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      Report: New York City’s Arts and Recreation Employment Down by 66 Percent

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      #masthead-section-label, #masthead-bar-one { display: none }At HomeBake: Maximalist BrowniesListen: To Pink SweatsGrow: RosesUnwind: With Ambience VideosAdvertisementContinue reading the main storySupported byContinue reading the main storyReport: New York City’s Arts and Recreation Employment Down by 66 PercentThe New York State comptroller’s office details the effects of the pandemic’s devastation and says a full recovery would be made only with government assistance.The arts, entertainment and recreation sector had seen the largest drop of all the parts of the city’s economy, the report says.Credit…David S. Allee for The New York TimesFeb. 24, 2021, 1:59 p.m. ETEmployment in New York City’s arts, entertainment and recreation sector plummeted by 66 percent from December 2019 to December 2020, according to a report released on Wednesday by the New York State Comptroller’s office that detailed the economy’s devastation from the coronavirus and the serious obstacles to recovery.The report from Thomas DiNapoli’s office said that the sector had seen the largest drop of all the parts of the city’s economy. A full comeback, it said, would depend upon significant government assistance.The sector “is a cornerstone of the city’s ability to attract businesses, residents and visitors alike,” the report said. “Yet the sector relies on audiences who gather to take part in shared experiences, and this way of life has been significantly disrupted by the pandemic.”Although nearly all business has been affected by the pandemic, its impact on arts, entertainment and recreation entities has been particularly striking.From 2009 to 2019, employment in the sector — which in this report includes performing arts, spectator sports, gambling, entertainment, recreation, museums, parks and historical sites — grew by 42 percent, faster than the 30 percent rate for total private sector employment.In 2019, according to the report, more than 90,000 people in 6,250 establishments were employed in the arts, entertainment and recreation. Those jobs had an average salary of $79,300 and provided $7.4 billion in total wages. In addition to businesses with employees, the report said, there are a large number of people who were self-employed, including artists and musicians.In February 2020, just before the pandemic shutdown in New York City, nearly 87,000 people were employed in the arts, entertainment and recreation sector there, the report said. Many major institutions announced closures on March 12. A statewide stay-at-home order went into effect on March 22. By April, employment in the sector stood at 34,100 jobs.Budgets at arts and recreation establishments have been “decimated,” the report said, and some organizations and facilities have struggled even as they were able to reopen, saying reduced revenues because of capacity restrictions, as well as diminished ticket sales, have limited income and necessitated budget cuts.Many performing arts venues are still closed. Most Broadway theaters do not expect to reopen until June at the earliest, the report noted, adding that the Metropolitan Opera and the New York City Ballet announced they would not be reopening until September.“Arts and recreation face an uphill climb to recover from the damage wrought,” the report said, adding: “The challenges facing the arts and entertainment sector require direct and impactful support from policymakers to maintain the city’s extensive cultural offerings.”AdvertisementContinue reading the main story More

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      New York’s Pop-Up Concerts Kick Off With Jazz at a Vaccination Site

