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    Wayne Northrop, ‘Days of Our Lives’ Actor, Dies at 77

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    He was best known for playing two characters, Roman Brady and Dr. Alex North, in more than 1,000 episodes on the daytime soap opera.Wayne Northrop, an actor who played two roles on the long-running daytime soap opera “Days of Our Lives,” as a good-hearted detective and then as a shadowy doctor, died on Friday. He was 77.Mr. Northrop, who learned six years ago that he had early onset Alzheimer’s disease, died at the Motion Picture and Television Woodland Hills Home in Woodland Hills, Calif., according to a family statement from his publicist, Cynthia Synder.He appeared in several television shows throughout his career, including the prime-time legal drama “L.A. Law” in the 1980s. He gained notoriety on ABC’s “Dynasty” as the handsome and mysterious chauffeur Michael Culhane who drove around the Denver business titan Blake Carrington, who was portrayed by the actor John Forsythe. Mr. Northrop appeared in 35 episodes.Mr. Northrop was probably best known for his roles on “Days of Our Lives.” The show, which premiered in 1965 on NBC, follows various characters in the fictional Midwestern town of Salem.Mr. Northrop portrayed two characters on the show. He was the tough but loyal detective Roman Brady from 1981-84 and again from 1991-94, according to his publicist.Beginning in 2005, he played Dr. Alex North, a one-time medical school classmate of Dr. Marlena Evans, a psychiatrist and the town’s matriarch, played by Deidre Hall. The Dr. North character was an amnesia specialist and a shadowy figure who manipulated, blackmailed and even committed murder on the show, according to soaps.com.Mr. Northrop appeared in more than 1,000 episodes from 1981-2006. The show moved to the network’s Peacock streaming service in 2022.Wayne Northrop was born on April 12, 1947, in Sumner, Wash. He earned his bachelor’s degree in communications from the University of Washington before pursuing acting.Mr. Northrop’s career began in theater, with his first big break in 1975 when he joined the Los Angeles Actors’ Theater.He made his television debut with a small part in “Police Story,” an anthology crime drama about the lives of police officers. His other television credits include appearances in “Eight Is Enough,” a show about a newspaper columnist and his eight children; “Baretta,” about a New York City detective; and “The Waltons,” about a Virginia family in the 1930s and ’40s; and “You Are the Jury,” about actual courtroom trials.He also landed roles in the made-for-television films “Beggarman, Thief,” (1979) about the Jordache family, adapted from the novel by Irwin Shaw; and “Going for Gold: The Bill Johnson Story” (1985) about the first U.S. men’s skiing gold medal winner.Mr. Northrop also appeared as Rex Stanton in 121 episodes of the “General Hospital” soap opera spinoff, “Port Charles” from 1997-98. That show also starred his wife, Lynn Herring Northrop, who has been an actress on “General Hospital” since 1986.He is survived by his wife, their sons, Hank Northrop and Grady Northrop, and stepmother, Janet Northrop, according to the family statement. More

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      Chuck Scarborough to Step Down as WNBC News Anchor After 50-Year Career

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      The celebrated broadcaster, who started at the New York station in 1974, announced that he would wrap up his anchoring career on Dec. 12.Chuck Scarborough, the broadcaster who for 50 years brought New Yorkers news of blizzards, financial collapses, terror attacks and assassinations, said Thursday that he would step down from his anchoring duties at WNBC.“The time has come to pass the torch,” Mr. Scarborough said at the end of the 6 p.m. newscast. “Fifty years, eight months and 17 days after I walked into the door here at the headquarters of the National Broadcasting Company, I will step away from this anchor desk.”Mr. Scarborough, 81, said his last broadcast as anchor will be on Dec. 12. He will not leave WNBC entirely, and will contribute periodically to special projects, NBC 4 New York said in a statement.Beginning with “Good evening, I’m Chuck Scarborough,” Mr. Scarborough became an institution in New York over the decades he delivered the news about everything from storms and financial crises to protests and plane crashes. He announced the shooting of John Lennon in 1980, helmed newscasts in the aftermath of the Sept. 11 attacks and won praise with his team for its coverage of the Covid pandemic.Mr. Scarborough anchored WNBC’s 6 p.m. and 11 p.m. weekday news shows for more than 40 years. In 2016, he stepped down from the late broadcast and continued as the co-anchor at 6 p.m. The station said his replacement will be announced later.“Chuck Scarborough is the gold standard in American broadcast journalism,” Eric Lerner, the president and general manager of NBC 4 New York, said in a statement.A native of Pittsburgh, Mr. Scarborough was in the U.S. Air Force for four years before he set off on a career in journalism. He received a bachelor’s degree from the University of Southern Mississippi, and served as an anchor at two stations in the state.That was followed by anchoring jobs in Atlanta and Boston before Mr. Scarborough landed at WNBC in 1974.When he marked his half-century as an anchor in New York in March, Mr. Scarborough hailed what he described as the city’s resilience.“Each time it was knocked down, people were saying, ‘That’s it, New York can’t possibly survive,’” he told The New York Times. “And each time, we would recover.” More

