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    Interview: Is It Love At First Sight For This Charming Play

    Gina Thorley on My Soulmate’s Husband’s Soulmate

    We have to say, sometimes a show name stands out amongst them all. And you have to agree, My Soulmate’s Husband’s Soulmate is one of those times. If nothing else, trying to ensure those apostrophes are in the right place is enough to tax even our wonderful editors. And then trying to work out who it’s referring to is another mind altering affair. Luckily we had the chance to chat with the writer Gina Thorley to guide us through the complexities of it all, and find out whether it’s all love at first sight for the audience?

    You can also enter our competition to win a pair of tickets for the show via our competition here.

    That’s a mouthful of a title, tell us a little about the show?

    It certainly is, but it makes us giggle! My Soulmate’s Husband’s Soulmate (and, breathe!) is a one act play about an alternate world where, about two years before the play is set, soulmates very suddenly became real, and most people could follow a pulling feeling in their chest to find their perfect partner. Our lead characters Adrian and Erin, who haven’t felt this ‘pull’, are blindsighted one day when Erin’s soulmate Johan arrives on their doorstep. The play follows them as they decide what to do next, as well as some funny interludes which give an insight as to how the wider world is reacting to this big societal change. It’s a character led comedy, but with a little flavour of sci-fi or parallel reality – we’ve been compared more than once to Black Mirror which I feel is about right!

    So the show’s about the idea of love at first sight then? Is that something you believe in?

    Oh, definitely not! But yes, the characters experience something a little bit like ‘love at first sight’ when they meet their soulmates in the show. One of the things the story explores is the contrast between that kind of automatic ‘movie’ love, and ‘real’ love, the kind that takes work to keep alight.

    It also sounds like it could be a plot from a soap opera, that love triangle so to speak? But you’ve approached it with good humour – is comedy your forte then?

    The tensions between our three leads in their love triangle do have a soapy-vibe at times. The ‘soulmates’ in our story though are biologically fixed, they can’t be avoided or changed, which does mean our heroes kind of have no choice but to suck it up and get used to it, and the jealousy isn’t quite the same as a normal love triangle. Mudlarks Theatre‘s ethos is about approaching relatable, sometimes difficult topics with humour – comedy is definitely our favourite way of making work. Someone described the play as ‘serious philosophy mixed with proper lols’, which sums it up!

    The show is billed as “a road trip to find Adrian’s soulmate”; so are we going on a big journey with the show, is there lots of backgrounds to take us around the world with you?

    A road trip sure is difficult to stage on a budget, but we’ve come up with some inventive ways to show the passage of time and the changing locations. It may even involve a cheeky musical number, but I won’t spoil it for you!

    The show was first performed way back in 2019, has it changed much since then?

    Absolutely – we work in an ensemble directing style, so everyone has the same power to weigh in and suggest changes. The story hasn’t changed, but actors have ad libbed jokes and changed lines that are now in the current version. One actor even learned Norwegian to link further with his Scandinavian character, so that’s been woven in too. I also cut down the bad language from the first version to the current version after some stern words from my mother…it’s still pretty blue but I appeased her a little!

    Is this going to be a perfect date night play, or should young lovers avoid in just in case, you know, they spot their soulmate somewhere else in the audience?

    It’s a risk! Our first full performance of the show coincided with Valentine’s Day 2020 so we have a history of being a date night show. I think it works both ways – it’s kind of a testament to how romantic relationships can be imperfect but still wonderful, which is nice for the coupled up among us…but on the flip side any singletons witnessing the drama in the story might be thankful that they are!

    And do you think anyone has found their soulmate in your audience yet? Maybe you’ll get a wedding invite in the post soon?

    Not that we’ve heard, but that would be amazing! Four of our cast members are getting married in the next year though, so there’s definitely enough smoochy love to go around.

    My Soulmate’s Husband’s Soulmate plays at The Old Red Lion Theatre 20 and 21 March. Further information and bookings via the below link. More

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    Competition: Win Tickets for My Soulmate’s Husband’s Soulmate

    The Old Red Lion Theatre, 20 & 21 March

    Southampton-based new writing theatre company Mudlarks Theatre are touring their production My Soulmate’s Husband’s Soulmate to London, Tetbury and Bristol, having already played in Bath recently. And the lovely company are giving you the chance to win a pair of tickets for either of its London dates next week.

    What’s it all about?

    [embedded content]

    One day the world wakes up just knowing that soulmates exist. Not only that, but the lucky ones also know exactly where to find theirs.

    Erin and Adrian are happily married when Johan arrives on their doorstep. He is Erin’s soulmate. Neither Adrian or Erin know quite what to do with him.

    The three depart on a road trip to find Adrian’s soulmate – the trouble is: he’s not quite sure where to start.

    An upbeat but bittersweet black comedy about fate, romance and the ways we’re taught to think about love.

    How do I enter the competition?

