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    5 Things to Do on Memorial Day Weekend

    Our critics and writers have selected noteworthy cultural events to experience virtually and in person in New York City.Art & MuseumsExpressions of FreedomZaq Landsberg’s “Reclining Liberty” will be on view in Morningside Park until April.Zaq LandsbergIn 2005, Zaq Landsberg created a new nation in rural Utah called Zaqistan, on the premise that our ideals around governance were worth re-evaluating. In Harlem’s Morningside Park, his yearlong installation “Reclining Liberty” — a 25-foot-long Buddha-like version of the Statue of Liberty — is another re-examination, this time of a quintessential American symbol. More

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    For a New Troupe, Going Digital Has Been Easier Than Returning Live

    Molière in the Park garnered praise for Zoom productions of “Tartuffe” and other plays. Putting on an outdoor show in Brooklyn has been another matter.Sitting on a bench in Prospect Park recently as flocks of maskless Brooklynites passed by, Lucie Tiberghien reflected on the long, strange journey toward the first full production of Molière in the Park, the company she conceived to bring free theater with a diverse cast and crew to her home borough.This weekend, after months of delays that radically reshaped her plans, she is on her way to fulfilling that dream, with a staged and costumed reading of “Tartuffe.”Raised in France and Switzerland, Tiberghien has lived in New York since 1995, directing plays regionally and Off Broadway. Walking through the park a few years ago, she wondered to herself, “Why isn’t there a company dedicated to putting on theater here?”She created a nonprofit in 2018 to fill that role. Since Shakespeare already has his own park gig, at the Delacorte Theater in Central Park, and since she is French, she chose Molière, whose works she has long admired. “I had been trying to be hired to direct Molière for years,” she said.And since the plays mix comedy and drama, she added, “it’s great for an outdoor spring theater, because it can be subversive and biting but also festive and joyous.”Garth Belcon, an executive producer of Molière in the Park, offered another reason: “His plays place their thumb ever so lovingly into the eyes of the establishment and glitterati of his day.”Kate Rigg (with Andy Grotelueschen) takes on the role of Tartuffe, a duplicitous holy man.Sara Krulwich/The New York Times“Tartuffe,” which revolves around a supposed holy man whose ardent supporters hang on his every idea even when they fly in the face of evidence, certainly fits that bill. With the company’s mission stressing inclusivity, this “Tartuffe” will feature Kate Rigg, a multiracial, multicultural woman, as the title character.“I appreciate that it wasn’t such a big deal for Lucie,” Rigg said. “And also that she didn’t want me because I was Asian or a woman, but because she wanted a funny person in that role.”When Tiberghien first envisioned Molière in the Park, everything fell into place with surprising ease.She contacted Itai Shoffman, who runs the LeFrak Center at Lakeside in Prospect Park — home to a skating rink in winter and a water park in summer — and he said yes to producing plays there. Belcon agreed to be the executive producer, and Jerome Barth, who had helped run Bryant Park and the High Line, joined her board of directors.“So everybody said yes, but I had no money,” recalled Tiberghien, who is married to the playwright Stephen Belber. “I had to learn to write a grant proposal on the fly.”With foundation support from the likes of Bloomberg Philanthropies and the de Groot Foundation, Molière in the Park kicked off with readings of “The Misanthrope” at LeFrak Center in the spring of 2019 and “The School for Wives” at the park’s Picnic House that fall. For 2020, the company prepped a full production of “The Misanthrope,” to be directed by Tiberghien, followed by a reading of another play.Then, of course, came the pandemic.