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    Biggest Controversies Plaguing Grammy Awards Over the Years

    https://www.grammy.com/

    Over time, the reputation of the prestigious award ceremony has been tarnished by a number of scandals that sometimes arose with the rise of social awareness in this modern society.

    Mar 14, 2021
    AceShowbiz – First presented in 1959, the Grammys are the first and widely considered as the biggest of the major music awards held annually. For this reason, talented musicians from all over the world often set their eyes on the awards as their highest goal. From U2 and Quincy Jones to Beyonce Knowles and Billie Eilish, the gilded gramophone trophies have been awarded to artists for their accomplishments for the year.
    That, however, doesn’t mean that the Grammys escape critical minds of industry experts and workers as well as music fans. Over time, the reputation of what is supposed to be a prestigious award ceremony has been tarnished by a number of scandals that sometimes arose with the rise of social awareness in this modern society.
    While the Grammys still survive the tribulations and public’s persecutions to this day, ahead of the 63rd ceremony to be held on Sunday, March 14, let’s take a look at the biggest controversies that have been plaguing Grammy Awards over the years.

    1. Commercialization of the Awards

    With her highly-popular new arrangement of Prince’s song “Nothing Compares 2 U” and her critically-acclaimed album “I Do Not Want What I Haven’t Got”, Sinead O’Connor more than deserved the Grammy. However, after she received several nominations for the song as well as the album for the 1991 show, she wanted no part of it because she felt the Grammys promoted ” ‘false and destructive materialistic values’ of the music industry.”
    As she described in a statement to the National Academy of Recording Arts & Sciences, the Irish singer-songwriter said, “I believe that our purpose [as artists] is to inspire and, in some way, guide and heal the human race, of which we are all equal members. They acknowledge mostly the commercial side of art. They respect mostly material gain since that is the main reason for their existence. And they have created a great respect among artists for material gain–by honoring us and exalting us when we achieve it, ignoring, for the most part, those of us who have not.” Despite her refusal to attend the ceremony, O’Connor still won the Grammy for Best Alternative Music Performance.

    2. Will Smith and DJ Jazzy Jeff’s Boycott
    WENN/Nicky Nelson/C.Smith

    Sinead O’Connor set her name in history as the only artist who turned down the Grammy, but she’s certainly not the first who refused to attend the ceremony. Back in 1989, Will Smith and DJ Jazzy Jeff boycotted the show despite being nominated for Best Rap Performance, a category that was newly added for that year’s ceremony, after learning that presentation of the award for the said category wouldn’t be televised.
    “We don’t have the problem with the Grammy as an award or the Grammys as an institution, we just had a problem with the 1989 design of the awards show,” Smith told Entertainment Tonight. “We chose to boycott. We feel that it’s a slap in the face.” Jeff added, “They televised 16 categories and, from record sales, from the Billboard charts, from the overall public’s view, there’s no way you can tell me that out of 16 categories, that rap isn’t in the top 16.” Supporting the duo, Salt-N-Pepa, Russell Simmons and LL Cool J joined to boycott the show, with Salt-N-Pepa saying, “If they don’t want us, we don’t want them.”

    3. The ‘Boys’ Club’ Nature of the Academy
    https://www.grammy.com/

    Women have fought for their equal rights to men since decades ago, but sexism is still found to this day in society and workplace, one of which was the Recording Academy, so former chief executive of the organization Deborah Dugan claimed. After being placed on administrative leave 10 days before the 2020 ceremony, she spoke against the academy, describing it as an “old boys’ club” where misogyny runs rampant.
    She filed a discrimination complaint with the Equal Employment Opportunity Commission, accusing the organization of unlawful gender discrimination and unequal pay among other claims. “I was so shocked when I got there of the level of sexism and corruption that I found at the Recording Academy,” she told NBC News in January 2020. “There’s a layer of corruption, self-dealing and sexism that must go.”

    4. Racial Bias
    WENN/FayesVision

    Any award show must have had its part in presenting controversial win and the Grammys are not innocent in this case. In 2015, the show shocked viewers by handing out Album of the Year to Beck instead of Beyonce and later in 2017, the “Formation” singer suffered another loss in the category to Adele. But the biggest upset was perhaps when Kendrick Lamar lost to Macklemore and Ryan Lewis for the Best Rap Album in 2013. While Macklemore admitted that Lamar “got robbed” and the latter accepted the loss with a big heart, saying that “not everyone gets that shot,” many attributed such controversial wins to racial bias.
    Analyzing this issue, Anne Powers of NPR accused the 2017 Grammys of systematic racism because Chance the Rapper and Beyonce were the only black artists who won televised awards. Tyler, the Creator raised the issue again after picking up the Best Rap Album trophy for “IGOR” in 2019. “It sucks that whenever we – and I mean guys that look like me – do anything that’s genre-bending or that’s anything they always put it in a rap or urban category,” he spoke frankly backstage when asked about the voting process for the awards. “I don’t like that ‘urban’ word – it’s just a politically correct way to say the n-word to me.”

