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    Lloyd Price, ‘Personality’ Hitmaker, Is Dead at 88

    His “Lawdy Miss Clawdy” was a rhythm-and-blues smash that hooked white listeners in 1952, anticipating the rise of rock ’n’ roll. Even bigger records would follow.Lloyd Price, who provided some of the seeds for what became rock ’n’ roll with his New Orleans rhythm-and-blues hit “Lawdy Miss Clawdy” in 1952 and later had major pop hits with “Personality” and “Stagger Lee,” died on Monday at an extended-care center in New Rochelle, N.Y. He was 88. The cause was complications of diabetes, said Jeffrey Madoff, the writer and producer of “Personality: The Lloyd Price Musical,” a stage show scheduled to open next year in Pennsylvania.Nicknamed Mr. Personality after his most recognizable hit, which reached No. 2 on the Billboard singles chart in 1959, Mr. Price found success with Black and white audiences alike. He was a prolific songwriter as well as a gifted singer — a combination that was relatively uncommon at the time — and his songs were covered by many others. Among the artists who recorded versions of “Lawdy Miss Clawdy” were Elvis Presley and Paul McCartney.He was inducted into the Rock & Roll Hall of Fame in 1998.Mr. Price found success early: He was still in his teens when he recorded “Lawdy Miss Clawdy,” its title an exclamation borrowed from a local disc jockey, for Specialty Records, an independent label founded by Art Rupe. On that session, recorded in New Orleans, he was accompanied by a band, led by the local musician and songwriter Dave Bartholomew, that included the pianist Fats Domino.“Lawdy Miss Clawdy” topped the Billboard R&B chart for seven weeks and introduced Mr. Price’s emotionally direct vocal style and infectious New Orleans beat to white listeners years before the term “rock ’n’ roll” was in wide use. Mr. Rupe later recalled, “That was the first Black record that wasn’t intended to be a white record — it became a white record, versus the previous Black records which were designed for the white market.”Mr. Price’s career was interrupted by Army service, and by the mid-1950s other Black artists, among them Chuck Berry, Little Richard and Mr. Domino, were achieving comparable crossover success. Mr. Price made up for lost time with huge pop hits of his own.Mr. Price in concert at the Apollo Theater in Manhattan, probably in the mid-1960s.Don Paulsen/Michael Ochs Archives-Getty ImagesAlong with his successful music career, Mr. Price had an entrepreneurial streak: He founded record labels, managed other performers, owned nightclubs, promoted boxing matches, ventured into real estate and even promised to champion the sweet potato with his company Lloyd Price Icon Food Brands.But the songs came first. “Music brings my soul more joy than anything else does, or can,” he once said. “It makes my heart beat faster with excitement; and my love for music has never changed! If you love music, you know what I’m talking about.”Lloyd Price, a self-described “country boy,” was born on March 9, 1933, in Kenner, La., one of 11 children — eight boys and three girls — of Beatrice and Louis Price, who owned the Fish ’n’ Fry Restaurant. As a child, Lloyd sang in the gospel choir at his family’s church, picking up trumpet and piano along the way while also working at the family business.A high school dropout, Mr. Price started his first band, the Blue Boys, at age 18. To the dismay of his parents, he also got a job at a New Orleans nightclub, but he quit at their insistence to work construction.His breakout success with Specialty Records came to an end when he was drafted in 1953, leaving the label to focus instead on Little Richard and Larry Williams, Mr. Price’s onetime chauffeur.After returning to civilian life in 1954, Mr. Price founded his own record company, KRC, with two partners. The label did not make much of an impact, but one single he released on KRC, the ballad “Just Because,” was leased to ABC-Paramount Records and reached the Top 40 pop chart in 1957. Mr. Price was then signed directly to ABC-Paramount and soon had his greatest success with the song “Stagger Lee.” His upbeat take on a folk song that had been recorded numerous times since the 1920s, it reached No. 1 on both the pop and R&B charts in 1959.Mr. Price’s crossover success did not come