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    The Trump Show Is Returning. Will It Be Triumph, Tragedy or Farce?

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    On his last show before Election Day, John Oliver allowed himself to dream a little dream. Mr. Oliver, whose “Last Week Tonight” speaks to a mostly left-of-center crowd, spent most of the episode making the case for Kamala Harris. But also, he asked his audience, wouldn’t it be nice, for the first time since 2015, to have the option of simply ignoring Donald J. Trump’s existence? “I want so badly to live in that world!” he said.A week later, Mr. Oliver was back, reporting from a world he found rather less preferable. He devoted the episode to what the Trump victory meant. But first, he gave his audience permission to change the channel.“It is understandable,” he said, “not to want yet another guy in a suit doom-squawking at you.”Mr. Oliver, of course, spoke from a particular political position. But he was also voicing a kind of weariness that goes beyond reproductive issues or deportation policies or the health of democracy. The Trump Era has been a lot, and for a long time. One person has been Topic A, B and C for nearly a decade, throughout popular culture, but most of all on his native medium, TV.On Nov. 5, that might all have ended. It didn’t. How will we — collectively, as a culture — do four more years of this? And what might that even look like?WHEN I SAY THAT Donald Trump, in his first term, was a “TV president,” I mean something different than when we used the phrase for, say, Richard M. Nixon or Bill Clinton.It isn’t just about his having been a politician who “used the medium” to send a message, though he was that. It isn’t just about his having been a reality-TV star and decades-long media gadfly who instinctively thought like television, who craved the same types of conflict and provocation that the cameras do, who was always on, who for all practical purposes was as much TV character as man — though he was that too.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How ‘September 5’ Recreates a Historic News Broadcast

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      The drama chronicles the 1972 Munich Olympics attack from ABC Sports’ point of view, a perspective that resonates today. But the film arrives at a fraught time.“They’re all gone.”When the sports broadcaster Jim McKay announced the deaths of 11 Israeli Olympic team members taken hostage by the Palestinian militant group Black September at the 1972 Summer Games in Munich, it was a sentence freighted with emotion and instantly became a part of broadcast history.In the new film “September 5,” there is no actor playing McKay, who instead “plays” himself through archival footage woven throughout the drama, which focuses almost entirely on the ABC Sports control room as it retells the saga that unfolded that day.As the dramatized ABC Sports team pivots from the Olympics to breaking news, the real footage unspools on actual monitors from the era: “September 5” features a painstakingly recreated control room with 1970s technology restored to working order.The broadcasters weren’t the focus when the director, Tim Fehlbaum, and his team started their research in 2020, poring over police files and archival collections. But the ethical issues remain, more than half a century later. Fehlbaum said getting the details right was important.“The technology obviously has changed,” he said. “Maybe the bigger questions are still the same.”The 1972 Olympics have been covered multiple times on the big screen before, in movies like Steven Spielberg’s “Munich” (2005) and the documentary “One Day in September” (2000). The episode had long intrigued Fehlbaum, a Swiss director who went to film school in Munich and worked on many student films shot at the former Olympic Village.But it was only after talking to people who were in Munich at the time that they found their protagonist in Geoffrey Mason. In 1972 he was a young producer for ABC Sports thrust into a position of responsibility shortly after hearing gunshots in the distance. Mason had to weigh guidance from his superiors — the “Wide World of Sports” creator Roone Arledge (played by Peter Sarsgaard) and the longtime producer Marvin Bader (Ben Chaplin) — and quickly come up with answers to difficult ethical questions like how to respond to potential graphic violence on a live broadcast watched by millions.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Chuck Scarborough to Step Down as WNBC News Anchor After 50-Year Career