“We hadn’t spent anything yet so we didn’t lose money,” Tiberghien said. “We didn’t have a huge staff so we were not forced to pay people, or to lay them off.”Like most of the theater world, Molière in the Park migrated to Zoom. With the lower cost of online productions, the company put on three shows in fairly quick succession — “The Misanthrope,” “Tartuffe” and “School for Wives” — attracting such notable talent as Tonya Pinkins, Samira Wiley, Stew and Raúl Esparza.Reviewing “Tartuffe” in The New York Times, Jesse Green praised Esparza’s “hilariously outré performance” in the title role and called the production “full of delight for our undelightful time.”From left: Marjan Neshat, Postell Pringle, Jared McNeill and Nicole Ansari at a recent rehearsal. Though McNeill performed with some fellow actors in other Molière in the Park shows on Zoom, he said he was meeting them in person for the first time.Sara Krulwich/The New York TimesThe theater had invested in software that made it easier to light and edit remotely, and hired animators to add other production effects. “It started to feel like we were actually doing a play,” Tiberghien said.A partnership with the French Institute Alliance Française, in New York, brought in an international audience and enough donations to almost pay for all the productions. “We not only stayed afloat, we grew,” she said.With the new world of Zoom theater and demand for more online productions, Tiberghien and Belcon ventured into territory they would not have contemplated for years, doing contemporary plays — bringing new perspectives to the theater was central to the company’s intention. “We want new plays that explore the present through the lens of the past, which is what we are trying to do with Molière,” Tiberghien said.The company finished last year with an online production of Christina Anderson’s “pen/man/ship,” which Tiberghien had directed in regional theaters. It is set in 1896 on a ship bound for Liberia.In December, with vaccines on the horizon, she hoped for an in-person 2021 production, perhaps even “Tartuffe” and “pen/man/ship” in repertory. A month later, budgetary and Covid-19 restrictions, among other factors, narrowed the focus to just “Tartuffe,” starring the Tony-nominated Esparza. But the city moved cautiously in its planning, Shoffman said, keeping a moratorium on proposals for outdoor events until March.The lack of confirmation was both understandable and “extraordinarily frustrating,” Tiberghien said. (The long-established Brooklyn Academy of Music got permission from the city to hold a dance event at LeFrak in April.)Kaliswa Brewster, left, and Tonya Pinkins in the company’s streaming production of “The School for Wives.”via Moliere in the ParkUnable to get sponsorship without official approval, the company was in a “financially precarious situation,” and Tiberghien briefly doubted the show would go on.Shoffman said he stayed hopeful. “The parks department was inundated with requests about opening up all over the city,” he said. “I thought they’d be likely to say yes to a nonprofit group offering free culture to the public, so I was encouraging Lucie to stick with it.”As the clock ticked on, the planned two-week run of “Tartuffe” was knocked in half, and then from a full production to this staged reading. “It became: ‘What could we get done with just a week of rehearsals and a week of shows?’” Belcon said. Esparza then left the production, leading eventually to Rigg’s casting as Tartuffe. “His plays place their thumb ever so lovingly into the eyes of the establishment,” said Garth Belcon (far left, with Tiberghien at center), a co-founder of Molière in the Park.Sara Krulwich/The New York TimesIt was only on May 13 that Molière in the Park got the official go-ahead, with time for just a handful of remote rehearsals and two days in the space to prepare. All 165 seats (socially distanced in pods) for the three free shows were snapped up within the first 24 hours.“Now we have to work triple time to make it happen,” Belcon said soon afterward. Safety protocols for the actors, designers and audience members had to meet local and Actors’ Equity standards.The actor Jared McNeill, who did three of the company’s Zoom plays from his home in Italy last year, said that while the limitations were frustrating, he ultimately has been eager to go forward. “I’ve worked with some of these actors and developed a friendship, yet I’ve never met them in person before,” he said.Tiberghien holds out hope for a full-fledged indoor “Tartuffe” at the French Institute this fall, as well as another play reading at Prospect Park’s Picnic House — although for that, she will be competing with other organizations emerging from the pandemic.The company will continue expanding their reach with Zoom productions, and Tiberghien plans to eventually hire other directors for full Molière productions in Prospect Park, but not anytime soon. “I want to direct the first one myself,” she said. More