without some compromise. Dick Clark, the producer and host of the immensely popular television show “American Bandstand,” decided that the lyrics of “Stagger Lee,” which involved gambling and ended with a fatal barroom shooting, were too violent for his show. Mr. Price, ever the savvy businessman, recorded a new version in which the song’s rivals are fighting over a woman and make up at the end: “Stagger Lee and Billy never fuss or fight no more.” (The cleaned-up version was not released commercially at the time, but it was included many years later on a compilation album.)That same year, “Personality” became almost as big a hit, certifying Mr. Price as a bona fide rock ’n’ roll star. In 1962, he set out on his own again, starting Double L Records with Harold Logan (who had also been a partner in his earlier label), with a roster that included a young Wilson Pickett. Mr. Price and Mr. Logan opened a nightclub, the Turntable, on the former site of the celebrated jazz club Birdland in Midtown Manhattan in 1968. Mr. Logan was murdered in 1969.Mr. Price reached the Top 40 for the last time with a version of the standard “Misty” in 1963, but by that time his star in the music world was fading. He wisely dipped into other arenas, including a partnership with Don King to help promote Muhammad Ali’s “Rumble in the Jungle” against George Foreman in Kinshasa, Zaire, in 1974 and “Thrilla in Manila” against Joe Frazier in the Philippines the next year. Concurrently with the Zaire fight, he helped promote a music festival with a lineup that included James Brown and B.B. King. He lived in Nigeria from 1979 to 1983.Mr. Price is survived by his wife, Jackie Battle; three daughters, Lori Price, D’Juana Price and December Thompson; two sons, Lloyd Price Jr. and Paris Thompson; a sister, Rose Moore; and several grandchildren and great-grandchildren.In the 1980s, Mr. Price invested in real estate — he backed the construction of homes in the Bronx — and ran a limousine company. By 2007, at the age of 74, he was talking up his Miss Clawdy line of sweet-potato products to The Wall Street Journal. “It’s going to do things,” he said. “It’s going to bring attention back to the sweet potato.” His company also sold organic cereals and energy bars.There was always music in the background. Mr. Price helped organize oldies tours, on which he shared the bill with other early rhythm-and-blues acts like Little Richard and Ben E. King, throughout the ’90s and into the 21st century.Mr. Price released his last album, “This Is Rock and Roll,” in 2017. He published an autobiography, “Lawdy Miss Clawdy: The True King of the 50’s,” written with William E. Waller, in 2009, and a collection of essays, provocatively titled “sumdumhonky,” in 2015.Peter Keepnews contributed reporting. More

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    How to Pretend You’re in New Orleans Tonight

    While your travel plans may be on hold, you can pretend you’re somewhere new for the night. Around the World at Home invites you to channel the spirit of a new place each week with recommendations on how to explore the culture, all from the comfort of your home.Over the course of the decade since I first visited, I have often imagined myself at home in New Orleans. I think of the syncopated shuffle of a snare drum, the simple pleasure of an afternoon walk with a to-go beer in hand and the candy-colored shotgun houses that sink into the ground at odd angles. And so it wasn’t a huge surprise when, at the beginning of 2021, I found myself packing up my life and moving to the Crescent City for a few months. Why not be somewhere I love at this difficult time, I thought? Why not live in my daydreams for a little while?From left: Bike paraders on Frenchmen Street the week before Mardi Gras; a shotgun house; the Pete Fountain jazz funeral second line paraded during Jazz Fest in 2016.From left: Emily Kask for The New York Times; Sebastian Modak; Bryan Tarnowski for The New York TimesNew Orleans is above all else resilient. Mardi Gras parades were canceled this year, though it didn’t stop New Orleanians from finding ways to celebrate (nothing ever will). In recent months, brass bands have taken to street corners in front of masked, socially distant spectators instead of packed night clubs. Strangers still chat you up about the