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      The celebrated broadcaster, who started at the New York station in 1974, announced that he would wrap up his anchoring career on Dec. 12.Chuck Scarborough, the broadcaster who for 50 years brought New Yorkers news of blizzards, financial collapses, terror attacks and assassinations, said Thursday that he would step down from his anchoring duties at WNBC.“The time has come to pass the torch,” Mr. Scarborough said at the end of the 6 p.m. newscast. “Fifty years, eight months and 17 days after I walked into the door here at the headquarters of the National Broadcasting Company, I will step away from this anchor desk.”Mr. Scarborough, 81, said his last broadcast as anchor will be on Dec. 12. He will not leave WNBC entirely, and will contribute periodically to special projects, NBC 4 New York said in a statement.Beginning with “Good evening, I’m Chuck Scarborough,” Mr. Scarborough became an institution in New York over the decades he delivered the news about everything from storms and financial crises to protests and plane crashes. He announced the shooting of John Lennon in 1980, helmed newscasts in the aftermath of the Sept. 11 attacks and won praise with his team for its coverage of the Covid pandemic.Mr. Scarborough anchored WNBC’s 6 p.m. and 11 p.m. weekday news shows for more than 40 years. In 2016, he stepped down from the late broadcast and continued as the co-anchor at 6 p.m. The station said his replacement will be announced later.“Chuck Scarborough is the gold standard in American broadcast journalism,” Eric Lerner, the president and general manager of NBC 4 New York, said in a statement.A native of Pittsburgh, Mr. Scarborough was in the U.S. Air Force for four years before he set off on a career in journalism. He received a bachelor’s degree from the University of Southern Mississippi, and served as an anchor at two stations in the state.That was followed by anchoring jobs in Atlanta and Boston before Mr. Scarborough landed at WNBC in 1974.When he marked his half-century as an anchor in New York in March, Mr. Scarborough hailed what he described as the city’s resilience.“Each time it was knocked down, people were saying, ‘That’s it, New York can’t possibly survive,’” he told The New York Times. “And each time, we would recover.” More

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      in Television

      Craig Melvin Is Named Hoda Kotb’s Replacement on ‘Today’

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      By selecting Mr. Melvin, a familiar face on the show, network executives chose to go the steadiest route possible.Craig Melvin, the veteran NBC News host, will succeed Hoda Kotb as an anchor of the network’s flagship morning show, “Today,” the company announced Thursday morning.Mr. Melvin will start in the new role, teaming with Savannah Guthrie, on Jan. 13.The position, one of the most prominent in television news, opened after Ms. Kotb, who has been at the network for more than two decades, announced in September that she would step down early next year. Ms. Kotb, who will remain as a contributor to the show, said at the time that she wanted to spend more time with her young children, and that it was “time to turn the page on what has been a dream book, a dream quarter-century.”Ms. Kotb, 60, will take her final turn as co-anchor of “Today” on Jan. 10.By selecting Mr. Melvin, 45, network executives chose to go the steadiest route possible. He has been the news anchor of “Today” since 2018, frequently joining Ms. Guthrie and Ms. Kotb on the set at some point in the 7 a.m. hour. He is also a co-host of the show’s 9 a.m. hour, and used to be an anchor of the weekend edition of “Today.”Mr. Melvin also was an anchor on MSNBC before leaving his daily 11 a.m. show on the cable network two years ago.“Dreams do come true,” he said in an interview before the news was announced on “Today.”“As someone said to me, this is an obit job,” he continued. “When you die one day, this is the first thing that gets mentioned in an obituary after it mentions you were a husband and a father.”Mr. Melvin said he found out about his selection several weeks ago. (NBC News executives kept it under wraps until after the presidential election.) Ms. Kotb said in an interview that it was such a secret that they had to develop a code term in order to toast his success, since so few people knew of it. The code? “Let’s Go Mets.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares159 Views

