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    Jai Paul Emerges From the Shadows, Somewhat

    Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicWhen a collection of Jai Paul demos leaked online in 2013, it had the makings of a celebration, not a catastrophe. Paul had previously released two rapturously received singles, and anticipation for his music was high. The songs on that collection were shared widely, and beloved. But rather than capitalize on the good will generated by the unintended release, Paul retreated, making almost no public noise or appearances for the following decade.This year, he returned — first, with a pair of performances at Coachella, and then a pair of smaller headlining concerts in New York. He was shy and a little awkward onstage, but the music he played was sure-footed. Whether it was the conclusion of his prior arc, or a prelude to a new era, wasn’t clear.On this week’s Popcast, a conversation about Paul’s anti-career trajectory, the persistence of fan enthusiasm for him even in his absence, and how mystery on the internet has changed over the past couple of decades.Guests:Lindsay Zoladz, a pop music critic for The New York Times and author of The Amplifier newsletterJia Tolentino, a staff writer at The New YorkerConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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    The Enduring Appeal of Magical Mystery Musicians

    As the elusive British singer and producer Jai Paul makes his live debut, hear songs by Sault, Burial and others.Jai Paul onstage in New York this week.Nina Westervelt for The New York TimesDear listeners,On Wednesday night, I witnessed something that I never expected to see: a live performance by the mysterious British vocalist and producer Jai Paul.Paul’s music — full of glitches, strangely compressed sounds and spliced-together samples — is unmistakably a product of the digital age, yet his artistic persona could not be further from the era of social-media oversharing and streaming-service savvy. He has given one known interview, in 2011. His only full-length release was leaked, unfinished, in 2013; although it was rapturously received, the intrusion led him to suffer what he later described in a statement as “a breakdown of sorts.” After that, he retreated even further from the public eye, and didn’t officially release his album, “Leak 04-13 (Bait Ones)” — on which most tracks were still labeled “unfinished” — for six more years.What is it that enthralls us about a musical enigma? Paul’s story reminds me of other artists who have eschewed the spotlight to toil in anonymity (like the reclusive yet wildly prolific folk musician Jandek), as well as those who have chosen, much to the consternation of a rabid fan base, never to follow up a beloved record (like Neutral Milk Hotel, the band behind the adored 1998 indie-rock landmark “In the Aeroplane Over the Sea” — and then not really anything else).The faster culture moves, the more we seem to revere these artists who have opted out of the musical rat race. We are bombarded each day with such a glut of information — so many songs imploring to be heard; so many links baiting us to click — that there is a relief in encountering a finite discography or an artist who forgoes the traditional promotional routines in favor of letting the art stand on its own.That was certainly apparent at the Jai Paul concert, which was only his fourth live show ever. His return was subdued in every sense — he didn’t tease the concerts with any new material, and there was an endearing awkwardness to his stage presence — but the audience respected that. In a way, we were all there to thank him for his reticence, his increasingly rare refusenik stance, and, of course, the enduring mystery of his music.Today’s playlist is a tribute to artists like Paul: an appropriately fleeting, gently melancholy collections of tracks from artists who have cultivated a certain mystique. In addition to Paul and Neutral Milk Hotel, it features the long-lost (and finally found, thanks to the Oscar-winning documentary “Searching for Sugarman”) singer-songwriter Rodriguez; the shadowy, shape-shifting R&B collective Sault; and the eventually unmasked but still cryptic British electronic musician Burial. It does not include Jandek, because it is possible to be so elusive that your albums are not on any streaming services.Listen along here on Spotify as you read.1. Jai Paul: “Str8 Outta Mumbai”The first proper song on Paul’s only album is a kinetic explosion of textures centered around an exhilarating sample of Vani Jairam’s “Bala Main Bairagan Hoongi,” which she wrote with Ravi Shankar. He closed his live show on Wednesday with it, and it was the unquestionable highlight of the set. (Listen on YouTube)2. Neutral Milk Hotel: “Holland, 1945”A crashing, calamitous tear-jerker from the underground hero Jeff Mangum’s 1998 opus, “Holland, 1945” had a brief moment in the mainstream in 2014 when Stephen Colbert chose it, in tribute to his late family members, as the final song played on “The Colbert Report.” (Listen on YouTube)3. Rodriguez: “Crucify Your Mind”For decades, a macabre rumor swirled that the Detroit-born folk singer Sixto Rodriguez had died onstage. In Malik Bendjelloul’s remarkable 2012 documentary, “Searching for Sugarman,” he discovered that Rodriguez was not only still alive, but that he was huge in South Africa. Better late than never, the film inspired a much-deserved Rodriguez revival. (Listen on YouTube)4. Sault: “Wildfires”The prolific R&B collective Sault lets its music speak for itself: no interviews, no press photos, no music videos. It’s not entirely clear who is in Sault. What is clear is that it makes passionate, purposeful and hypnotic tunes that give voice to collective struggle, like “Wildfires,” a soulful meditation on police brutality that appears on its harrowing 2020 album “Untitled (Black Is).” (Listen on YouTube)5. Burial: “Street Halo”“I’m a low-key person and I just want to make some tunes, nothing else,” Will Bevan wrote on Myspace in 2008, when he “came out” as the anonymous but influential producer Burial. (He broke a certain corner of the internet six years later, when he posted a selfie.) From his closely guarded realm of privacy, though, the London artist has released a steady stream of moody, brooding electronic music, including this rain-streaked title track from the 2011 EP “Street Halo.” (Listen on YouTube)6. Jai Paul: “Jasmine (Demo)”The stuttering production and hiccuping vocals of “Jasmine (Demo),” Paul’s second single, convey an introversion suffused with incredible longing. Like a lot of Paul’s best music, there’s a sonic shyness about it, but also a deep undercurrent of tenderness. (Listen on YouTube)I was born for the purpose that crucifies your mind,LindsayThe Amplifier PlaylistListen on Spotify. We update this playlist with each new newsletter.“Magical Mystery Musicians” track listTrack 1: Jai Paul, “Str8 Outta Mumbai”Track 2: Neutral Milk Hotel, “Holland, 1945”Track 3: Rodriguez, “Crucify Your Mind”Track 4: Sault, “Wildfires”Track 5: Burial, “Street Halo”Track 6: Jai Paul, “Jasmine (Demo)”Bonus tracksNew newsletter alert! Madison Malone Kircher, whose story about Taylor Swift merch I linked to in last week’s Amplifier, has just introduced a weekly missive about all things internet called It Happened Online. The first installment is out today, and it is outrageously fun. Subscribe here.I went back and forth on which Rodriguez song to include, and at the last minute, I went with “Crucify Your Mind.” But you should also listen to the one I almost chose, the poetic and heartbreaking “Cause.”“Tuesday night at Knockdown Center in Queens, nearly 2,000 people were handed something fragile and entrusted — implicitly implored — not to break it.” On Tuesday night, my colleague Jon Caramanica went to the first of Jai Paul’s two New York shows and wrote an excellent review. I also enjoyed Jia Tolentino’s report for The New Yorker, in which she wrote, astutely, “Paul’s overall vibe was that of a time traveler. He had been ahead of the past decade of music, and now he was playing a 10-year-anniversary nostalgia show that was also his debut.”And if you’re looking for even more music recommendations, this week’s Playlist has new tracks from Jack Harlow, Jessie Ware, Four Tet and more. More

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    Frank Ocean Headlines Coachella and Plays Reworked Songs

    During his first large-scale performance in years, the enigmatic singer suggested a new album was coming, just “not right now.”Three years after a much-hyped headlining set was foiled by the pandemic — and nearly six years since his most recent large-scale concerts — the venerated but rarely heard from singer-songwriter Frank Ocean closed the opening weekend of the Coachella Valley Music and Arts Festival on Sunday with a typically emotional performance of reworked favorites, and a hint that a new album was coming.Wearing a bright blue jacket with the hood pulled tight around his face, Ocean took to the stage around an hour late, beginning with a rock version of “Novacane,” his 2011 debut single that describes meeting a girl at Coachella, before playing reworked versions of hits including “Bad Religion” and “White Ferrari.”Soon, he walked to the front of the stage — beneath vast screens — and explained he was performing on Sunday because he used to regularly attend the desert festival with his younger brother, Ryan Breaux, who died in a car crash in 2020. Ocean said one of his “fondest memories” was dancing with his brother in a tent there to the rap duo Rae Sremmurd.