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      Where Has Tracy Chapman Been? Her Grammys Triumph Has Fans Wondering

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      Her triumphant performance at the Grammy Awards left fans wondering what she has been doing since she left the music world, and whether she might return.Tracy Chapman’s rare public appearance at the Grammy Awards on Sunday night — where she practically stole the show performing her 1988 song “Fast Car” with the country singer Luke Combs — left many fans wondering why she had largely stepped away from music for more than a decade.Despite some scattered performances on television and at awards shows, Chapman, 59, has remained almost entirely absent from the music world in recent years, having released her last studio album in 2008 and done her last tour in 2009. Since she first emerged in the late 1980s, she has always been known as a reclusive and private figure.“Being in the public eye and under the glare of the spotlight was, and it still is, to some extent, uncomfortable for me,” she told The Irish Times in 2015. “There are some ways by which everything that has happened in my life has prepared me for this career. But I am bit shy.”The acclaim for her Grammys performance — Taylor Swift could be seen singing along in the crowd — was a sign of how beloved Chapman remains. Combs’s note-for-note cover of “Fast Car” went to No. 2 on Billboard’s pop singles chart last year, and after the Grammys, Chapman’s original began shooting up iTunes’s download chart.After her debut LP, “Tracy Chapman,” was released in 1988 — and went to No. 1 on the Billboard chart — she released seven more studio albums. Her last, “Our Bright Future,” came out in 2008. Jon Pareles of The New York Times described it as a collection of “morose love songs” as well as “her latest utopian vision of a world without war or greed.”Chapman performed at the Kennedy Center Honors in 2012. Kevin Wolf/Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Grammys 2024 Takeaways: Taylor Swift Makes History in a Big Night for Women

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      Women thoroughly dominated the 66th annual Grammy Awards on Sunday, with a history-making album of the year win by Taylor Swift and victories by Miley Cyrus, Billie Eilish, SZA, Lainey Wilson, the Colombian pop star Karol G and the band boygenius.The wins capped a year when women were extraordinarily successful in pop music, and also signified a change for the Grammys, which have frequently been criticized — as recently as five years ago — for overlooking female artists on the show.In addition to the wins, the show featured powerful performances by SZA, Eilish, Dua Lipa, Olivia Rodrigo and even Joni Mitchell and Tracy Chapman — two godmothers of modern songwriting who have made only rare public appearances in recent years.In taking album of the year for “Midnights,” Swift became the first artist to win the Grammys’ top prize four times, beating a trio of male legends — Frank Sinatra, Stevie Wonder and Paul Simon — who had three.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Best Red Carpet Fashion At the Grammys: Taylor Swift, Victoria Monét, Miley Cyrus

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      The music industry’s biggest stars attended the 66th Grammy Awards in Los Angeles in attire as varied as their songs and albums. Much of that attire — whether it was a cutout gown or a sheer shirt — exposed midsections.Dua Lipa and Miley Cyrus were two of the many who chose outfits with metallic tones, perhaps in hopes of earning a golden statue to match. Gracie Abrams, Paris Jackson and others opted for black, while Kylie Minogue and Bonnie McKee were among those in red, one of the most popular colors seen on carpets this awards season. (Ms. McKee complemented her red dress with a nest of fiery hair.)Several of the night’s most memorable looks reminded viewers that there’s nothing wrong with replaying old hits. Laverne Cox, the E! host who interviewed stars on the red carpet, wore a structured Comme des Garçons dress from 2015, and Olivia Rodrigo chose a white Versace gown that is almost 10 years older than she is.The Grammy Awards are known to be a fashion playground, and this year’s event was no exception. But the following 22 looks (three of which belonged to the members of boygenius) stood out more than most, for better or worse.Miley Cyrus: Most Barbarella!Don’t send her through a metal detector.Mario Anzuoni/ReutersSome people saw Cleopatra. Others saw Barbarella, or Princess Leia in her Jabba the Hutt period. Whatever the references, the “Flowers” singer’s metal mesh by Maison Margiela was marvelous.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Joni Mitchell Performs at the Grammys for the First Time

