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    3 Day Trips From Nashville

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    Fall is the perfect time to take excursions from bustling Music City into the surrounding countryside, where a variety of natural and cultural adventures await.Little more than a decade ago, Nashville, a.k.a. Music City, wasn’t so much a tourist town as it was a destination for musicians — a place where performers like Taylor Swift could still play the Bluebird Cafe without creating a scene.These days, visitors come in droves. And with more to do both in the heart of the city and in newly popular outlying neighborhoods, many people are staying longer. They might even want to work in a brief escape from what has become a lively, even raucous, city, and explore the lush, surrounding countryside.Here are three day trips from Nashville, all within a two-hour drive. Tennessee is a beautiful state, especially in the fall, when tulip poplars, sugar maples and hickory trees turn bright red, gold and copper, making the drive as joyful as the destination. Why not see more of it while you’re visiting?Fall Creek Falls State ParkThe 30,638-acre Fall Creek Falls State Park, situated on the rugged Cumberland Plateau, is just a few hours from Nashville.Sarah ReidKnown for its bluff-top vistas and stunning waterfalls, Fall Creek Falls State Park (free), about 100 miles east-southeast of Nashville, is one of Tennessee’s most popular — not to mention beautiful — state parks. The 30,638-acre natural area is situated on the rugged Cumberland Plateau, which traverses Tennessee diagonally. Here, you’ll find waterfalls, an extensive cave system, gorges, crystal clear streams and stands of virgin hardwood. In the fall, the park is lit with the bright yellow of towering green ash trees and the russet of red oaks.A good first stop is the Betty Dunn Nature Center at the north entrance, where you can learn about the park’s flora and fauna and history, stock up on snacks and have a park ranger plan the day’s journey with a curated map.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      Zack Winokur Leads an Arts Reboot at Little Island

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      Zack Winokur, an ambitious dancer-turned-director, now has a New York stage to call his own as the park’s artistic leader.On Saturday night, Zack Winokur stood at the top row of the amphitheater of Little Island. Hundreds of people had taken their seats for the first performance of the park’s summer season, but he didn’t feel like joining them. “I’m just going to pace,” he said.If Winokur, Little Island’s producing artistic director, was restless, it was for good reason. The park, a cluster of tulip-shaped structures that support rolling hills above the Hudson River, had been open since 2021, and its amphitheater had been used plenty of times before.But Saturday’s performance, the premiere of Twyla Tharp’s “How Long Blues,” was a milestone for Little Island, and for New York City: the opening, or rather rebooting, of an institution dedicated solely to commissioning and supporting artists, with Winokur’s curatorial vision and the extremely deep pockets of the billionaire mogul Barry Diller.Outdoors, with a thrust stage, Little Island’s theater is subject to the elements and open to onlookers, who can watch performances, for free, from the winding paths of the park. (Tickets for amphitheater seats are $25.) The only real barrier to entry, Winokur said, is the West Side Highway.What really sets the theater apart, though, is its programming of world premiere after world premiere by top-shelf artists. Behind that is Winokur, 35, a Juilliard-trained dancer-turned-director who was a founder of the essential, increasingly visible collective American Modern Opera Company, or AMOC. Now, with Little Island, he is at the vanguard of his generation’s artistic leaders, with a New York stage to call his own.The financial support that Diller has pledged to Little Island’s programming, millions of dollars with no end in sight, is the kind that most artistic leaders only dream of. Winokur does not have to spend his days courting fund-raisers or securing residencies; instead, he can provide money and space, like a producer.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Coming Soon to Little Island: An Arts Festival With Powerful Backers