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      Seth Meyers Isn’t as Nice as You Think He Is

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      There was a hole in Seth Meyers’s office at “Saturday Night Live” for seven years.A sketch he’d written was cut for someone else’s piece, and in a fit of what Meyers described as “door-slamming petulance,” he threw the dressing room entrance open so hard that the door handle went through the wall. Michael Shoemaker, a producer on the show who has become perhaps Meyers’s closest professional partner, refused to get the crater fixed.“I want you to see it every day,” Meyers recalled Shoemaker telling him. “I want you to remember how small of a thing it was.”Shoemaker said his response to Meyers’s tantrum was a little simpler: “Stop it,” he told him. Then Shoemaker quoted Meyers’s father, whom he had gotten to know: “When something goes wrong, you have to think, what is it that you did that you could have done better?”Aggravated pettiness might seem at odds with the persona Meyers has crafted over more than two decades on television: 13 years on “S.N.L.,” with the final eight as an anchor of Weekend Update, followed by a decade as the comedically precise but genial host of “Late Night With Seth Meyers.” He struck a similarly charming note in 2019 in his first stand-up special, “Lobby Baby,” about the birth of his second child in the unexpected location the title suggests.Seth Meyers at the Beacon Theater in Manhattan, where he has a monthly stand-up residency with John Oliver.Sinna Nasseri for The New York TimesHowever, when Meyers’s new HBO special, “Dad Man Walking,” premieres on Saturday, the idea that he could be an antagonist — even if only of the most benign and humorous type — might make more sense. It’s about parenting, specifically the reality that “good parents have moments where they really hate what their kids are doing,” Meyers said. And while the broadly cantankerous tone of the special seems like a departure, it actually reflects a facet of Meyers that has always been there.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Days of Our Lives’ Actor, Drake Hogestyn, Dies at 70

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      Mr. Hogestyn was best known for playing John Black on the daytime soap opera and appeared in more than 4,200 episodes over 38 years.Drake Hogestyn, who played John Black, the sturdy and fiercely loyal character who by turns was a spy, private investigator and mercenary, for nearly 40 years on the long-running soap opera “Days of Our Lives,” died on Saturday, a day shy of his 71st birthday.Mr. Hogestyn had pancreatic cancer, according to a statement from his family shared by the show. He died in Los Angeles, according to a publicist for the show, Andrea McKinnon.In 1986, Mr. Hogestyn first appeared on “Days of Our Lives,” which premiered in 1965 on NBC and follows various characters in the fictional Midwestern town of Salem. For a few years, he played another character, Roman Brady, but came to be known best for his role as John Black.Mr. Hogestyn appeared in more than 4,200 episodes of the soap opera and became a fan favorite for his portrayal as the rugged, raspy-voiced and often heroic character who had the skills of an intelligence agent, a police officer and a private investigator.The character was also known for being married to Dr. Marlena Evans, a psychiatrist and the town’s de facto matriarch, played by Deidre Hall. In 2005, the actors won a Soap Opera Digest Award for Favorite Couple.“It’s, like, I’ll always love her,” Mr. Hogestyn said, at a gathering for the show’s fans in 2004, of the characters’ enduring romance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘SNL’ Debut Cast and Crew Look Back on 50 Seasons

