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      ‘The Beautiful Game’ Review: A Different Kind of World Cup

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      This heart-string-tugging Netflix movie about a homeless soccer team, featuring Bill Nighy and Micheal Ward, puts the emphasis on play and uplift.It’s moderately surprising that it’s taken filmmakers two decades to concoct a heart-string-tugging underdog story out of the annual coed sport event known as the Homeless World Cup, a weeklong international competition featuring homeless soccer players.Directed by Thea Sharrock and written by Frank Cottrell Boyce, “The Beautiful Game” is an upbeat, amiable picture that, as its title suggests, puts the sport in front. Which isn’t to say the conditions of the players are ignored. Nathan (Callum Scott Howells), a recovering addict, has a particularly tough time. But the emphasis is on play and uplift. The sunny climes of Rome, where the tournament in the movie is set, help sell it.The great Bill Nighy plays Mal, the coordinator and coach for England’s team, who one afternoon spots Vinny (Micheal Ward) giving pointers to some younger players. Vinny’s got talent, but Mal seems to recognize more in him. Mal also correctly guesses that Vinny’s more or less living out of his car.The writer, Boyce, is known for more adventurous fare than this (see “Tristram Shandy,” from 2006), but this is a more conventional story. Here, Boyce steers around some clichés, but not others. For example, when Ellie (Jessye Romeo), Vinny’s ever-disappointed former partner, tells him to admit that he’s not going to be able to attend their daughter’s school event, rather than prevaricating, Vinny does just that, proudly proclaiming that he’ll go to Rome despite his initial resistance to Mal’s pitch.Peppered with funny and inspiring moments, like the charming way the South African team gets a makeup game after being held up at their airport, “The Beautiful Game” is a model of a modern “nice” movie.The Beautiful GameRated PG-13 for language, themes. Running time: 2 hours 5 minutes. Watch on Netflix. More

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      6 Terrific Comedy Specials Worth Streaming

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      Jenny Slate, Dan Soder, Cara Connors, Tig Notaro, David Cross and Dave Attell stamp these hours with particularly rich sensibilities.Jenny Slate, ‘Seasoned Professional’(Amazon Prime Video)Wearing a bow tie, pocket handkerchief, crop top and shorts, Jenny Slate stands on a shiny circular platform on the distressed BAM Harvey theater stage. It’s an image of sharp contrasts, the kind you find in her comedy, where commonplace subjects are imbued with manic, absurd charisma. Her version of relatable is asking: “You know that one feeling when you can tell you’re going to pass away?”Whereas her debut special incorporated documentary elements, this hour effectively captures the improvisational eccentricity of her live act. Slate is blessed with a spectacularly nimble comic voice. She’s also a deft physical comedian, and her best bits show off both traits. When trying to describe the strangeness of giving birth, she likens it to the discomfort of being invited to audition for Pennywise the evil clown. Rattled, she expresses the shame at being considered for the part by flapping her hands, looking perplexed (“That couldn’t be the murdering, kidnapping, balding male clown, right?”), doing a creepy impression of the character as well as the meeting among producers that led to this offer. It’s a screeching, sputtering display of kvetching that builds runaway comic momentum.Dan Soder, ‘On the Road’(YouTube)While most specials go too long, this one, at 39 tightly funny minutes, is just right. Punchy, diverting, varied, it’s a perfect pick-me-up for your lunch hour. In clothes as casual as his delivery, Dan Soder presents himself as a laid-back people-pleaser, the kind of guy aiming for a specific kind of dumb. As he puts it, he wants to see a trailer for a new “Fast and Furious” movie and be shocked that they found a way to go faster. But make no mistake: His lightness requires heavy effort. And his comedic tool kit is full, featuring sharp impressions (Batman villain, Enrique Iglesias), melancholy notes and clever phrasemaking. In a story illustrating the childhood joy of curse words, he says this line with a genuine (and ridiculous) sense of nostalgia: “I was 8 years old, just out having a cuss.”Cara Connors, ‘Straight for Pay’(Apple TV+)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Review: ‘3 Body Problem’ Is a Galaxy-Brained Spectacle

