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    NY Party Fashion: Jon Bon Jovi Screening and Dudamel at Philharmonic Gala

    This week, fans turned out for a new documentary about Jon Bon Jovi and took in a performance led by Gustavo Dudamel at the New York Philharmonic’s spring gala.Out & About is a column that covers the events where notable, powerful and influential figures gather — and their outfits. This week: We attended a screening of “Thank You, Goodnight: The Bon Jovi Story” and the New York Philharmonic’s spring gala.A Rocker Greets His FansJon Bon Jovi stood blinking, rubbing his eyes, temporarily blinded on Thursday night by the lights from a row of photographers.Recovering, the musician said, “OK, I’m here now,” and then “Hi, love,” his eyes wide as he flashed a very white smile.He was standing just inside a movie theater at the South Street Seaport for a special screening of a new documentary series, “Thank You, Goodnight: The Bon Jovi Story.” He approached the event, hosted by the Cinema Society and Hulu, with the same charming grit that helped make him famous.The show, now on Hulu, traces the musician’s path from his teenage years playing covers in Asbury Park, N.J., to mega-stardom with his band Bon Jovi, packing arenas with rock anthems. It also touches on his recent vocal cord trouble that led to surgery.“I’m wonderful,” said Bon Jovi, 62, dressed in a leather jacket and jeans, with a full, feathery head of gray hair. “What you see in the film was a year and two years ago. It’s a work in progress. But it is really far down the road of recovery at this point.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Cabaret’ Opening on Broadway: Eddie Redmayne, Angela Bassett and Baz Luhrmann

    A party for the buzzy revival of the Broadway musical was held at a theater that has been transformed to look like a 1930s-era nightclub.“I’m so ready for this,” said the actress Bernadette Peters on Saturday afternoon as she stood on the red carpet outside the August Wilson Theater on 52nd Street, which had been styled to look like a Berlin nightclub in the 1930s.“It’s sort of like a Happening,” she added.Ms. Peters had turned up for a performance of one of the hottest — and some of the most expensive — tickets on Broadway this season: A revival of “Cabaret,” the 1966 John Kander and Fred Ebb musical, which celebrated its opening night with twin galas on Saturday and Sunday. The production, which is set in a Berlin nightclub on the eve of the Nazis’ rise to power, features Eddie Redmayne as the nightclub’s Master of Ceremonies and Gayle Rankin as its star singer, Sally Bowles.“For British actors, coming here to Broadway is the dream, so tonight is a pinch-me moment,” said Mr. Redmayne, who played the Master of Ceremonies during the show’s sold-out run in London in 2022, for which he won an Olivier Award — the British equivalent of a Tony Award — for best actor in a musical.A few dozen celebrities — Angela Bassett, Rachel Zegler and the director Baz Luhrmann among them — came to see Mr. Redmayne, who is also a producer of “Cabaret.”But this wasn’t the usual turn-up-five-minutes-before-the show drill: Unlike a typical Broadway show, “Cabaret” includes a preshow at every performance that begins 75 minutes before curtain.Angela BassettGayle Rankin in vintage Julien MacdonaldWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Inside the 2024 Vanity Fair Oscars Party

    “This is made of success — not everyone can have it,” the actress and comedian Tiffany Haddish said Sunday night, as she held the train on her dress and danced her way through the crowd inside the Wallis Annenberg Center for the Performing Arts in Beverly Hills.At around 11 p.m., hundreds of people were smiling and nodding and bobbing and weaving their way across a red carpet that snaked its way from Santa Monica Boulevard through the main room of a customized event space where Vanity Fair’s annual post-Oscars party was taking place.Barry Keoghan, the star of “Saltburn,” stood near the center bar. Lauren Sanchez, the fiancée of the Amazon founder Jeff Bezos, was in front of him, shimmying away to Chic’s “I Want Your Love,” in her reddish, partially see-through chiffon dress.Never mind that people had been tripping on her train all evening long.“I don’t mind,” she said. “It just bounces right back up.”Ice Spice and Tracee Ellis Ross; Paul Giamatti and Brendan Fraser; Eva Longoria and Kim Kardashian; Serena Williams.Nina Westervelt for The New York TimesThe Vanity Fair party started in 1994 at Morton’s, a celebrity hangout on the corner of Robertson and Melrose. The first few years, only the most famous and connected people in Hollywood were invited.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Inside the Lunar New Year Galas Hosted by the New York Philharmonic and 88rising