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      #masthead-section-label, #masthead-bar-one { display: none }At HomeBake: Maximalist BrowniesListen: To Pink SweatsGrow: RosesUnwind: With Ambience VideosAdvertisementContinue reading the main storySupported byContinue reading the main storyNew York’s Pop-Up Concerts Kick Off With Jazz at a Vaccination SiteThe musician Jon Batiste led a band through the Javits Center to begin half a year of unannounced performances throughout the state.Jon Batiste (center) and his band Stay Human march through the Javits Center during the first NY PopsUp event on Saturday.Credit…Nina Westervelt for The New York TimesFeb. 21, 2021It seemed at first like a small, no-frills concert in a carefully controlled environment: The jazz musician Jon Batiste sitting at a piano in an auditorium at the Javits Center on Manhattan’s West Side, performing for an audience of about 50 health care workers seated in evenly spaced rows — some wearing scrubs, others Army fatigues.The dancer Ayodele Casel began tapping, with no musical accompaniment except a recording of her own voice, her amplified cramp rolls filling the room. And the opera singer Anthony Roth Costanzo performed “Ave Maria” in a countertenor’s angelic tones.Ayodele Casel tapping.Credit…Nina Westervelt for The New York TimesAnd an appreciative audience of health care workers.Credit…Nina Westervelt for The New York TimesBatiste on melodica as the indoor parade passes by.Credit…Nina Westervelt for The New York TimesBut about half an hour in, the performers stepped off the stage and exited the room, turning what had begun as a formal concert into a rollicking procession of music and dancing that grooved through the sterile building — the convention center was turned into a field hospital early in the pandemic and is now a mass vaccination site — where hundreds of hopeful people had come on Saturday afternoon to get their shots.Batiste switched to the melodica, a toylike, hand-held reed instrument with a keyboard, and the troupe of musicians — which had expanded to include a horn section and percussionists — paraded up the escalator and through the convention center, eventually reaching a high-ceilinged room where dozens of people sat waiting quietly for the requisite 15 minutes after getting their vaccinations.This concert-turned-roaming-party was the first in a series of “pop-up” shows in New York intended to give the arts a jolt by providing artists with paid work and audiences with opportunities to see live performance after nearly a year of darkened theaters and concert halls. Gov. Andrew M. Cuomo announced plans for the series, called “NY PopsUp,” last month, declaring that “we must bring arts and culture back to life,” and adding that their revival would be crucial to the economic revival of New York City. The shows are getting underway as he finds himself under fire for the state’s handling of Covid-19 deaths of nursing home residents.Health care workers and vaccine recipients provided and audience for the surprise concert on Saturday at the Javits Center, the first of a series called NY PopsUp.Credit…Nina Westervelt for The New York TimesBatiste, getting serious.Credit…Nina Westervelt for The New York TimesThe band, appropriately masked, propels itself through the center on Saturday.Credit…Nina Westervelt for The New York TimesBecause the program is wary of drawing crowds, most of the performances will be unannounced, emerging suddenly at parks, museums, parking lots and street corners. The idea is to inject a dose of inspiration into the lives of New Yorkers — a moment in which they can pause their scheduled lives and witness art during a pandemic year that has limited human contact and imposed tight restrictions on people’s activities.