      in Television

      How Tom Llamas, an NBC Anchor, Spends His Sundays

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      Mr. Llamas, who has been racing between hurricanes and election coverage, makes time for baseball with his children and not-so-scary movies with his wife.Five nights a week, Tom Llamas is the face of election coverage for NBC News.But on Sundays, he is about 40 minutes north of NBC’s Manhattan studios working out and hitting baseballs with his son at home in Westchester County, N.Y.“In New York City with kids, you have to get up and go somewhere — whether it’s a car ride, or an Uber, or a taxi — to do anything,” said Mr. Llamas, 45, who moved with his young family to a seven-bedroom home in Purchase in 2022 after five years in a three-bedroom apartment in Midtown East. “As the kids were getting older, the process was starting to weigh on us.”The home — which is outfitted with a gym, a gymnastics area and a record room — is a welcome respite from the busy news cycle. Over the past few months, Mr. Llamas has gone to Paris to report on the Olympics; Chicago and Wisconsin to anchor from the Democratic and Republican National Conventions; and Florida and New Orleans to cover hurricanes.“What people are going through during the hurricane is way worse than what I have to go through, but it’s been incredibly difficult,” said Mr. Llamas, who was born in Miami and recently returned from an assignment covering Hurricane Milton in Florida.Mr. Llamas, who commutes to NBC Studios at 30 Rockefeller Plaza by either car or Metro-North train, lives with his wife, Jennifer Llamas, 43; two daughters, Malena, 11, and Juju, 8; and a son, Tomas, 7.Mr. Llamas and his family make breakfast together. He said his 8-year-old daughter, Juju, was “pretty good at it, too!”Gregg Vigliotti for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Kjersti Flaa’s Celebrity Interviews Are Intended to Start Conversations

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      Kjersti Flaa’s awkward interviews with Blake Lively and Anne Hathaway from years ago blew up online. She may release more because “the times are a little different.”Kjersti Flaa says she never intended for her uncomfortable encounter with Blake Lively to get so much attention. Ms. Flaa, a Norwegian journalist who is based in Los Angeles, had been having a conversation with a fellow Norwegian reporter about celebrity interviews gone wrong when her conversation with Ms. Lively, which took place during the 2016 press junket for the movie “Café Society,” came to mind.In a recent interview, Ms. Flaa, whose first name is pronounced SHER-sty, said she had decided to post the tense exchange with Ms. Lively to YouTube to “see what happens.” The clip, which runs four minutes and 17 seconds, is titled “The Blake Lively interview that made me want to quit my job,” and it has garnered more than 5.4 million views since it was published in August.In the clip, Ms. Flaa congratulates Ms. Lively, who had just announced her pregnancy, on her “little bump.” A visibly annoyed Ms. Lively shoots back, “Congrats on your little bump.” Ms. Flaa was not pregnant.Ms. Flaa said she had coincidentally published the clip while Ms. Lively was facing backlash for the tone of her press tour for the romantic thriller “It Ends With Us.” The timing instigated a new wave of criticism of the actress. And Ms. Flaa, a little-known junket reporter, was suddenly everywhere.“Back then, when I did that interview, I never wanted to post it on YouTube, because I knew if I did, A, I would probably never be invited again by her publicists, clients or the studio again,” she said. “And B, I think it was a different cultural landscape eight years ago, and they would have attacked me instead of her, right?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares179 Views