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    25 Free Performances Come to Bryant Park Starting in June

    The park will host events for live audiences of 200 with institutions including the New York Philharmonic, Jazz at Lincoln Center, Joe’s Pub and the Classical Theater of Harlem.With arts performances in New York slowly starting up again, one city tradition is finally set to return: free outdoor events in marquee locations.From June to September, Bryant Park will present a series of 25 programs from some of the city’s most prominent institutions and performance groups, including the New York Philharmonic, Carnegie Hall, Jazz at Lincoln Center, Joe’s Pub, the Classical Theater of Harlem, Paul Taylor Dance Company and the Town Hall.Dan Biederman, the president of the Bryant Park Corporation and the park’s longtime guardian, said the plan for the series began to take shape during the winter, when the park installed its annual ice rink and holiday market.“Thinking ahead to the summer, we thought, the concert halls are probably still going to be closed,” Biederman said in an interview. “Let’s play the same role, making Midtown more cheerful and drawing people to whatever extent we can.”City Parks Foundation’s SummerStage also announced this week that it would be returning to Central Park and other locations with in-person concerts, including a benefit show on Sept. 17 by the band Dawes.Bryant Park’s season functions as a coming-together of New York arts groups, many of which have had few opportunities for live events since the pandemic arrived.“One of the good things that has come out of the pandemic is that there has been a level of cooperation between the different arts organizations,” said Deborah Borda, the chief executive of the New York Philharmonic, which opens the season with four nights of concerts, starting June 9.The Philharmonic began putting on small-scale events throughout city last summer through its NY Phil Bandwagon program, and it is set to perform with a scaled-down ensemble this week at The Shed. Even by June, Borda said, the orchestra does not expect to be back to performing at full size. “We’re not doing Mahler symphonies,” she said.Bryant Park will limit attendance to 200 people for each performance, although producers say it is possible that state regulations could allow bigger crowds as the season progresses. The events are free, but tickets must be reserved in advance. Most events will also be livestreamed.Once arriving at the park, patrons will have their temperatures checked and be shown to their seats, which will be arranged with room for social distancing. The park does not plan to require vaccinations or proof of negative virus tests, but it is considering those as options, according to Dan Fishman, the park’s director of public events.Among the other organizations participating in Bryant Park’s series this summer are Elisa Monte Dance, Harlem Stage, National Sawdust, New York Chinese Cultural Center, Limón Dance Company and Greenwich House Music School. Singers from the New York City Opera will perform a Pride concert on June 18.Many groups and institutions have been scaled down or cocooned altogether since last year.“We’ve been in hibernation,” said Tom Wirtshafter, the president of the Town Hall, which has put on more than 60 virtual programs during the pandemic but, as with most venues, had to furlough most of its staff.Town Hall, which opened its doors in 1921, will close Bryant Park’s season on Sept. 20 with a 100th-anniversary event featuring Chris Thile, the mandolin player whose eclectic tastes range from bluegrass to Bach.Tiffany Rea-Fisher, the artistic director of Elisa Monte Dance, who also curates dance performances at the park, said her company has performed only twice in the last year. It will perform on Aug. 20 with the Paul Taylor Dance Company, and Rea-Fisher said it was not easy to find other dance groups that would be prepared.“It was challenging, finding companies that were ready, stamina-wise,” she said. “You don’t want to bring dancers back after a year and have them hit a performance — it’s just asking for injury.”But like others, she said was thrilled, “smiling ear to ear,” at the prospect of performing once again, and doing so in a prominent spot for New Yorkers.“To be able to do what you trained for,” Rea-Fisher, said, “it’s so joyful, it’s so fulfilling; it feels sublime.” More

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    For Eddie Izzard, a ‘99’ Ice Cream and a Waterloo Sunset Are Wondrous Things