“We need more spontaneity; that’s what the beauty of this is,” Batiste said in an interview. “You don’t know what’s around the corner.”As the troupe of musicians moved through the Javits Center, the audience of health care workers followed them, clapping to the beat and recording the spectacle on their phones. Batiste, who is the bandleader on “The Late Show With Stephen Colbert,” propelled his musicians through the space (most of them have played with the show’s house band, including Endea Owens on bass, Tivon Pennicott on saxophone, and Joe Saylor and Nêgah Santos on percussion).Bre Williams, a 35-year-old nurse in blue scrubs who had come from Savannah, Ga., to help out in New York, looked on wide-eyed.“Y’all do this stuff all the time up here?” she said, laughing.Shortly before the music ended, some of the health care workers rushed off to continue their work day (this concert was happening during their break time, after all).The series is put on by a public-private partnership led by the producers Scott Rudin and Jane Rosenthal, along with the New York State Council on the Arts and Empire State Development. Zack Winokur, the director and interdisciplinary artist in charge of the programming, said the group is aiming to put on more than 300 pop-up performances through Labor Day, in every borough and around the state. The performers are chosen by a council of artists — among them Batiste, Casel and Costanzo — who are each asked to tap into their own networks to find participants.“It’s been a long time since I’ve seen a live performance,” Winokur said in an interview. “It’s a profoundly needed experience right now.”A pop-up parade with free drinks from a coffee truck.Credit…Nina Westervelt for The New York TimesOnlookers, some appreciative, peeked out of doorways and windows. At one point, however, objects were hurled at the musicians from an upper-story window.Credit…Nina Westervelt for The New York TimesThe NY PopsUp parade takes over a lane in Brooklyn.Credit…Nina Westervelt for The New York TimesAfter the first performance at the Javits Center, the musicians headed to Brooklyn, where they began another flash-mob-style street jam, starting from Cadman Plaza Park and winding their way through Dumbo to end up at a skatepark, where teenagers stared at them curiously before hopping back on their skateboards. The free, mobile concerts are called “love riots” by Batiste, who has previously planned them on social media. This one traveled along sidewalks and slushy snow, sometimes slowing traffic.Prevented from tap dancing on the street, Casel banged out rhythms by clapping the metal plates on her tap shoes together with her hands; Costanzo danced along with the band and at one point grabbed the megaphone to sing “Somewhere Over the Rainbow.”While the music was intended to provide a spontaneous display for passers-by, the march itself was as tightly regulated as any pandemic-era event. Security personnel directed members of the musical entourage around uneven terrain and dog waste. Another employee asked onlookers to spread out when they started to break social distancing guidelines.Despite the logistics that went into it, the plan succeeded in being a spontaneous curiosity for the dozens of people who unexpectedly encountered the music. Moving down narrow alleyways and commercial streets, the band caused people to stop, stare and sometimes groove a little bit. Children peered through windows along Washington Street; a doorman darted out of an apartment building to see what all the noise was about; pharmacy employees leaned out of the doorway to film the procession down the sidewalk.Not everyone seemed to appreciate the music, though. At one point, someone inside an apartment building began throwing objects at the marchers from several floors up (one of the security staffers said he thought he saw an orange juice container and a trophy hit the snow).Accustomed to improvising, the band simply dodged the flying objects and marched a bit more quickly, the music never stopping.AdvertisementContinue reading the main story More

