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    Lilly Singh’s Week: Pixar’s ‘Soul’ and ’90s Bollywood

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyLilly Singh’s Week: Pixar’s ‘Soul’ and ’90s BollywoodThe host of “A Little Late With Lilly Singh” spends her downtime watching movies and trying to be more savvy with news sources.The comedian Lilly Singh on her personal basketball court at home in Los Angeles. Credit…Tracy Nguyen for The New York TimesJan. 5, 2021, 10:42 a.m. ETA decade ago, the comedian Lilly Singh started making videos out of her parents’ house in Scarborough, an inner suburb of Toronto. She swiftly attracted viewers with her vibrant, goofy impersonations, many to do with diasporic Punjabi family dynamics, embedded in comedic sketches.Her YouTube channel may boast nearly 15 million subscribers, but these days Singh’s bona fides come from a different space. In 2019, she was the first openly bisexual woman of color to front a late night show (“A Little Late With Lilly Singh”) as well as a first among YouTube phenoms. She’d done the impossible: made it out of the bedrooms of internet-addicted kids and into the bedrooms of their parents. But the late night format isn’t quite right for the D.I.Y. star. Season 2, which premieres Jan. 11 on NBC, leaves behind the standard couch-and-desk setup for a set in a house that will allow her to move and experiment. She released a statement about her hope to get more goofy and authentic. And she’s backed by an all-new staff, after a season that drew mixed reviews.She’s going back, in a sense. These days, she’s shooting her YouTube videos in her own house in Los Angeles. (A byproduct of making millions while being a good Punjabi kid who lives at home is you can eventually move out.) “I have gone full circle,” she said about her latest parody videos — a recent one tracks a woman on a Zoom date. “The pandemic forced me to go back to my roots of shooting by myself, editing the video, doing all the lights and sound and camera stuff that I used to do. Building the tripod on books like I used to do.”Lately Singh has been examining her priorities. At 32, she’s on the cusp of a time in adulthood that might inspire a reconsideration of quick success. The solitude perhaps enhances the moment. This year marked the longest she has gone without seeing her family. “I’m sure people can relate when I say I’ve been in a state of numbness,” she said with a laugh. “And confusion, and being lost. But I also think there has been this kind of sweet silver lining, a little bit. I learned what actually matters. Before, I was on autopilot.”On set, she has been inspired by small hacks: a face mask designed to not smudge her makeup, the know-how of an on-site Covid-19 compliance officer. “He would measure out the dimensions of the house and based on that, on the spot, would be like, ‘OK, four people could be in this room,’” she said. “That we’ve figured out what could be the safest way to do this is really impressive to me. Being like: ‘Hey, we’re not going to stop telling stories. We will somehow adapt.’”In a phone call from Studio City in Los Angeles, Singh tracked her cultural diary for a few days in late December, which included plenty of comfort watching, and Bollywood listening. These are edited excerpts from the conversation.SaturdayI turned on my TV and I saw “Wonder Woman 1984” everywhere. I’m not going to lie: I didn’t even know it was coming out. But I loved it. The first time I saw [the first] Wonder Woman in the theater, I was sitting behind a row of girls who were in tears.“The Lost World: Jurassic Park” is actually trending on Netflix, which is why I watched it, apparently with millions of other people. I love “Jurassic Park,” the entire franchise, so so much.As a person who grew up in an Indian culture, I feel like I watch “Big Mouth” because it seems so far from what I was allowed to be like as a kid. I watch it like, Oh my god, this is so bad. They’re so crude. My parents never had those talks with me, and I never learned about that stuff in school. So for me it’s just like a vicarious redoing of childhood.I really like ’80s and ’90s Bollywood. “Hum Aapke Hain Koun..!” “Pardes.” If you go really, really back — “Ishq” (1997), with Aamir Khan. Old school. I have a very long playlist that I, true story, spent three to four hours making a couple of weeks ago. I have two: Bollywood Chill and Bollywood Dance. I listen, like, if I’m in the shower, if I am cleaning my room, if I’m washing the dishes, if I’m cooking.Singh on “Big Mouth,” Netflix’s animated series about puberty: “For me it’s just like a vicarious redoing of childhood.”Credit…Tracy Nguyen for The New York TimesI deleted social media off my phone many many months ago, so I don’t have anywhere to mindlessly scroll. However, if I do have a spare second, I check out the Deadline app — probably every morning and every night. I like to know what’s going on in film and TV.SundayI decided to watch the original “Karate Kid.” Over the holidays, I also rewatched “Home Alone.” When you rewatch these older movies, it’s a whole new experience! There’s so many jokes and scenes and references that I did not understand as a child but when you rewatch them it’s so enjoyable.I haven’t watched it yet — but “Selena” just premiered on Netflix a little while ago. Of course, I knew [her] songs growing up, but I wasn’t too familiar with the Spanish ones, and I’ve just become obsessed. It’s just such feel-good, amazing music.I had no idea what Pixar’s “Soul” was about, and I was blown away. I thought it was so well executed, and visually stunning. The character was just so lovable. It could have very well been a real person that was not animated, someone I would have met on the street.A lot of the reading I’ve done over the past weekend has been related to Season 2 of my show.I have this rule for Season 2, where to the best of my ability, I do not want to talk about things or interview people or discuss projects unless I actually genuinely know them. I have no desire this season to fake knowing things or fake seeing things. I think it’s so inauthentic, and I don’t want to do it anymore. So, to the best of my ability, I’m going to try to watch every single thing I reference, which is why I started watching “The Queen’s Gambit.” I am hooked.I’m a big fan of these days of watching things without any context. I don’t like to watch trailers or anything. I just like to be thrown in, and that’s exactly what happened with this. I know nothing about chess. But I think it’s a cool story, and I think the actress is brilliant. I’m a big believer of supporting stories and projects that feature strong women.I subscribed to The Skimm. My manager right now, Kyle — he introduced me to it. I love the way it’s literally a skim of the news. You can be in the know without feeling all of the stress of the world on your shoulders.Most DaysBecause I’m not the most savvy with news sources, especially coming out of India, I’ve been following @sikhexpo a lot, which is an Instagram account. When you’re not on the ground somewhere it’s easy for misinformation to spread, and especially with things like the farmer protest, where it’s not covered by the media as thoroughly as it could be, they’ve been a great resource for me to learn what’s happening on the ground.AdvertisementContinue reading the main story More

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    How the Networks Will Fill Airtime on a Quiet New Year’s Eve

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyHow the Networks Will Fill Airtime on a Quiet New Year’s EveIn a typical year, shots of raucous parties from around the world dominate news programming. This year, the networks had to get more creative.Times Square will be emptier than usual for New Year’s Eve this year, but TV networks are doing their best to fill the gaps with extra live performances and creative thinking.Credit…Michael M. Santiago/Getty ImagesDec. 30, 2020[Follow our New Year’s Eve live coverageWhat becomes of Times Square when you take away hundreds of thousands of cheering, shivering New Year’s Eve revelers?It may no longer be the “biggest, most exciting New Year’s Eve party on Earth.” But it may still be the night’s biggest TV production set.For this year’s pandemic New Year’s Eve, many television traditions will be scrapped, including the scenes of raucous celebrations across the world and impromptu interviews with exuberant party goers at bars and clubs, eager to say hello to their mothers and grandmothers back home.Instead, networks are doubling down on the segments that they can safely pull off. They’ve increased the number of performers and interview guests, decreased the number of crew members and brainstormed creative — and socially distant — locations to send their reporters to. (Instead of reporting from a crowd of partyers, for example, one CNN correspondent will report from a crowd of puppies, which are not known to spread the coronavirus.)So while the type of people who enjoy cramming themselves into crowds of strangers to watch the ball drop may be disappointed this year, the type that prefers to curl up and celebrate from their sofas will find their tradition largely intact.“In some respects it’s going to feel very similar to previous years,” said Meredith McGinn, an executive producer of NBC’s New Year’s Eve program, which is hosted by Carson Daly. “You will see the same confetti fly at midnight; you will see the ball drop.”But, like most things in 2020, there were some necessary adjustments.“Dick Clark’s New Year’s Rockin’ Eve” on ABC will send Ryan Seacrest roaming around a much emptier Times Square with a camera crew in tow — wearing a mask except when standing in designated areas. And CNN’s hosts, Anderson Cooper and Andy Cohen, will reunite in Times Square for an evening of interviews and cheeky ad-libbing. (The hosts are close friends who have been in each other’s social “bubbles” during the pandemic.)This year, the Times Square camera crews and riggings are confined to a space between 45th and 47th Streets. It usually stretches from 41st to 59th.Credit…Carlo Allegri/ReutersIn a typical year, Cooper and Cohen invite interview guests up to their riser overlooking the crowds; this year, the network will superimpose images of the guests’ full bodies beside the hosts in a technique that they will jokingly call “teleportation.” On NBC, rather than cutting to raging parties, the network will broadcast small family gatherings from inside their homes. Even the Times Square production set is smaller: While it typically stretches from 41st Street to 59th Street; this year it is limited to a space between 45th Street and 47th Street.