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    What’s on TV This Week: ‘What We Do in the Shadows’ and ‘Yannick’

    “What We Do in the Shadows” returns for a third season on FX. And PBS airs a documentary about the orchestra conductor Yannick Nézet-Séguin.Between network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Aug. 30-Sept. 5. Details and times are subject to change.Monday8:46 FILMS (2021) 8 p.m. on BET. This program — named for the amount of time that the former Minneapolis police officer, and now convicted murderer, Derek Chauvin was originally reported to have knelt on the neck of George Floyd — collects four short films that explore Black love and joy. The films, directed by Camrus Johnson, Marshall Tyler, Zoey Martinson and Gibrey Allen, include a comedy about three children who play matchmaker for their school bus driver and an animated piece about an older woman who escapes to a dream world. The running time of each film is 8 minutes and 46 seconds.TuesdayFUTURE OF WORK 10 p.m. on PBS (check local listings). This new documentary series looks at the ways American jobs are changing as a result of cultural and technological shifts (including the increasing prevalence of artificial intelligence and digital nomads), as well as how the pandemic has accelerated such workplace trends. The three episodes are built around case studies of several individuals whose careers have been affected by these larger shifts, and include interviews with experts who talk about them.WednesdayWHAT WE DO IN THE SHADOWS 10 p.m. on FX. “Humans are so [expletive] stupid and boring and lazy,” the filmmaker Taika Waititi told The New York Times in 2019, “that given the gift of immortality, you’d never get around to doing anything.” He was talking about the logic that drives this proudly silly TV series, which was born of his and Jemaine Clement’s 2015 mockumentary movie of the same name. The show’s plot centers on a group of vampire roommates living on modern-day Staten Island. Its third season, which debuts Wednesday night, picks up where the second season left off: with members of the group facing the realization that one of their own is actually a vampire hunter.ThursdayCMA SUMMER JAM 8 p.m. on ABC. Over two nights in July, several country music stars — including Miranda Lambert, Luke Bryan and Blake Shelton — performed at a large outdoor theater in Nashville. This special combines footage of those large-scale performances with recordings of more intimate ones shot at other Nashville locales, including a nightclub and a pedestrian bridge.FridayYannick Nézet-Séguin, the subject of “Great Performances: Yannick – An Artist’s Journey,” conducting the Metropolitan Opera.Metropolitan OperaGREAT PERFORMANCES: YANNICK — AN ARTIST’S JOURNEY 9 p.m. on PBS (check local listings). Audiences in the Northeast are expected to have many chances to see the star orchestra conductor Yannick Nézet-Séguin in person this fall, in performances with the Metropolitan Opera and the Philadelphia Orchestra; he is the music director of both organizations. So now is a good time for PBS to air this documentary about him, which charts his background and rise through interviews, home movies and behind-the-scenes moments, like Nézet-Séguin coaching younger artists including the soprano Gabriella Reyes. Given Nézet-Séguin’s astounding number of commitments (he’s also the artistic director and principal conductor of the Orchestre Métropolitain in Montreal), there should be no shortage of backstage footage. “I am very busy and high energy, but I am not hyperactive,” Nézet-Séguin told The Times in 2019. “The loneliness of studying a score is one of the things that attracted me to becoming a conductor.”SaturdayTahar Rahim and Jodie Foster in “The Mauritanian.”Graham Bartholomew/STXfilmsTHE MAURITANIAN (2021) 8 p.m. on Showtime. In his 2015 memoir, “Guantánamo Diary,” Mohamedou Ould Slahi wrote about American national security operatives ripping him from his life as an electrical engineer and telecommunications specialist in Nouakchott, Mauritania, torturing him and eventually imprisoning him at Guantánamo Bay, where he remained for over a dozen years — even as the charges against him fell away. (He’d come under suspicion for having connections to Al Qaeda.) This adaptation of the memoir casts Tahar Rahim as Slahi. It focuses on a period in which a defense attorney (Jodie Foster) is working to get a hearing for Slahi.HARRY POTTER AND THE PRISONER OF AZKABAN (2004) 10:30 p.m. on E!. Twenty years ago this summer, Alfonso Cuarón released “Y Tu Mamá También,” his film about a love triangle that forms between two teenage boys and a somewhat older woman during a road trip in Mexico. It was a landmark film for Cuarón and his stars, Gael García