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    Daniel Sloss on Russell Brand and Comedy About Dark Topics

    The Scottish standup went viral for being the sole comic to go on the record in support of Russell Brand’s accusers. He’s made a career of finding humor in “things that we should not be laughing at.”The Scottish comedian Daniel Sloss likes to flout conventional humor.His earliest Netflix special, “Dark,” in 2018, was about the death of his younger sister when he was 8. He also has material about disability (his sister had cerebral palsy), mental illness and sexual assault. “I think there’s ways for everything to be funny,” he said in a video interview this week, before quickly clarifying, “I don’t think everything should be joked about in every way.”Brutality on its own doesn’t make a good punchline, he said. “The art is making the audience laugh at things that we should not be laughing at.”Sloss, 33, was the only comedian to speak on the record, using his real name, in the Channel 4 documentary about Russell Brand and in the accompanying newspaper investigation which detail the sexual assault allegations made by four women against the British actor and comic. That Sloss was the only performer to acknowledge the comedy scene’s long-running rumors about Brand left him shaken, he said. (Brand has denied the allegations.)In his 2019 HBO special “X,” Sloss describes learning that a female friend of his was raped by another friend, part of a group of guys he had long been buddies with. The special — in which he mostly jokes about his own shortcomings — becomes an impassioned plea for all men to do more to call out and prevent misconduct. (He workshopped it with survivors of assault.) After the Brand investigation, clips from the show went viral.Sloss, who performs at the New York Comedy Festival on Friday, grew up in an erudite household: His mother is a scientist who consults for the U.N. around clean energy, and his father is a programmer who also designs robotics. He started performing in clubs at 17, quickly rising through the ranks at the Edinburgh Festival Fringe to become an international touring star. He lives in Edinburgh with his wife and 21-month-old son, and now, much to his chagrin, does jokes about fatherhood.Here are edited excerpts from the conversation.The way you talk about your upbringing, it seems like your family expressed love by roasting each other.Yeah. That’s just a very Scottish thing. The way you talk about yourself is self-deprecating. You have to take yourself down in Scotland, because if you don’t, society will do it for you. Tall poppy syndrome exists here — if you stick your head too far up and you’re too proud. I’ve been brought down by the Scottish public several times over my career.In his special “X,” Sloss talked about the sexual assault of a friend after getting her permission to discuss it. HBOYou found success early.I was marketable: young, white, accent. Arguably good looking. I was confident. And I was decent. But a lot of it was right moment, right time, given opportunities that other people deserved.How did you decide to turn to different material?I think it was my fourth Fringe show when I decided to do darker jokes, stuff that wouldn’t make it on television. And I think every day of that run, I watched about 15 or 20 people leave. That was never fun, but I was fine with it because I’m like, I stand behind everything I’m saying now. I will defend that this is funny.The best standup, for me, is the sort that makes you think. I remember the first time I saw Jim Jefferies do his gun control routine. It’s so funny, but it’s made me think profoundly about it. And I could see it making people in the audience think.You can get away with some of these things because people believe that you have a moral center.Yes. I think there’s something about being vulnerable to people — it’s honesty, and I think they see goodness in that.When I did “Dark,” the feedback was really good. I loved the silences. I loved the challenge of it. How am I going to make people laugh with the death of a 6-year-old disabled girl? How can you pull humor out of that? And the answer is the same way that my family pulled humor out of it. You don’t laugh at the tragedy itself. You acknowledge the tragedy. And while looking around it, you can find things to make fun of, because the most powerful thing in the world is to laugh in the face of death.You talk in “X” about learning the stats on how common, and underprosecuted, sexual assault and rape are after your friend, who gave you permission to discuss it, disclosed what happened to her. Did you wonder why more men don’t learn about that? What made you want to talk about it?Because me and the group of friends, we