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      As the historic 50th season of “Saturday Night Live” gets underway, its very first episode has become a piece of show-business mythology: the story of how a group of misfit writers and performers, led by a 30-year-old Canadian upstart named Lorne Michaels, put together a counterculture comedy-variety show in Manhattan amid interpersonal conflict, last-minute changes and substance abuse, and somehow established a television institution.It’s a legend so revered that it has inspired a new film, “Saturday Night,” directed by Jason Reitman, in which a cast of young actors portraying the Not Ready for Prime Time Players (as well as the show’s producers and crew members) act out a version of events as they might have unfolded on that fateful evening of Oct. 11, 1975.For the people actually involved in the debut broadcast of what was then called “Saturday Night” — the writers, cast members, comedians and musicians — that excitement and energy is only one part of the tale. They remember the creation of the NBC show — the long buildup to its premiere, the performance itself and the aftermath — as sometimes hectic, sometimes carefully organized. It was a period full of head-butting, but one that also fostered camaraderie and lifelong friendships. And it never would have happened without some crucial, 11th-hour discoveries, or the right people in place to make those realizations.But at no point did they wonder if they were about to make history. “I don’t think it concerned us one way or the other,” said Chevy Chase, a founding cast member and writer. “We were going to do what we do, and if you laugh, great, you laugh. You’ll tell somebody else about it, and they’ll laugh the next time.”Here, some of those participants share their memories of how “Saturday Night” came to life.Jane CurtinJane Curtin said that she realized the show was catching on when she left 30 Rock and on the street “you’d pass by people and they would shake.”NBCU Photo Bank/Getty ImagesCurtin had acted in theater, commercials and a Boston-area improv group, the Proposition, when she auditioned for “Saturday Night” in summer 1975. At her callback, Curtin expected a conversation with producers: “I walked in the door,” she recalled, “and they said, ‘OK, what have you prepared?’ The classic anxiety dream.” Fortunately, she had some old material in her purse. “It was a big purse,” Curtin said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      SNL’s Cast for the 50th Season Includes Ashley Padilla, Emil Wakim and Jane Wickline

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      Ashley Padilla, Emil Wakim and Jane Wickline will be the show’s new faces in its landmark season.The cast for Season 50 of the NBC sketch comedy series “Saturday Night Live” is in place, with the up-and-coming comedians Ashley Padilla, Emil Wakim and Jane Wickline joining as featured players, the network announced on Tuesday. The new season is scheduled to premiere on Sept. 28.Chloe Troast, who joined “S.N.L.” as a featured player last season, was not asked to return, she said in an Instagram post on Monday.“Unfortunately I was not asked back to ‘S.N.L.’ this season,” Troast wrote. “I wish I was going back to be with all the amazing friends I made there, it truly felt like home. But it wasn’t in the cards.”Padilla, like many “S.N.L.” alumni before her — including Will Ferrell, Maya Rudolph, Kristen Wiig and Phil Hartman — comes from the Los Angeles improv and sketch comedy troupe the Groundlings. She also appeared this year in a final-season episode of HBO’s “Curb Your Enthusiasm” and in an episode of the NBC revival of “Night Court.”Chloe Troast, pictured playing Mama Cass in 2023, will not be returning to “S.N.L.”Will Heath/NBCWakim, a Lebanese American comedian who grew up mostly in Indiana, made his late-night stand-up debut in 2022 on NBC’s “The Tonight Show Starring Jimmy Fallon.” That year, he was named the New Face of Comedy at the Just for Laughs comedy festival in Montreal and has opened for the comics Roy Wood Jr., Nikki Glaser, Hasan Minhaj and Neal Brennan.Wickline is probably most recognizable from TikTok, where she has nearly a million followers and contributes regularly to “Stapleview,” a live TikTok comedy show.Also returning are the main cast members Michael Che, Mikey Day, Andrew Dismukes, Chloe Fineman, Heidi Gardner, James Austin Johnson, Colin Jost, Ego Nwodim, Sarah Sherman, Kenan Thompson and Bowen Yang. The former featured players Marcello Hernández, Michael Longfellow and Devon Walker — all of whom joined “S.N.L.” for its 48th season — will move up the ranks to the main cast.In August, Punkie Johnson, who had been a part of “S.N.L.” since 2020, confirmed that she would not return for the coming season. Among the characters Johnson played was Vice President Kamala Harris. Maya Rudolph, an “S.N.L.” cast member from 2000 to 2007 who has returned to play Harris 10 times through 2021, seems poised to reprise the role as Harris vies for the White House as the Democratic candidate.Molly Kearney, the show’s first nonbinary cast member, announced in August that they would not be returning after two seasons with the program. “It was such a dream come true,” Kearney wrote in an Instagram post. “So incredibly grateful for this period in my life.” More

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      Michael Crichton’s Estate Calls New Show an Unauthorized ‘ER’ Remake in Lawsuit

