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      ‘Deli Boys,’ Plus 9 Things to Watch on TV this Week

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      A new Hulu comedy premieres, “The Righteous Gemstones” are back and “The Traitors” wraps up its third season.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that air or stream this week, March 3-9. Details and times are subject to change.Things aren’t going as expected.On the Hulu thriller “Paradise,” things took an unexpected turn right from the beginning — and have only gotten more twisty from there. The show follows Xavier Collins, a secret service agent played by Sterling K. Brown who is in charge of protecting President Cal Bradford (James Marsden). Slight spoilers ahead: The end of the first episode showed that Xavier, Cal and a few lucky civilians have been living in an underground city after the world ended — and that the president is actually dead. In a series of flashbacks, the rest of the episodes have revealed how things got to where they are, and this week’s finale will reveal who killed the president. Streaming Tuesday on Hulu.Netflix’s lush historical drama “The Leopard” follows the Salina family, Sicilian aristocrats who are bracing for the Giuseppe Garibaldi’s Redshirt guerrillas to conquer the island in the 19th century. The 1958 book, by Giuseppe Tomasi di Lampedusa, became one of the highest selling novels in Italy. If not for a look at the history, tune in for the stunning location and enviable outfits. Streaming on Wednesday on Netflix.What happens when you have been raised in the cushy world of wealth but your father’s death has left nothing but his convenience store empire, which is actually a crime front? “Deli Boys,” a new comedy, answers that question. Asif Ali and Saagar Shaikh star as brothers who are trying to maintain a deli counter while also dealing with a Peruvian cartel and the Italian mafia. Streaming Thursday on Hulu.An inside look at sports.It’s no secret that Boston takes their sports seriously. The new documentary series “Celtics City” transports viewers back to the founding of the Boston Celtics N.B.A. team in 1946 and forward to their championship win in 2024. The show features archival footage and interviews with past and present players, including Bob Cousy, Larry Bird, Jayson Tatum and Jaylen Brown. Monday at 9 p.m. on HBO and streaming on Max.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Streaming Rush to Turn Scripture Into Scripts

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      After the success of “The Chosen,” Amazon and Netflix are converting Bible stories into films and TV shows with “Game of Thrones”-style intrigue and romantic comedy elements.A once-beloved king slips into madness as wary confidants surround him, breathless for his next maneuver.A soldier wrestles with his dueling loyalties toward family and friendship.A young man from a humble background defeats a brute, not knowing that the victory sets him on a path to ascend into power.With its interpersonal intrigue and battlefield bloodshed, “House of David” looks like it could be an alternate-universe of “Game of Thrones.” But rather than an adaptation of a high fantasy franchise from the 1990s, its source material goes back millenniums.“House of David,” a series that premiered on Amazon Prime Video on Thursday, tells the story of David, the biblical shepherd who used a sling and stone to defeat the giant Goliath before assuming King Saul’s throne. It is part of the original faith-based programming that streaming services are unveiling to court the viewers who have made “The Chosen,” a prestige drama about the life of Jesus Christ, one of the most successful crowdfunded television or film projects of all time.“The sheer size of the audience is enormous,” said Jon Erwin, who pitched “House of David” to Amazon and co-directed several of the first season’s eight episodes. “It is the largest underserved niche audience in the world.”Viewership figures from streaming shows are rarely made public, but the team behind “The Chosen” estimates that the show has been watched by more than 280 million unique viewers worldwide, a third of whom it says are not religious. The hit show feels more like a workplace comedy-drama, a version of “The West Wing” set in Galilee, than the direct evangelism of the widely translated “The Jesus Film” (1979) or the storybook sermons of the 1990s animated series “VeggieTales.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Meghan Markle Channels Lifestyle Mavens in ‘With Love, Meghan’ on Netflix

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      The Duchess of Sussex has tried to channel the likes of Martha Stewart for years. Can “With Love, Meghan” get her there?“With Love, Meghan,” the new Netflix lifestyle series premiering next week, is a culmination of sorts for its creator and star, Meghan, Duchess of Sussex. The show casts the princess as a perfectly groomed domestic goddess, cooking and entertaining for friends at home in coastal California, a role to which she has seemingly aspired for more than a decade.Meghan’s ambitions to be the “millennial Martha Stewart of Montecito,” as a recent New York Times guest essay put it, were delayed first by her courtship and marriage to Prince Harry, in 2018, and then by the couple’s public feud with the British royal family.In 2020, Harry and Meghan announced they would step back from royal duties, causing a flurry of palace gossip and recriminations. The couple spent the next few years cannily telling (and monetizing) their side of the story in a series of media ventures — a sit-down interview with Oprah Winfrey; a six-episode Netflix docuseries, “Harry & Meghan”; and a best-selling memoir by Prince Harry, “Spare.”But all along, Meghan displayed flashes of her Ina Garten side. Remember when she showed Oprah her chicken coop? Or when a London bakery posted a photo of the handwritten thank-you note on personalized stationery she had sent to its staff?In a 15-second video on Instagram last year, Meghan finally announced her new kitchen and lifestyle brand, American Riviera Orchard. Details were scant, but a trademark application sought approval for a retail store, cookbooks and tableware, as well as jellies, jams, marmalades, fruit preserves and nut butters.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Who Makes the Red Carpet? Steve.