Saints from their front porches. My visions of this city may still be filtered through the fuzzy lens of a visitor, but I know I’ll be pretending I’m still there long after I’m gone. Here are a few ways you can, too.A brass band plays on Frenchman Street the week before Mardi Gras.Emily Kask for The New York TimesTurn up that radioNew Orleans music is a collage of sounds: it’s the birthplace of jazz, of the frenetic dance music known as bounce, popularized by superstars like Big Freedia, the call-and-response songs of Mardi Gras Indians, and so much more. For an overview of the sounds of this loud, percussive city there is no better place to start than the wonderfully eclectic WWOZ, a community-supported radio station that has been on the air since 1980. Luckily, you can listen to it from anywhere online. It’s only a matter of time before you start getting to know the various D.J.s and tuning in for your favorites.From left: musicians Big Freedia, Rebirth Brass Band and Kermit RuffinsFrom left: Bennett Raglin/Getty Images; Bryan Tarnowski for The New York Times; L. Kasimu Harris for The New York TimesPut on a curated playlist“New Orleans is not a periphery music scene,” Soul Sister, who has hosted a show on WWOZ for more than 25 years, told me. “New Orleans is the reason for it all.” Soul Sister was one of a handful of local experts I consulted in putting together a playlist that will send you straight to New Orleans. Among her recommendations are a bounce classic by DJ Jubilee and the music of Rebirth Brass Band, which brings her back to afternoons spent celebrating on the street: “It reminds me of the energy and freedom of being at the second line parades on Sundays, dancing through all the neighborhoods nonstop for three or four hours,” she said.On this playlist, you will also find some classics — the rollicking piano of Professor Longhair, for example, starts it off — recommended by Keith Spera who writes about music for the Times-Picayune/New Orleans Advocate. By the end of the playlist, you will undoubtedly agree with Mr. Spera’s assessment of New Orleans music: “There is no singular style of ‘New Orleans music’ — is it jazz? Rhythm & blues? Funk? Bounce? — but you know it when you hear it.”The Mosquito Supper Club is a Cajun restaurant in the Uptown neighborhood of New Orleans. Denny CulbertExpand your cookbook collectionJust like its music, New Orleans food contains multitudes: Creole, Cajun, African, Vietnamese and other flavors collide like nowhere else. A fine place to start is with the Dooky Chase Cookbook, the collected recipes of Leah Chase, who died in 2019, of Dooky Chase’s Restaurant, an institution that has hosted civil rights leaders, presidents and countless regulars at its location in Treme, the neighborhood where jazz was born. Next, tap into the Cajun influence on the city with “Mosquito Supper Club: Cajun Recipes from a Disappearing Bayou,” by Melissa M. Martin who oversees a restaurant of the same name in the Uptown neighborhood of New Orleans. Ms. Martin recommends making her grandmother’s oyster soup. “I can picture her stirring a pot on Bayou Petit Caillou and seasoning a broth with salty Louisiana oysters, Creole tomatoes and salted pork,” Ms. Martin said. “The marriage of three ingredients transports me to the tiny fishing village I call home, where salt was and still is always in the air.”From left: Velma Marie’s oyster soup; President George W. Bush with Leah Chase at Dooky Chase’s Restaurant in 2007; Linda Green’s ya-ka-mein.From left: Denny Culbert; Evan Vucci/Associated Press; via Linda GreenCook up some noodle soup, Nola style“It is New Orleans’ best kept secret,” the chef Linda Green, better known as Ms. Linda, told me when I asked about her specialty. Festival and second line crowds come to her for ya-ka-mein, a salty beef noodle soup often eaten as a late-night snack or a next-morning cure (hence its “Old Sober” moniker). The dish’s origins are mysterious: a product of cultural exchange involving, depending on who you ask, Black soldiers returning from the Korean War or Chinese railroad workers arriving in the 1800s. Ms. Linda’s family recipe is also a mystery (she credits the globe-trotting chef Anthony Bourdain for encouraging her to keep it secret). But she has shared versions of her recipe, so you can try your hand at it at