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      ‘All the Streets Are Silent’ Review: Hip-Hop and Skateboarding Collide

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      This documentary is a portrait of downtown New York in the late 1980s and early ’90s that revels in nostalgia.In the late 1980s and early ’90s, long before hypebeasts spent hours waiting for coveted drops outside the Supreme store in SoHo, skaters assembled at a smaller shop on Lafayette Street. There, they would smoke and watch skate videos, listen to music and crack jokes with friends.“All the Streets Are Silent,” a documentary from the director, Jeremy Elkin, is a portrait of that time, capturing the transformative moment when hip-hop and skateboarding culture converged in New York. It draws on archival footage of influential figures like Justin Pierce and Harold Hunter, among dozens of others, and incorporates new interviews with major players like Fab 5 Freddy and Darryl McDaniels, of Run-DMC. Throughout, Elkin explores how racial associations with both subcultures crumbled as their worlds collided.The film revels in fuzzy, intimate home videos from the period, courtesy of the narrator, Eli Gesner, who spent much of his youth filming the scene on his camcorder. There are shots of skaters dodging traffic at Astor Place or partying at the now defunct hip-hop nexus Club Mars. At one point, a young Jay-Z appears, rapping at lightning speed over a breakbeat. The film immerses us in this world, rendering a loving, tender homage to the city’s street culture before it went global.Ultimately, “All the Streets Are Silent” has little more to give than nostalgia. An ending that considers the mainstream explosion of these subcultures is ambiguous and offers surface-level analysis. The film excels when it harnesses the wistful thrill of a bygone era, reminding us of a rich, creative past that deserves ample recognition.All the Streets Are SilentNot Rated. Running time: 1 hour and 29 minutes. In theaters. More

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      ‘Wojnarowicz’ Review: A Revolutionary Provocateur

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      A documentary on the artist David Wojnarowicz shows the ways that the rebel was a prophet, and honors him appropriately.The artist David Wojnarowicz escaped one American hellscape to find himself smack-dab in the middle of another. In a 1985 short film he made with Richard Kern, “You Killed Me First,” Wojnarowicz, then in his early 30s, portrays a version of his own alcoholic, abusive father. The grindhouse-style underground movie depicts a real event — that father feeding his children’s pet rabbit to them for dinner.Directed by Chris McKim, this exemplary documentary on the artist (which is also a mini-chronicle of the East Village art scene of 1970s and ’80s New York) takes advantage of Wojnarowicz’s penchant for self-documentation, drawing on the cassette journals he began keeping even before he was a fully formed creator. The documents Wojnarowicz maintained in this period, during which his art became inextricable from his activism, guide the viewer into the second American hellscape Wojnarowicz experienced: the AIDS epidemic.Wojnarowicz’s insistence that the Reagan administration was practically gleeful in ignoring the disease while simultaneously stigmatizing its victims provoked a number of controversies, over arts funding and more. The work he produced, often in collaboration with or under the influence of the photographer Peter Hujar, his mentor, is still bracing and fiercely clear-eyed on political and moral issues that persist to this day. Wojnarowicz died of AIDS in 1992, at age 37.The movie eschews contemporary talking-head interviews, instead showing speakers such as Fran Lebowitz, a close friend of Wojnarowicz and Hujar, as they were in the late ’70s and early ’80s. This is a strategic move, designed to make the movie’s final scene — in which several survivors of the artist and the era, now much older (a couple more frail than others), are shown attending a 2018 Whitney retrospective of Wojnarowicz’s oeuvre — more powerful. It works. Shatteringly.WojnarowiczNot rated. Running time: 1 hour 48 minutes. Watch on Kino Marquee. More

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      What to Watch: ’80s Romantic Comedies

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      What to Watch: ’80s Romantic ComediesDavid RenardThe Times Culture desk ��Columbia Pictures‘When Harry Met Sally …’ (1989)From the Met Museum to Central Park to, ahem, Katz’s Deli, Billy Crystal and Meg Ryan hit the New York City highlights in Rob Reiner’s comedy.Where to watch More

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      ‘Crack: Cocaine, Corruption & Conspiracy’ Review: A Brisk Look Back at a Crisis

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story‘Crack: Cocaine, Corruption & Conspiracy’ Review: A Brisk Look Back at a CrisisVeteran documentarian Stanley Nelson crafts a somewhat cursory primer on the 1980s crack epidemic.A scene from the documentary “Crack: Cocaine, Corruption & Conspiracy.”Credit…NetflixJan. 12, 2021, 5:18 p.m. ETCrack: Cocaine, Corruption & ConspiracyDirected by Stanley NelsonDocumentary, Crime, History1h 29mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.As its alliterative mouthful of a title suggests, the new Netflix documentary “Crack: Cocaine, Corruption & Conspiracy” takes on a many-headed beast. Racial injustice, economic inequities, police corruption, media ethics and foreign-policy scandals are all crammed — a bit too cursorily — into Stanley Nelson’s brisk primer on the 1980s crack epidemic.[embedded content]Told in eight chapters, the film begins with some scene-setting bits of archival footage. Speeches by President Ronald Reagan and clips from the 1987 drama “Wall Street” capture the era’s free-market capitalism, while its underside is illustrated by images of impoverished inner cities and the hip-hop that emerged from there. Former dealers explain that crack, a cheaper and more potent variant of cocaine, offered destitute youth a get-rich-quick scheme. The drug suddenly became more available than ever in the United States in the ’80s, which the movie links to shady C.I.A. dealings during the Iran-contra affair.In the film’s strongest moments, former peddlers, users, journalists and scholars unravel the narratives, often propelled by the media, that led to a disproportionate targeting of people of color during the war on drugs. A dealer recalls with horror how D.E.A. agents persuaded him to lure a teenager into buying crack in front of the White House just so President George H.W. Bush could have a cautionary tale to use in a televised speech.But Nelson tries to cover too much ground too fast, leading to some tonal fuzziness: In a too-brief segment on Black women’s exploitation during the crack era, a dealer’s seemingly amused recollection of how women would trade sexual favors for a hit goes oddly uncontextualized. A narrower focus might have allowed the film to better tease out such knotty material.Crack: Cocaine, Corruption & ConspiracyNot rated. Running time: 1 hour 29 minutes. Watch on Netflix.AdvertisementContinue reading the main story More

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      How ‘The Crown’ Embraced ’80s Pop

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusClassic Holiday MoviesHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main storyHow ‘The Crown’ Embraced ’80s PopSeason 4 of the Netflix show takes viewers into a new decade, with a musical soundtrack to match, including artists like Stevie Nicks, Elton John and David Bowie.In one scene, Princess Diana (Emma Corrin) and the ballet dancer Wayne Sleep (Jay Webb) perform to “Uptown Girl” by Billy Joel.Credit…Alex Bailey/NetflixBy More