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      The mogul Barry Diller, who paid for the park, will finance a summer season of music, dance, theater and more, shaped in part by the Broadway producer Scott Rudin.Little Island, the $260 million park on the Hudson River that opened in 2021, was imagined as a haven for innovation in the performing arts. But the park’s cultural offerings — mostly sporadic, one-off works — have so far fallen short of those ambitions.Now Barry Diller, the billionaire media mogul who paid for the park, is setting out to deliver on the original vision, financing a robust, four-month annual performing arts festival on Little Island, the park announced on Monday. He is doing so with the guidance of Scott Rudin, the film, television and theater producer who retreated from public view in 2021 amid accusations of bullying by workers in his office.Diller said in an interview that he and his family foundation were prepared to spend more than $100 million over the next two decades on programming. The festival, one of the most ambitious artistic undertakings in New York City in recent years, will promote new work in music, dance, theater and opera. Nine premieres are planned this year for June through September, including a full-length work by the choreographer Twyla Tharp, and an adaptation of Mozart’s “The Marriage of Figaro” in which the countertenor Anthony Roth Costanzo will sing all of the leading roles.“I want people to enjoy the originality and adventure of Little Island,” Diller said. “I want it to produce a smile.”Rudin, a friend of Diller’s and a longtime adviser to Little Island, was not mentioned in a news release on Monday announcing the creation of the festival, but Diller said he was intimately involved in its planning.“He’s engaged in almost every discussion we have about the programming,” Diller said. “It started with him. It was his project.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      36 Hours in Joshua Tree, California: Things to Do and See

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      7 a.m.
      Hike to the site of a real-life Western drama
      California’s high-desert scenery often feels like the backdrop of an old western (in Pioneertown, northwest of the park, a set used for many films of the western genre still stands). For the nonfiction version of Wild West-like drama, enter the park via the west entrance and hike to the site of a showdown near the Wall Street Mill, once used to process gold mined in the area. In 1943, two neighbors entered into a fatal duel over a property line disagreement along what’s now the trail. On the path, a sign commemorating the shootout reads, “Here is where Worth Bagley bit the dust at the hand of W.F. Keys.” The sign is a replica of the original one that Keys, the mill’s owner, made and installed himself. At the end of the path, you’ll reach the ruins of the mill, flanked by rusted-out antique cars. The relatively easy hourlong round-trip feels like traveling back in time. More

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      in Music

      I Started Playing My Sax Outdoors. Then the Fans Came.