Bernal, Diego Luna and Maribel Verdú — and a box-office smash with a sexual openness that generated both controversy and praise. Cuarón’s next move was surprising: The boundary-pushing director helmed this third installment of the “Harry Potter” series. It was a departure, though it could be argued that the dynamic between the emotionally mature woman and two comparatively juvenile young men in “Y Tu Mamá También” also applies to Harry Potter, Ron Weasley and Hermione Granger, whose complicated friendship is as much a focus of this movie as the fight against evil wizards.Tom Hanks and Helena Zengel in a scene from “News of the World.”Bruce W. Talamon/Universal PicturesNEWS OF THE WORLD (2020) 8 p.m. on HBO. With their 2013 action movie, “Captain Phillips,” Tom Hanks and the director Paul Greengrass pulled thrills out of an actual 21st-century event: the famous 2009 hijacking of a cargo ship in the Indian Ocean. Seven years later, Hanks and Greengrass turned to a historical setting — and a fictional story — with this spare western. Based on a novel of the same name by Paulette Jiles, “News of the World” casts Hanks as a former Confederate captain who, five years after the end of the Civil War, takes it upon himself to escort a young, orphaned girl (Helena Zengel) to a faraway aunt and uncle. It’s a treacherous trip and a classic western setup. Greengrass, A.O. Scott wrote in his review for The Times, “honors the genre tradition rather than trying to reinvent it.”SundaySINGIN’ IN THE RAIN (1952) 6 p.m. on TCM. When this MGM musical about late-1920s Hollywood debuted in New York in March of 1952, the Times critic Bosley Crowther praised the “music, dance, color, spectacle and a riotous abundance,” which have since helped make it a classic. “All elements in this rainbow program,” Crowther wrote, “are carefully contrived and guaranteed to lift the dolors of winter and put you in a buttercup mood.” It’s still summer right now — but many of us could probably use something to put us in a “buttercup mood,” so in that sense, the timing of this broadcast is quite good. More

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    She’s Starring Opposite Tom Hanks. She’d Never Heard of Him.

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyShe’s Starring Opposite Tom Hanks. She’d Never Heard of Him.Helena Zengel is a giggly, chatty 12-year-old, whose movie roles take her into psychological territory that even adults would find tough.Helena Zengel in Berlin on Dec. 17. “I stand in front of the camera, I know what I want, and I do it,” she said.Credit…Katrin Streicher for The New York TimesDec. 30, 2020, 7:08 a.m. ETBERLIN — When the director Paul Greengrass was gearing up to make his new film, “News of the World,” about a Civil War veteran in 1870s Texas who escorts an orphaned girl to her relatives across the state, he was anticipating one major challenge. “This is the first film I made with a child actor at the heart of it,” he said recently by phone.The casting would be difficult on multiple levels, he realized. Although the character is onscreen for much of the movie, she has only a few lines of dialogue. Tom Hanks had already signed on as the lead, so she would have to go “toe to toe” with a superstar, Greengrass said. “It was a very, very hard ask.”One of the first children he saw during the casting in 2019, however, was Helena Zengel, a then 11-year-old from Berlin with a tomboyish energy and platinum hair. “She was the only person I really had to look at,” he said. “It was the easiest decision in the film.”Zengel on the set of “News of the World.”Credit…Bruce W. Talamon/Universal PicturesPaul Greengrass, center, the movie’s director.Credit…Bruce Talamon/Universal Pictures“News of the World,” which opened Dec. 25 in theaters in the United States and Canada, and will be available on Netflix in other countries from February, is an international breakthrough for Zengel, who has already become one of the most talked-about actors — let alone child actors — to emerge in Germany in recent years.She garnered widespread praise last year for her portrayal of a semi-feral 9-year-old in the movie “System Crasher,” which went on to be Germany’s official submission to the Academy Awards. That performance won her best actress this spring at the Lolas, Germany’s equivalent of the Oscars, making her the youngest recipient of that prize.In “News of the World,” Zengel’s character, Johanna Leonberger, is left orphaned after her German parents are violently murdered on their farm when she is four. Taken in and raised by the Kiowa tribe, she is later removed by soldiers, and a traveling veteran, played by Hanks, agrees to bring her to a surviving aunt and uncle.Zengel has received strong reviews for her performance, with critics praising