felt so stupid, man. He admitted it the second we confronted him — which blew our minds. Looking back, there were plenty of signs, which we chose to ignore, because we put it down to banter, like, “Hey, he’s just saying things that we all say.”Whenever “X” goes viral, I hate it, because it destroys the message of the show. They just take that 90-second clip, where it’s me yelling at men. You cannot make men learn anything if you yell at them. And that sucks. It would be so nice if yelling at men worked; we could fix all of the problems. But it never works.So I made sure the show is bringing men in. The whole point is that I’m a deeply flawed man. I have toxic traits; I’ve been toxic in the past. I am completely and utterly imperfect. But that doesn’t make me a predator. I believe most men are good, and I want them to listen to me.When we toured “X,” I was really expecting some backlash from men. I was expecting walkouts. And every single night, without fail, I got DMs, emails, messages from men, like, “I sat beside my wife, I sat beside my daughter, my sister, my girlfriend. And when you started talking, I didn’t realize how ignorant I had been, and I was mortified. And then after the show I spoke to the women in my life. They told me a story which broke my heart.” It was so many men just coming to the same realization as me.What did you make of the response to the Brand exposé and the fact that you were the only voice from the comedy world speaking in support of women?I didn’t know I was the only one. I’d seen the clip with me in it. But they hadn’t shown me the context [that no one else came forward]. Devastating. I’m still processing it. To be honest with you, I’m still angry.The focus should never have been about me, ever, at any point. The only reason was because I looked brave. And I was only brave by omission. I was only brave because other people were cowards.Let’s be honest: I did the bare minimum. I acknowledged a rumor that we had all heard. So that’s why I thought so many people would do the bare minimum. They didn’t, and then they just continued being like, “I wasn’t asked.” Well, you can still say something now. Like, just because you missed the starting pistol doesn’t mean you don’t finish the race. Join in!You’ve said that becoming a father has made you a better person and a worse comedian.Yes, but that’s true for everyone. I don’t know what it is. I think maybe it’s such a higher level of empathy than you had before that it actually blunts your edges. I mean, I like pushing boundaries. But before I would certainly say callous things just for the sake of saying callous things.I used to have a joke that would split the audience down the middle, and I loved that. And I now realize that it’s because the joke was about harm happening to children. Before I was a parent, I found the joke very, very funny. And now I don’t. And that makes me hate myself, because that means I’m a comedian who’s offended by one of his own jokes. More

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    Joe Pera and the Surprising Pleasures of Gentle Humor

    Don’t expect twists in these bits. The standup, who will be at the New York Comedy Festival, has devised a calming aesthetic with rewards of its own.To bore an audience is one of the worst things a performer can do. It’s among the trustiest truisms of show business. But what if our anxious culture has become so crowded with fast-talking agitators, hyperventilators and disrupters that something soothing and subdued becomes refreshing? Is it possible that the most exciting move is to embrace dullness?The stand-up comic Joe Pera tests this theory. With a rigid back hunching at the neck, he has the appearance of a large turtle, only slower. His fashion is basic suburban dad — Asics, glasses, comfortable khakis — and his dry, gently absurdist material focuses on cold-button subjects like what to have for breakfast. Of the hundreds of performers in the New York Comedy Festival this week, Pera is surely the only one who will say that he doesn’t mind if you fall asleep listening to him.After a year off because of the pandemic, the festival returns with a talent-rich lineup of seasoned veterans (Bill Maher, Colin Quinn, Brian Regan and Marc Maron); midcareer stars (Vir Das, Ronny Chieng, Michelle Buteau and Michelle Wolf); and rising newcomers (Megan Stalter). Since New York has a festival’s worth of comedy every week, the shows I most look forward to are those by Los Angeles comics we don’t see here as often (Nick Kroll) or stand-ups in their prime taking on a bigger stage (Gary Gulman playing Carnegie Hall). But there is also a wealth of small, quirky evenings like “Dan and Joe DVD Show” at the Bell House on Tuesday, standup from Pera and