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      On a recent weekday morning in La Mirada, a suburb outside Los Angeles, Steve Olive, 58, walked among hundreds of carpet rolls in red, green and lavender in a white, sun-drenched, 36,000-square-foot warehouse.Laid out on the floor was a 150-foot stretch of rug, delivered by truck from Georgia a few days before, in the custom shade of Academy Red that is only available for the Oscars.Mr. Olive himself may not be famous, but celebrities have strolled the plush craftsmanship of his carpet for nearly three decades.His company, Event Carpet Pros, has supplied carpets for the Oscars, Golden Globes, Grammys and Emmys, as well as for Disney, Marvel and Warner Bros. movie premieres and the Super Bowl.And, at a moment when carpets have moved beyond the classic red and become splashier and more intricate, his handiwork has become more prominent. He has crafted custom designs like a shimmering, sunlit pool carpet for the 2023 “Barbie” world premiere and a green-and-black ectoplasm drip carpet for the “Ghostbusters” world premiere in 2016 that took a month to create.“I haven’t come across anything that we couldn’t do,” Mr. Olive, who founded the company with his brother-in-law, Walter Clyne, in 1992, said in an interview.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Zero Day’ Is a Throwback Thriller With Modern Echoes

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      The new Netflix series is a contemporary update of a ’70s-style political drama that is even more contemporary than its creators anticipated.The new Netflix limited series “Zero Day” has been in development for several years, but it is arriving at a time when its primary themes — regarding presidential overreach, the hacking of the federal government and the persistence of disinformation — are dominating the actual news cycle. It is a contemporary update of a ’70s-style political drama that is even more contemporary than anticipated.Asked if the time is ripe for a resurgence of the conspiracy thriller, the executive producer Eric Newman was succinct: “We’re living in one.”Created by Newman and two executive producers with journalism backgrounds — Noah Oppenheim, a former president of NBC News, and Michael S. Schmidt, an investigative reporter for the Washington bureau of The New York Times — “Zero Day” depicts a nightmare scenario in which the United States has been attacked and the person in charge of the response might not be of sound mind.After a cyber-strike cripples U.S. transportation systems, leaving 3,400 dead from transit accidents and other disasters, a former president named George Mullen (Robert De Niro) is selected to lead an investigative commission. But Mullen has been having hallucinations and keeps hearing the same Sex Pistols song, “Who Killed Bambi?,” on a loop in his head. Is he cracking up? Has his brain been tampered with, à la “The Manchurian Candidate” (1962)?Whatever the cause, Mullen is soon trampling over civil liberties and resorting to 9/11-era “enhanced interrogation” techniques, including torture, with U.S. citizens.While “Zero Day” makes explicit reference to 9/11 and the Patriot Act, its details are more current. As evidence seems to implicate Russian agents in the attack, Mullen grows obsessed with a leftist hacktivist collective, a provocateur talk show host (Dan Stevens) who fans the conspiratorial flames and an extremist tech billionaire (Gaby Hoffman) who would be happy to tear the whole system down.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How to Watch the SAG Awards