    88rising’s Moonrise GalaOn Saturday evening in Los Angeles, the Lunar New Year celebrations continued as Hollywood’s Milk Studios was transformed for the inaugural Moonrise Gala by 88rising, the pan-Asian music collective and record label.Like 88rising, which helps Asian artists find mainstream success in the West, the event was focused on highlighting pioneering Asian performers, past and present.The night’s honorees spanned contemporary artists like the musicians Anderson .Paak, Jackson Wang and NIKI; the “Shang-Chi and the Legend of the Ten Rings” director Destin Daniel Cretton; and influential figures like the ’90s dance-pop singer Jocelyn Enriquez and the Bay Area turntablist group Invisibl Skratch Piklz.“We’re just going to celebrate people that have really unique stories to tell,” Sean Miyashiro, 88rising’s founder, said. The collective also has plans to release music and videos with the night’s honorees, including Ms. Enriquez and Invisibl Skratch Piklz.Attendees entered through the venue’s arched red tunnel, dripping with fringe, into a space outfitted with dangling LED pendant lights.Before the ceremony, guests were offered small plates of Wagyu beef dishes including sliders, curry and kebabs. After brief remarks and performances from some of the honorees, they were each presented with a bespoke medal housed in an illuminated velvet-lined jewelry box designed by the New York jeweler Anna Kikue.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    At Jeremiah Brent’s Book Party Pondering: What Makes a Home?

    What makes a house a home?On Tuesday night, that question floated in the delicately candle-scented air of a three-story penthouse apartment on lower Fifth Avenue in Manhattan where the interior designer Jeremiah Brent lives with his husband and fellow designer, Nate Berkus, and their two children.An intimate gathering of about 30 guests had assembled to celebrate the publication of Mr. Brent’s first book, “The Space That Keeps You,” a collection of photos and stories of interesting people and their enviable houses.For Mr. Brent, who along with Mr. Berkus is a mainstay on HGTV with shows like “The Nate & Jeremiah Home Project,” a home is a “weird blend of space and place.”Brooke Cundiff and Michael Hainey thought long and hard about what they wanted from a home. Their apartment is featured in Mr. Brent’s book.Mr. Brent’s book is a collection of photos and stories of interesting people and their enviable houses.Mr. Brent lives in Manhattan with his husband, Nate Berkus, and their two children.Mr. Brent’s party had a wide array of guests, including the stylist Ashley Avignone and the TV star Antoni Porowski.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Sundance Film Festival Kicks Off With Jodie Foster, Robert Downey Jr, and More

    At the opening night gala for the film festival, celebrating its 40th edition, actors and filmmakers reflected on what kept them coming back.On Thursday night, the Sundance Film Festival in Park City, Utah, which is celebrating its 40th edition this year, was bustling. Banners hung on snowy Main Street, Leon Bridges was performing at a new music venue and the Eccles Theatre was packed for one of the opening films: “Freaky Tales.”And around 7 p.m., some 500 guests shuttled to a convention center about 20 minutes away in Kamas, Utah, for the festival’s Opening Night Gala, hosted by the Sundance Institute. The organization, which puts on the festival and has the mission of supporting independent filmmakers, held this type of fund-raising event for the first time last year.The Sundance Institute brought together a crowd of people, which included film industry players like Christopher Nolan, who found early success through the festival. They filed into a cocktail reception, spread across two floors.The dress code, listed as “upscale mountain chic,” led to ensembles ranging from boxy sweaters to velvet suits. Guests discussed the film lineups, ate dates wrapped with bacon and drank espresso martinis. Nearby, actors and actresses posed for photographers and dredged up old festival memories.Sundance has become known for propelling little-known films and filmmakers into the spotlight. “The Blair Witch Project” (1999), “American Psycho” (2000), “Napoleon Dynamite” (2004) and “CODA” (2021) all emerged from Park City.Jodie Foster remembered the festival in the 1980s. “I was on the jury for the year of ‘Sex, Lies, and Videotape,’ which was a big year,” she said, referring to Steven Soderbergh’s 1989 film.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Academy Museum Postpones Gala, Citing Israel-Hamas War