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      Presidents’ Day: 5 Ways to Make It Meaningful This Year

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      AdvertisementContinue reading the main storySupported byContinue reading the main storyPresidents’ Day: 5 Ways to Make It Meaningful This YearWith kids off from school, here are suggestions for delving into our nation’s complex history with virtual museum visits, D.I.Y. tours and fun movies (Lincoln as a vampire slayer?).A replica of the Oval Office at the New-York Historical Society, which is open to the public with Covid-19 safety protocols in place.Credit…Glenn Castellano/New-York Historical SocietyFeb. 11, 2021, 10:00 a.m. ETMost years, Presidents’ Day is treated as little more than a shivery three-day weekend. But with a new chief executive in office, a former one on trial for impeachment and several statues of past presidents pulled down last year, maybe the holiday can offer time to reflect on the presidency and the ambit of our country in general.Do we still admire George Washington, knowing that he owned slaves? Abraham Lincoln’s treatment of Native Americans merits scrutiny, as well. But on the third Monday in February, a date that often falls between the two leaders’ birthdays, Presidents’ Day asks a nation to celebrate them, which should also mean questioning them, learning from our past so that we can envision a better future. While the kids are off from school, here are some suggestions for what to do virtually or in person in New York City.Visit the Resolute DeskLast year the New-York Historical Society opened a permanent exhibition that recreates the Oval Office as decorated for Ronald Reagan’s second term. (Love the rose curtains. And the matching pink phone.) The space includes a replica of the Resolute Desk, a gift from Queen Victoria. Visitors cannot sit behind it for photo ops right now, but they can still take selfies in the room. There are other presidential artifacts on hand, including Washington’s inaugural Bible.The society also invites visitors to participate in an interactive game, Playing the President: FDR’s First Hundred Days. By reading historical documents and consulting virtual advisers, you too can help pull America out of a depression. Tour presidential beginningsLincoln’s modest home in Springfield, Ill., remains closed, but the National Park Service has arranged a virtual tour instead. Enjoy the bold choices in carpeting! For a somewhat grimmer sojourn, click through a virtual tour of Ford’s Theater, the site of Lincoln’s assassination, in Washington, D.C.While Washington’s Mount Vernon Estate remains open, it also features robust virtual offerings, some of which include to-go food pairings. In the area for Feb. 13 or 27? Pick up hoecakes and sweetmeats for a virtual tea with Martha Washington. (Maybe not the actual Martha Washington?) The virtual jewel: An extensive tour, including videos, stories, 360-degree views and close-ups of furniture, curios and a recipe for Martha’s “Great Cake.” The tour includes quarters that housed enslaved people and some description of their lives on the estate. The long weekend is good time to visit Statue of Liberty, pictured in 1979.Credit…Barton Silverman/The New York TimesA chance to see Lady LibertyAmerica has a mixed record when it comes to welcoming the tired, the poor and the yearning huddled masses. But to acquaint yourself with a 151-foot symbol of its promise, consider a visit to Liberty Island and Ellis Island. While the statue’s interior remains closed, the museums on both islands have reopened, with Covid-19 protocols in place.At the Statue of Liberty Museum, visitors can see how the structure was produced and installed, as well as the original torch. On neighboring Ellis Island, visit the National Museum of Immigration to see photos, videos and heirlooms. Stop by the Family History Center in the hopes of learning your own story. Research assistants are on hand, if you and your genealogy need extra help. (The center is closed on Presidents’ Day itself.) A stroll-it-yourself in New YorkIn Lower Manhattan, Washington’s fans might begin at Fraunces Tavern Museum, where in 1783, before it was cool, he ordered takeout. The upstairs hosts a museum and a re-creation of the room where Washington spoke to his officers. Stop in front of Wall Street’s Federal Hall, a national memorial and the site of Washington’s 1789 inauguration, as well as the first Supreme Court and Congress. (While the original building was demolished in 1812, the new hall has a piece of the balcony where Washington stood.) The hall is currently closed, but there are virtual exhibitions for Black History Month and Presidents’ Day. A bit further uptown, you can stand outside Cooper Union, where Lincoln gave a famous antislavery address. Or head to the Bronx to see the Morris-Jumel Mansion, which Washington briefly used as a headquarters during the Revolutionary War. It is open for in-person visits, with a virtual tour also available. Anthony Mackie, left, and Benjamin Walker as our 16th president in “Abraham Lincoln: Vampire Hunter.”Credit…Alan Markfield/20th Century FoxMeet the president, on filmMost likely you have seen “Hamilton” on Disney+ by now. And perhaps you have enjoyed Daniel Day-Lewis’s grizzled visage in Steven Spielberg’s “Lincoln,” available on HBO Max. But there are plenty of other filmic and limited-series takes on past presidents.Consider a young Henry Fonda as “Young Mr. Lincoln,” free on Tubi, or for a somewhat more fanciful take: “Abraham Lincoln: Vampire Hunter,” with Benjamin Walker’s face beneath the stovepipe hat, available on Cinemax.If real presidents have you down, you can feel even more down with the recent limited series “The Plot Against America,” on HBO, which imagines that the aviator Charles S. Lindbergh, a fascist sympathizer, has won election. Or relax with romantic comedies like “The American President,” in which Michael Douglas’s POTUS falls for Annette Bening’s elegant lobbyist, or “Dave,” in which Kevin Kline’s presidential impersonator sort of becomes president. Both are rentable on various sites.Remember that even a terrible president can inspire a delightful movie, like 1999’s splendid “Dick,” available on Showtime, in which two teenage girls (Michelle Williams and Kirsten Dunst) bring down Nixon.AdvertisementContinue reading the main story More

