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    Shakira Takes Inspirations from Jane Fonda's Vintage Workouts for New Music Video

    The ‘Hips Don’t Lie’ hitmaker is inspired by Jane Fonda’s vintage home workouts for the ‘Girl Like Me’ music video, her collaboration with the Black Eyed Peas.

    Dec 13, 2020
    AceShowbiz – Shakira took inspiration from Jane Fonda’s vintage home workouts to create a “retro-futuristic” feel for her new video.
    The 43-year-old singer’s collaboration with the Black Eyed Peas was recently released and Shakira has revealed the accompanying music video was inspired by Fonda’s ’80s workout videos.
    She told Billboard, “The song already has that vintage quality to it, so I wanted a video that had the retro futuristic vibe. From the beginning I thought: Jane Fonda. Those ’80s workout videos had a really cool aesthetic I wanted to import into this video.”
    Shakira can be seen surf skating in the video and said, “it’s a fairly new thing that I’m totally passionate about and something I do a couple of times a week.”

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    “Some of the takes in this video were at three or four in the morning and I was skating for like two hours so they could capture the best shots. I skated and skated and skated, until I didn’t feel my joints.”
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    Meanwhile, will.i.am previously revealed he and Shakira started work on the song back in 2008, and he “made so many different versions” of the tune.
    He explained, “For those that didn’t know @shakira came to my studio in 2008 and we worked on Girl Like Me…I’m so happy this song is out now…I’ve made so many different versions of this song…and we found the perfect vibe for it… and now the video is here!!! Thank you SHAKIRA!!! I loved working with you…”

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    Beyonce Knowles' Daughter Gets Her First Ever Grammy Nomination for 'Brown Skin Girl'

    https://www.beyonce.com/

    Weeks after announcing the prestigious awards’ 2021 nominees, Recording Academy adds Blue Ivy Carter in the coveted list alongside Nigerian singer Wizkid who is also featured on the song.

    Dec 12, 2020
    AceShowbiz – Beyonce Knowles’s eight-year-old daughter has officially been credited as a Grammy Award nominee for her contributions to the R&B superstar’s “Brown Skin Girl” video.
    The promo will compete for the Best Music Video prize at the 31 January (21) ceremony, but when the nominations were originally announced last month, Blue Ivy Carter’s name was not mentioned on the shortlist, despite featuring on the tune and in the accompanying visuals.
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    However, that has since been corrected by Recording Academy bosses, who have updated the shortlist on their website to recognise the youngster’s work.

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    Nigerian singer Wizkid, who, like Blue, appears on both the track and in the video, is also a new addition to the Grammy credits for “Brown Skin Girl”, although fellow artist SAINt JHN, whose vocals are featured on “Brown Skin Girl”, is not included as a nominee in the update, reports The Associated Press.
    All three, along with Beyonce and her rap mogul husband Jay-Z, are credited among the co-writers on “Brown Skin Girl”.
    The Grammy Award for Best Music Video is traditionally presented to the main artist and any featured guests on the winning song, in addition to the promo director and producer.
    Blue is Beyonce and Jay-Z’s eldest child, and the kid already boasts BET and NAACP Image awards for lending her vocals to “Brown Skin Girl”. The video for the track was released in July as part of Beyonce’s “Black Is King” visual album.
    The hip-hop supercouple also shares three-year-old twins Sir and Rumi.

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    Listen: Britney Spears and Backstreet Boys Make Duet 'Matches'

    WENN

    Britney has recruited Nick Carter and his bandmates for a brand new song called ‘Matches’ as she announces a re-release of her 2016 studio album ‘Glory’.

    Dec 12, 2020
    AceShowbiz – Britney Spears has teamed up with the Backstreet Boys for new song “Matches”.
    The “Toxic” hitmaker shared news of the collaboration on her Twitter page as she promoted the tune and the reissue of her 2016 album “Glory”.
    “Matches featuring my friends @backstreetboys is out now !!!! I’m so excited to hear what you think about our song together !!!!” she wrote. “You can also listen to Glory Deluxe everywhere now !!!!”
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    The new tune comes just two weeks after Britney dropped previously unreleased song “Swimming in the Stars” on her 39th birthday. Fans are hoping that the new music means things are turning around for the troubled singer, who has been fighting to have dad Jamie removed as her legal conservator.
    Last month (Nov20), she was denied a request to have her father immediately removed despite her lawyers alleging the pop superstar is “afraid” of him.
    According to reports, the “Piece of Me” hitmaker is refusing to return to the stage until Jamie steps down from overseeing her affairs.
    Meanwhile, Jamie questioned the logic in having him removed from the conservatorship completely, claiming he was the one who saved Britney’s estate from drowning in debt and actually turned fortunes around to build up a value of $60 million.
    Jamie has been his daughter’s conservator since her very public meltdown in 2008. He stepped down from his role in September 2019, citing poor health following allegations that he abused Britney’s son. Jamie handed temporary conservatorship over to Britney’s care manager Jodi Montgomery. However, he resumed his duties in January.

