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    5 Takeaways From Meghan Markle’s Netflix Show ‘With Love, Meghan’

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    The new streaming series from the Duchess of Sussex has arrived. It shows her cooking, creating and harvesting, and feels like a billboard for things to come.Meghan, the Duchess of Sussex, has returned to the small screen with a new cooking and lifestyle show that was released on Netflix on Tuesday.Filmed at a property near her home in sunny Montecito, Calif., the eight-episode series positions Meghan, 43, as a modern domestic goddess embracing the do-it-yourself delights of cooking, crafting and entertaining.“Love is in the details, gang,” she says on an episode of the show, while preparing her own lavender towels.The series, which Netflix has pitched as “inspiring,” saying it “reimagines the genre of lifestyle programming,” is directed by Michael Steed, who worked on “Anthony Bourdain: Parts Unknown.” It is executive produced by Meghan and is loosely organized around a series of creative projects — teaching a friend to make bread, throwing a game night for friends and planning a brunch — and offering tips along the way.“We’re not in the pursuit of perfection,” Meghan explains in the show as she makes crepes. “We’re in the pursuit of joy.”It has been about five years since Meghan, and her husband, Prince Harry, officially stepped back from their royal duties in Britain. The family is now firmly planted in Southern California. Prince Archie is 5 and Princess Lilibet is 3.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Dabba Cartel’ Is a Go-Go-Go Drama With Depth

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      This Indian Netflix series isn’t the most original thing ever, but it comes loaded with brains, humor and electric performances.The Indian drama “Dabba Cartel,” on Netflix (in Hindi, with subtitles, or dubbed), is a lively spin on the “regular people do crimes … and like it?” genre. It incorporates sudsy twists, vicious domestic subplots, corporate malfeasance and social critiques, and its foot stays on the gas. In the course of its seven episodes, characters go from being not totally sure how one consumes marijuana to synthesizing a new street drug and rubbing shoulders with big-time baddies.Raji (Shalini Pandey) runs a lunch delivery service, and she has been sneaking in “herbal Viagra” for some of her customers. Her colleague Mala (Nimisha Sajayan) has a dirtbag boyfriend who coerces her into expanding the drug distribution to include the far more lucrative MDMA. “These are real drugs!” Raji worries.“Madam, all drugs are real,” the dirtbag says.Raji is trying to save money so she and her husband, who works in big pharma, can move to Germany. Beyond the food service, Mala works as a domestic laborer to support herself and her daughter, so every little bit helps. The delivery business also includes Shahida (Anjali Anand), a real estate agent who dreams of more. The three know they’re in over their heads, but their fear and desperation turn to shock and later industriousness when Raji’s mother-in-law, Sheila (Shabana Azmi), turns out to be a retired queenpin.Luckily, she has a plan. Unluckily, that plan is that they all become mega drug dealers together.Alongside our budding Walter Whites, “Dabba” follows a government investigator (Gajraj Rao) who is trying to prevent opioids from flooding the Indian market. They’re illegal in India, but some pharmaceutical companies manufacture the drugs for American distribution, and he is convinced that Fentanyl and its ilk are making their way to the people. No one takes his concerns seriously, and he is paired with a quirky female police officer (Sai Tamhankar) who is herself often overlooked. But she thinks he’s onto something.A little “Dopesick,” a little “Good Girls,” “Dabba” has brains and humor if not total originality. It feels fresh, though, because of its electric performances, especially from Sajayan, whose brusque and perceptive Mala has some of the show’s best lines. “Dabba” also pays sharp attention to all the little moments of social friction, the mounting indignities each character faces, all the various ways to be insecure.The show is visually ambitious, unlike so many drab crime dramas: fun overhead shots, bright umbrellas, lots of high-stress traffic Jenga. And there are no departure episodes in which we leave the main plot to learn sage wisdom from a sad side character. Everything connects — and it cooks. More

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      Stream These 6 Movies and Shows Before They Leave Netflix in March