    5. Rape Cover-Up Claims
    WENN/Avalon

    When Deborah Dugan filed a complaint against the Academy, she also accused the organization of sexual harassment and covering up rape allegations against her predecessor Neil Portnow. She additionally claimed she was sexually harassed by general counsel Joel Katz, a powerful lawyer in the music industry who served as the academy’s general counsel, during a one-on-one dinner at a Ritz Carlton hotel in the city of Laguna Niguel, which Katz later denied.
    Dugan, who was the first female president of the organization, likened the Academy to people who defend disgraced film mogul Harvey Weinstein, who have been accused of sexual abuse by multiple women. This led to several artists supporting Dugan, with Taylor Swift canceling her supposed surprise performance at the 62nd Annual Grammy Awards. Public Enemy’s Chuck D also blasted the Academy, claiming that Dugan was punished for attempting to bring change to the organization.

    6. Rigged Voting and Nominations
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    The upcoming 63rd Annual Grammy Awards isn’t free of controversy either. As soon as the nominations were announced in November 2020, many spoke of their disappointment over the major snub of several artists whom they believed deserved the recognition. Not hiding his feeling, The Weeknd, who got zero nomination despite the success of his critically-acclaimed hit “Blinding Lights”, tweeted after the nominations announcement, “The Grammys remain corrupt. You owe me, my fans, and the industry transparency….”
    Also upset at the Academy was Zayn Malik, who suggested that the awards were rigged. “My tweet was not personal or about eligibility but was about the need for inclusion and the lack of transparency of the nomination process and the space that creates and allows favoritism, racism and [networking] politics to influence the voting process,” he explained his displease. Drake and Halsey were among other artists who have also made similar complaints to the Academy.

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    Beyonce Not Performing at Grammys Despite Leading Nominations

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    Beyonce Not Performing at Grammys Despite Leading Nominations

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    The Recording Academy confirms the ‘Formation’ hitmaker is not among the musical guests at the upcoming Grammy Awards, calling her absence ‘unfortunate.’

    Mar 14, 2021
    AceShowbiz – Beyonce will not perform at the 2021 Grammy Awards despite receiving nine nominations.
    Although the 39-year-old star has been nominated for nine awards at the ceremony – which will take place in Los Angeles on Sunday (14Mar21), Beyonce will not be among the performers, Recording Academy interim chief executive Harvey Mason Jr has confirmed.
    He told The Los Angeles Times, “It’s unfortunate, because she’s such a big part of the Recording Academy. We absolutely wish we had her onstage.”
    Asked whether viewers might find it strange that Beyonce will not perform, producer Ben Winston admitted, “They might.”
    Meanwhile, Ben also revealed that the In Memoriam segment will be extended to 12 minutes and feature several artists paying tribute to musicians including John Prine, who died last April from COVID-19.

      See also…

    Meanwhile, The Weeknd recently revealed that he won’t have anything to do with The Grammys in the future, after previously calling the awards “corrupt.”
    He said, “Because of the secret committees I will no longer allow my label to submit my music to the Grammys.”
    And he previously said, “The Grammys remain corrupt. You owe me, my fans and the industry transparency…”
    The Grammy Awards this coming weekend is expected to be opened by Harry Styles.
    The announcement came after former One Direction Bandmate Zayn Malik cursed out the Recording Academy. “F**k the grammys and everyone associated,” he vented his anger on Twitter in a surprise post. “Unless you shake hands and send gifts, there’s no nomination considerations. Next year I’ll send you a basket of confectionary.”

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    TikTok and the Pop Music Rough Draft

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    Brit Awards to Keep Gendered Categories After Sam Smith Calls for Show to Reflect Society

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    The ‘Stay with Me’ singer, who has identified as non-binary, urges awards show to ‘celebrate everybody, regardless of gender, race, age, ability, sexuality and class.’

