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      Lottery to Be Held for Coveted Seats at Menendez Brothers Hearing

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      The court is expecting high demand and has announced a public lottery for a limited number of seats at a status hearing in Los Angeles on Monday.What’s one of the most exclusive tickets in Los Angeles? It may not be what you think.A lottery is being held on Monday to determine who will be the 16 people who get to witness what happens next in the case of the Menendez Brothers, who are serving life sentences for murdering their parents in 1989.The drawing will take place between 8 a.m. and 9 a.m. Pacific time, in front of the Van Nuys Courthouse West, the Superior Court of Los Angeles County said. The seats for 16 people, in a county of more than 10 million residents, will be allocated just one hour before the status hearing is set to begin at 10:30 a.m.The court occasionally holds public lotteries “when seating is limited and public interest is high,” a court spokesperson said in an email.The high level of interest in the case is in part spurred by a new series as well as a new documentary on Netflix that detail the brothers’ abuse allegations against their parents. Erik and Lyle Menendez killed their parents, Jose and Kitty Menendez, more than 35 years ago in their Beverly Hills mansion.The Menendez brothers were found guilty of first-degree murder in 1996 and sentenced to life in prison without parole. At the time, the judge said that he sentenced each brother to two consecutive life sentences because they had carefully decided to kill their parents.In the almost three decades since, the public perception of Lyle and Erik Menendez, who were 21 and 18 when they committed the murders, has shifted somewhat. Many have shown their interest in the murders in social media posts, and have often pushed for the brothers’ release, with the renewed attention earning them a new class of defenders.Last month, the Los Angeles County district attorney, George Gascón, said he would request that the brothers be resentenced, which could ultimately lead to their release.“I came to a place where I believe that under the law, resentencing is appropriate,” said Mr. Gascón, who has since lost his seat.The brothers could also find freedom through clemency from California’s governor, for which they have petitioned. Gov. Gavin Newsom has said he would hold off on considering that request until the new district attorney, Nathan Hochman, takes office early next month and has had a chance to review the case. More

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      ‘A Man on the Inside’ Review: Ted Danson in Another Good Place

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      Created by Michael Schur and starring Danson, this Netflix sitcom synthesizes the most gutting realities of life and death into cozy, low-stakes comedy.“A Man on the Inside,” created by Michael Schur and starring Ted Danson, synthesizes the most gutting realities of life and death into a cozy, low-stakes comedy populated by well-intentioned sweethearts. The show is as gentle and mild as baby soap, though it could hardly promise no tears.Danson stars as Charles, whose wife died a year earlier from complications of Alzheimer’s. He is a retired professor and a San Francisco booster who wrote a book about the Golden Gate Bridge; he has a warm but arm’s-length relationship with his daughter, Emily (Mary Elizabeth Ellis), who encourages him find a project or hobby. So he responds to an ad in a newspaper and finds himself working for a private investigator, going semi-undercover in a Bay Area retirement community.The show is loosely based on “The Mole Agent,” a Chilean documentary from 2020, though the stakes here have been dialed way down: While the figures in the film were investigating potential abuse in an elder-care facility, here the narrative clothesline is a missing necklace. The only person truly aggrieved by its absence is the necklace owner’s son (Marc Evan Jackson), who icily describes his mother moving back in with him as “suboptimal.”Under the weakly exasperated guidance of Julie (Lilah Richcreek Estrada), the investigator, Charles moves into Pacific View. Virginia (Sally Struthers), an aggressive flirt, and Florence (Margaret Avery), an energetic poet, take an immediate liking to him, which bothers Virginia’s on-again-off-again lover, Elliott (John Getz), who declares Charles his “sexual rival.” Calbert (Stephen McKinley Henderson) and Charles develop the rom-com-y friendship that would be doomed by Charles’s duplicity were the show not defined by its characters’ deep wells of forgiveness. Didi (Stephanie Beatriz) is the devoted administrator running the facility, cheery and capable. Mostly, Pacific View is like a resort, with parties and companionship and dignified care. According to Didi, loneliness is as detrimental to seniors as any aspect of aging.Perhaps it is merciful not to dwell in the self-dissolving agony of dementia, for death to be peaceful, hygienic and offscreen. A subplot about a declining woman named Gladys (Susan Ruttan) is central to the story and handled gracefully — shallowly. Better to discuss a fancy watch that costs $10,000, which the characters do, often, or run up an $800 Uber tab. Elliott, the most ornery and cynical resident, can’t stay mad long, and he encourages Charles to simply become inured to his peers losing themselves.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Mike Tyson and Netflix Are Sluggish During a Hyped Fight