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      When your rehearsal space is the bank of the Hudson, the audience is a bit unconventional.It was Year 2 of the pandemic, in the spring, that I hit on the idea of having my high school saxophone refurbished. My 48-year-old horn came back from the repair shop in Midtown Manhattan a week later. I put it together in my Upper West Side apartment and … for the love of God, it was loud. A couple of days later, I saw my downstairs neighbor in the lobby, and he asked, “Is that a sax I hear?” He professed to be OK with my rudimentary jazz stylings, but I was uncomfortable.My building is directly adjacent to Riverside Park. The day after that encounter, I walked 10 minutes down to the bank of the Hudson, found an arrangement of boulders where I could put my case and started to improvise to some 1960s soul jazz playing through my headphones. I was loud. Gloriously, triumphantly loud. Within minutes, bike riders and strolling couples stopped to listen. Some took photos. After that, I took my sax to the park almost every day. Over the next few weeks and on through this summer, paddleboarders, canoers and motorboats on the river hove to the shore to listen for a few minutes. When the traffic on the nearby West Side Highway ground to a halt, I got a round of applause. I had at least two cameos on Instagram.I find it hard to practice inside now, even in my building, where the jazz pianist and composer Billy Strayhorn once lived. It’s inhibiting. I miss the expansiveness of playing outside. And I’ve found nature surprisingly attentive, despite the noise. Robins and sparrows — and only one word is possible here — flock to me as if I’m St. Francis of C Minor. Squirrels stand on their hind legs and fix me with hard stares, like miniature critics. My most cherished fan, though, was Zippy, a goose with whom I had a prior relationship. (My wife is known as the Goose Lady of Riverside Park, but that’s a subject for another essay.) One summer day, Zippy and his extended family were paddling south down the Hudson but then circled back and flew up to the riverbank next to me. Zippy sat there quietly for the next 45 minutes until I packed up to head home. There is nothing more satisfying than entertaining a goose you’re fond of.But, of course, it’s the interactions with people that mean the most. Little kids in matching T-shirts on day-camp outings are delighted. They clap for the noisy man. The guy with the wild hair, eating a sandwich on a nearby bench, loved it too. “Do you know Hall and Oates?” he asked. “You should learn ‘Maneater.’ You could make a lot of dough playing that. Hey, if you need some grub, that church on 99th is pretty good.” I wasn’t sure if I looked like I could use a square meal or just sounded like it.Robins and sparrows — and only one word is possible here — flock to me as if I’m St. Francis of C Minor. To be honest, I stink. This is not humble-bragging. I’m just realistic about my abilities. I imagine that for many people, what I’m playing sounds “jazzy.” (Common questions from passers-by: “Are you professional?” “Do you play in a club someplace?”) But if I showed up at Smalls, the Greenwich Village jazz spot, for one of their jam sessions, and someone said, “Let’s do ‘How High the Moon’ in D flat,” it wouldn’t take more than a few measures for the drummer to toss one of his cymbals at me. (It happened to Charlie Parker in Kansas City in the 1930s, although he went on to great things.) I’m OK with simple chord progressions or, better yet, just wailing to a Jimmy Smith recording. But I still can’t throw in those diminished-seventh licks or tritone substitutions at will. It’s shocking, really, how little I have progressed since fourth grade. I don’t care. When I play outdoors, perfection is neither possible nor expected.In 1960, Sonny Rollins, already one of the greatest tenor-sax players ever, quit recording and appearing in public so he could concentrate on getting better. He was living on the Lower East Side. He tried to practice in a closet (I’ve been there). Still too loud. There was a pregnant neighbor. “I felt real guilty,” he said, according to a 2022 biography. So he walked over to the Williamsburg Bridge and played outside day and night until he returned two years later with an LP called “The Bridge.” I’m not Sonny Rollins, but I can hear progress.I can be pretty jumpy in public. It’s New York: You pay attention (and a sax is not cheap). I was playing a few weeks ago at another spot I like, just off the main path that runs through the upper park. My sax case and music were on a stone wall. At some point, I noticed a man squatting a few feet behind me, fumbling through some kind of bag. I thought, Here we go! He stood up and lurched over to me, his hand raised. And then he said, “Do you want me to put it there?” indicating my open case. He had a few coins in his hand. This guy wasn’t in good shape — maybe under the influence of something, maybe just struggling with life — but he wanted to share what he had.I said: “That’s really nice of you, but I’m just practicing. Keep that for yourself.”“You sure?”“Yeah, I’m sure.” I did two taps on my heart.“I love what you’re doing,” he said, quite emotionally. He gave me a soul shake and then brought me in for a bro hug. “I love you, man.”“I love you too, man,” I said.Really, what I should do is go to the park with a case full of dollar bills and pass them out to the people (and geese) who stop to listen, because I owe them for a music lesson I didn’t know I needed.Harvey Dickson has been a staff editor at The Times since 1997, for the last 16 years at the magazine. He has also worked at The International Herald Tribune in Paris. More