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      Cuomo Announces Pop-Up Performances Across New York

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      #masthead-section-label, #masthead-bar-one { display: none }At HomeExplore: A Cubist CollageFollow: Cooking AdviceVisit: Famous Old HomesLearn: About the VaccineAdvertisementContinue reading the main storySupported byContinue reading the main storyCuomo Announces Pop-Up Performances Across New York“NY PopsUp” will kick off Feb. 20 and run through Labor Day.A festival celebrating Little Island, the parklike pier being built downtown in the Hudson River, will coincide with the last days of “NY PopsUp.”Credit…Brittainy Newman for The New York TimesFeb. 8, 2021, 3:18 p.m. ETGov. Andrew M. Cuomo of New York, who has made it clear that he sees the return of art and culture as key components of the economic revival of the state, announced Monday that a series of more than 300 free pop-up performances, “NY PopsUp,” would begin Feb. 20 and run through Labor Day.Mayor Bill de Blasio, meanwhile, announced details of the city’s Open Culture program, which will permit outdoor performances on designated city streets this spring.The state’s pop-up events are part of a public-private partnership, New York Arts Revival, and will feature more than 150 artists including Amy Schumer, Chris Rock, Mandy Patinkin, Renée Fleming and Hugh Jackman.Since the state does not wish to draw large crowds in the pandemic, many of the events will not be announced in advance.“We’re trying to thread the needle,” Mr. Cuomo said. “We want the performances. We don’t want mass gatherings, we don’t want large crowds.”The events, the state said, will take place in parks, museums and parking lots, as well as on subway platforms and in transit stations. People can follow a new Twitter and Instagram account, @NYPopsUp, for details about upcoming performances. Many will be shown online.The series will be spearheaded by the producers Scott Rudin and Jane Rosenthal, along with the New York State Council on the Arts and Empire State Development. It is part of an arts revival plan that the governor had announced during an address in January, when he had said the state would organize the pop-up performances beginning Feb. 4.The series will begin Feb. 20 at the Javits Center in New York City with a free performance for health care workers that will feature Jon Batiste, Anthony Roth Costanzo, Cecile McLorin Salvant and Ayodele Casel. The performers will travel across the city to all five boroughs, performing in parks and street corners, as well as at the footsteps of Elmhurst Hospital and St. Barnabas Hospital.Mr. Cuomo said some of the events would use flexible venues that do not have fixed seats, and could therefore be reconfigured to allow for social distancing, including the Shed, the Apollo Theater, Harlem Stage, La MaMa and the Glimmerglass Festival’s Alice Busch Opera Theater.In June, the opening of Little Island, the parklike pier being built downtown in the Hudson River by Barry Diller, and the Tribeca Film Festival, celebrating its 20th anniversary, will add to the expanding arts programming in the city.Little Island plans to hold its own festival from Aug. 11 to Sept. 5, which will coincide with the final weeks of “NY PopsUp” programming.Mr. de Blasio announced on Monday that the city would launch a new program to help some of the city’s cultural institutions apply for federal grants. The city’s effort, called “Curtains Up NYC,” will offer webinars and counseling to businesses and nonprofits that are connected in some way to live performances.“We have to make sure that New York City cultural institutions get the help that they need,” Mr. de Blasio said at a news conference.Asked whether any Broadway theaters could be allowed to reopen as his arts revival plans continue, Mr. Cuomo expressed hope.“I think that is where we are headed, right?” he said. “The overall effort is headed towards reopening with testing.”He announced last week that the state planned to issue guidance to begin allowing wedding ceremonies for up to 150 guests if attendees were tested beforehand.“Would I go see a play and sit in a playhouse with 150 people?” he said. “If the 150 people were tested and they were all negative, yes, I would do that. And the social distancing and the air ventilation system is proper? Yes, I would do that.”Commercial producers have repeatedly said that economics of Broadway preclude reopening at less than full capacity.New York reported at least 177 new coronavirus deaths and 9,923 new cases on Sunday. While the number of new cases has fallen from a post-holiday high last month, the average number of new daily cases and deaths is still far above where it was last summer and fall.Mr. Cuomo said that government had to take an active role to help the city and the state recover from the economic pain wrought by the pandemic. “It’s not going to be a situation where the economy is just going to come back,” he said. “We have to make it come back.”“New York leads,” he added. “And we’re going to lead in bringing back the arts.”Michael Gold contributed reporting.AdvertisementContinue reading the main story More

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      Ricky Powell, 59, Dies; Chronicled Early Hip-Hop and Downtown New York

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      AdvertisementContinue reading the main storySupported byContinue reading the main storyRicky Powell, 59, Dies; Chronicled Early Hip-Hop and Downtown New YorkProlific with his point-and-shoot camera, he captured essential images of the Beastie Boys, Jean-Michel Basquiat, Run-DMC, Andy Warhol and more.The photographer Ricky Powell in 2012. An inveterate walker, he pounded the New York pavement with his camera and snapped photos of whatever caught his fancy.Credit…Janette BeckmanPublished More

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      A Broadway Theater Owner Rethinks Post-Pandemic Ticket Selling

