarist’s penchant for destroying his instrument onstage for theatrical effect.“It was good business,” Ian Goldrich said, “but my father was annoyed that Pete was breaking all the guitars he was selling him.”Unlike many of his flamboyant rock-star customers, Mr. Goodrich always dressed conventionally in a sport coat and kept a blunt demeanor that put his customers at ease.“He had a gruff personality; he treated them all the same,” Ian Goldrich said. “He’d tell Bob Dylan, ‘Sit in the back and I’ll be with you in a minute.’”There was the day in 1985 — it was Black Friday, and the store was packed — that Mick Jagger and David Bowie stopped by together, creating a commotion that halted sales. An annoyed Mr. Goldrich quickly sold them their items and rushed them out.“My father was like, ‘What are you guys doing here today?’” Ian recalled. “He didn’t throw them out, but he was not happy.”When the band Guns N’ Roses asked to shoot part of the video for their 1989 hit “Paradise City” in the store, Ian Goldrich recalled, his father agreed only reluctantly, saying, “OK, but we’re not shutting down for them.”Ever opinionated, Mr. Goldrich told Harry Chapin in 1972 that his new song “Taxi,” at nearly seven minutes, was too lengthy to be a hit. (It reached the Top 40 and is now considered a classic.) And he told Paul Simon, who as a boy had bought his first guitar at Manny’s, that he thought Simon and Garfunkel was a “lousy name” for a group.But he also advised new stars in a fatherly way not to squander their newfound wealth.“He’d take them aside and say, ‘You’re making money now — how are you going to take care of it?’” Ian Goldrich said.From left, the singer Richie Havens, the singer and radio host Oscar Brand and Mr. Goldrich at a celebration of Manny’s Music’s 50th anniversary at the Rainbow Grill in 1985.Credit…Marilyn K. Yee/The New York TimesHenry Jerome Goldrich was born on May 15, 1932, to Manny and Julia Goldrich, and grew up in Brooklyn and in Hewlett on Long Island. After graduating from Adelphi College, he served in the Army in Korea in the mid-1950s and then went to work full time at Manny’s.His father opened the store on West 48th Street, a location he chose because it was close to the Broadway theaters and the 52nd Street jazz clubs, as well as numerous recording studios and the Brill Building, a hub for music publishers. In 1999, Mr. Goldrich sold Manny’s to Sam Ash Music, a rival store, which largely retained the staff until Manny’s closed in 2009.In addition to his sons, Mr. Goldrich is survived by his wife, Judi; his daughter, Holly Goldrich; seven grandchildren; and a great-granddaughter.Mr. Goldrich often used his celebrity clientele to market the store. “He recognized value of these people being in the store and it made the business, certainly,” his son Judd said.When a young Eric Clapton, then with the group Cream, was stuck in New York without the money to fly home to England, he offered his amplifiers to Mr. Goldrich to raise funds.“He said, ‘I’ll buy them from you as long as you stencil them with the Cream logo,” Ian said.Then there was the store’s Wall of Fame, thousands of autographed publicity photos of famous customers that constituted a Who’s Who of popular music. Mr. Goldrich helped cultivate the photos, many of which were inscribed to him, and often kept his staff from stacking merchandise in front of them.Mr. Taylor, in a video interview, described being mesmerized by the photos as a teenager and being proud when his own was added. “It was sort of an inside thing, not as celebrated as a Grammy or a gold record or a position on the charts,” he said. “But definitely you had arrived if you were included on that wall.”Mr. Goldrich became close friends with many musicians, including the Who’s bassist, John Entwistle, who attended Judd’s bar mitzvah in New Jersey and hosted the Goldrich family at his Gothic mansion in England. Ian remembered the band’s drummer, Keith Moon, sitting on his father’s lap while drinking cognac at a screening of the film “Tommy.”In a video interview, Mr. Goldrich described selling the violinist Itzhak Perlman an electric violin. When Mr. Perlman tried bargaining, Mr. Goldrich parried by asking if he ever reduced his performance fee.“He said, ‘It’s different, I’m a talent,’” Mr. Goldrich recalled. “I said, ‘I’m a talent in my own way, too.’”That talent was palpable to Mr. Sebastian when he asked Mr. Goldrich to allow him to test out his stock of Gibson acoustic guitars in a merchandise room.“Henry’s famously prickly demeanor receded slightly,” Mr. Sebastian recalled, and he agreed to open early the next morning to allow him in.“He knew exactly what I wanted,” he said. “And I’ll be damned if I didn’t catch Henry smiling as he made out the bill.”AdvertisementContinue reading the main story More