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      In a wide-open best picture race, the awards, which are streaming on Netflix, could offer some clarity.This year’s Oscars best picture race is, for the first time in years, wide open.Will the newly ascendant front-runner “Anora,” Sean Baker’s Palme d’Or winner about a stripper who impulsively marries the son of a Russian oligarch, take the statuette? Will Brady Corbet’s epic “The Brutalist” find its way to the top? And what about the wild card, the papal thriller “Conclave,” which recently took top honors at the EE British Academy Film Awards, or BAFTAs — Britain’s version of the Oscars?With the days ticking down until the March 2 Academy Awards ceremony, the Screen Actors Guild Awards could offer some clarity. In four of the past five years, the SAGs have given their top honor — best ensemble — to the eventual Oscar winner.The 15 awards, which are voted on by actors and other performers who belong to the SAG-AFTRA union, honor the best film and television performances from the past year. The movie musical “Wicked” and the FX series “Shogun” are the leading nominees.Here’s how to watch, and what to watch for.What time does the show start, and where can I watch?The two-hour ceremony begins at 8 p.m. Eastern time (5 p.m. Pacific time) at the Shrine Auditorium in Los Angeles, a historic venue that has also hosted the Oscars. For the second year, the awards show will stream live and exclusively on Netflix; there is no way to watch without a subscription.Is there a red carpet?The red carpet preshow will stream live on Netflix beginning at 7 p.m. Eastern time (4 p.m. Pacific time). The YouTube star Lilly Singh and the actress and former “Saturday Night Live” comedian Sasheer Zamata will host the event, which will include interviews with nominees and the announcement of the winners in the best stunt ensemble categories.Who is hosting?Kristen Bell, who recently starred in the Netflix rom-com “Nobody Wants This,” will steer the ship. This will be her second time hosting; the first was in 2018.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      After Netflix Success, ‘Suits’ Opens Another Firm

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      The creator of the legal drama didn’t expect to make any more spinoffs. But after “Suits” became a rerun hit on Netflix, “Suits LA” was born.On a January morning, attractive people in tailored attire stood in a sun-skimmed California courtroom, arguing a motion in the murder trial.“Bring the venom!” the director, Anton Cropper, said encouragingly.This was on the set of “Suits LA,” a sibling of “Suits,” the legal procedural that ran on USA for nine seasons, from 2011 to 2019. (It is also a cousin of “Pearson,” a short-lived “Suits” spinoff.) Back in the courtroom, a clash over evidentiary rules turned vicious as one lawyer hissed at another, “You immoral piece of filth!” Time, it seemed, had not mellowed the mildly glamorous, majorly cutthroat world of “Suits.”The original “Suits” had done well on USA during its run — well enough to be renewed and renewed. But its hold on the cultural imagination was never especially strong and its reviews were, like the Season 1 suits themselves, muted. “Though the series begins amusingly enough, it quickly descends into cloying buddy escapade,” The New York Times wrote in 2011.It wasn’t much lamented when it ended, and as late as a year and a half ago, Aaron Korsh, the show’s creator, claimed another “Suits” spinoff was unlikely. Case closed.But when “Suits” moved to Netflix in mid 2023, it set a record for the most total weeks and the most consecutive weeks at the top of the Nielsen streaming ratings. Pacey, witty, cast with good-looking actors (Meghan Markle among them) and smart — but not so smart that you couldn’t follow along while also answering a few emails — “Suits” was the nice lawyer show an exhausted America needed.From left, Gabriel Macht, Patrick J. Adams and Rick Hoffman in “Suits.”Ian Watson/USA NetworkWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Cobra Kai Never Dies’: The Creators on Saying Goodbye, for Now

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      After six seasons, this “Karate Kid” spinoff, on Netflix, is closing up its dojo. But as one creator put it, “we are not ready to leave this universe.”Josh Heald, Jon Hurwitz and Hayden Schlossberg, the creators of the karate-centered Netflix series “Cobra Kai,” can’t agree on which of them would win in a fight.“I would say me,” Hurwitz said.Heald disputed this. “I’m taking Muay Thai right now,” he said. “But I think Hayden would be the most creative. He’d do something dirty.”“I’m doping their water bottles,” Schlossberg said. He also mentioned blackmail.Happily, in their years spent making “Cobra Kai,” which just completed its sixth and final season, they have never come to actual blows. Or crane kicks. Hurwitz and Schlossberg, the writers of the “Harold and Kumar” movies, met (as all cool kids do) in high school debate club in the 1990s. Heald, a writer of the “Hot Tub Time Machine” movies, became friends with Hurwitz a few years later, as college dorm mates. Once all three had been introduced, they bonded over a shared obsession: the “Karate Kid” movies.“Our ‘Star Wars,’” Heald said.The 1984 movie “The Karate Kid,” set in the San Fernando Valley, culminated in a championship fight between Daniel LaRusso (Ralph Macchio), the bullied child of a single mother, and Johnny Lawrence (William Zabka), the bully. Two sequels were quickly released. An animated series and a couple of reboots — one starring Hilary Swank and another with Jayden Smith — followed. Had the franchise tapped out?Heald, Hurwitz and Schlossberg didn’t think so. They had hidden “Karate Kid” Easter eggs in nearly all of their films, and for years they had talked about writing a Johnny Lawrence movie. But it was only talk. They had no hope of getting that movie greenlighted.Then in 2016, having witnessed the rise of streaming and the success of 1980s nostalgia plays like “Stranger Things” and “Fuller House,” they retooled their pitch, reimagining the movie as a series.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More