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      Tyson looked slow and unsteady in a dull loss to Jake Paul. For many, Netflix’s latest live programming was hindered by buffering.The anticipated boxing match between Jake Paul, the 27-year-old social media influencer, and Mike Tyson, the 58-year-old former heavyweight champion, ended in unspectacular fashion on Friday night as boos rained down from the crowd at AT&T Stadium in Arlington, Texas.Paul was declared the winner after eight dull rounds during which Tyson looked slow and exhausted. Many fans watching at home were just as displeased: Netflix, which was airing the fight as part of its expansion into live programming, experienced a variety of technical difficulties.Here are three takeaways from the event:A Made-for-Streaming SpectacleThe night’s final match was not one to remember, but it capped days of spectacle.During their weigh-in on Thursday, Tyson slapped Paul across the face, explaining later that Paul had stepped on his foot. After the fight, Paul and Tyson seemed to forgive each other in the ring. “That was a good slap, I liked that,” Paul said.Paul had entered the ring after a dramatic walkout during which he and his brother, Logan, approached in a slowly moving car. Paul, who has compiled an 11-1 record since his first professional boxing bout in 2020, easily won the fight by landing effective punches that broke through Tyson’s defense. Tyson, who last fought an official match in 2005, fell to 50-7.Netflix took advantage of the event to show off for its more than 280 million subscribers. People dressed as characters from “Squid Game,” whose second season releases next month, were shown ringside. After one of the night’s earlier fights, Netflix played a trailer from Jamie Foxx and Cameron Diaz’s upcoming movie, “Back in Action,” which will premiere in January.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jake Paul-Mike Tyson: What to Know About the Fighters

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      This Guy VS. That Guy Meet the 27-year-old social media influencer and 58-year-old former heavyweight champion who are gearing up for a bizarre boxing match. The Curious Fight Between Jake Paul and Mike Tyson The most-watched program on Netflix this weekend may not be a documentary or a romantic comedy. Instead, millions of people are […] More

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      Two Boxing Rivals Are Ready for a Rematch. Hold the Trash Talk.

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      Fierce rivalries are a cornerstone of boxing. But Katie Taylor and Amanda Serrano, who will fight for a championship title on Netflix on Friday, are going about it differently.When Katie Taylor defeated Amanda Serrano at Madison Square Garden two years ago in what was billed as the biggest women’s boxing match in history, the calls for a rematch started before the sweat and blood even had a chance to dry.A new rivalry was born. Fans and pundits wanted more. But the trash talk that is synonymous with boxing was largely absent.That was April 2022. On Friday night, Taylor and Serrano are finally set for a rematch on an even bigger stage — Netflix — and under even bigger headline names: Mike Tyson and Jake Paul.And yet the trash talking has been scarce — at least as far as Taylor and Serrano are concerned.“It’s definitely business, I respect all of my opponents,” Serrano, 36, said in a recent interview. “I respect any woman that does this sport, that goes into the ring and gets punched in the face. The sport isn’t easy.”“We have mutual respect,” Taylor, 38, said, “because I know how much courage it takes to step into the ring.”Fierce rivalries are a cornerstone of boxing. Mutual hatred builds a story line around a match that is maintained and encouraged by promoters and the media.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Cross’ and ‘The Lincoln Lawyer’ Offer Different Spins on the Same Formula

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      Within the boundaries of the crime-solving genius genre, “Cross” represents the dark yin and “The Lincoln Lawyer” the bright yang.On the page, Alex Cross, the embittered psychologist created by James Patterson, leads his fellow fictional crime solver Mickey Haller, the flamboyant lawyer created by Michael Connelly, 32 novels to seven. On the small screen, the tables turn: The Haller series “The Lincoln Lawyer” debuted its third season last month on Netflix while the first season of “Cross,” announced nearly five years ago, finally arrives Thursday on Amazon Prime Video.But who’s counting? There appears to be endless space in the current marketplace for brilliant but wounded investigators, and Haller and Cross share an essential marker of the contemporary crime-drama hero. Their personal traumas — Cross’s loss of his parents and wife, Haller’s issues with his father and with addiction — generate much of the tension in their stories, reducing the need for real complexity of personality or the clever unraveling of mystery.Formulas can be executed in different ways, however, and the two shows provide radically different viewing experiences. Within the boundaries of the problematic-genius formula, “Cross” represents the dark yin and “The Lincoln Lawyer” the bright yang. “Cross” goes for self-consciously heavy, “The Lincoln Lawyer” for perilously light. Most significant, perhaps, “Cross” is out to sanctify its protagonist; “The Lincoln Lawyer,” while it provides Haller with a full allotment of anguish, never asks us to feel sorry for him.The creator of “Cross,” Ben Watkins, previously created the eccentric neo-noir “Hand of God,” also for Amazon. The penchants he demonstrated then for hair-raising imagery, and for throwing together tones and styles, carry through to the new show. Choosing not to base “Cross” on a specific Patterson novel (unlike film adaptations including “Kiss the Girls” and “Along Came a Spider”), Watkins frees himself to cook up a lurid but not very exciting stew of serial-killer horror, buddy-cop action, social-justice point-making and sentimentality.Cross, played by Aldis Hodge (“Leverage”), is a District of Columbia police detective with a Ph.D. in psychology. We meet him on the occasion of his wife’s murder, and for eight episodes the character shuttles between dour grief and bellowing anger; Hodge, usually a magnetic performer, settles on a glaring, unmediated intensity.The A plot, in which Cross investigates the murder of a defund-the-police activist, blossoms into a richly nonsensical “Silence of the Lambs”-style fantasia. Common sense is left far behind, in matters large and small; at one slap-your-forehead juncture, a cop yells, “He could be anywhere!” seconds after the killer escapes, while his car can still be heard in the near distance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Small Streamers Like Hallmark+ and BritBox See Subscribers Surge