    Mar 13, 2021
    AceShowbiz – Brit Awards will not make any change in near future. Despite Sam Smith calling for the show to reflect society after being excluded in the gender-based categories at the upcoming 2021 awards, its officials announced that they will keep the gendered categories.
    “The BRITs love Sam. Sam won our Critics’ Choice Award (now Rising Star) in 2014 and went on to enjoy incredible international stardom, winning more BRIT Awards and nominations along the way as well as giving us some of the most memorable performances ever,” a spokesperson of the BRITs said in a statement. “Sam is an extraordinary British artist and we agree with what they have said today.”
    “The BRITs are committed to evolving the show and the gendered categories are very much under review. But any changes made to be more inclusive need to be just that – if a change unintentionally leads to less inclusion then it risks being counterproductive to diversity and equality,” the representative continued. “We need to consult more widely before changes are made to make sure we get it right.”
    The BRITs’ statement came after Sam, who identified as non-binary, spoke up about his exclusion from the awards via Instagram. Sharing a note on Friday, March 12, they first wrote, “The Brits have been an important part of my career, one of my earliest achievements was winning Critics Choice in 2014.”

      See also…

    “Music for me has always been about unification not division. I look forward to a time where awards shows can be reflective of the society we live in,” the English musician went on. “Let’s celebrate everybody, regardless of gender, race, age, ability, sexuality and class.”

    The “Stay with Me” singer came out as nonbinary and gender queer back in September 2019. In a since-deleted Instagram post, they declared, “Today is a good day so here goes. I’ve decided I am changing my pronouns to THEY/THEM after a lifetime of being at war with my gender I’ve decided to embrace myself for who I am, inside and out.”
    “I’m so excited and privileged to be surrounded by people that support me in this decision but I’ve been very nervous about announcing this because I care too much about what people think but f**k it! I understand there will be many mistakes and mis-gendering but all I ask is you please please try,” they further explained. “I hope you can see me like I see myself now. Thank you.”

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    Brandi Carlile Looks Forward to Honor John Prine With Tribute Performance at 2021 Grammys

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    Thankful for the opportunity to salute her idol on such a big stage, the ‘Party of One’ singer claims that all singer/songwriters ‘wouldn’t even know how to do what we do without him.’

    Mar 13, 2021
    AceShowbiz – Singer Brandi Carlile will be honouring the legacy of the late John Prine when she performs at the Grammy Awards on Sunday, March 14.
    The “Party of One” star has been busy rehearsing for the upcoming event, and she is thankful for the opportunity to salute her idol on such a big stage after she and her peers were unable to gather in person to pay their final respects to Prine, who died from COVID-19 complications last April (2020).
    “John was the great mentor to all of us,” she told U.S. news show Entertainment Tonight.
    “I think all singer/songwriters that were lucky enough to have proximity to John or get to know John, all feel like they were significantly, individually special to him. And I hope that was the case with me. But the truth is that he just loved us all. And he taught us all how to write songs and he taught us how to laugh at ourselves.”

      See also…

    “This year it’s been hard to not get out and honour him on stage with our songs and our jokes and our spiritual connection to him, but finally I’m getting to do it. He has meant so much to so many of us. We wouldn’t even know how to do what we do without him.”

    Carlile has not revealed which tune she will be playing on music’s big night, but she added, “Having lost him this [past] year to COVID is especially heartbreaking, but there’s something about this performance for me that’s really cathartic… and I just feel like there’s hope and redemption in the words of [the song I’m performing].”
    Both she and Prine are double nominees at the Grammy Awards – she is up for Best Country Song for “Crowded Table” and Best Song Written for Visual Media for “Carried Me with You” from “Onward”, while Prine’s final recording, “I Remember Everything”, is shortlisted for Best American Roots Performance and Best American Roots Song.

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    Taylor Swift Debuts 'Wildest Dreams' Remake in Trailer of Her Ex Jake Gyllenhaal's Movie

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    Her updated take on the 2015 single from her album ‘1989’ will appear in DreamWorks’ upcoming animated film ‘Spirit Untamed’, which has Gyllenhaal among its voice cast.

    Mar 13, 2021
    AceShowbiz – Taylor Swift is slowly but surely updating her catalog. The next song from the Grammy Award-winning singer/songwriter that has got a remake treatment is “Wildest Dreams” and she has previewed it in the trailer for “Spirit Untamed”.
    The 31-year-old country-turned-pop superstar herself shared the approximately one-minute sneak peek for the upcoming DreamWorks animated film that features her song. The updated version has more uptempo music that somehow fits the scenes of the adventure movie.