    The star-studded Hollywood fund-raiser, which had already been complicated by the actors’ strike, was to have honored Meryl Streep and others on Saturday.It’s hard not to see the Academy Museum of Motion Pictures’s attempt to put on this year’s gala — a glamorous party that raises more than $10 million for the museum and burnishes its image by drawing Hollywood A-listers — as anything but ill-fated.First the Hollywood strikes complicated efforts to hold the party, since striking actors are barred from promoting films and few would want to rub elbows socially with executives from the big studios that they are on strike against. That difficulty was ironed out after studio executives, who are among the museum’s biggest financial supporters, agreed not to come and union officials said actors could attend as long as they did not promote films.Then the Israel-Hamas war cast a shadow over the festivities, which had been scheduled for Saturday night. First the museum announced that the red carpet — where stars parade in their finery for photographers before going in — would be canceled. Then, on Thursday, the museum announced that the gala would be postponed.“Out of respect for the devastating conflict and loss of life happening overseas, we have made the decision to postpone the Academy Museum gala this Saturday,” the museum said in a statement on Thursday evening. “We look forward to rescheduling at a later date. We thank everybody deeply for their support.”The gala was to have honored Meryl Streep, Oprah Winfrey, Michael B. Jordan and Sofia Coppola. The chairs of the gala, which is raising money for exhibitions, education and public programs, are the director Ava DuVernay, the actor Halle Berry, the producer Ryan Murphy and the producer Eric Esrailian, a physician and a trustee.The museum through a spokeswoman said it had no further comment. More

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    Hollywood Gala Will Welcome Striking Stars, but Not Studio Bosses