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      A great Park Chan-wook film and a hilarious British satire are among the great titles leaving for U.S. subscribers this month.This month’s noteworthy Netflix departures in the United States include a chilling indie, a South Korean classic, two honest-to-goodness great popcorn flicks and a very funny skewering of England’s most famous family. (Dates reflect the first day titles are unavailable and are subject to change.)‘The Autopsy of Jane Doe’ (March 15)Stream it here.The Norwegian director Andre Ovredal (“Trollhunter”) makes his solo English-language debut with this modest, muted yet endlessly chilling postmortem thriller. Brian Cox and Emile Hirsch star as a father-son team of small-town coroners whose seemingly straightforward autopsy of a young murder victim becomes something far more complicated — and sinister. Ovredal builds dread with genuine skill (and without resorting to cheap thrills), and the performances are top-notch, with the “Succession” favorite Cox doing particularly stellar work as an old pro who thinks he’s seen it all and is quickly proven wrong.‘A Walk Among the Tombstones’ (March 16)Stream it here.The pedigree for this 2014 neo-noir thriller is mighty impressive: It is based on a novel by the respected and prolific crime novelist Lawrence Block and adapted and directed by Scott Frank (“Out of Sight,” “Minority Report,” “The Queen’s Gambit”). But because the star is Liam Neeson, and because the picture was released just as viewers were beginning to sour on his “Taken” sequels and re-treads, it was dismissed by the adult audience that might appreciate it most. Neeson stars as Block’s most durable hero, the former cop-turned-private investigator (and recovering alcoholic) Matthew Scudder, here investigating a brutal murder that opens up a complicated series of kidnappings, slayings and secrets. Moody and melancholy, it is possibly the best film of the Neeson-aissance.‘Oldboy’ (March 24)Stream it here.Perhaps the most popular (at least on these shores) and most influential film of the “New Korean Cinema” movement of the 1990s and 2000s, this artful and aching revenge thriller from the director Park Chan-wook (“The Handmaiden”) concerns a seemingly straight-arrow businessman, Dae-su (Choi Min-sik), who wakes up from a drunken blackout locked in some kind of private prison. He is kept there for 15 years, never allowed to know who put him there or why, so when he is unceremoniously released, he decides to get those answers himself. In the post-“Pulp Fiction” film landscape, Chan-wook’s action set pieces and unflinching violence made him a hero of young cinephiles around the world. But what makes “Oldboy” special, and what makes it stick, is its poignancy; “Oldboy” wonders genuinely what it would be like to lose so much of one’s life, and what kind of madness might follow suit.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Zoe Saldaña Makes Apology After Winning Oscar for ‘Emilia Pérez’

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      The Spanish-language musical from Netflix saw its grand hopes fizzle after derisive social media posts from its star resurfaced.Just six weeks ago “Emilia Pérez” got 13 Oscar nominations, more than any other film this year. Its lead actress, Karla Sofía Gascón, made history by becoming the first openly trans actor to be nominated and the film, a musical about a Mexican cartel boss, was seen as a real contender to win the Academy Award for best picture.It did not work out that way.Collapsing under the weight of award-season scandal after derogatory comments resurfaced that Gascón had posted years ago on social media, “Emilia Pérez” wound up winning just two Oscars: for best supporting actress and best original song (“El Mal”).Its travails became a punchline during the opening monologue from the evening’s host, Conan O’Brien. “Little fact for you: ‘Anora’ uses the F-word 479 times,” he said. “That’s three more than the record set by Karla Sofia Gascón’s publicist.”And even when its winners were supposed to be getting feted, they faced some of the only pointed questions of the night. Inside the press room, Cristina Ibañez, a journalist for a Mexican publication, confronted Zoe Saldaña, who won for best supporting actress, telling her bluntly that “Emilia Pérez” was “really hurtful for us Mexicans.” (The film, by the French writer-director Jacques Audiard, drew criticism in Mexico for its depiction of the country and the fact that few Mexicans were involved in the production.)“First of all, I am very, very sorry that you and so many Mexicans felt offended,” Saldaña said. “That was never our intention. We came from a place of love, and I will stand by that.”“I’m also always open to sit down with all of my Mexican brothers and sisters and with love and respect, have a great conversation on how ‘Emilia’ could have been done better,” she added later.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Deli Boys,’ Plus 9 Things to Watch on TV this Week