    The star of “Six Minutes to Midnight,” opening Friday, tells why Elgar’s “Enigma” Variations, “Great Expectations,” David Bowie and London landmarks hold meaning for her.Eddie Izzard, the British comedian-actor-writer-activist-endurance runner, tends to push herself to the limit. And then some.“I do find — because I had my sort of 10 wilderness years before things took off — that I’ve tried very hard to stay four steps ahead of where I need to be,” Izzard, who is transgender, said in a video interview from London.She performs stand-up in English, French, German and Spanish. She channels 21 characters in a one-person show of Charles Dickens’s “Great Expectations.” She runs multiple marathons for charity — clocking 32 in 31 days in January, each followed by a comedy routine, for her Make Humanity Great Again campaign, which supports global unity and tolerance.And still, Izzard found time to co-write, executive produce and star in “Six Minutes to Midnight,” set in 1939, about a teacher at a finishing school in the south of England whose students include the daughters of high-ranking Nazis. The film, out Friday, based on a true story she learned about from a museum curator in Bexhill-on-Sea, where her family is from, was a 10-year process: five to develop the characters and five to get her acting to a level where she could play a lead, alongside stars like Judi Dench.Catch her while you can: Izzard hopes to go into politics in the near future as a member of Parliament for the Labour party, during which she’ll take a hiatus from performing.With her career in high gear, the timing may not be perfect, but she’s not worried. “There’s the critical momentum you need when you’re going in,” she said, “but that will stick around for when you come out.”Izzard channeled her trademark whimsy into her list of 10 cultural essentials — from the fantasy world of the Narnia books to the simple delights of an ice cream cone — which she wrote herself. KATHRYN SHATTUCK1. Edward Elgar’s “Enigma” Variations My mum used to love to listen to classical music. My mum and dad were married in ‘Adan (Aden) in Yemen and Dad talked of her liking to go up onto the roof of a local hotel and play classical music from a gramophone record as the sun set. I think that, amongst others records, she would have played Elgar’s “Enigma” Variations, as it was one of the classical albums that was often played in the house. My mum died when I was only 6 years old, but I do remember hearing different albums played at home in the years she was alive, and this one stuck with me from an early age. The fact that he was called Edward, and so was I, didn’t hurt.2. “30 Rock” “30 Rock” is just gold dust. If you have a brain and a sense of humor, just buy the first episode. If it grabs you then just do what I did and download the whole box set. The height of great comedy is to be as intelligent as it is bonkers, and this is it. It’s the kind of sitcom that probably only could exist in a post-“Seinfeld” America, and it probably had to fight just as hard as “Seinfeld” did for its own existence over its first few seasons.3. “David Bowie: Finding Fame” The key thing in this documentary to take home to your brain is that it shows the 10 wilderness years before Bowie took off with Ziggy Stardust in 1972. One needs to know that he was in his first band in 1962, when the Beatles were just taking off. So the stamina that 10 years adrift taught him, and also the few times when it looked like things were taking off but then didn’t, must have informed the rest of his career. I didn’t realize until I watched this that he was at times, in the early days, way off course but he kept regrouping and coming back.4. “The Lion, the Witch and the Wardrobe,” by C.S. Lewis It is a great mystical adventure story to feed the imagination of kids. You have to understand that I’m dyslexic and so read very few books, but I read all of the seven Narnia ones when I was young. I later found out that Lewis was lacing in religion to the series, and this made every feel a little hoodwinked about the whole thing. But later, I realized you could just ignore the symbolism if you wanted to.5. “The Great Escape” A classic war film and one I’ve watched many times. The fact it is based in truth, when a lot of war films in those days were not, makes it even better. I like the film so much, I’ve even watched it in German. As I do my stand-up in German, I was playing Berlin, and I bought the DVD of the film there. If you switch on the German audio track and just have English subtitles, it is a different film. Suddenly they’re all talking German, and so it just becomes a battle between an extreme right regime and people fighting for a return to humanity.6. “Waterloo Sunset” Written by Ray Davies of the Kinks and performed by them. It’s a song that I’ve always thought was accidentally perfect for me as I knew exactly where to see a Waterloo sunset. Waterloo Bridge is my favorite London bridge (we have many). When I was a street performer at Covent Garden, I used to walk across the bridge to perform in front of the Festival Hall on London’s South Bank. And at some point soon after Covid, I will perform inside the Festival Hall. And then I’ll watch another sunset and I will play “Waterloo Sunset” again.7. “Pogles’ Wood” If you search for “Pogles’ Wood: Honey Bees” on YouTube, you can see an episode of this early animated TV series that I was mesmerized by when I was about 5 years old. Normally if you watch back at TV shows that you found entertaining at that age, you will find them tired and old-fashioned in modern times. But “Pogles’ Wood” still holds up with its mixture of animated characters, weirdly beguiling music and short pieces of live-action documentary that showed and taught you things from the real world.8. The “99” Ice Cream What did people do before ice cream? Nobody knows. But the “99” is a staple of the British ice cream world. It is just a basic wafer cone with soft white vanilla ice cream swirled on top of it, but the crowning difference that makes it a thing of genius is a chocolate Flake stuck diagonally (always diagonally) into the side of the vanilla ice cream.Once you buy your “99,” experienced users will have their own eating ritual to perform. Mine is always to push the chocolate Flake with one finger so that you push it down into the center of the cone. Then you close the hole in the ice cream over with your tongue and carry on eating the cone as if it never had a chocolate Flake. Then, when you are down to the final handle part of the cone, you have a heady mixture of wafer, vanilla ice cream and flaky chocolate to feast upon.9. “Great Expectations” Charles Dickens was born on Feb. 7, 1812, and slightly bizarrely, I was born on Feb. 7, 1962, 150 years later. Having never read a great work of literature, I thought I should start with a work of Dickens due to the weird link. I chose “Great Expectations” to firstly read and record it to become an audiobook (which I have now done), and then I thought I should turn it into a solo show. So I commissioned my older brother, Mark, to adapt it down from over 20 hours of book into a 90-minute solo performance.Apart from it being one of Dickens’ more mature books and a great story of Pip, Magwitch, Miss Havisham and Estella, “Great X” is also interesting for me as it starts off down to the South East of London, along the river Thames towards the mouth of the river. This is the Chatham, Kent area of England and was where Dickens grew up, and the book starts here in about the 1820s, which is when he was there as a child. So you hear about “the marshes” direct from his childhood, a place that was barren in the winter and glorious in the summer.10. The Parks of London I do find them a joy. Are they culture? I think so, for they can inspire. Two of our biggest are slap bang in the center of London. They are Hyde Park and Kensington Park. They are essentially one large park, but they have West Carriage Drive running between that separates them. The ancient Serpentine River runs through them, which was long ago turned into a boating lake. Speakers’ Corner, where anyone can pull up and hold forth on any subject, is in the northeast corner of Hyde Park — which is right by the beginning of the old Roman road of Watling Street. I encourage anyone to take a walk from the bottom corner of one park to the top corner of the other park on a warm and sunny day, and it will feel like a walk in the countryside. More

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    Little Island Announces Resident Artists

    @media (pointer: coarse) { .at-home-nav__outerContainer { overflow-x: scroll; -webkit-overflow-scrolling: touch; } } .at-home-nav__outerContainer { position: relative; display: flex; align-items: center; /* Fixes IE */ overflow-x: auto; box-shadow: -6px 0 white, 6px 0 white, 1px 3px 6px rgba(0, 0, 0, 0.15); padding: 10px 1.25em 10px; transition: all 250ms; margin-bottom: 20px; -ms-overflow-style: none; /* IE 10+ */ […] More