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    Eminem Can't Be Killed in Music Video Released With New Album 'Music to Be Murdered By: Side B'

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    Following rumors of the surprise album that circulated last week, the Detroit emcee has debuted the sequel to his January 2020 set with 16 additional tracks.

    Dec 18, 2020
    AceShowbiz – Eminem is capping off 2020 with a new album. The 15-time Grammy Award winner has surprised fans by dropping new music through “Music to Be Murdered By: Side B”, a follow-up to his eleventh studio album “Music to Be Murdered By” that was released earlier this year in January.
    Hitting streaming service at midnight Friday, December 18, the deluxe edition of his most recent LP contains 16 additional tracks. It features Dr. Dre, who appears on “Guns Blazing”, with Ty Dolla $ign, DJ Premier, Skylar Grey and more also making appearance on other tracks off the album. Dre is also reportedly responsible for co-producing “Discombobulated”.
    Along with the surprise album, Em has released a music video for one of the new tracks, “Gnat”. The Cole Bennett-directed video has the Detroit emcee playing different characters in different costumes, including one that has him in a hazmat suit.
    A real take on the global COVID-19 pandemic, one scene has him in daily outfit while wandering around the street and wearing a face mask, before he’s getting shot. He, however, survives as he’s seen waking up in a corridor despite still sporting a bullet wound on the chest.

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    On another song titled “Zeus”, Em offers an apology to Rihanna, whom he shaded in a song that leaked in 2019 featuring lyrics about him “siding with Chris Brown” despite having collaborated with the Barbadian songstress in 2010’s hit “Love the Way You Lie” and its sequel “Love the Way You Lie (Part II)”. “And wholeheartedly apologies Rihanna for that song that leaked/ I’m sorry, Rih, it wasn’t meant to cause you grief/ But regardless it was wrong of me,” he raps on “Zeus”.
    Em marked the album release with a post on his Instagram page. “Uncle Alfred heard you screaming for more… enjoy Side B,” he wrote along with the album cover art.

    Prior to this, the 48-year-old star never addressed rumors about the deluxe edition. Fans, however, got their hope high after Dem Jointz fueled the rumors by revealing the “Music to Be Murdered By: Side B” cover art among several projects he said he worked on this year. “Even Thru The S**t-Storm, Thank God For Another Successful Year!! . . . #ProducedWrittenMixedByDemJointz,” he captioned it.

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    Taylor Swift Enjoyed Recording 'Evermore' Without Having Her Usual 'Checklist'

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    The ‘Cardigan’ singer gushes about the ‘pure’ way she made her latest studio album ‘Evermore’ as she talks about the creative process of the new studio installment.

    Dec 18, 2020
    AceShowbiz – Taylor Swift enjoyed not having to “check a list” with her latest albums.
    The “Cardigan” hitmaker released “Folklore” and its sister album “Evermore” this year (20) and has enjoyed being able to pen songs without a usual “checklist” in her mind as she used to feel a “lot of pressure” to craft particular types of songs.
    Speaking about her spontaneity on the records, she told Apple Music’s Zane Lowe, “Pure is a really, really perfect word for that because what happens to you as your career builds and builds and builds and builds is that if you’ve accomplished a thing in the past, all of a sudden you’re expected to accomplish that thing plus another new thing, plus this other thing over here.”

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    “It becomes sort of like I had felt at times when I felt a lot of pressure, I had felt like I was doing some sort of obstacle course. And that’s not how you should feel when you’re creating. You shouldn’t feel like, ‘I need to make a tracklist where this one’s for the stadium show, this one’s for radio, this one’s for people who want to get in their feelings.’ Check, check, check, and you can end up doing that.”
    And Taylor also revealed it is something other artists like Ed Sheeran have felt too.
    “And it’s good to have friends who are artists who have similar pressures,” she continued. “Like Ed Sheeran and I talk about this a great deal. This was a time when we both stepped back, and I would say to him, ‘This is the first time I felt like I threw the checklist away.’ Like I threw it away and I definitely could have gone into the pandemic thinking, ‘I’ve got to wait for everything to open up so I can do things exactly the way that I am used to doing them.’ But then about three days in, I thought, ‘Wait, this could be an opportunity for me to do things in a way I haven’t ever done them before. What would my work sound like if I took away all of my fear-based check listing that I have inflicted on myself?’ So I guess – I know the answer now.”

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    Sia Ditches Shia LaBeouf From Her Movie, Replaces Him With Kate Hudson

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    The ‘Chandelier’ hitmaker has kicked the ‘Transformers’ alum out of her movie project and enlisted Hudson to fill in the vacant spot left the embattled actor.