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      A new Hulu comedy premieres, “The Righteous Gemstones” are back and “The Traitors” wraps up its third season.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that air or stream this week, March 3-9. Details and times are subject to change.Things aren’t going as expected.On the Hulu thriller “Paradise,” things took an unexpected turn right from the beginning — and have only gotten more twisty from there. The show follows Xavier Collins, a secret service agent played by Sterling K. Brown who is in charge of protecting President Cal Bradford (James Marsden). Slight spoilers ahead: The end of the first episode showed that Xavier, Cal and a few lucky civilians have been living in an underground city after the world ended — and that the president is actually dead. In a series of flashbacks, the rest of the episodes have revealed how things got to where they are, and this week’s finale will reveal who killed the president. Streaming Tuesday on Hulu.Netflix’s lush historical drama “The Leopard” follows the Salina family, Sicilian aristocrats who are bracing for the Giuseppe Garibaldi’s Redshirt guerrillas to conquer the island in the 19th century. The 1958 book, by Giuseppe Tomasi di Lampedusa, became one of the highest selling novels in Italy. If not for a look at the history, tune in for the stunning location and enviable outfits. Streaming on Wednesday on Netflix.What happens when you have been raised in the cushy world of wealth but your father’s death has left nothing but his convenience store empire, which is actually a crime front? “Deli Boys,” a new comedy, answers that question. Asif Ali and Saagar Shaikh star as brothers who are trying to maintain a deli counter while also dealing with a Peruvian cartel and the Italian mafia. Streaming Thursday on Hulu.An inside look at sports.It’s no secret that Boston takes their sports seriously. The new documentary series “Celtics City” transports viewers back to the founding of the Boston Celtics N.B.A. team in 1946 and forward to their championship win in 2024. The show features archival footage and interviews with past and present players, including Bob Cousy, Larry Bird, Jayson Tatum and Jaylen Brown. Monday at 9 p.m. on HBO and streaming on Max.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Streaming Rush to Turn Scripture Into Scripts

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      After the success of “The Chosen,” Amazon and Netflix are converting Bible stories into films and TV shows with “Game of Thrones”-style intrigue and romantic comedy elements.A once-beloved king slips into madness as wary confidants surround him, breathless for his next maneuver.A soldier wrestles with his dueling loyalties toward family and friendship.A young man from a humble background defeats a brute, not knowing that the victory sets him on a path to ascend into power.With its interpersonal intrigue and battlefield bloodshed, “House of David” looks like it could be an alternate-universe of “Game of Thrones.” But rather than an adaptation of a high fantasy franchise from the 1990s, its source material goes back millenniums.“House of David,” a series that premiered on Amazon Prime Video on Thursday, tells the story of David, the biblical shepherd who used a sling and stone to defeat the giant Goliath before assuming King Saul’s throne. It is part of the original faith-based programming that streaming services are unveiling to court the viewers who have made “The Chosen,” a prestige drama about the life of Jesus Christ, one of the most successful crowdfunded television or film projects of all time.“The sheer size of the audience is enormous,” said Jon Erwin, who pitched “House of David” to Amazon and co-directed several of the first season’s eight episodes. “It is the largest underserved niche audience in the world.”Viewership figures from streaming shows are rarely made public, but the team behind “The Chosen” estimates that the show has been watched by more than 280 million unique viewers worldwide, a third of whom it says are not religious. The hit show feels more like a workplace comedy-drama, a version of “The West Wing” set in Galilee, than the direct evangelism of the widely translated “The Jesus Film” (1979) or the storybook sermons of the 1990s animated series “VeggieTales.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Meghan Markle Channels Lifestyle Mavens in ‘With Love, Meghan’ on Netflix