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    Jennifer Lopez Pays Tribute to Family as She's Feted at 2020 Billboard Women in Music Event

    Instagram

    The ‘On the Floor’ hitmaker is grateful to have her family as she receives the Icon Award from Maluma at this year’s Women In Music Event hosted by Billboard magazine.

    Dec 12, 2020
    AceShowbiz – Jennifer Lopez paid a gushing tribute to her fiance Alex Rodriguez and their “four beautiful kids” as she accepted the Icon Award at the 2020 Billboard Women In Music event on Thursday night (10Dec20).
    The actress-and-singer followed in the footsteps of Alanis Morissette, Cyndi Lauper, and Mary J. Blige in being honoured with the prestigious accolade, and in her acceptance speech she thanked everyone who has made her who she is today, including her mum, her family, and even her ex-husband Marc Anthony.
    The “Waiting for Tonight” hitmaker was introduced at the virtual event by her “Marry Me” co-star Maluma, who hailed Jennifer as his “iconic friend.”
    In her acceptance speech, the “Second Act” star – who has 12-year-old twins Max and Emme with Marc and is also a step mom to Alex’s kids Natasha, 16, and Ella, 12 – recalled how she would “booty shake” to music in the Billboard charts with her mother Guadalupe in her speech.
    “Music has always, always been my passion,” she began. “My mom used to put me on the kitchen table and would show me how to do the booty shake, or we’d sing the oldies, whatever was at the top of the Billboard charts at the time. Those are my first performances. It’s what inspired me to do what I’ve had the privilege to do for all of you all these years.”
    “Of course, I want to thank my beautiful family for going on the road with me, for touring with me, for supporting me, for allowing me to be the artist that I am. Alex and our four beautiful kids, thank you so much. I love you. Everything I do is for you guys.”

    Elsewhere, Cardi B was crowned Woman of the Year and gave an empowering speech telling all of the “regular girls” out there to go and grab their dreams.
    “I want to say thank you, everybody, and I want to say to all the girls out there that are just like me, or just regular girls, when I came into the music industry, I didn’t know if these people were going to accept me,” she said. “Throughout the years, if you listen to my mixtapes and you listen to my music now, I have progressed because I wanted to progress. I want to be the best I can at anything I do and, you know, you got to put your mind to it.”

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    Breonna Taylor’s mother Tamika Palmer honoured the WAP hitmaker with her prize and hailed her activism efforts in the fight for justice for her daughter, who was shot in her Louisville home by U.S. police in March.

    The star-studded event also saw Beyonce send a message to Rising Star Award recipients, Chloe x Halle.
    The “Crazy In Love” hitmaker said in the video, “Ladies, I am so, so proud of you. You’ve done this with authenticity, with grace, with raw talent. And you managed to shine in every room you enter. And I’ll always love you.”

    Meanwhile, Dua Lipa was handed the Powerhouse Award and performed her hit “Boys Will Be Boys”.

    And Dolly Parton – who performed “9 to 5” – was honoured with the Hitmaker Award, with her goddaughter Miley Cyrus presenting the accolade to her.

    Teyana Taylor hosted the 15th Billboard Women in Music event.
    The Billboard Women in Music 2002 winners are:

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    Jimmy Buffett Admits to Relearning Old Songs to Make 'Songs You Don't Know By Heart'

    Instagram

    Speaking about his follow-up to ‘Life on the Flip Side’, the ‘Margaritaville’ singer claims that it was actually meant to be an online video performance series during the coronavirus shutdown.