his more animated partner, Dan Licata.Over the past decade, Pera, a Buffalo native, carved out a niche in the New York scene by playing at his own pace, interjecting a soft-spoken, flamboyantly clean presence in the middle of shows full of quick wits and profane punch lines. This month, he has a new book out before the holidays, “A Bathroom Book for People Not Pooping or Peeing But Using the Bathroom as an Escape,” and premieres the third season of his television series whose title, “Joe Pera Talks With You,” is factual and straightforward, like his comedy.Pera plays a choir teacher from small-town Michigan who makes Ted Lasso look like Dexter. The 11 minute-or-so episodes are patiently, gracefully shot without a single swirling camera, goofy font or burst of color. It stands out on the Adult Swim schedule the way a sex tape would on Disney+. There are bits of plot, including a budding romance with a survivalist (played by Jo Firestone, whose consistent likability makes her the Tom Hanks of comedy) or the death of a grandmother, but much of this show hinges on creating a very peculiar tranquil mood.Pera with Jo Firestone in his Adult Swim show “Joe Pera Talks With You.”Adult SwimAt various points, Pera recites facts about lighthouses or beans, before sharing maxims like: “Waiting for someone is just a nice thing to do.” The first episode this season lingers on the pleasure of sitting. It finds Joe helping his friend Gene pick out a chair in a furniture store.Occasionally a political issue will come up, but only briefly, almost as a counterpoint to emphasize that this is not what the show is about. And while the subject of grief became prominent in the second season, the series doesn’t investigate sadness so much as offer tools to ward it off for a few minutes. How about a shot of some amazing fireworks? Or the comforting distraction of a musical put on by kids? Maybe Joe in some funny wigs?Early on this season, Joe Pera looked directly at the camera and asked viewers if they were sitting right now, before assuring us that he was not about to give bad news. Then he asked, if we were sitting on a chair, what kind was it? Not since Mr. Rogers has someone with as much conviction asked the television camera a question and then paused as if he might hear an answer. It’s not the only time Pera evokes that legend of children’s television.He displays the earnest manner and sense of wonder that most people lose by their teenage years. It’s tempting to conclude that his persona is a stunt, a piece of performance art in the Andy Kaufman tradition. Some fans probably enjoy his work as a kind of ironic prank on comedy itself. And he surely understands this, which might be why he often doubles down on the incongruous 1950s wholesomeness, singing the praises of a warm apple pie in the fall or apologizing for swearing. But watch him long enough and what becomes clear is that Joe Pera isn’t after glib laughs. Wait for the wink or the twist, and it never comes.His goal is not to take audiences out of the action by laughing at it, but to envelop them in a muted version of reality, to invite them to surrender to the small pleasures of calm.For years, I refused. I don’t tend to go to art for that, and when I do, I find it in unlikely places, like slasher films or Stephen A. Smith (yes, he makes N.B.A. punditry into an art). But those are my eccentric tastes. And while his aesthetic seems like ingratiating wholesome Americana, there’s an avant-garde obscureness underneath it. You have to work a bit to get it. Adventurous types should try.By slowing down and reducing everything to simple comforts, Pera can tap into a child’s view of the world, back when we dealt with boredom most creatively by creating races between rain drops on windshields or finding shapes in clouds.Many of his shows linger so reverentially on everyday things — the supermarket, a song by the Who — that they seem almost spiritual. Other times he appears to push the concept of banal normal life so far as to find the comic weirdness within. At one point in the first episode, an old stranger drives by him, stops and asks for Pera’s phone. The man takes a photo of himself and hands the phone back to Pera. It’s an odd moment that in a different show could make for cringe comedy, but here, this random gesture comes off as vaguely generous and inexplicable. I chuckled. You might not. But it’s best not to think about it too much.Early in the pandemic, Pera released a special called “Relaxing Old Footage With Joe Pera,” which featured stock video of waterfalls and coffee pots along with comments like this statement about watching trees: “I can’t be the only one who wants to watch Old Chico, a 9,000-year-old spruce, after reading the news.” More