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      It’s hard to believe that at 80 years old, after a groundbreaking career in music, there are still new achievements left for Joni Mitchell. But on Sunday night, she did something for the first time: performed on the Grammys.Joined by Brandi Carlile, Jacob Collier, Lucius, Blake Mills, Allison Russell and SistaStrings, the singer-songwriter played “Both Sides Now.”Carlile, one of Mitchell’s most high-profile champions, is largely responsible for bringing her hero back to the stage, and she introduced Mitchell, who earlier won the Grammy for best folk album for “Joni Mitchell at Newport.” Nine years ago, Mitchell had an aneurysm and largely vanished from the public eye; her legions of fans feared that her singing days were complete.But the writer and unmistakable soprano behind classics like “Big Yellow Taxi” and “A Case of You” was not finished. She made a surprise appearance at the 2022 Newport Folk Festival alongside Carlile, as well as musicians including Wynonna Judd and Marcus Mumford.Mitchell followed that performance with an almost three-hour set at Carlile’s Echoes Through the Canyon Festival in George, Wash., last spring. (Two more performances from Joni Mitchell & the Joni Jam are scheduled for October at the Hollywood Bowl.) “To hear Mitchell hit certain notes again in that inimitable voice was like glimpsing, in the wild, a magnificent bird long feared to have gone extinct,” Lindsay Zoladz wrote in a New York Times review of the Washington show.Mitchell’s recording career, which began in the 1960s, has included her early folk music, the autofiction of her classic albums “Blue” and “Court and Spark,” and the jazz that followed. Decades later, in 1996, Mitchell, then 52, won the Grammys for best pop album and best recording package for “Turbulent Indigo,” her 15th release. “I’ve been contemplating whether to quit music and go into painting, and perhaps I will now,” she said that night. More

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      2024 Grammys Winners: Updating List

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      A complete rundown of the artists, albums, songs and videos that took home trophies at the 66th annual awards.The 2024 Grammys taking place Sunday night in Los Angeles honor recordings released from Oct. 1, 2022, through Sept. 15, 2023. SZA is the lead nominee, with nine nods for her album “SOS,” which topped the Billboard 200 for 10 straight weeks.The R&B singer Victoria Monét and the indie rocker Phoebe Bridgers of boygenius both have seven, while Jon Batiste, boygenius, the Americana singer-songwriter Brandy Clark, Miley Cyrus, Billie Eilish, Olivia Rodrigo and Taylor Swift have six nods apiece.Here are the winners so far:Producer of the Year, Non-ClassicalJack AntonoffSongwriter of the Year, Non-ClassicalTheron ThomasBest Pop Duo/Group Performance“Ghost in the Machine,” SZA featuring Phoebe BridgersBest Dance/Electronic Recording“Rumble,” Skrillex, Fred again.. and FlowdanRead our profile of Fred again..Best Pop Dance Recording“Padam Padam,” Kylie MinogueHear the “Padam Padam” Popcast.Best Dance/Electronic Music Album“Actual Life 3 (January 1 – September 9 2022),” Fred again..Best Rock Performance“Not Strong Enough,” boygeniusRead our review of boygenius’s album.Best Metal Performance“72 Seasons,” MetallicaRead our feature on Metallica’s set lists.Best Rock Song“Not Strong Enough,” Julien Baker, Phoebe Bridgers and Lucy Dacus, songwriters (boygenius)Hear the boygenius Popcast.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares139 Views

      in Theater

      ‘Some Like It Hot’ Wins Grammy for Best Musical Theater Album

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      “Some Like It Hot,” a new jazz age musical adaptation of the classic 1959 Billy Wilder film, won a Grammy Award on Sunday for best musical theater album.It was adapted from the classic movie comedy in which Jack Lemmon and Tony Curtis play two musicians who dress as women to escape the mob.The show, a big and lush production, had a hard time on Broadway and closed in December at a loss after a one-year run. But the score was praised, with the New York Times theater critic Jesse Green writing that the first-act songs “are pretty much all knockouts.”The award was given to the show’s principal vocalists, Christian Borle, J. Harrison Ghee, Adrianna Hicks and NaTasha Yvette Williams; the songwriting team of Scott Wittman and Marc Shaiman; and five album producers. Wittman and Shaiman also won a musical show album Grammy in 2003 for “Hairspray.”This year’s five Grammy-nominated cast albums were all for musicals that opened on Broadway during the 2022-23 season.The other nominees were “Kimberly Akimbo,” a poignant comedy about a high school student with a genetic disorder and a criminally dysfunctional family; “Parade,” a revival of a 1998 musical exploring the true story of Leo Frank, a Jewish factory manager who was lynched in early 20th-century Georgia; “Shucked,” a romantic comedy with a country sound and a lot of corn-based puns; and “Sweeney Todd: The Demon Barber of Fleet Street,” a revival of the 1979 Stephen Sondheim musical about a wronged barber who conspires with an amoral baker on a giddily gruesome vengeance spree.“Kimberly Akimbo” won last year’s Tony Award for best musical, and “Parade” won the Tony for best musical revival.Only “Kimberly Akimbo” and “Sweeney Todd” are still running on Broadway, and if you want to see them in New York, now’s the time: “Kimberly Akimbo” has announced plans to close on April 28 and “Sweeney Todd” is expected to end its run on May 5.“Kimberly Akimbo” is planning a national tour that is scheduled to start in Denver in September. A “Shucked” tour is to begin in Nashville in November, and a “Parade” tour is to begin in January in Schenectady, N.Y., and then Minneapolis. “Some Like It Hot” had announced an intention to tour starting this fall but has not announced any venues. More