    Dec 11, 2020
    AceShowbiz – Easy-listening star Jimmy Buffett had to do his homework before recording his new album of old songs, because he’d forgotten the lyrics to so many of his lesser known tunes.
    The singer’s latest release, “Songs You Don’t Know By Heart”, was initially the idea for a video performance series online during the coronavirus shutdown, and it’s all thanks to his daughter Delaney, and her pal.
    “It started out as one of those silver lining things that actually do happen, fortunately, to some people during this pandemic…,” Buffett told U.S. breakfast show “Today”.
    “Delaney and a friend of hers from high school, who had been working for us for a little while, came up with the idea to go to fans and ask them, ‘Hey, he’s not doing shows, what songs would you like to hear that he hasn’t played in 20 years?’ so that became ‘Songs You Don’t Know By Heart’.”

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    However, Buffett admits he didn’t expect fans to dig so deep – and he had to brush up on his old lyrics once they narrowed down the tracklisting.
    “There were a lot of them that I had to go back and learn…!” the 73-year-old laughed. “I’m old, and I’ve been doing this for 40 years!”
    “They (Delaney and her friend) got like 10,000 setlists (suggested by fans) in a short period of time, and so we collected 50 of the most voted on songs, and went to 15 which we could do, and that was the video (series),” he explained.
    “And then we started getting mail back from people saying, ‘Why doesn’t your dad go in the studio and do an acoustic album?’ So as a person who hadn’t made an album in seven years, I made two in three months!”
    “Songs You Don’t Know By Heart” is the follow-up to “Life on the Flip Side”, which he dropped in May. Prior to that project, he hadn’t released a new album since 2013’s “Songs from St. Somewhere”.

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    Piano Bars and Jazz Clubs Reopen, Calling Live Music ‘Incidental’

