Review: ‘Orphan Black: Echoes’ Revisits a Sci-Fi Favorite
The new sequel to “Orphan Black” raises interesting questions about the nature of memory but misses the charm of that show’s star, Tatiana Maslany.Congratulations to the ominous vat of goo community and its ever-expanding sci-fi reign. Where else might human-seeming characters emerge if not from an ominous vat of goo? They gasp and look around frantically. Ah yes, a star covered in goo — that’s how you know the bad guys are up to something.“Orphan Black: Echoes,” premiering Sunday on AMC and BBC America, includes a few goo-births among other familiar sci-fi moments. The show is a sequel to the mesmerizing drama “Orphan Black,” in which Sarah (Tatiana Maslany) discovers she is a clone and sets out to find the other versions of herself — and to figure out her origins. “Echoes” is an apt title; the shows are similar, but this one is fainter and less original.Our anchor is Lucy (Krysten Ritter), who doesn’t know who she is, where she came from or how she got to this fake living room in a vast warehouse. She just has to get out of there. Wait — is that a vat of goo? The early action of the show follows the life Lucy cobbles together for herself, with a medic boyfriend and his deaf daughter, who, sadly, are not interesting.Lucy eventually discovers that she is a “printout,” a copy of a person — if not a clone exactly, then at least clone-adjacent. Like Sarah, she sets out to get to the bottom of … whatever is happening, and along the way she encounters mad scientists, a woman with dementia, a surly teen, a scheming billionaire.“Echoes” is set mostly in 2052, and it wears its futurism lightly. Cellphones and computers are marginally sleeker, and phone booths have made a comeback, but teens are still explaining the limits of a gender binary to their baffled parents. People still smoke cigarettes and drive regular cars; guns are still abundant, and guest rooms are still decorated with fast-furniture from Amazon.Early on, this ordinariness grates. It can feel like the whole show is in a bad mood, clomping around and resenting everything along with its characters. In “Echoes,” hostility and secrecy go hand in hand; everything seems menacing, but often it’s just obfuscated. A broad iciness makes the first few episodes dull and remote, but eventually, as the superficial mysteries are solved and the deeper mysteries emerge, the show’s more intriguing, tricky self arrives. Better late than never.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