    Dec 18, 2020
    AceShowbiz – Pop star Sia reworked her directorial debut to cast Kate Hudson in the lead role, after ditching Shia LaBeouf from the project.
    The “Chandelier” hitmaker reveals she initially tapped the “Transformers” star to lead the cast of “Music”, but ended up making the film with Hudson, instead.
    “I was going to do a narrative film, and in fact, Shia LaBeouf was cast to play Kate’s character,” Sia told Australia’s Studio 10, according to the Daily Mail. “I asked for a meeting with her, and she said she was born to do it. She could sing, she could dance, she could do it all.”
    Music features Sia’s frequent collaborator Maddie Ziegler as an autistic girl who is forced to move in with her drug-dealing half-sister, played by Hudson.
    Sia didn’t expand on why LaBeouf was dumped from the movie, but her comments emerge days after she weighed in on the actor’s legal troubles, following a lawsuit from his ex-girlfriend, singer FKA twigs, for the “relentless abuse” she allegedly suffered during their 2018-2019 romance.

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    Sharing a link to The New York Times report about the suit, Sia tweeted, “I too have been hurt emotionally by Shia, a pathological liar, who conned me into an adulterous relationship claiming to be single.”
    “I believe he’s very sick and have compassion for him AND his victims. Just know, if you love yourself – stay safe, stay away.”
    Sia, who previously recruited LaBeouf for her 2015 video “Elastic Heart”, added, “Also I love you @fkatwigs. This is very courageous and I’m very proud of you.”
    LaBeouf has admitted to hurting people he loved in the past, but claims many of the accusations made by Twigs are untrue.
    He has yet to respond to Sia’s allegations.

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    Harold Budd, Composer of Spaciousness and Calm, Dies at 84

    #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesThe Latest Vaccine InformationU.S. Deaths Surpass 300,000F.A.Q.AdvertisementContinue reading the main storySupported byContinue reading the main storyThose We’ve LostHarold Budd, Composer of Spaciousness and Calm, Dies at 84Known for his collaborations with art-pop artists like Brian Eno and Cocteau Twins, he created a signature sound suspended in reverberation and drone.The composer and pianist Harold Budd in Birmingham, England, in 2011. His music was known for its unhurried, organic spontaneity.Credit…Steve Thorne/Redferns, via Getty ImagesDec. 17, 2020Updated 5:45 p.m. ETHarold Budd, a composer and pianist known for the preternatural spaciousness and melancholy calm of his music, and for his collaborations with art-pop artists like Brian Eno and Cocteau Twins, died on Dec. 8 in a hospital in Arcadia, Calif. He was 84.The cause was complications of Covid-19, which he contracted at a short-term rehabilitation facility while undergoing therapy after suffering a stroke on Nov. 11, his manager, Steve Takaki, said in an email.Born in Los Angeles, Mr. Budd grew up close to the Mojave Desert, a likely inspiration for the sparsity and vastness his music could evoke. Engaged initially by free jazz, John Cage’s avant-garde innovations and early minimalism, he broke with all of those styles to create a signature sound that centered on the piano, soft-pedaled, sustained and suspended in a corona of reverberation and drone.That sound, which Mr. Budd began to develop in 1972, found its initial fruition on “The Pavilion of Dreams,” a 1978 album produced and released by Mr. Eno. In 1980, Mr. Budd and Mr. Eno jointly created “Ambient 2: The Plateaux of Mirror,” a watershed work for both artists, not least for its feeling of unhurried, organic spontaneity. For their next collaboration, “The Pearl,” released in 1984, they brought in a second credited producer, Daniel Lanois.“I just want to say one thing again clearly right now: I owe Eno everything,” Mr. Budd proclaimed in a 2016 interview with L.A. Record, a music publication. Recording with Mr. Eno in London had “opened up another world for me that I didn’t know existed,” he said, “and suddenly I was a part of it.”Mr. Budd would go on to work with other artists active in popular music, including Andy Partridge of XTC and John Foxx, a founder of Ultravox. A collaboration with the Scottish trio Cocteau Twins, whose music shared with Mr. Budd’s a quality of esoteric reverie, produced the 1986 album “The Moon and the Melodies.” An enduring bond with Robin Guthrie, the Cocteau Twins guitarist and songwriter, resulted in several film scores and duo albums. The latest, “Another Flower,” was recorded in 2013 but released this month.Mr. Budd announced his retirement from music in 2004, but within a few years he was working again, with fresh vitality and variety. “Bandits of Stature,” issued in 2012, comprised 14 succinct pieces for string quartet. By 2018, Mr. Budd was collaborating with chamber groups in concerts that amounted to career retrospectives, including a high-profile appearance at the 2019 Big Ears Festival in Knoxville, Tenn.When Mr. Budd died, Mr. Takaki wrote in an email, he had recently completed 19 new string quartets. Some had been recorded this year. Others have yet to be performed. Preparations to transcribe and edit Mr. Budd’s solo piano music and chamber works for publication began during the summer, and will continue.Mr. Budd in performance at the Big Ears Festival in Knoxville, Tenn., in 2019.Credit…Jake Giles Netter for The New York TimesHarold Montgomery Budd was born on May 24, 1936, to Harold Budd, who worked in the textile industry, and Dorothy (McNeill) Budd, a homemaker. His father died when he was 13, resulting in financial hardship that prompted the family to move to Victorville, on the edge of the Mojave Desert.An early interest in jazz led Mr. Budd to take up the drums. He played nightclub dates in Los Angeles while working days at Northrop Corporation, the aircraft manufacturer, to support his family, and later attended Los Angeles Community College. Drafted into the Army, Mr. Budd performed in a band with the saxophonist Albert Ayler, who would later achieve renown as a free-jazz firebrand.The Coronavirus Outbreak More