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best MoviesBest TV ShowsBest BooksBest TheaterBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyPiano Bars and Jazz Clubs Reopen, Calling Live Music ‘Incidental’As the coronavirus continues to spread, Marie’s Crisis Cafe became the latest Manhattan music venue to reopen, claiming that it is not a performance venue.Despite the worsening pandemic, Marie’s Crisis Cafe, a West Village piano bar, reopened with a singalong this week. Like other venues, it says its music is “incidental,” and therefore allowed.Credit…Nina Westervelt for The New York TimesSarah Bahr and Dec. 11, 2020, 5:00 a.m. ETAlthough most indoor live performances have been banned in New York since the coronavirus began its deadly spread in March, about a dozen people turned up Wednesday night at Birdland, the jazz club near Times Square, for a 7 p.m. performance that was billed as dinner with live jazz. They had reservations.Among them was Tricia Tait, 63, of Manhattan, who came for the band, led by the tuba player David Ostwald, which plays the music of Louis Armstrong. Until the pandemic hit, it had performed on most Wednesdays at Birdland. She admitted to health worries “in the back of my mind,” but said, “Sometimes you just have to take a chance and enjoy things.”While the number of daily new coronavirus cases in New York City has been climbing to levels not seen since April, in-person learning has been suspended at public middle schools and high schools, and Gov. Andrew M. Cuomo warned this week that indoor dining in the city could soon be banned, Birdland and a number of other noted jazz clubs and piano bars across the city have been quietly offering live performances again, arguing that the music they are presenting is “incidental,” and therefore permitted by the pandemic-era guidelines set by the State Liquor Authority.Those guidelines state that “only incidental music is permissible at this time” and that “advertised and/or ticketed shows are not permissible.” They continue: “Music should be incidental to the dining experience and not the draw itself.”That has not prevented a number of New York venues that are better known for their performances than their cuisine — including Birdland, the Blue Note and Marie’s Crisis Cafe, a West Village piano bar that reopened Monday with a show tune singalong after declaring itself a dining establishment — from offering live music again.“We think it’s incidental,” Ryan Paternite, the director of programming and media at Birdland, said of its calendar of performances that include a brass band and a jazz quartet. “It’s background music. That’s the rule.”The rules have been challenged in court. After Michael Hund, a Buffalo guitarist, filed a lawsuit in August challenging them, a judge in the U.S. District Court in the Western District of New York issued a preliminary injunction last month preventing the state from enforcing its ban on advertised and ticketed shows. “The incidental-music rule prohibits one kind of live music and permits another,” the judge, John L. Sinatra Jr., wrote in his Nov. 13 decision. “This distinction is arbitrary.”The state is appealing the ruling.“The science is clear that mass gatherings can easily turn into superspreader events, and it is unconscionable that businesses would attempt to undermine proven public health rules like this as infections, hospitalizations and deaths continue to rise,” William Crowley, a spokesman for the liquor authority, said Thursday. He noted that a federal judge in New York City had ruled in another case that the restrictions were constitutional. He said that the state would “continue to vigorously defend our ability to fight this pandemic whenever it is challenged.”But it is unclear what, exactly, “incidental” music means. Does that mean a guitar player in the corner? A six-person jazz band like the one that played at Birdland on Wednesday night? The Harlem Gospel Choir, which is set to perform at the Blue Note on Christmas Day? Mr. Crowley did not respond to questions seeking further clarity on Thursday, or about what enforcement actions the state has taken.Customers at Marie’s Crisis Cafe.Credit…Nina Westervelt for The New York TimesRobert Bookman, a lawyer who represents a number of New York’s live music venues, said venues interpreted the ruling as allowing them to advertise and sell tickets for incidental music performances during dinner.So venues have chosen their words carefully. They are taking dinner reservations, and are announcing calendars of lineups for what Mr. Paternite, of Birdland, characterizes as “background music during dinner.” Unlike Mac’s Public House, the Staten Island bar that declared itself an autonomous zone and was recently lampooned on “Saturday Night Live,” they have no interest in openly flouting regulations.Mr. Paternite said that Birdland, after laying off nearly all of its 60 employees in March, is now back to what he calls a “skeleton staff” of about 10 people.“It’s a huge risk for us to be open,” he said. “And it only brings in a pittance. But it helps us out in our agreement with our landlord, because to pay our rent over time and stay current on our utilities and taxes, we need to stay open. But we’re losing massive amounts every day.”If venues don’t reopen now, he fears, they may never do so. The Jazz Standard, a beloved 130-seat club on East 27th Street in Manhattan, announced last week that it would close permanently because of the pandemic. Arlene’s Grocery, a Lower East Side club that hosted the Strokes before they became well known, said it was “on life support” and, without aid, would have to close on Feb. 1.Randy Taylor, the bartender and manager at Marie’s Crisis Cafe, said the last time the piano bar had served food was probably back in the 1970s — or perhaps earlier. “There’s a very old kitchen that’s totally disconnected upstairs,” he said. Its dining options are extremely limited: It currently offers $4 bowls of chips and salsa. “We are required to sell them,” he said. “We can’t just give them away.”Steven Bensusan, the president of Blue Note Entertainment Group, said that he hopes the state does not move to shut down indoor dining.“I know cases are spiking,” he said. “But we’re doing our best to keep people safe, and I hope we can continue to stay open. We’re not going to be profitable, but we have the ability to give some people work who’ve been with us for a long time.”The clubs said that they were taking precautions. At the Blue Note, which reopened Nov. 27, the formerly shared tables are now six feet apart and separated by plexiglass barriers, and its two nightly dinner seatings are each capped at 25 percent capacity, or about 50 people. At Marie’s Crisis Cafe, where the masked pianist Alexander Barylski was ensconced behind clear shielding on Wednesday night as he led a jubilant group chorus of “Frosty the Snowman,” Mr. Taylor said that tables were separated by plastic barriers, and that the venue conducted temperature checks and collected contact tracing information at the door.Daniel Wiseman, left, and Rindi Klarberg are greeted by Moni Penda, right, at Birdland, a noted jazz club that now calls its live music “incidental.” Credit…Nina Westervelt for The New York TimesMarie’s Crisis Cafe had been livestreaming shows on Instagram and its Facebook group page, but Mr. Taylor said it wasn’t the same. On Wednesday night, 10 customers belted out holiday tunes through masks, some sipping their first drinks at a venue since March.“There have been some tears,” Mr. Taylor said. “People really, really missed us. We can’t see their smiles through their masks, but their eyes say it all.”AdvertisementContinue reading the main story More

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    Dorian Electra, a Queer Pop Star Who Defies Genres