    There are four ways to enter, and the great news is you can enter via all four if you want. All you need to do is follow the below instructions. For entires via Facebook, Twitter and Instagram, don’t forget to tag someone in who would make an ideal soulmate (they don’t have to be your perfect soulmate, just someone nice).

    Email us at competitions@everything-theatre.co.uk with “My perfect soulmate is” in the subject lineShare our Facebook post which you can find on our page here and comment below the original post “My perfect soulmate is” and tag a friend.Quote tweet this Twitter post with the phrase “My perfect soulmate is” and tag a friend.Like this Instagram post and comment “My perfect soulmate is” and tag a friend.

    Where is the show playing, and how can I buy tickets?

    20 & 21 March: The Old Red Lion Theatre Book here. Tickets are just £13 (£11.50 concessions).1 April: Tetbury Goods Shed. Tickets are just £10 from here. 12 & 13 April: Bristol’s Alma Tavern and Theatre. Tickets are just £11 from here.

    Terms & Conditions

    The prize is for two tickets to a performance of My Soulmate’s Husband’s Soulmate on either 20 or 21 March 2022. No alternative dates or cash alternative is available.

    Competition closes at 12am (noon) on Thursday 17 March 2022. Winner will be selected at random from all eligible entries, and will be notified by 5pm on the same day. As the show is next weekend, the winner has one day to accept the prize, provide contact details and confirm which date (Sunday or Monday) they wish to attend, otherwise a new winner will be chosen at random.  All additional expenses are the responsibility of the prize winner. Editor’s decision is final. More

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    Interview: Rosie Day on ‘Instructions For A Teenage Armageddon’

    Dubbed a ‘Screen International Star of Tomorrow’ by Screen Daily, Rosie Day has starred on the big screen alongside such names as Sarah Jessica Parker and Uma Thurman, and with Phillip Glenister and Lesley Sharp in the Sky One comedy/drama Living The Dream. Her next role, however, sees her return to the stage in Instructions For A Teenage Armageddon, playing from 17 to 29 February at The Old Red Lion Theatre.
    Everything Theatre caught up with Rosie to chat about the play, the associated podcast and not going on holiday for seven years!
    What can we expect from your show, and who do you hope to attract to the audience?
    It’s a coming of age story but with some slightly dark humour, tackling the experience of a young girl who’s lived through quite a lot for 16, due to her sister’s death. It touches on mental health, sisterhood, rebellion and a whole lot of scouts! I hope the show encourages teenagers and young people to come, especially young women, as I’ve found in the past that not many shows revolve around a young girl and her story. I wanted to put the microphone back in the hands of a teenage girl.
    Did you conceive the show whilst a teenager, or are you drawing on experiences from your teenage years?
    I came up with the show as a dare! I was working with an amazing director called Hannah Price, and she sort of challenged me to write a one woman play. I play a lot of teenagers and young women, and I’ve often found myself frustrated by how they’re written, so wanted a chance to depict, hopefully realistically, their experience. I’m also an ambassador of a teenage mental health charity STEM4, so have had lots of experiences tackling mental health with young people. 
    There is going to be a podcast around the show as well, what can we expect from that?
    Yes! Teenage Armageddon, the podcast is currently being recorded! It’s a podcast to inspire and empower young women. Each episode is divided in two, the first half with an adult who is successful in their career talking about their experience growing up, dispensing advice, funny stories etc, and the second with a hugely inspirational teenager who’s achieving incredible things at a young age. We just recorded Syrian refugee and speaker for the UN Maya Ghazal, who speaks on behalf of the rights of young migrants and refugees, and she honestly left me gobsmacked at how inspiring she is. 
    You’re already described as an actress, writer and director, how on earth have you crammed so much into your life already?
    I haven’t been on holiday in seven years! Honestly though, I grew up acting, and will always love it and want to do it, but I have a total love of creating, being the creator of the work, telling stories (for young women usually!) so it seemed like a natural progression into directing and writing. 
    You’ve performed with some very big names, do you feel this was more beneficial than formal acting training?
    Yes, absolutely; I think you learn something from every job you do. I grew up watching the actors I was surrounded by and essentially copied them. One of the reasons I love doing theatre is that I learn so much; things others may have got from drama school. 
    You clearly have a big future ahead, do you envisage that it will be on the stage, in front of a camera, or even behind it? And do you prefer one over the other at the moment?
    I’ve just finished directing my second short, and have a feature in pre- production, all written by myself, so I definitely see me writing a lot more, but acting will always be my first passion, and theatre trumps everything else for me. 
    Given you’ve acted with such big names and in such big productions, how does it feel to be heading to somewhere so much smaller and intimate, in the Old Red Lion?
    Terrifying. You can literally see people’s reactions as you go!
    Finally, what does the future hold for both you and Instructions For A Teenage Armageddon?
    Who knows? It’s not an industry you can predict! You just have to hope the work you make resonates with people on some level. 
    Instructions For A Teenage Armageddon will be playing at Old Red Lion between 17 and 29 February. Tickets are available here More