      in Television

      Jay J. Armes, Private Eye With a Superhero Story, Dies at 92

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      With steel hooks for hands and a flamboyant personality, Mr. Armes captured the attention — and scrutiny — of reporters across the nation.Jay J. Armes, a flamboyant private investigator who lived on an estate with miniature Tibetan horses, traveled in a bulletproof Cadillac limousine with rotating license plates and had steel hooks for hands — including one fitted to fire a .22 caliber revolver — died on Sept. 18 in El Paso. He was 92.His death, at a hospital, was caused by respiratory failure, his son Jay J. Armes III said.Described as “armless but deadly” by People magazine, Mr. Armes appeared to live the life of a superhero. In the 1970s, the Ideal Toy Corporation even reproduced him as a plastic action figure, with hooks like those he began wearing in adolescence after an accident in which railroad dynamite exploded in his hands.In the 1970s, the Ideal Toy Corporation reproduced Mr. Armes as a plastic action figure, complete with hooks for hands.Associated PressMr. Armes (pronounced arms) catapulted to investigatory stardom in 1972 after Marlon Brando hired him to find his 13-year-old son, Christian, who had been abducted in Mexico. Working with Mexican federal agents, Mr. Armes said he found the boy in a cave with a gang of hippies.He told other daring tales of triumph: flying on a glider into Cuba to recover $2 million for a client; helping another client escape from a Mexican prison by sending him a helicopter, which he said inspired the 1975 Charles Bronson movie “Breakout.”The national media was enthralled by his detective skills.“He is an expert on bugging, a skilled pilot, a deadly marksman and karate fighter and, perhaps, the best private eye in the country,” Newsweek wrote in 1975. “All he lacks is a pair of hands.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Valarie D’Elia, Travel Reporter on TV and Radio, Dies at 64

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      She steered vacationers and business travelers to choice destinations, talked about the best deals, and offered up savvy tips on how to avoid vexation.Valarie D’Elia, a travel reporter who visited 102 countries on all seven continents to advise her viewers and listeners on where to go, how to get there, what the best bargains were and what to pack, died on Sept. 10 in Manhattan. She was 64.The death, in a hospital, was caused by amyotrophic lateral sclerosis, the degenerative neurological disease also known as Lou Gehrig’s disease, her husband, Ron Cucos, said.From 1998 to 2017, Ms. D’Elia appeared regularly in a segment called “Travel With Val” on the local cable TV station now known as Spectrum News NY1. She also hosted a syndicated radio program, “The Travel Show,” and wrote a blog, which included the trademark feature “D’Elia’s Deals.” (Her personal mantra was “Travel with VALue.”)Her viewers, listeners and readers might learn that ski resorts in the Canadian Rockies were opening in early November that year because of snow storms; that a hotel near London was offering complimentary honeymoon accommodations to couples who got married there; or that rare winter discounts were available at a resort in the Florida Keys timed to school vacations the first week of January in several Southern states.Her advice was coveted. (Her favorite was “Pack light, forget the blow-dryer — who wants to worry about all that stuff?”) Her wanderlust was celebrated. Her documentary “The Making of a Maestro: From Castelfranco to Carnegie Hall,” the story of the conductor Sir Antonio Pappano, won first place in the North American Travel Journalists Association’s competition for travel videos in 2018.From 1998 to 2017, Ms. D’Elia appeared regularly in a segment called “Travel With Val” on the cable channel now known as Spectrum News NY1.NY1We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Book Review: ‘Connie: A Memoir,’ by Connie Chung

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      In a frank and entertaining new memoir, the TV newscaster recounts how sexism, and Dan Rather, sidelined her groundbreaking career.CONNIE: A Memoir, by Connie ChungThe day she was named co-anchor of the “ CBS Evening News” alongside Dan Rather, Connie Chung felt that she had reached the pinnacle of broadcast journalism.“Thursday, May 14, 1993, was the best day of my professional life. … I had my dream job,” she writes in an entertaining and revealing memoir that traces the triumphs and disappointments of her prominent career.The anchor appointment meant even more because she was a Chinese American woman, brought up by strict parents; in accordance with tradition, she lived with them until she was nearly 30, even as she was climbing the ladder — often wearing stiletto heels.In “Connie,” Chung writes breezily and with irreverent humor about the scoops, the internal politics and the pure hustle that eventually got her to the top. She worked the Watergate beat for CBS in Washington in the 1970s and moved to Los Angeles to anchor the CBS-owned local station before her big break came — and big, it certainly was.In her era, network newscasts ruled the airwaves, cable news was just beginning its rise and news flooding in via smartphone was more than a decade away. The evening anchors were household names.Rather had been named the immediate successor to the revered Walter Cronkite at what was nicknamed the Tiffany Network, so the promotion of an Asian American woman to work alongside him was quite a breakthrough.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More