home. “That will get you pretty close to the real thing,” she said with a wink I could almost hear over the phone.First Street, in the Garden District, is lined with ornate mansions that are still lived in today. The pink Italianate mansion, above, is the Carroll-Crawford House.Sebastian ModakWalk it offNew Orleans is a city full of history and it can be hard to know what you are looking at without some guidance. You can feel like you are on your own personal walking tour thanks to Free Tours by Foot, which has transferred their expertise to YouTube. You can now stroll the grandiose Garden District, pull away the sensationalism around New Orleans’ Voodoo traditions and take a deep dive into jazz history in Treme. “New Orleans is full of painful history, and it’s also known as one of the most fun cities in the world,” Andrew Farrier, one of the tour guides, said. “I think it’s useful for all of us to know how those two things can live so close to each other.”From left: the Bywater, the Sazerac and the Brandy Crusta — all New Orleans inventions.From left: Drew Stubbs; Craig Lee for The New York Times; Melina Hammer for The New York TimesFix a drinkContrary to so many pop culture depictions of the city, New Orleans’ drinking scene extends far beyond the vortex of debauchery that is Bourbon Street. There are the classic New Orleans inventions, of course, like the Sazerac, but for something a little different, turn to one of the city’s most revered mixologists. Chris Hannah, of Jewel of the South, invented the Bywater as a New Orleanian spin on the Brooklyn. “Among the ingredient substitutions I swapped rum for rye as a cheeky nod to our age-old saying, ‘New Orleans is the northernmost tip of the Caribbean’,” Mr. Hannah said.Chris Hannah, making a cocktail behind the bar, is a revered mixologist and the co-owner of Jewel of the South. L. Kasimu Harris for The New York TimesHave a little partyWhile it’s impossible to fully channel the spirit of a New Orleans dive bar at home, combine the playlist above with your quarantine pod and a “set-up” and you might just get close. What is a set-up, you ask? It’s a staple dive bar order that will get you a half-pint of your liquor of choice, a mixer and a stack of plastic cups. It’s also an often-overlooked part of New Orleans drinking culture, according to Deniseea Taylor, a cocktail enthusiast who goes by the Cocktail Goddess. “When you find a bar with a set-up, you are truly in Nola,” Ms. Taylor said. “First time I experienced a set-up, it was paired with a $5 fish plate, a match made in heaven.”From left: a still from Lily Keber’s documentary “Buckjumping”; the cover of Sarah M. Broom’s book “The Yellow House”; Jurnee Smollett and Samuel L. Jackson in the 1997 film, “Eve’s Bayou.”Mairzy Doats Productions (far left); Trimark Pictures (far right)Wind down with a story or twoIt should come as no surprise that New Orleans, with its triumphant and tragic history, its syncretic culture and its pervasive love of fun, is a place of stories. There is a wide canon of literature to choose from. For something recent, pick up “The Yellow House,” a memoir by Sarah M. Broom, which the Times book critic Dwight Garner called “forceful, rolling and many-chambered.” Going further back in time, try “Coming Through Slaughter,” a fictionalized rendition of the life of jazz pioneer Buddy Bolden by Michael Ondaatje.If you are in the mood for a documentary, Clint Bowie, artistic director of the New Orleans Film Festival, recommends Lily Keber’s “Buckjumping,” which spotlights the city’s dancers. For something fictional, Mr. Bowie points to “Eve’s Bayou” directed by Kasi Lemmons. It’s hard to forget New Orleans is a city built on a swamp when you feel the crushing humidity or lose your footing on ruptured streets, and this movie will take you farther into that ethereal environment. “Set in the Louisiana bayou country in the ’60s, we could think of no better film to spark Southern Gothic daydreams about a visit to the Spanish moss-draped Louisiana swamps,” Mr. Bowie said.Glimpses of south Louisiana’s swampy flora can be found in New Orleans’ Audubon Park.Sebastian ModakHow are you going to channel the spirit of New Orleans in your home? Share your ideas in the comments.To keep up with upcoming articles in this series, sign up for our At Home newsletter. More