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      The Musical Force Behind the Communal, Queer ‘Bark of Millions’

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      Matt Ray is a prolific songwriter and the musical nexus of New York’s alt-cabaret scene. His next project: Taylor Mac’s latest marathon performance.“It’s the last hour, and I’m feeling the energy draining,” Taylor Mac, the performing arts polymath, announced near the end of a recent rehearsal at the Brooklyn Academy of Music.If the artists — an ensemble of a dozen singers, as well as several instrumentalists — were exhausted, it was because of the sheer scale of what they were working on: “Bark of Millions,” a show by Mac and the musician Matt Ray, which has its American premiere on Monday at BAM’s Harvey Theater. Essential to that scale is Ray’s score of 55 original songs that add up to four hours of performance.That would be enough to fill several albums by any recording artist, and yet it’s business as usual for Ray. He has been not only the musical core of Mac’s recent shows — the daylong marathon “A 24-Decade History of Popular Music,” for which he arranged over 240 songs with the purpose of queering the American canon, and “The Hang,” for which he wrote 26 — but he has also been the force behind much of New York’s alt-cabaret scene, with collaborators including Justin Vivian Bond, Joey Arias and Bridget Everett.“This is a community of risk-takers and rule-breakers,” Everett said in an interview. “It’s a really exciting, vital scene. And there’s one person who’s the musical nexus of that. It’s Matt. His heart is beating at the center of all of it.”The performer Justin Vivian Bond called Ray “such a sensitive artist,” and said, “for being a consummate Leo, he’s just great at letting other people shine.”Sara Krulwich/The New York TimesRAY, 51, has had expansive taste in music since his childhood growing up on the East Coast. Whether as a player — he started learning the piano when he was 2 years old — or as a listener, he never limited himself to any one genre. “I really admire monochromatic types of work,” he said, “but I just don’t work that way.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      After UMG Pulls Its Music, TikTok Users Encounter Silence

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      Content creators say they are considering the merits of Instagram and YouTube after a licensing battle led TikTok to pull songs by artists with Universal Music Group.When TikTok users open the app these days, they encounter a platform stripped of music by many of their favorite artists. Dancers bob and sway without a beat drop. People lip-sync to silence.Because of a licensing rift between the platform and Universal Music Group, which releases music by Playboi Carti, Taylor Swift, Drake, Ariana Grande and others, TikTok confirmed on Thursday that it had deleted music by Universal artists from its library and muted previously published videos that used those songs.Music from artists affiliated with Sony and Warner remains available on TikTok. But that did not stop some users from declaring they were departing to a rival platform, Instagram Reels, while others have made fun of Universal’s absence by dancing to songs in the public domain. The dominant feeling is frustration: What was the point of TikTok without one’s favorite melodies?“A lot of trends that have gone viral are of people who have millions of views on a single video because of an audio,” said Myah Elliott, 22, who pointed out that the TikTok logo looks like a musical note. “It’s going to be muted. That’s a scary thought.”For more than two years, 21-year-old Evan Cronin posted videos on the first of each month that show him going through a morning routine, garnering millions of views. Around midnight on Thursday, he published the latest in the series to the beat of Playboi Carti’s “Sky.”This time, there were barely any interactions from viewers.“It was essentially a dead post,” Cronin said.After TikTok removed Universal’s music, those who use the app to listen to their favorite songs or discover new artists expressed disappointment. Others publicly shared concern about the detrimental effect on emerging Universal artists who rely on TikTok for publicity.Shawn Desman, a Canadian artist, explained to his followers why his videos had been muted and bemoaned that he no longer had the ability to share his music through TikTok.“It is such an important tool for us to promote ourselves, our music, our creations,” Desman said in the video. “It’s just really crazy to me that now we’re not going to be able to use our music.”The sudden silencing of Universal’s music catalog also left TikTok’s content creators worried and exasperated. John Casterline, who has 3.5 million TikTok followers, said that at least 10 percent of his videos had been muted, resulting in a steep drop-off in views. He has contemplated pivoting to YouTube.“The minute TikTok mutes a video, they’re obviously not going to push it out to the ‘For You’ page,” said Casterline, 20, referencing the app’s algorithm-based recommendation feed. “Everything completely halts. So it’s definitely made my account take a massive hit.” More