    “Thank you #SpiritUntamed for using Wildest Dreams (Taylor’s Version) in your new trailer!!” Swift wrote along with the trailer, which was posted on her Instagram Story and Facebook page on Friday, March 12.

      See also…

    Taylor Swift previewed her new version of ‘Wildest Dreams’.
    Interestingly, “Spirit Untamed” is starring Swift’s ex-boyfriend Jake Gyllenhaal, whom she briefly dated in 2010. The movie, which is directed by Elaine Bogan and Ennio Torresan, and written by Aury Wallington, tells the a story about a girl named Lucky Prescott who meets a kindred spirit in the form of a wild Mustang. Gyllenhaal voices the father of the girl.
    It is a stand-alone sequel to the 2002 traditionally animated film “Spirit: Stallion of the Cimarron” and a continuation to its based series “Spirit Riding Free”. The voice cast also includes Isabela Moner, Julianne Moore Marsai Martin, Walton Goggins and Eiza Gonzalez among others. The movie is scheduled to be released on June 4.
    “Wildest Dreams” is the second single lifted off Swift’s 2014 fifth studio album “1989”. The 2015 track was previously featured on Netflix’s hit Regency-era drama series “Bridgerton”, with the Vitamin String Quartet’s arrangement of the song being played during a sex montage of Daphne Bridgerton (Phoebe Dynevor) and Simon, the Duke of Hastings (Rege-Jean Page).
    Prior to this, Swift released “Fearless (Taylor’s Version)” on April 19, consisting of all of the 19 tracks from “Fearless Platinum Edition” (2009), her soundtrack single “Today Was a Fairytale” (2010), and six additional songs that were scrapped from the 2008 album. In December 2020, a snippet of the re-recorded “Love Story”, the lead single off the album, was used in a Match.com commercial directed by her friend Ryan Reynolds.

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    ‘We’ll Be Back,’ Broadway Says, on Shutdown Anniversary