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      in Television

      Sam Heughan’s 5 Favorite Places in Glasgow

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      “The part of ‘Outlander’ that I love the most is the history: the clan culture, the folklore and back stories (and consequences) of the Jacobite Rising,” said Sam Heughan, 42, who has played the heartthrob Highland warrior Jamie Fraser in the time-travel series since 2014.The Scottish actor Sam Heughan has portrayed Jamie Fraser in the time-travel series “Outlander” since 2014. Charlie GrayThis love of history feeds his passion for the ancient city of Glasgow. A typical day for Mr. Heughan involves meandering past medieval cathedrals, Victorian cobbled lanes, Georgian architecture constructed when the city was a major tobacco and sugar hub, and 19th-century tenements built during the Industrial Revolution, when steel and ships were mass-produced here. “Glasgow has got beautiful parts and grit. The combination, plus incredibly good-natured people, are the city’s charm,” he said.Beyond the long-running series, Mr. Heughan just completed shooting a television show called “The Couple Next Door” for Starz and Britain’s Channel 4, and is launching a “wild Scottish” gin under the Sassenach label, a whisky-focused spirits brand that he founded in 2020. (The name means “a foreigner” in Gaelic, and is also Jamie Fraser’s term of endearment for Claire, his wife, played by Caitríona Mary Balfe.)When he does have free time, Mr. Heughan is out and about. “I love walking and running along the River Clyde to Glasgow Green with a possible stop at the microbrewery Drygate for a beer,” he said. Hiking is another pastime (Mr. Heughan’s recent memoir, “Waypoints: My Scottish Journey,” chronicles his experience tackling the 96-mile West Highland Way hike). “A wee walk, or stravaigin in old Scots speak, is good for mental health,” he said.He is also a fan of Citizens Theatre in the working-class Gorbals area, which puts on avant-garde productions and is involved in community engagement. “I came here as a child, performed here as a student and did my first professional show here called ‘Outlying Islands.’ It holds a lot of memories,” he said. (The theater is currently closed for refurbishment. )On the topic of the kilt, yes, Mr. Heughan does sport one in real life. “Kilts are about a feeling. They make you stand taller, and walk stronger. Scots wear them for any excuse. If you go to a pub in one, you’ll be getting a free drink at some point in the evening.”Here are five of his favorite places in Glasgow.1. The Ben Nevis BarThe Ben Nevis bar is a Glasgow institution, the actor Sam Heughan said he has visited for years. Robert Ormerod for The New York TimesA tiny whisky bar tucked into the Finnieston area, a hipster pocket of the West End, is deemed “a Glasgow institution” by Mr. Heughan. “I went there as a student” — he studied drama at the Royal Conservatoire of Scotland — “and I go there now. People speak Gaelic, and there is live traditional Scottish music, sometimes planned, sometimes impromptu. It’s a special place.”A whisky tasting in the Ben Nevis bar, which also offers live music.Robert Ormerod for The New York TimesA bartender reaches for one of the many bottles behind the bar at Ben Nevis, which is named for the highest mountain in Scotland.Robert Ormerod for The New York Times2. Kelvingrove ParkKelvingrove Bridge is part of the 85-acre Kelvingrove Park in Glasgow’s West End. Robert Ormerod for The New York TimesIn the West End, bisected by the River Kelvin, this 85-acre park dappled with Victorian fountains, grand stairwells and an arched stone bridge with carved balustrades is where locals come to hang out during the warmer months.“You can have a picnic, walk under the bridges and visit both Kelvingrove Art Gallery and Museum, as well as the University of Glasgow, which is just up the hill,” Mr. Heughan said. For a craft ale pick-me-up nearby, he recommends a “secret” bar called Inn Deep just under the Kelvingrove Bridge.Glaswegians come to the park to picnic and enjoy drinks in the sun.Robert Ormerod for The New York TimesInn Deep is a “secret” bar under the Kelvingrove Bridge.Robert Ormerod for The New York Times3. The Dakota HotelThe Dakota Grill specializes in grass-fed Scotch beef. Robert Ormerod for The New York TimesHe may not stay overnight, but Mr. Heughan dines at the restaurant inside this modernist, Scottish-founded hotel in the city center close to the West End. The Dakota Grill specializes in grass-fed Scotch beef simply grilled over coals, and is also known for ethically sourced seafood and contemporary takes on venison and lamb. “The interior is dark and sexy, and I like their cocktail menu (whisky sour, naturally) and simply grilled Scottish steak.”The bar at the Dakota Hotel, where Mr. Heughan likes the cocktail menu. Robert Ormerod for The New York Times4. I.J. MellisI.J. Mellis is an old-world-style cheese shop on Great Western Road.Robert Ormerod for The New York TimesThis old-world style shop on Great Western Road is Mr. Heughan’s go-to for locally sourced cheeses and accompaniments (quince paste, cornichons, olives, chutneys, oatcakes). “I’m not a dessert guy, but at the end of a meal, I can damage a cheese board, especially one with Orkney and Isle of Mull Cheddars,” he said. The shop also offers tastings led by cheese mongers on Thursday evenings.I.J. Mellis is Sam Heughan’s shop for cheeses and the accompaniments needed for a cheese board. Robert Ormerod for The New York Times5. Crabshakk FinniestonThe seafood platter at the Crabshakk Finnieston, is packed with langoustines, mussels, scallops and more. Robert Ormerod for The New York TimesSince 2009, this hot spot in Finnieston been serving up stellar seafood in a buzzy atmosphere. Mr. Heughan sits at the counter facing the open kitchen and orders the seafood platter with langoustines and scallops and some champagne. “The food tastes like a celebration of Scotland, which has the best seafood in the world,” he said.Follow New York Times Travel on Instagram and sign up for our weekly Travel Dispatch newsletter to get expert tips on traveling smarter and inspiration for your next vacation. Dreaming up a future getaway or just armchair traveling? Check out our 52 Places to Go in 2023. More