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      The best-selling author’s estate has filed suit over “The Pitt,” an upcoming series, claiming that it is an unauthorized reboot of the hit hospital drama.The estate of Michael Crichton filed suit against Warner Bros. Television on Tuesday, claiming that its upcoming Max series, “The Pitt,” is an unauthorized “ER” reboot that fails to credit him and compensate his heirs.The suit accused Warner Bros. and R. Scott Gemmill, the showrunner of “The Pitt,” of breaching a contract that requires Crichton’s consent for any remakes of the hit hospital drama. The estate also sued John Wells, an executive producer, and Noah Wyle, set to star and serve as an executive producer.“The lawsuit filed by the Crichton Estate is baseless,” Warner Bros. Television said in an emailed statement, calling “The Pitt” a “new and original show.” The company said it would “vigorously defend against these meritless claims.”The complaint, filed in Los Angeles County Superior Court, claims that in 2020, Warner Bros., Gemmill, Wells and Wyle began developing a reboot of the show without informing Sherri Crichton, the author’s widow and the guardian of his estate. Gemmill and Wells were executive producers on “ER,” and Wyle was a star of that show.When they told her about the project, nearly two years into development, Crichton’s estate was prepared to approve a reboot based on the condition that he would be credited as a creator, in addition to a set of financial terms. But Warner Bros. later walked back on many of its promises, the lawsuit said.After negotiating for nearly a year, the parties did not reach an agreement, according to the suit. But Warner Bros. “simply moved the show from Chicago to Pittsburgh, rebranded it ‘The Pitt’ and has plowed ahead without any attribution or compensation for Crichton and his heirs,” the complaint said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Opening Ceremony Misses the Boat

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      The Paris Games began with a new look and sparkled with Celine Dion. But the show suffered from bloat similar to TV’s other spectacles.About six hours before Celine Dion gutted out the final number of the Paris Olympics opening ceremony, the streaming service Peacock emailed a promo for its coverage with the headline, “We’ll all be crying by the end of this.” So maybe they knew more than they were letting on.The homestretch of the marathon four-hour broadcast, when the celebrating athletes and dance extravaganzas and speeches were out of the way, had some starkly lovely images and moving moments: the speedboat carrying former champions up the Seine in the dark (like a real-life echo of Leos Carax’s great water-skiing scene in “Les Amants du Pont-Neuf”). The grand scale and dramatic lighting of the Louvre as the torch was carried, like a firefly’s flame, through its courtyards. The torch coming to the hand of a 100-year-old French cyclist, steady in his wheelchair, and Dion defying her illness to belt out “Hymne à l’Amour” on the Eiffel Tower.Celine Dion’s performance of “Hymne à l’Amour” provided a triumphant finale.Chang W. Lee/The New York TimesBut it took endurance to get there — for the athletes, performers and spectators drenched by the summer rain, and for the viewers at home watching the ceremony as it was conceived by the French organizers and packaged by NBC and Peacock.The decision to abandon the event’s traditional format — the long, formal parade of athletes marching into a stadium — for a waterborne procession along the Seine intercut with performances had a twofold effect. It turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle, like a halftime show or awards show or holiday parade that exists to promote and perpetuate itself.Those spectacles can be fun, of course, and the traditional Olympics opening ceremony could feel dull and interminable. But it was not quite like anything else, and it played a key part in making the Games feel special.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Benji Gregory, Child Star on ‘ALF,’ Dies at 46

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      Mr. Gregory was found dead on June 13 in his car, along with his service dog.Benji Gregory, who starred as a child in the hit television series “ALF” in the 1980s, has died. He was 46.His death was confirmed by his sister, Rebecca Pfaffinger, who said that an official cause of death was still pending.According to Mrs. Pfaffinger, Mr. Gregory and his service dog, Hans, were found dead in his car on June 13 at a bank’s parking lot in Peoria, Ariz. She said in a Facebook post that he had fallen asleep in the vehicle and had died of heatstroke.Mr. Gregory was best known for his role as Brian Tanner on “ALF,” an NBC sitcom that premiered in September 1986, when he was 8.The show featured a suburban family whose world is thrown upside down when a back-talking, pointy-eared alien from the planet Melmac crash-lands through their garage. The Tanner family calls the alien ALF, short for Alien Life Form, and he stays with them, causing mischief and voicing his observations about humankind. Brian and ALF soon become the best of friends. “ALF” was a hit and aired for four seasons.“It became quite natural to interact with ALF,” Mr. Gregory said of the experience in a 2022 interview with BTM Legends Corner, a show on YouTube.Benji Gregory was best known for his role as the young Brian Tanner on “ALF,” a hit NBC sitcom in the late 1980s.InstagramHe was born Benjamin Gregory Hertzberg on May 26, 1978, in the Los Angeles area, according to his IMDB profile.Alongside “ALF,” Mr. Gregory appeared in a string of other hit shows in the 1980s, including “The A-Team,” “Punky Brewster” and “Amazing Stories.”Mr. Gregory’s film credits include “Jumpin’ Jack Flash,” a 1986 comedy about a lonely computer programmer in Manhattan played by Whoopi Goldberg, and the 1993 animated movie “Once Upon a Forest.”He eventually moved on from acting and in 2004 became an aerographer’s mate for the U.S. Navy stationed in Biloxi, Miss., according to IMDB.He had lived with bipolar disorder and depression and received care for both, his sister said. More