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      The Netflix sci-fi adaptation has done its physics homework, even if it sometimes falls short on the humanities.The aliens who menace humankind in Netflix’s “3 Body Problem” believe in doing a lot with a little. Specifically, they can unfold a single proton into multiple higher dimensions, enabling them to print computer circuits with the surface area of a planet onto a particle smaller than a pinprick.“3 Body Problem,” the audacious adaptation of a hard-sci-fi trilogy by Liu Cixin, is a comparable feat of engineering and compression. Its first season, arriving Thursday, wrestles Liu’s inventions and physics explainers onto the screen with visual grandeur, thrills and wow moments. If one thing holds it back from greatness, it’s the characters, who could have used some alien technology to lend them an extra dimension or two. But the series’s scale and mind-bending turns may leave you too starry-eyed to notice.David Benioff and D.B. Weiss, partnering here with Alexander Woo (“The Terror: Infamy”), are best known for translating George R.R. Martin’s incomplete “A Song of Ice and Fire” fantasy saga into “Game of Thrones.” Whatever your opinions of that series — and there are plenty — it laid out the duo’s strengths as adapters and their weaknesses as creators of original material.Beginning with Martin’s finished novels, Benioff and Weiss converted the sprawling tomes into heady popcorn TV with epic battles and intimate conversations. Toward the end, working from outlines or less, they rushed to a finish and let visual spectacle overshadow the once-vivid characters.In “3 Body,” however, they and Woo have a complete story to work with, and it’s a doozy. It announces its sweep up front, opening with a Chinese scientist’s public execution during Mao’s Cultural Revolution, then jumping to the present day, when a wave of notable physicists are inexplicably dying by suicide.The deaths may be related to several strange phenomena. Experiments in particle accelerators around the world suddenly find that the last several decades’ worth of research is wrong. Brilliant scientific minds are being sent futuristic headsets of unknown provenance that invite them to join an uncannily realistic virtual-reality game. Oh, also, one night all the stars in the sky start blinking on and off.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Game of Thrones’ Creators on Their New Show, ‘3 Body Problem’

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      In an interview, David Benioff, D.B. Weiss and Alexander Woo discuss their latest fantastical epic, the alien space saga “3 Body Problem” for Netflix.The “Game of Thrones” creators David Benioff and D.B. Weiss were finishing off their hit HBO series after an eight-season run and wondering what was next. That was when the Netflix executive Peter Friedlander approached them with a trilogy of science-fiction books by the Chinese novelist Liu Cixin called “Remembrance of Earth’s Past.”“We knew that it won the Hugo Award, which is a big deal for us since we grew up as nerds,” Benioff said of the literary prize for science fiction. Barack Obama was also on record as a fan.Benioff and Weiss dipped in and were intrigued by what they found: a sweeping space invasion saga that begins in 1960s China, amid the turmoil of the Cultural Revolution, and involves a superior alien race that has built a rabid cultlike following on Earth. A heady mix of science and skulduggery, featuring investigations both scientific and criminal, it felt utterly unique. “So much content right now feels like, ‘Oh, here’s another forensic show, here’s another legal thriller,’ it just feels like it’s a version of something you’ve seen,” Benioff said. “This universe is a different one.”Or, as Weiss added, “This is the universe.”Those novels are now the core of “3 Body Problem,” a new series that Benioff and Weiss created with Alexander Woo (“True Blood”). It premiered on opening night at the South by Southwest Film Festival and arrives Thursday on Netflix. The setting has changed along the way, with most of the action unfolding in London rather than China (although the Cultural Revolution is still a key element), and the characters, most of them young and pretty, now represent several countries. But the central themes remain the same: belief, fear, discovery and an Earth imperiled by superior beings. Among the heroes are the gruff intelligence chief Thomas Wade, played by the “Thrones” veteran Liam Cunningham, and a team of five young, reluctant, Oxford-trained physicists played by John Bradley — another “Thrones” star — Jovan Adepo, Eiza Gonzáles, Jess Hong and Alex Sharp. Can they save the world for their descendants?In an interview in Austin the day of the SXSW premiere, the series creators discussed life after “Thrones,” their personal ties to “3 Body Problem” and the trick to making physics sexy. These are edited excerpts from the conversation.The series is quite different from the books, particularly the settings and characters, both of which are a lot less Chinese. How did this come about?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Irish Wish’ Review: Beware of Getting What You Want