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    S Club 7 Plotting Reunion

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    According to Tina Barrett, she and fellow bandmembers Jon Lee, Rachel Stevens, Jo O’Meara, Hannah Spearritt], Bradley McIntosh, and Paul Cattermole are in talks for reunion.

    Dec 18, 2020
    AceShowbiz – S Club 7 are in talks to reunite and make new music as a seven-piece after being inspired by Steps’ successful comeback.
    Band member Tina Barrett – who was joined by Jon Lee, Rachel Stevens, Jo O’Meara, Hannah Spearritt, Bradley McIntosh, and Paul Cattermole in the classic line-up – has revealed she has discussed writing new music together with her former bandmates, 17 years after they split.
    The reunion talks, she says, were inspired by their 90s rivals, who recently reached No2 in the Official UK Chart with their album, “What the Future Holds”.
    “We ­definitely want to do something new together,” Tina told The Sun newspaper’s Bizarre column. “We’re all older now so we could do something that reflects how we are now – not such a teeny-bopper sound, something more credible.”

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    “Looking at a band like Steps who are quite ­similar, they’ve done new music and they’ve done incredibly well. We’d be silly not to. Everyone really enjoyed the last reunion so this time around everyone’s more up for it. I’ve chatted to pretty much everyone and I think we’re all up for it. So it’s just about getting it in the diary. I’m pretty sure it will happen.”
    The “Reach” hitmakers last reunited in 2015 for their ‘Bring It All Back’ tour.
    And despite Hannah and Paul previously being in a relationship together, Tina insisted that won’t cause any issues.
    “Obviously it’s life – you’re with someone and then you break up and some people still have to work with them,” she said. “Sometimes it is hard but you do have to ­separate work from real life. Hannah and Paul are both very professional so it’s fine. I know Paul is up for it.”
    S Club 7 scored four number one singles, sold more than 13 million albums worldwide and had their own hit TV show.

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    Adele Teams Up With Former Pearl Jam Drummer for New Music

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    The ‘Chasing Pavement’ hitmaker has officially been back in the recording studio, working on a new music with Matt Chamberlain, the ex-drummer of Pearl Jam.

    Dec 18, 2020
    AceShowbiz – Former Pearl Jam drummer Matt Chamberlain worked on new music for singer Adele “this past week.”
    The session musician – who has played for the likes of late music legend David Bowie, Sir Elton John, and Bob Dylan – revealed he was in the studio with the “Hello” hitmaker recently and has recorded some drum parts for the Grammy-winner’s new tunes for her long-awaited follow-up to 2015’s 25.
    Matt admitted he got “chills” hearing Adele’s “powerful and emotive” voice.
    Speaking on “The Eddie Trunk” podcast on SiriusXM, he spilled, “I mean, this past week I just did, I generally do sessions with people – I’m like a session musician I guess, that’s my day job – and I just got to work on some new music for Adele, and to hear that voice in my headphones was getting me chills.”
    “It was just so powerful and emotive. You know her voice, but to be across the room from somebody doing that, it’s just insane.”