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      The Duchess of Sussex has tried to channel the likes of Martha Stewart for years. Can “With Love, Meghan” get her there?“With Love, Meghan,” the new Netflix lifestyle series premiering next week, is a culmination of sorts for its creator and star, Meghan, Duchess of Sussex. The show casts the princess as a perfectly groomed domestic goddess, cooking and entertaining for friends at home in coastal California, a role to which she has seemingly aspired for more than a decade.Meghan’s ambitions to be the “millennial Martha Stewart of Montecito,” as a recent New York Times guest essay put it, were delayed first by her courtship and marriage to Prince Harry, in 2018, and then by the couple’s public feud with the British royal family.In 2020, Harry and Meghan announced they would step back from royal duties, causing a flurry of palace gossip and recriminations. The couple spent the next few years cannily telling (and monetizing) their side of the story in a series of media ventures — a sit-down interview with Oprah Winfrey; a six-episode Netflix docuseries, “Harry & Meghan”; and a best-selling memoir by Prince Harry, “Spare.”But all along, Meghan displayed flashes of her Ina Garten side. Remember when she showed Oprah her chicken coop? Or when a London bakery posted a photo of the handwritten thank-you note on personalized stationery she had sent to its staff?In a 15-second video on Instagram last year, Meghan finally announced her new kitchen and lifestyle brand, American Riviera Orchard. Details were scant, but a trademark application sought approval for a retail store, cookbooks and tableware, as well as jellies, jams, marmalades, fruit preserves and nut butters.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Who Makes the Red Carpet? Steve.

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      On a recent weekday morning in La Mirada, a suburb outside Los Angeles, Steve Olive, 58, walked among hundreds of carpet rolls in red, green and lavender in a white, sun-drenched, 36,000-square-foot warehouse.Laid out on the floor was a 150-foot stretch of rug, delivered by truck from Georgia a few days before, in the custom shade of Academy Red that is only available for the Oscars.Mr. Olive himself may not be famous, but celebrities have strolled the plush craftsmanship of his carpet for nearly three decades.His company, Event Carpet Pros, has supplied carpets for the Oscars, Golden Globes, Grammys and Emmys, as well as for Disney, Marvel and Warner Bros. movie premieres and the Super Bowl.And, at a moment when carpets have moved beyond the classic red and become splashier and more intricate, his handiwork has become more prominent. He has crafted custom designs like a shimmering, sunlit pool carpet for the 2023 “Barbie” world premiere and a green-and-black ectoplasm drip carpet for the “Ghostbusters” world premiere in 2016 that took a month to create.“I haven’t come across anything that we couldn’t do,” Mr. Olive, who founded the company with his brother-in-law, Walter Clyne, in 1992, said in an interview.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Zero Day’ Is a Throwback Thriller With Modern Echoes

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      The new Netflix series is a contemporary update of a ’70s-style political drama that is even more contemporary than its creators anticipated.The new Netflix limited series “Zero Day” has been in development for several years, but it is arriving at a time when its primary themes — regarding presidential overreach, the hacking of the federal government and the persistence of disinformation — are dominating the actual news cycle. It is a contemporary update of a ’70s-style political drama that is even more contemporary than anticipated.Asked if the time is ripe for a resurgence of the conspiracy thriller, the executive producer Eric Newman was succinct: “We’re living in one.”Created by Newman and two executive producers with journalism backgrounds — Noah Oppenheim, a former president of NBC News, and Michael S. Schmidt, an investigative reporter for the Washington bureau of The New York Times — “Zero Day” depicts a nightmare scenario in which the United States has been attacked and the person in charge of the response might not be of sound mind.After a cyber-strike cripples U.S. transportation systems, leaving 3,400 dead from transit accidents and other disasters, a former president named George Mullen (Robert De Niro) is selected to lead an investigative commission. But Mullen has been having hallucinations and keeps hearing the same Sex Pistols song, “Who Killed Bambi?,” on a loop in his head. Is he cracking up? Has his brain been tampered with, à la “The Manchurian Candidate” (1962)?Whatever the cause, Mullen is soon trampling over civil liberties and resorting to 9/11-era “enhanced interrogation” techniques, including torture, with U.S. citizens.While “Zero Day” makes explicit reference to 9/11 and the Patriot Act, its details are more current. As evidence seems to implicate Russian agents in the attack, Mullen grows obsessed with a leftist hacktivist collective, a provocateur talk show host (Dan Stevens) who fans the conspiratorial flames and an extremist tech billionaire (Gaby Hoffman) who would be happy to tear the whole system down.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More