“I know he would have been so excited to be here with all of us,” Ocean added.Ocean, 35, has not released an album since 2016, with minimal public appearances, only a few singles and a luxury fashion line in between. At times on Sunday, he was barely visible to the crowd despite the large screens, as his hourlong set — which included a DJ interlude from the Paris-based producer Crystallmess — rounded out the festival weekend’s headline performances, following the Puerto Rican pop star Bad Bunny on Friday and the K-pop girl group Blackpink on Saturday.Ocean’s stage time was perhaps meant to be longer. But after playing “At Your Best (You Are Love),” his version of an Isley Brothers track once covered by Aaliyah, Ocean announced: “Guys I’m being told it’s curfew, so that’s the end of the show.”The festival — one of the pre-eminent events in the pop music calendar, with some 125,000 daily attendees, regardless of who’s booked onstage — was held once again at the Empire Polo Club in Indio, Calif., its home nearly every year since 1999, and also livestreamed via YouTube. Other performers across the three days included Rosalía, Burna Boy, Gorillaz, Blondie (with Nile Rodgers), boygenius and the rap producer Metro Boomin, with special guests Future and the Weeknd.Coachella’s other headliners this year included the Puerto Rican pop star Bad Bunny and the K-pop girl group Blackpink.Emma Mcintyre/Getty Images For CoachellaOcean had initially been slated to headline in April 2020, before Coachella was postponed and then canceled twice because of Covid-19; the festival returned last year without Ocean, featuring the headliners Billie Eilish, Harry Styles and Swedish House Mafia instead. Coachella repeats for its second annual weekend from Friday to Sunday.Given those canceled appearances, Ocean’s set on Sunday was highly anticipated, even by those unable to get tickets. Most of the festival was livestreamed on YouTube throughout the weekend and thousands of music lovers waited online Sunday to watch Ocean’s set, too. But YouTube said in a tweet late Sunday that the livestream of his concert would not go ahead. Hundreds of social media users immediately expressed their frustration with crying emojis and animated GIFs.On Monday, neither YouTube nor Coachella responded to a request for comment about why Ocean’s set wasn’t streamed. (Björk, who also performed on Sunday, was not shown on the livestream either.)At the festival, Ocean, who has lately been selling jewelry through his luxury brand Homer, kept his overall presentation minimal, as well: “NO FRANK OCEAN MERCHANDISE,” read a sign on the grounds, to the disappointment of some fans.Having long built its name on genre-spanning spectacle, rare appearances, debuts and reunions — from the Tupac Shakur hologram and Beyoncé’s 2018 tour de force to reconciliations between core members of Pixies, Rage Against the Machine, Outkast, Guns N’ Roses and more — Coachella had more than just Ocean’s re-emergence this past weekend. On Friday, the pop-punk group Blink-182 appeared with its classic lineup — the trio of Mark Hoppus, Tom DeLonge and Travis Barker — for the first time since 2014. The band was a late addition to the festival, with its set not announced until Wednesday.And on Saturday, the enigmatic British singer and producer Jai Paul, whose sparse career output makes Ocean seem prolific, performed his first ever concert. Starting off in near-darkness and without a word to the crowd, Paul appeared initially nervous, but was smiling broadly by the end of the 11-track set. While Paul’s performance was not shown live online, it later appeared in full on the official YouTube stream.On Saturday at Coachella, the British singer and producer Jai Paul performed his first ever concert. Julian Bajsel + Quinn Tucker at Quasar MediaSome of the biggest cheers during his set came for “BTSTU,” a track that mixes Prince-like sensuality with fuzzy electronics and has been sampled by both Drake and Beyoncé. “I know I’ve been gone a long time,” Paul sang, “but I’m back and want what is mine.”Ocean first rose to promise with “Nostalgia, Ultra,” a 2011 mixtape. In the years since he has become a cult favorite, a major-label star, a Grammy winner, a chart-topper and a disrupter of those very systems, only further fueling the fan mythology around him. Following the success of his 2012 debut album, “Channel Orange,” Ocean waited four years to release a follow-up, eventually unveiling two projects — one, the visual album “Endless,” to satisfy his record deal, and another, “Blonde,” released independently — along with a magazine titled Boys Don’t Cry.Although Ocean released a few one-off singles and played a small slate of concerts, mostly at festivals, the following year, he soon receded from view again.In 2019, in association with his internet radio show Blonded, Ocean attempted to start a series of club nights — dubbed PrEP+ after the H.I.V. prevention drug — that he called a “homage to what could have been of the 1980s NYC club scene” if the medication had existed then. After three events in New York and two additional singles, plans to expand the parties into “larger raves across the world” were spoiled by the pandemic, the singer said later in a statement delivered to fans via merchandise.He added, seemingly in the third person, “The Recording Artist has since changed his mind about the singles model, and is again interested in more durational bodies of work.”Onstage at Coachella, Ocean didn’t debut any new music in full, but he did mention a new album was on the way. As the vast audience screamed in delight, Ocean quietened the crowd. “Not right now,” he said. “It’s not right now.” More