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      #masthead-section-label, #masthead-bar-one { display: none }At HomeExplore: A Cubist CollageFollow: Cooking AdviceVisit: Famous Old HomesLearn: About the VaccineAdvertisementContinue reading the main storySupported byContinue reading the main storyA Broadway Theater Owner Rethinks Post-Pandemic Ticket SellingJujamcyn, which operates five of the 41 Broadway houses, said that when theater returns it will use SeatGeek instead of Ticketmaster.In a sign that some theaters are rethinking how they will operate when Broadway reopens, Jujamcyn Theaters is overhauling its ticketing practices.Credit…David S. Allee for The New York TimesMichael Paulson and Jan. 29, 2021As many live performance venues rethink their operations in anticipation of a post-pandemic reopening, one of Broadway’s major theater owners has decided to overhaul its ticketing practices.Jujamcyn Theaters, home to the musicals “Hadestown,” “Moulin Rouge!” and “The Book of Mormon,” said Friday that it had reached an agreement with SeatGeek, a disruptive newcomer to the marketplace, to handle of all its ticketing. It had been using Ticketmaster, the dominant platform for concerts and other live events.The agreement is SeatGeek’s first on Broadway; the company, which is based in New York, works primarily in the sports industry in the United States, but also has theater clients in London’s West End.“We’re always scanning the landscape for what is new and what is possible, but the shutdown really changed what we were looking for,” said Jordan Roth, the president of Jujamcyn, which operates five of the 41 Broadway theaters. “There are capabilities that SeatGeek has built that speak directly to the now, and also, I think, to the future.”Roth would not describe the financial details of the arrangement, but said he had been impressed by the company’s technological flexibility, as well as its use of historical and comparative pricing to help customers assess ticket value. He said that beyond selling tickets, its technology could be used to allow customers to order food and drink, arrange transportation, purchase merchandise and get other information. SeatGeek will also allow tickets for Jujamcyn shows to be resold through its platform.The deal is a coup for SeatGeek, which began in 2009 as an aggregator of listings on the secondary ticketing market but has become a significant competitor to Ticketmaster in selling tickets directly on behalf of theaters and sports teams. SeatGeek sells tickets for the Dallas Cowboys, the Cleveland Cavaliers and a number of Major League Soccer teams.Danielle du Toit, the president of SeatGeek Enterprise, the company’s primary sales platform, said the Jujamcyn deal would showcase innovations like allowing patrons to order a glass of Champagne to be delivered to their seat at intermission.“For the average Joe,” du Toit said, “the idea is that it’s easy, it’s intuitive, it’s fast, it’s enjoyable.”The shutdown of live events during the pandemic has dealt a blow to all venues and ticketing companies. But behind the scenes, it has also sped up some changes that had been bubbling through the business for years, like contactless concessions sales and the transition to mobile, paperless ticketing. Roth said Jujamcyn had not yet determined whether paper tickets would still be used post-pandemic.Some venues and sports teams have also used the pause to rethink their ticketing alliances; in November, for example, two Houston soccer teams, the Dynamo FC and its affiliated women’s club, the Dash, signed with SeatGeek.When events return, many venues and ticket sellers say they expect extensive safety protocols that may even be embedded into the ticketing process. Late last year, Ticketmaster said it was considering implementing plans like confirming a patron’s vaccination status through a third-party smartphone app. A Ticketmaster spokeswoman said this week that the company was still awaiting federal and state guidance about reopening; Ticketmaster said on Friday it had no comment about losing Jujamcyn as a client.Du Toit said that the slowdown of events gave SeatGeek the opportunity to develop the kinds of features that are part of its Jujamcyn deal.“We’ve used this downtime to dig deeper into our technology,” she said.“The Book of Mormon,” “Hadestown” and “Moulin Rouge!” were all selling strongly before the pandemic and plan to return once theaters can reopen. Two other musicals housed in Jujamcyn theaters, “Frozen” and “Mean Girls,” have announced that they will not resume performances post-pandemic, so the company has two vacant houses to fill.SeatGeek becomes the third major ticketing services provider on Broadway; many theaters use Telecharge, which is owned by Broadway’s biggest landlord, the Shubert Organization; Jujamcyn had used Telecharge until switching to Ticketmaster in 2016. Ticketmaster continues to work with the Nederlander Organization, another major Broadway landlord. Of course, many consumers purchase tickets not through the primary ticket sellers, which handle direct sales online and at the box office, but also through brokers, resellers, or intermediaries like TKTS and TodayTix.The average Broadway ticket cost $121 last season. It remains unclear whether prices will change when Broadway reopens, although many producers expect less premium pricing (those are the highest-priced tickets for the hottest shows; for example, before the pandemic “Hamilton” was regularly selling many of its seats at premium prices of $847 each), at least in the short-term, as the industry seeks to rebuild.AdvertisementContinue reading the main story More