her ability to imbue her defiant and alienated character with a sense of warmth and intelligence, and for channeling the emotional horrors of Johanna’s back story in near silence. Most of her lines are in Kiowa, a language she had to learn for the part.Zengel, left, and Tom Hanks in “News of the World.”Credit…Bruce Talamon/Universal PicturesSpeaking via Zoom recently, Ms. Zengel was far gigglier and chattier — which is to say, far more like a regular 12-year-old — than her recent roles might suggest. She said that, like most children in Germany, she had spent most of this year at home, and that she was currently quarantined because classmates had tested positive for the coronavirus.Before being cast in the film, she said, she had never heard of Hanks. “I think I’d seen the ‘Da Vinci Code’ before, but I didn’t know who he was,” she said. “I thought it was just some actor.”In an email, Hanks praised Zengel’s skill of performing “with no buildup, no apprehension and no self-consciousness,” and said he wished he had “her same ease, her simplicity.”Zengel said she had never taken an acting class, “because I’m not sure if there was much for me to learn.”“I stand in front of the camera, I know what I want, and I do it,” she said, matter-of-factly.This focus and willpower, her mother, Anne Zengel, explained, has been her daughter’s hallmark ever since she was a toddler. Her earliest forays into acting, at age 4, had emerged largely out of parental frustration, she said, because her daughter had “three times as much intensity” as other children and would act out if she was denied something she wanted.“She had to function in society, so we had to figure out how to redirect her energy,” she said.“The thing about acting is that you just need to do it, and as long as you’re happy with it, then you’re doing it right,” Zengel said.Credit…Katrin Streicher for The New York TimesShe enrolled Helena in ice-skating classes, and encouraged her to try acting. After a few small roles in German TV crime shows, as a bank robber’s daughter or a girl who falls from a bridge, she eventually landed a lead role in a German art-house film, “Dark Blue Girl,” at age 7.“At some point, the thing happened that I hoped would happen,” her mother said. “She was actually valued for being so intense.”In 2017, Zengel caught the attention of Nora Fingscheidt, the German director of “System Crasher,” a harrowing drama centered on a girl named Benni who is abused as a baby and abandoned by her mother, and who later lashes out at her caregivers and the society around her. The movie included a number of upsetting scenes, including of violence between children. In an interview, Fingscheidt said she needed a child actor who could convey Benni’s often terrifying physicality, while shouldering the psychological burden of the part.She was struck by Zengel’s “cinematographic quality, with almost translucent white skin, white hair that make her look like an angel, but with an ambivalence that is fascinating,” she said. During the child actor’s audition, in which she was asked to improvise a scene in which she “freaks out” by screaming and throwing things, Fingscheidt said that she was drawn in by the way her “eyes sparkled when I told her she could behave as badly as she wanted.”To help Zengel distinguish herself from her traumatized character, Fingscheidt said, the two would mime a little scene once shooting was over, with the director holding her hand like a shower head and the child actor pretending to wash underneath it, to indicate her transition back to herself. Zengel also wrote a journal, to help her process her feelings, the director added.Zengel said the experience of making “System Crasher” helped her prepare for her role as Johanna, which she conceded was “not as extreme.”“News of the World” was released in movie theaters in the United States and Canada on Dec. 25; it will be available on Netflix in other countries from February.Credit…Bruce Talamon/Universal PicturesNow Zengel is confronting the strange reality of international fame while being stuck at home, finishing seventh grade. This fall, Variety magazine selected her as one of its “actors to watch” and she said she had received offers for other roles in recent months, but that she was waiting until the pandemic subsided before making any decisions.She said she was open to moving to the United States, though her mother said she was intent on her daughter having a normal childhood, and that she was comforted by Germany’s comparatively low-key celebrity culture.“The thing about acting is that you just need to do it, and as long as you’re happy with it, then you’re doing it right,” Zengel said. “Also, it’s very fun to run around and scream.”AdvertisementContinue reading the main story More