    How will the Academy Museum of Motion Pictures put on its star-studded fund-raiser this year, amid the polarizing strike? Very carefully.Meryl Streep, who was chosen to be honored at the gala next month for the Academy Museum of Motion Pictures, was initially under the impression that the Hollywood actors’ strike would prevent her from attending.The strike, after all, had already forced the Academy to delay one gala in November, where Angela Bassett and Mel Brooks were to receive honorary Oscars. In the case of the fund-raising event planned for Oct. 14, it was unclear at first if SAG-AFTRA, the union representing TV and movie actors, would allow striking members to attend, and, if it did, whether any would want to go.Would it be OK to appear at such a celebratory event while the industry is on the ropes? Should actors sit at tables (costing $250,000 to $500,000) that in some cases are paid for by the studios they are striking against? And what about the potential for vitriol and tension, or at least deep social awkwardness?But after negotiations and quiet diplomacy that determined who could attend and what kinds of work could be honored, the gala — which typically attracts Hollywood’s A-listers and moguls and raises more than $10 million for the popular museum — will proceed. The biggest change: Executives from the studios being struck, some of which are among the museum’s biggest sponsors, will not be there.Streep will be, though, since she has approval from her union. “I have been assured that SAG-AFTRA has encouraged members to attend the gala — that the museum deeply depends on this event for its educational and community outreach, and that no industry executives from struck companies will be in attendance,” she said in an email. “So I am steaming my dress and heading West.”Meryl Streep, armed with permission from the actors’ union to attend the gala where she is being honored, said, “I am steaming my dress and heading West.” Arturo Holmes/Getty ImagesStreep’s initial confusion is emblematic of the fraught territory that the industry finds itself in as it tries to navigate the dos and don’ts of the strike — from awards shows and fund-raisers to social events, films and television shows.It can be confusing: Some talk show hosts have stumbled in trying to do decide whether to return to the air, and the writers’ union picketed “Dancing With the Stars” although its cast had received a green light from SAG-AFTRA to work. The tentative deal reached Sunday by the Writers Guild of America and the Alliance of Motion Picture and Television Producers was a hopeful sign, but the actors remain on strike, and securing their union’s blessing was crucial for the Academy gala.“The basic guidance we’ve given people is, so long as it is not focused on a particular project or a particular struck company, it’s OK for our members to participate in those events and to acknowledge someone’s body of work,” Duncan Crabtree-Ireland, the national executive director and chief negotiator of the actors’ union, said in an interview. “There will be members who choose not to participate in these things who don’t feel it’s the right thing to do at this point, since it is a serious time for people who work in the industry. I imagine our members will make judgments for themselves.”The gala is vital for the nascent museum, in an effort to raise millions of dollars and the institution’s profile. The event’s knack for drawing bold-faced names has led some to think of it as a West Coast Met Gala. The question this year is whether the lack of studio executives, and qualms on the part of striking actors, could make this year’s party less buoyant or its red carpet less buzzy.But assuming the honorees show up as planned, there will be guaranteed star power present: In addition to Streep, the Academy will honor Oprah Winfrey, Michael B. Jordan, and Sofia Coppola. The chairs of the gala, which is raising money for exhibitions, education and public programs, are the director Ava DuVernay, the actor Halle Berry, the producer Ryan Murphy and the producer Dr. Eric Esrailian, a physician and a trustee.Oprah Winfrey is being honored for her “exemplary leadership and support” of the museum. Roy Rochlin/Getty Images“This event is about raising vital funds to ensure that this work will go on in service to the public,” said Jacqueline Stewart, who last year became the museum’s director and president. “The work of the museum is a common ground despite the strikes.”Behind the scenes, union representatives have been in discussions with the museum to set certain ground rules: Individual actors can be honored, but not individual projects, and bodies of work can be highlighted, but not specific films, studios or streaming services. If the gala ventures out of bounds, Crabtree-Ireland said, members will be expected to get up and leave to avoid incurring disciplinary measures.Stewart said that no guests had declined invitations citing the strike as a reason. While some studios have contributed funds to the gala, she said, “given the particular circumstances this year, there will be no executives from struck companies in attendance.” The majority of table and ticket buyers are not from the studios, the museum said, but are a mix of corporate supporters, philanthropists, and museum trustees.Some union members hope that the museum gala can be an opportunity to highlight the labor dispute, which was prompted by concerns about pay, artificial intelligence and working conditions and which has halted virtually all production.“I get that the optics are bad when some of our members are walking the picket line and others are putting on black tie and jewels and walking the red carpet,” said Greg Cope White, who had to pause production on a Netflix adaptation of his memoir — for which he is also a screenwriter — “The Pink Marine,” about a gay 18-year-old who joins the U.S. Marine Corps.“The gala is an opportunity to get some attention to our cause,” White added. “Meryl Streep and Oprah are great speakers. Hopefully they’ll give passionate sound bites that will bring some light to us.”The Academy Museum opened in 2021, and has become a popular attraction. Tanveer Badal for The New York TimesEach honoree will receive a different award — Streep, for her “global cultural impact”; Jordan for “helping to contextualize and challenge dominant narratives around cinema”; Winfrey for her “exemplary leadership and support” of the museum; and Coppola for innovations that “have advanced the art of cinema.”After numerous delays, the Academy Museum finally opened in 2021, a seven-story, $484 million concrete-and-glass spherical building designed by the architect Renzo Piano that was widely welcomed as an example of the city’s cultural fertility. An exhibition dedicated to John Waters, the cult filmmaker who directed “Pink Flamingos,” “Polyester” and “Hairspray,” opened there on Sept. 17.Although the gala is approaching fast, some actors and writers remain hopeful that the strike will be resolved by the time the limousines start to roll down Wilshire Boulevard. “If I could open the envelope at the Oscars,” White said, “It would say, ‘Strike is over.’” More