    #masthead-section-label, #masthead-bar-one { display: none }At HomeRoast: Thick AsparagusVisit: National ParksRead: Shirley HazzardApologize: To Your KidsAndré De Shields, singing in Times Square at the “We Will Be Back” pop-up performance.Credit…Vincent Tullo for The New York Times‘We’ll Be Back,’ Broadway Says, on Shutdown AnniversaryA pop-up performance in Times Square on Friday, featuring stars like André De Shields, was full of excitement as reopenings may be on the horizon.André De Shields, singing in Times Square at the “We Will Be Back” pop-up performance.Credit…Vincent Tullo for The New York TimesSupported byContinue reading the main storyMarch 12, 2021, 5:50 p.m. ETOne year ago, the grim news that Broadway was shutting down was sweeping through the theater district. Performers were packing up their things and heading home; theater staff were stationed in lobbies to intercept ticket holders and explain to them that the show was canceled.As a return date was pushed further and further, performers and theater staff resigned themselves to finding work elsewhere.But on Friday, the anniversary of the day their beloved industry shut its doors, Broadway singers, dancers, actors and front-of-house staffers gathered in Times Square, just across from the TKTS discount ticket booth, to perform live for a small audience of industry insiders and passers-by.Chita Rivera spoke about the power of theater to heal society, at the pop-up show.Credit…Vincent Tullo for The New York TimesDancers at the show, on the anniversary of the theater shutdown in New York.Credit…Vincent Tullo for The New York TimesThe pop-up show was part concert, part rally. The Broadway legend Chita Rivera spoke about the power of theater to heal a beleaguered society, and then André De Shields, decked out in a glittering gold suit and a transparent face shield, sang the opening song from “Pippin” along with an array of Broadway stars, backup singers and dancers.“I’m just happy that we’re all trying to remind the world that we’re still here, and we will be back,” said Bre Jackson, a singer who belted out a solo in the “Pippin” number.One year ago, Jackson, 29, was returning to New York from a national tour of “The Book of Mormon,” and preparing herself for five auditions. Within 12 hours, she said, the auditions were all canceled, and suddenly she was thrust into a job market without much need for professional singers and actors. Jackson eventually found work as an office manager for a therapy practice, finding performing gigs every so often.Jackie Cox was in Times Square as Broadway singers, dancers, actors and front-of-house staffers gathered to perform for a small audience of industry insiders and passers-by.Credit…Vincent Tullo for The New York TimesA dancer at the show. Bre Jackson, a singer who belted out a solo in the “Pippin” number, said, “I’m just happy that we’re all trying to remind the world that we’re still here.”Credit…Vincent Tullo for The New York TimesHeath Saunders, singing at the show. The performance was funded by several organizations, including the nonprofits Broadway Cares/Equity Fights AIDS and NYCNext.Credit…Vincent Tullo for The New York TimesOne of the main purposes of these pop-up performances — of which there have been dozens across the city — is to provide paying gigs for people in the industry who have lost their entire incomes during the pandemic, said Blake Ross, one of the event’s producers. The performance was funded by a collection of organizations, including the nonprofits Broadway Cares/Equity Fights AIDS and NYCNext.Although they aren’t likely to perform inside theaters again until after Labor Day, the message of the show was that the end of the industry’s nightmare seemed to be getting closer. Last night, President Biden asked states to make all adults eligible to be vaccinated by May 1, a hopeful sign that shows might be able to start rehearsals over the summer.Lillias White, right, who, with Nikki M. James, Peppermint and Solea Pfeiffer, joined in “Home” from “The Wiz.”Credit…Vincent Tullo for The New York TimesJoel Grey, giving a speech in between numbers.Credit…Vincent Tullo for The New York TimesThe performance landed on one of the first warm springlike days of the year in New York City, adding a jolt of excitement. It felt like a reunion of sorts: After a long time working from home, some people shrieked when they saw each other, keeping their distance, but air-hugging or elbow-bumping. To make sure that crowds didn’t form in Father Duffy Square, the event planners made no public announcement of the performance, but passers-by gathered on the edges of the makeshift stage and stood on elevated surfaces to get better views.The actor Charl Brown, among the participants in the event, which was part rally.Credit…Vincent Tullo for The New York TimesCostumes from shows including “Wicked” and “Phantom of the Opera” lined the stage edges, glittering and gleaming on mannequins.Credit…Vincent Tullo for The New York TimesThere was no formal announcement of the pop-up show, and passers-by moved around to get better views, capturing it on cellphones.Credit…Vincent Tullo for The New York TimesPeppermint, center, taking a photo with Nikki M. James, left, and Lillias White.Credit…Vincent Tullo for The New York TimesThe cast started with a topical classic, George Benson’s “On Broadway,” with a group of high-energy sneaker-clad and masked backup dancers. (There had been barely any time to rehearse beforehand, so just before showtime, the dancers ran through their choreography just offstage on the concrete.) Next, the singers Lillias White, Nikki M. James, Peppermint and Solea Pfeiffer joined in “Home” from “The Wiz.” And a choir sang an original song written about the pandemic hiatus, “We Will Be Back,” by Allen René Louis. Costumes from shows like “Wicked” and “Phantom of the Opera” lined the stage edges, glittering and gleaming on mannequins.During the pandemic, two musicals, “Mean Girls” and “Frozen,” announced that they would not be returning to Broadway, as well as two plays that were in previews, Martin McDonagh’s “Hangmen” and a revival of Edward Albee’s “Who’s Afraid of Virginia Woolf?” On Friday, several shows promised that they would indeed be back, including “Mrs. Doubtfire,” which got through three performances before it was forced to close, and “Six,” which had been scheduled to open on March 12, 2020.Nikki M. James, in Times Square. She is among those who sang “Home” from “The Wiz.”Credit…Vincent Tullo for The New York TimesMembers of the media and other onlookers, capturing the midday show.Credit…Vincent Tullo for The New York TimesThat day, Judi Wilfore, the house manager for the Imperial Theater, remembers standing in the lobby before the scheduled evening performance of “Ain’t Too Proud” and breaking the news to ticketholders. Even though Broadway shut down on a Thursday, Wilfore came to work that weekend, too, in case any audience members showed up.Over the summer, Wilfore decided that she needed to find work elsewhere, so she took an online course at Health Education Services, to get certified as a Covid compliance officer. At Friday’s event in Times Square, it was her job to make sure people were following safety guidelines and to manage a team of front-of-house theater staffers who were hired to help run the event.Wilfore has been a compliance officer for gigs here and there — including the load-out of the “Beetlejuice” set from the Winter Garden Theater — but like many in the industry, she yearns for the eventual return to indoor theater, where she oversaw the bustling movements of staffers and audience members.“We love what we do,” she said, “and the fact that we haven’t been able to do it in a year is unfathomable.”AdvertisementContinue reading the main story More