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      Lindsay Lohan plays a book editor whose romantic dream comes true in this Netflix rom-com. But then Ed Speleers shows up in a red sports car.Lindsay Lohan’s well-loved early comedies involve her playing characters pretending to be someone else: think of the chaotic swaps of “The Parent Trap” and “Freaky Friday,” or the social climbing of “Mean Girls.”In “Irish Wish,” Lohan takes up another character who’s role-playing in her own life: Maddie, a diligent book editor who suddenly finds herself in another version of the world, where she’s marrying the handsome author she handles.The story doesn’t start that way. The guy, Paul (Alexander Vlahos), originally falls for Maddie’s friend Emma (Elizabeth Tan). Paul and Emma prepare to marry at his family’s manor in County Mayo, Ireland (cue extremely green touristic panoramas). Attending as a guest, Maddie takes a fateful walk and voices her wish that she were the bride instead. Presto — thanks to Saint Brigid, apparently — she wakes up at the manor, engaged to Paul.The movie (directed by Janeen Damian and written by Kirsten Hansen) skips over Maddie savoring the outcome of her wish, and shifts right into charming comedy around her confusion, including having no memory about how she got engaged. Maybe that’s another way of expressing that the match was never going to be a great fit. Paul is a bit of cad, and not even entertainingly awful. But hark, an alternative to this alternate reality appears with James (Ed Speleers of “You”), a photographer she meets by chance who’s forthright, sensitive and the owner of a sweet red sports car.Maddie warms to James’s wisdom, and her wedding plans with Paul begin to unravel. There’s also a worthy subplot about Maddie’s growing independence from her phone-clingy mother (Jane Seymour), but mostly the movie is a determinedly mild addition to the Lindsay Lohan “what-if” universe.Irish WishNot rated. Running time: 1 hour 33 minutes. Watch on Netflix. More

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      Paula Pell Is a Comic Scene-Stealer in ‘Girls5eva’

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      Breastchester, the rustic upstate New York residence that is home to the “Girls5eva” star Paula Pell, is a two-hour drive from Manhattan, at the end of a long stretch of road where occasional yoga studios and art galleries eventually give way to a tranquil countryside. It is secluded, but its proprietor is hardly in need of companionship.Pell’s coterie here includes her wife, Janine Brito, the comedy writer and actor who gave their mini-estate its body-positive nickname. Then there is the congregation of rescue dogs that had overtaken the living room of the main house one recent Friday morning, all scratching and barking for attention. Eloise and Verbena, Pell’s horses, were in a stable on a hill above the house.“There’s two old mares up there and one old mare down here,” Pell said theatrically, running a hand through her long silver locks.Pell has been known to nurse stunned birds back to health. She volunteered at a nearby sanctuary, where she took care of neglected pets and farm animals. “I was called the pig whisperer,” she said. “I have pictures of me sleeping on the pigs. I’d lay there and sing to them.”Her love of animals is sincere and integral to her personality, as much a part of Pell as the brassy, oblivious characters she dreamed up on “Saturday Night Live,” where she spent 18 years as a writer, and which she continues to play in movies and on TV.“Humans, always, will be imperfect,” Pell said. “They will still say I love you when they don’t. Animals, to me, are the only ones that when they love you, you totally believe it.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What to Watch This Weekend: A Surreal Family Comedy

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      The Turkish series “A Round of Applause” offers a fresh and surprising vision of anxiety and alienation.Cihat Suvarioglu in a scene from “A Round of Applause.”NetflixThe Turkish series “A Round of Applause” (in Turkish, with subtitles, or dubbed) is a vivid, imaginative depiction of family neuroses. The concept of sublimated despair is a pillar of contemporary television, but the show’s surrealism is fresh and surprising — made even more so by the sense of creeping sameness of so many other shows right now.“Applause,” on Netflix, follows Zeynep (Aslihan Gurbuz), her husband, Mehmet (Fatih Artman), and her son, Metin (played at various ages by Rezdar Tastan, Eyup Mert Ilkis and Cihat Suvarioglu), though the show begins before his conception. First, Zeynep and Mehmet have some friends over for dinner, but the guests’ behavior becomes stranger and more childlike during the visit — they’re too scared to sleep in their own bed during a thunderstorm, they say. They behave petulantly at the breakfast table and eventually go so far as to call Zeynep and Mehmet “mom” and “dad.” The show’s surrealism gains momentum from there, and the warped perspective becomes more central — more grotesque, more exciting, funnier — as the show goes on.When we meet Metin, he’s in utero, portrayed as grown man, bearded and smoking and ranting like a political prisoner. He has already absorbed all of his mother’s unhappiness, he wails, yanking on a massive umbilical cord for emphasis. He lacks purpose; he feels oppressed; he doesn’t want to be born, not yet at least, not until he’s ready. Metin’s mournful skepticism of life itself plays out through his hyper-articulate childhood and adrift adulthood, first as a boy whose playground girlfriend dumps him for being “suffocating,” then as a 13-year-old who writes his mother a rap called “The Funeral of Meaning on Earth,” and later as a grandiose, depressed DJ. On the one hand, this despondence has been with Metin since before he even existed. On the other, it is nurtured throughout his life by his mother’s blind praise and his father’s emotional detachment.There are six half-hour episodes of “Applause,” and they left me in a glorious daze, both delighted by its absurdist humor and fascinated by its dreamlike vision of anxiety and alienation. The show is an unflattering portrait, but it’s not a caricature; its exaggerations become truer than true, more like a myth than a joke. More