“We had to reinvent Times Square,” said Jeff Straus, the president of Countdown Entertainment, which co-produces the event with Times Square Alliance. He described the set up as a theater in the round, with two stages at the center. Three huge screens will provide close-ups of what’s happening onstage for the small number of guests.Emergency medical workers, frontline workers and essential workers were invited to bring their families to sit in specially designated areas in Times Square and watch the array of performances. In total, somewhere between 100 and 160 guests are expected to be present for the 11 scheduled musical acts, including a seven-minute show by Jennifer Lopez leading up to the final countdown. Those guests will be the subjects of the on-camera interviews, rather than the partyers among dense crowds of people, some of whom wait in Times Square for a dozen or more hours to ensure good spots.To pull off the broadcast, networks must follow state guidelines on pandemic television production, as well as protocols set by the various unions representing the crews and performers. They’ve devised plans for testing production staffers for Covid-19 before New Year’s Eve and for feeding production staffers without letting them get too close to one another. (NBC rented additional space in Times Square to make sure crew members could eat and maintain proper distance.)On Thursday, network employees will work from separate locations when possible. The director of “Dick Clark’s New Year’s Rockin’ Eve,” Glenn Weiss, is overseeing the broadcast from his office on 46th Street instead of in the “Good Morning America” studio at Broadway and 44th Street. And NBC cameras are stationed on the third floor of the Renaissance New York Times Square Hotel, where the network had to remove some of the hotel’s windows so that bird’s-eye-views of the event would not be hindered by glare.All of the acts at Times Square will be live, including performances by Lopez, Gloria Gaynor, Billy Porter, Cyndi Lauper and Pitbull. Many other performances will occur on stages outside of New York — including those by Brandy, Megan Thee Stallion and Miley Cyrus, all from Los Angeles, for ABC.The networks have lined up more pretaped material than usual, however. (Most have not said which of the performances were filmed in advance.)Highlights of PBS’s prerecorded New Year’s Eve programming include an opening performance of “Lady Marmalade” by Patti LaBelle.Credit…Dan Chung/Mount Vernon Ladies’ AssociationOn PBS, a New Year’s Eve program, called “United in Song,” was filmed in November at the John F. Kennedy Center for the Performing Arts and in September at George Washington’s Virginia estate in Mount Vernon, where about 120 audience members watched from a distance and masked violinists were separated from unmasked brass players with plexiglass. NBC is showing a new Blake Shelton music video. Spectrum News NY1 will roll a highlight reel of its reporter Dean Meminger’s flashy New Year’s Eve suits over the years.And networks are getting creative in other ways to fill the holes formerly filled by crowd shots and partyers. CNN will have one correspondent getting a tattoo, another skiing down an Oregon slope wearing a GoPro and an appearance from Carole Baskin of “Tiger King” fame.With the pandemic driving people away from bars and restaurants and toward their living rooms, executives say it’s possible that there will be more viewers than ever before. ABC, which tends to have the highest viewership on the holiday, peaked last year at about 21 million viewers, according to news reports.“I can never predict what the Nielsen gods will bring,” said Mark Bracco, an executive producer on ABC’s program, “but we’re hopeful that most Americans will be home on their couches.”In a year in which more than 338,000 Americans have died from the coronavirus, viewers may notice a tonal shift compared with the goofy — and sometimes tipsy — coverage of years past. The Champagne popping and 2021 eyeglasses will be interspersed with appreciations of health care workers and emergency medical workers, as well as reflections on the lives lost and the economic hardship.On ABC, Seacrest will interview President-elect Joseph R. Biden Jr. and his wife, Jill Biden, a rare political interview of someone other than the New York City mayor.And on PBS, an opening performance of “Lady Marmalade” by Patti LaBelle in a gleaming white suit opens the hour-and-a-half program that includes more serious notes, including a monologue from the actress Audra McDonald about trailblazing women throughout history and from the playwright and actress Anna Deavere Smith about the history of the slave cemetery at Mount Vernon as she walks through those grounds. On CNN, John Mayer is slated to perform a tribute to lives lost this year out of Los Angeles.“We’re all going to be celebrating the end of this horrific year,” said Eric Hall, the executive producer of CNN’s program, “and we’re also going to be celebrating the beginning of what looks to be a hopeful year.”AdvertisementContinue reading the main story More