    AdvertisementContinue reading the main storySupported byContinue reading the main storyUp NextDorian Electra, a Queer Pop Star Who Defies GenresThe singer recently released music that tangles together metal, dubstep and hard-core punk, “all these hypermasculine, testosterone-filled genres.”Dorian Electra released an experimental album, “My Agenda,” in October.Credit…Kevin Amato for The New York TimesDec. 11, 2020, 5:00 a.m. ETName: Dorian ElectraAge: 28Hometown: HoustonNow Lives: In a spacious Victorian-style house in the Echo Park section of Los Angeles, with nine roommates.Claim to Fame: Mx. Electra is a singer and producer known for genre-contorting pop songs and elaborate music videos. Mx. Electra’s 2019 debut album, “Flamboyant,” is a glittery confection of convulsive hyperpop. The video for the title track featured the performer, who is gender-fluid, with neon green hair and a penciled-on mustache, twirling around a candlelit manor.Big Break: In 2017, Mx. Electra met A.G. Cook, a record producer, through mutual friends at a DJ set at Sunnyvale, a nightclub in the Bushwick section of Brooklyn. Mr. Cook, who founded the electro-pop record label PC Music, was the executive producer behind Charli XCX’s breakout mixtape, “Pop 2, ”and suggested that Mx. Electra appear on the track “Femmebot.” “I was like, I’m working with my favorite artists, how is this even real?” Mx. Electra said.Credit…Kevin Amato for The New York TimesLatest Project: In October, Mx. Electra released a frenetic, experimental full-length album, “My Agenda.” The songs expand on the ideas that animated their first album, with some written from the perspective of incels — so-called involuntary celibates who blame women for their lack of sexual activity — to examine how internet culture fosters toxicity online. “My Agenda” tangles together metal, dubstep and hard-core punk, “all these hypermasculine, testosterone-filled genres,” Mx. Electra said.Next Thing: Mx. Electra plans to release a remixed version of “My Agenda,” inspired by the styles of artists featured on the project, and will work on new music next year. The singer has been livestreaming performances of the record on Twitch and posting them on YouTube. Mx. Electra is also supporting Planned Parenthood in a new campaign, as one of 200 artists pledging solidarity with the organization.Catwalk: Fashion plays a key role in how Mx. Electra conceptualizes songwriting; the singer will plot out what colors to wear in a music video before even finishing a track. Mx. Electra walked in a runway show in London Fashion Week in February for DB Berdan, a Turkish brand, and is eager to do more modeling. “For me, fashion has been a way to be like, this is the body I was born with,” Mx. Electra said. “But what can I do with it? Who can I be?”AdvertisementContinue reading the main story More

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    Cardi B Calls 'WAP' Amazing Song While Accepting Billboard's Woman of the Year

    Billboard

    In her award acceptance speech, the Bronx raptress addresses her and Megan Thee Stallion’s chart-topping single ‘WAP’, which, despite its success, earns her criticism over the explicit lyrics.

    Dec 11, 2020
    AceShowbiz – Cardi B felt honored after receiving the award for Woman of the Year at Billboard’s Women in Music virtual event on Thursday, December 10. Presenting the coveted prize to the Grammy-winning raptress was Tamika Palmer, who is the late Breonna Taylor’s mother.
    “One of Breonna’s most outspoken advocates for justice over the last nine months has been Cardi B,” Palmer said. “From the start, Cardi has used her platform to spread the truth about what happened to Breonna and to re-affirm that black women’s lives matter. Cardi B’s impact reaches far beyond music. That’s why I am so proud and honored to present Billboard’s Woman of the Year award to Miss Cardi B.”
    In her award acceptance speech, the “Bodak Yellow” rapper thanked people for “always loving my music. Thank you for loving and I love you guys.” Reflecting on this year, Cardi added, “This year, when it came to music, I had so many things planned. I had so many projects that I wanted to come out. Unfortunately, due to COVID, I couldn’t put out the visuals the way that I wanted. It messed up my creative space.”

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    She also addressed her and Megan Thee Stallion’s chart-topping single “WAP”, which, despite its success, earned her criticism over the explicit lyrics. “I’m just grateful and thankful that the song I actually did put out this year,” so Cardi revealed. “Not only was it an amazing song that broke so many records, but it was a conversation that I never thought it was going to be so big. It pissed off a whole bunch of Republicans for no reason. You know what I’m saying, it was just weird.”
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    Cardi previously clapped back at haters who thought that she didn’t deserve the award. “For you cry babies like, ‘What? She only got one song.’ Yeah, I got THAT song, b***h,” she shared in an Instagram video. “You know the one that sold the most, the one that streamed the most… The one that had your grandma popping her p***y on TikTok.”
    Also among the honoreers at the 2020 Billboard’s Women in Music virtual event were Jennifer Lopez, Dua Lipa, Dolly Parton and Chloe x Halle.

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