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      Like Christmas shows? So does Hallmark+. Like horror? Dare to try Shudder. And British shows? There’s BritBox and more.Executives from the Hallmark Channel made a curious decision this fall: They started a new streaming service.It seemed like an awfully late date to do so. Most media companies entered the streaming fray years ago, and few have had success going head-to-head against titans like Netflix, Amazon and Disney.But Hallmark executives decided the timing was not an issue. Their app, Hallmark+, did not need to appeal to the whole country, they said, just their core audience — the people who regularly flock en masse to the network’s trademark holiday and feel-good programming.“We don’t have to make content that are all things to all people,” said John Matts, Hallmark Media’s chief operating officer.He might very well be onto something.For much of the past decade, conventional wisdom inside the entertainment world has been that only a small handful of megaservices would survive the streaming wars. After all, they had the stars, the budgets and the technological prowess.But numerous media executives now believe that there could be room for some more modest streaming services, too.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      New Movies and Shows Coming to Netflix in November: ’Emilia Pérez’ and More

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      A parade of notable new titles are coming for U.S. subscribers all month. Here’s a roundup of the most promising.Every month, Netflix adds movies and TV shows to its library. Here are our picks for some of November’s most promising new titles for U.S. subscribers. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)‘Emilia Pérez’Starts streaming: Nov. 13A winner of multiple prizes at the Cannes Film Festival earlier this year, this genre-bending, gender-bending movie has Zoe Saldaña playing Rita, a lawyer enlisted to help a cartel boss formerly known as Juan begin her new life as Emilia (Karla Sofía Gascón), while also helping Emilia’s wife, Jessi (Selena Gomez), adjust to the change. Written and directed by the accomplished French filmmaker Jacques Audiard — and featuring songs by the composer Clément Ducol and the singer Camille — “Emilia Pérez” is at once a comedy, a musical and a crime drama, shifting approaches freely as it tells the story of a woman aiming for a profound transformation of a messy life.‘The Piano Lesson’Starts streaming: Nov. 22Following “Fences” (2016) and “Ma Rainey’s Black Bottom” (2020), Denzel Washington’s latest film adaptation of the plays in August Wilson’s “Pittsburgh Cycle” tackles one of the playwright’s most popular works. Produced by Washington (with Todd Black) and directed by Washington’s son Malcolm, “The Piano Lesson” has John David Washington (another son) as Boy Willie, who hatches a plan to buy some land by selling his family’s hand-carved piano, currently in the possession of his Uncle Doaker (Samuel L. Jackson) but held dear by Willie’s sister, Berniece (Danielle Deadwyler). Set in the 1930s, the film is a lively and complex drama about a Black family debating the best way to honor its enslaved ancestors — either by preserving their history as-is or by using their legacy as a way to get ahead.‘Spellbound’Starts streaming: Nov. 22One of the first feature film projects announced by Skydance Animation (way back in 2017) finally makes it to the screen after a production complicated by Covid and distribution difficulties. Rachel Zegler voices Ellian, a princess of the kingdom of Lumbria, which is being torn apart after a spell transformed the king (Javier Bardem) and queen (Nicole Kidman) into monsters. Featuring songs by Alan Menken and Glenn Slater, and direction by Vicky Jenson (best-known for her work on “Shrek”), “Spellbound” follows Ellian’s multi-step quest to save her family and her people.‘Our Little Secret’Starts streaming: Nov. 27The 2022 Netflix movie “Falling for Christmas” saw the return of Lindsay Lohan as a leading lady in a film for the first time in nearly a decade; and the movie went on to become one of the streamer’s biggest hits that holiday season. Two years later, Lohan is once again surrounded by wreaths, ribbons and twinkling lights for the romantic comedy “Our Little Secret.” She play Avery, who gets stuck at a holiday gathering with her boyfriend’s family, where she discovers that her man’s sister is dating Logan (Ian Harding), with whom Avery had a messy breakup 10 years earlier. Since the exes both want to make a good impression for their new significant others’ fussy mother (Kristin Chenoweth), they decide to pretend they don’t know each other — which becomes increasingly complicated as the Christmas togetherness rolls on, day after day.‘Senna’Starts streaming: Nov. 29This flashy Brazilian mini-series dramatizes the too-brief career of the Formula 1 champion Ayrton Senna. Gabriel Leone plays Senna, who took the F1 circuit by storm in the late 1980s and early ’90s before dying at 34 from injuries sustained during a race. “Senna” is packed with fast-paced racing scenes, but the show’s creator, Vicente Amorim, is just as interested in the backroom politicking that sprung up once Senna’s more aggressive racing style put him in the winner’s circle ahead of the more established (and more conservative) European stars. While getting into Senna’s family and personal life, the series also documents how one of Brazil’s national heroes argued that the sport’s financiers and governing bodies too often kept the drivers from competing at their best.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More