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      Jerry Brandt, Whose Music Clubs Captured a Moment, Dies at 82

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      #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesSee Your Local RiskVaccine InformationWuhan, One Year LaterAdvertisementContinue reading the main storySupported byContinue reading the main storyThose We’ve LostJerry Brandt, Whose Music Clubs Captured a Moment, Dies at 82Energizing Manhattan night life, he opened the Electric Circus in 1967 and the Ritz 13 years later. He died of Covid-19.The promoter Jerry Brandt, right, with Tina Turner and Keith Richards in 1984 at the Ritz, the East Village club Mr. Brandt opened in 1980.Credit…Bob GruenJan. 28, 2021Updated 5:52 p.m. ETJerry Brandt, a promoter and entrepreneur who owned two nightclubs, the Electric Circus and the Ritz, that were attention-getting parts of New York’s music scene in their day, died on Jan. 16 in Miami Beach. He was 82.His family said in a statement that the cause was Covid-19.Mr. Brandt made a career of trying to catch whatever wave was cresting on the pop-culture scene. With the Electric Circus, which he opened in 1967 on St. Marks Place in the East Village, it was psychedelia. With the Ritz, opened in 1980 a few blocks away, it was the exploding music scene of the MTV decade, with the shows he staged there — Parliament-Funkadelic, U2, Tina Turner, Ozzy Osbourne, Frank Zappa and countless others — reflecting the exploratory energy of the time.Not all his big bets paid off. Perhaps his best-known debacle was Jobriath, a gay performer whom Mr. Brandt backed with a lavish promotional campaign in 1973 and ’74, hoping to create an American version of David Bowie’s androgynous Ziggy Stardust persona. The concertgoing and record-buying public soundly rejected the attempt to manufacture a star, and Jobriath, whose real name was Bruce Campbell, faded quickly.But Mr. Brandt’s successes, especially with the Ritz, caught their cultural moment and propelled it forward. At the Ritz, he not only booked an expansive range of bands; he also brought new technologies into the mix.“The Ritz opened May 14, 1980, with a video screen the size of the proscenium arch it hung from,” the WFUV disc jockey Delphine Blue, who was a Ritz D.J. for five years, said by email. “On it were projected cartoons, movie bits, psychedelic montages, while the D.J.s played records and jockeyed back and forth with the V.J., who played music videos. This was over a year before the debut of MTV in August of 1981.”There was, she said, a rope dancer who was lowered from the ceiling. There was a cameraman lugging a huge video camera around the dance floor, capturing the dancers and projecting the images on the big screen. The club was often packed and the chaos barely controlled. Sometimes it was not controlled at all.“A full house at the Ritz began throwing bottles at the club’s video screen two weeks ago when the British band Public Image Ltd. performed behind the screen, refused to come out from behind it and taunted the audience,” The New York Times reported in the spring of 1981. “Several fans then stormed the stage, ripping down the screen and destroying equipment. There was a moment of near-panic on the crowded dance floor, though apparently no one was hurt.”Mr. Brandt was the center of it all.“Jerry,” Ms. Blue said simply, “was the P.T. Barnum of nightclubs.”Mr. Brandt made a career of trying to catch whatever wave was cresting on the pop-culture scene. With the Electric Circus, which he opened in 1967, it was psychedelia.Credit…Larry C. Morris/The New York TimesJerome Jack Mair was born on Jan. 29, 1938, in Bensonhurst, Brooklyn, to Jack and Anna (Cohen) Mair. His father, Mr. Brandt wrote in his memoir, “It’s a Short Walk From Brooklyn, if You Run” (2014), left when he was 5. When his mother subsequently married Harold Brandt, Jerry took his stepfather’s name.After graduating from Lafayette High School in Brooklyn, he served in the Army from 1956 to 1958. Back in New York, he eventually got a job as a waiter at the Town Hill, a Brooklyn club that featured top Black performers like Sam Cooke and Dinah Washington.“It was a dream come true,” he wrote in his memoir. “I could see great performers and make money at the same time. It made me realize that I wanted to be in the music business.”The Coronavirus Outbreak More