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    “You hear it on the radio and whatever and you go, ‘Yeah, it’s really good,’ but to be in the room with these people and feel that energy, it’s just so heavy.”
    “She’s writing some new material with her songwriter Rick Nowels, she wanted to do it with some drums and so we just put our masks on, she was in the room – yeah, holy s**t.”
    Eddie’s update comes after it was revealed Adele recently returned to London to work on her new music.
    A source claimed, “Adele wants to lay low while she’s here, which is easy with shades and a face mask. People don’t recognise her like they used to anyway. She’s not been able to release new music yet and she’s totally focused on that and getting each track just right. She still has a network of people she works with and links up with when she is over here.”
    The “Skyfall” hitmaker has also been working with Raphael Saadiq and John Legend on the new album which doesn’t yet have a release date.

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    Big Sean and Jhene Aiko Turn Romance Into '90s Films Homage in 'Body Language' Music Video

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    The visuals for the ‘Bounce Back’ rapper’s new song off ‘Detroit 2’ displays the on-again-off-again couple reenacts classic scenes from such movies as ‘Poetic Justice’ and ‘Waiting to Exhale’.

    Dec 17, 2020
    AceShowbiz – Big Sean and Jhene Aiko got nostalgic for the music video of “Body Language”. On Wednesday, December 16, the “Bounce Back” rapper released the visuals for his latest single, offering fans a ’90s film homage twist to his romance with his on-again-off-again girlfriend.
    Directed by child., the nearly 5-minute promo opened with the 32-year-old MC tackling on Larenz Tate’s character Darius Lovehall from 1997 film “Love Jones”. After he rapped his lines at what seemed to be an open mic night, the scene transitioned to him as a postal worker making his way to his love interest which served as a homage to “Poetic Justice”.
    Aiko entered the scene by playing Sean’s love interest, a salon employee originally played by Janet Jackson in the 1993 film. Throughout the promo, the “To Love & Die” singer could also be seen setting ablaze her ex’s car, mimicking what Angela Bassett did in “Waiting to Exhale”, and reenacting Nia Long’s iconic cab conversation from “Love Jones”.

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    The steamy music video has also recreated a scene from another classic ’90s romance film “The Best Man”. Near the end, Sean got to relive what Taye Diggs’ character Harper experienced at his best friend Lance Sullivan’s bachelor party. Sean’s collaborator for the song, Ty Dolla $ign, popped into the scenes one in a while to tie up the love stories together.
    On the day of the music video release, Sean shared on Instagram a clip from the promo. Along with it, he wrote, “Know it’s a lot on ya mind, but I need ya focus now! Body Language music video out now @Jheneaiko n @tydollasign #Detroit2 Run this up, this one of them ones.” He also put out a number of stills with a caption that read, “Big homage paying to a few of my favorite flicks growin up.”

    “Body Language” came off Sean’s fifth studio album, “Detroit 2”, which debuted at the top of Rolling Stone Top 200 Albums chart. It was written by him along with Dolla $ign, Aiko and producer Key Wane. Its music video was Sean’s second release in one month following the dropping of “Wolves” video featuring Post Malone and his own mother.

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    Juanes Teams Up With Latin Grammys to Support Music Scholarship

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    The ‘La Plata’ hitmaker has joined forces with the Latin Grammy Cultural Foundation to help sponsor an undergraduate scholarship at Berklee School of Music.

    Dec 16, 2020
    AceShowbiz – Colombian rocker Juanes is helping to put one lucky student through college by funding the 2021 Prodigy Scholarship.
    The “La Plata” singer has teamed up with officials at the Latin Grammy Cultural Foundation to offer the four-year prize, valued at $200,000 (£150,000), which will cover the costs of a cash-strapped student’s bachelor’s degree in music at the prestigious Berklee School of Music in Boston, Massachusetts.
    “When the Latin Recording Academy reached out with this opportunity, I felt great joy,” Juanes tells Billboard. “It took me back to when I was just getting out of high school and I was obsessed with music but I didn’t have the money to study music.”

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    “Actually, studying music wasn’t even a thing and back then, I didn’t really think studying music would do anything for my future. But now I understand the importance of a music education and that’s why it’s so beautiful to be able to give back.”

    Those who are aged between 17 and 24, have a passion for Latin music, and are planning to begin their studies in the autumn of 2021 can now apply for the scholarship until 10 April, 2021.
    The scholarship has been given out six times to date, with support from Juanes’ peers Enrique Iglesias, Miguel Bose, Julio Iglesias, Carlos Vives, Juan Luis Guerra, and Emilio and Gloria Estefan.

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