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      The Best Movies and TV Shows Coming to Netflix in March

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      An Adam Sandler drama and a new series from the creators of “Game of Thrones” highlight the new offerings this month.Every month, Netflix adds movies and TV shows to its library. Here are our picks for some of March’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)‘Spaceman’Starts streaming: March 1The comedian Adam Sandler tends to pick good material whenever plays dramatic roles; and that is certainly the case with this cerebral science-fiction film. Sandler plays a Czech astronaut named Jakub, whose vital deep-space exploratory mission is suffering because of his crushing loneliness and the possible disintegration of his marriage to his pregnant wife, Lenka (Carey Mulligan). Paul Dano provides the voice of a kindly spider-like alien creature named Hanuš, who provides Jakub with some much-needed company and advice. “Spaceman” was adapted from a Jaroslav Kalfař novel by the screenwriter Colby Day; and it wad directed by Johan Renck, an Emmy-winner for the mini-series “Chernobyl.” The film is cosmically trippy yet also sensitive to the human need for connection.‘The Gentlemen’ Season 1Starts streaming: March 7Guy Ritchie’s 2019 film “The Gentlemen” was a rollicking throwback to the kind of violent, foul-mouthed, blackly comic crime stories that established the British writer-director’s bona fides in the late 1990s and early 2000s. Ritchie’s TV series “The Gentleman” re-enters the world of the movie from a different angle. Theo James plays Eddie, a fading aristocrat’s estranged son, who unexpectedly inherits his dad’s estate along with its crushing debts and obligations. When he discovers that some of his land has been secretly leased to a marijuana kingpin, Eddie decides to lean into criminality to save the family fortune. As with the original, this new version approaches the outlaw life from the perspective of the filthy rich bosses, trying to manage a business staffed by unreliable hoodlums.‘Damsel’Starts streaming: March 8Millie Bobby Brown stars in this fantasy adventure film, playing Princess Elodie, a smart and independent young woman, representing a kingdom that has fallen on hard times. Persuaded by her father (Ray Winstone) and stepmother (Angela Bassett) to marry a wealthy prince (Nick Robinson), Elodie arrives at her new home only to discover that her in-laws aren’t very nice and that their land has been plagued for generations by a ravenous dragon (voiced by Shohreh Aghdashloo). The director Juan Carlos Fresnadillo and the screenwriter Dan Mazeau aim to subvert fairy-tale stereotypes with “Damsel,” making a movie that eschews the romantic swoon of “once upon a time” in favor of the raw action of royalty versus beast.‘Girls5eva’ Seasons 1-3Starts streaming: March 14After failing to find the audience it deserved on Peacock, the funny and tuneful sitcom “Girls5eva” brings its first two seasons and an all-new third to Netflix. A sharp-eyed satire of the modern music business, the series follows four middle-aged singers — formerly a chart-topping girl-group — as they attempt a comeback in an era where almost nobody remembers their five minutes of MTV fame. In Season 3, the ladies embark on a low-budget concert tour and learn more about what it takes to make a living in 2020s pop. The creator Meredith Scardino and her writing staff fill each episode with rapid-fire jokes, catchy songs and savvy pop culture references, while always honoring the dignity and the dreams of these four friends, played by the talented and funny Sara Bareilles, Busy Philipps, Paula Pell and Renée Elise Goldsberry.‘3 Body Problem’ Season 1Starts streaming: March 21The “Game of Thrones” showrunners David Benioff and D.B. Weiss return to television with an adaptation of Liu Cixin’s award-winning science-fiction novel “The Three-Body Problem,” created with Alexander Woo. An ensemble piece set across multiple eras, the show is partly about a woman (Zine Tseng) making some difficult choices to survive China’s Cultural Revolution, partly about an eclectic group of young scientists in England dubbed “the Oxford Five,” and partly about a government agent (Benedict Wong) investigating a string of mysterious deaths in the academic community. The story touches on global politics, virtual reality and extraterrestrial contact, while exploring those moments in time when one phase of human existence seems poised to give way to another.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More