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    Passing the Time With a Piano-Playing Pilot

    As a pilot with United Airlines, Beau Brant flies North American routes. At every layover, he looks to play a mix of jazz, classical and more for his crew and strangers.It’s after midnight at the Palm Court in Cincinnati and staff is trying to close. Lights are dimmed as the last of the martini glasses and beer bottles are scooped up. But Beau Brant is still at the piano, playing for stragglers.Finally, a waitress gives him the “wrap-it-up” sign. Probably a good idea, since he has a flight to catch the next day, and he can’t be late.He’s the captain.Perhaps there are other piano-playing airline pilots, but how many have cut seven albums, performed for a U.S. president and had an original song used by Oprah Winfrey?Mr. Brant, 41, has been playing — and flying — most of his life. He started on the piano at age 3 and was flying by 12. A pilot with United Airlines for 17 years, Mr. Brant considers flying job number one. But with every layover, he looks for a place to play, just for the fun of it.A regular performer now at many of his layover hotels, Mr. Brant flies domestic routes from his homebase in Denver to the likes of Madison, Wis.; Raleigh-Durham, N.C.; and Jackson Hole, Wyo. He still has the occasional gig back home — his house piano is a Yamaha Grand — but gets most excited about playing on the road for his crew and strangers. And he’s fallen in love with the Bar at Palm Court, a soaring Art Deco venue in the Hilton Cincinnati Netherland Plaza: “The piano area reminds me of the Titanic’s ‘grand staircase.’ ”His sets are a rambling mix of jazz, blues, classical and show tunes. His style features a flashy right hand and plenty of bounce but no sheet music. And he loves talking about his two passions.The following are excerpts from conversations with Mr. Brant, edited for clarity.How did this fly-and-play routine come about?It started on a long-haul in 2005, New York to Frankfurt. We arrived early at the hotel, the rooms weren’t ready, and there was this beautiful piano in the lobby. I started playing for the crew and wound up playing happy hour.You used to play professionally?I grew up in Evergreen, just outside Denver, and played restaurants there when I was 12. Then hotels, weddings, birthdays — sometimes four or five nights a week. I wouldn’t be where I am today without music: Flight training is expensive.Beau Brant on the tarmac outside Jackson Hole Airport in Jackson, Wyo. “One of my favorite approaches anywhere,” the pilot said, is “landing next to the Grand Tetons.”Ryan RoweWhat are some of the most exotic places you’ve played?Paris, Zurich, Lisbon, Sydney, Shanghai. I flew international for much of my career. In 2019, I upgraded to captain on the Airbus 320 and now fly North American routes. But in the U.S., many hotels have retired their pianos, and they’re harder and harder to find.Your layover sets can last for hours — no charge?Sometimes I get food and drink, but that’s already covered by the airline. The tip jar can get anywhere from $20 to $200, but I use that to treat the crew to something. It’s definitely not about the money.What’s your drink of choice while playing?I enjoy a nice red wine, but there’s the 12-hour rule [the F.A.A. prohibits pilots from consuming alcohol 12 hours before work], and I’m very respectful of that. At the Plaza, it was soda water with lime.United knows about your double life, right?They used me in a social media commercial playing our theme song, “Rhapsody in Blue.” I play that at pretty much every performance.Are there similarities between flying and playing?There’s an art to music and an art to flying. Pilots have to operate under very strict procedures, but we can put our own touch on things — “finesse” the aircraft. With music, you can play a composition exactly like it’s written, but I like to take it and add my twist. I encourage my first officers to hand-fly — turn off all the automation. Hand-flying can be much smoother — small, gentle movements, like with music pieces.So, the president and Oprah Winfrey — how did those happen?I performed for President Ford in 1992 in Vail, Colo. In 1999, one of my songs was in a video presentation for a fund-raiser sponsored by Oprah, in Chicago, for her “Angel Network.”52 Places to Love in 2021We asked readers to tell us about the spots that have delighted, inspired and comforted them in a dark year. Here, 52 of the more than 2,000 suggestions we received, to remind us that the world still awaits.What’s flying been like since the pandemic?There’s still the masks, but we’re finally getting back to normal, bringing back food and drinks. I remember a flight last year when we had five crew and nine passengers.What would be your dream gig?I’d want to go back in time, to those Pan Am 747s that had a lounge with a piano. On the long-hauls, pilots get a break. I would have loved to play one of those lounges.Beau Brant’s music can be found on beaubrant.com.Follow New York Times Travel on Instagram, Twitter and Facebook. And sign up for our weekly Travel Dispatch newsletter to receive expert tips on traveling smarter and inspiration for your next vacation. Dreaming up a future getaway or just armchair traveling? Check out our 52 Places list for 2021. More

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    For Chloe Flower, the Décor Always Serves the Music

    With a few exceptions, the composer and social media influencer’s walls are bare. But who needs art when you have Liberace’s piano?The test of a first-rate intelligence, F. Scott Fitzgerald wrote, is the ability to hold two opposing ideas in mind at the same time while still managing to function.Chloe Flower (neé Won), the composer, pianist and influencer can relate: For the past three years, she has lived happily on the 63rd floor of New York by Gehry, an apartment tower in the financial district. And yet, she is also “really scared of heights.”But Ms. Flower, 35, the spirited, couture-clad presence at the keyboard when Cardi B performed “Money” at the 2019 Grammys, is nothing if not pragmatic. The music videos she shoots in her two-bedroom rental — the cityscape a key element — have helped her build a robust following on social media.“I took one for the team because of Instagram,” said Ms. Flower, whose repertoire includes hits by the likes of Drake, Nicki Minaj and Kendrick Lamar, played in the style of Bach and Beethoven — or, as Ms. Flower characterizes it, pop-sical. “But really, when you look out the window and straight across, you don’t have a sense of depth.”Chloe Flower was born Chloe Won, but was nicknamed Flower as a child, and flowers are always close at hand. An arrangement sits atop the bedazzled Baldwin concert grand, a loaner from the Liberace estate.Katherine Marks for The New York TimesChloe Flower, 35Occupation: Composer and pianistSpecial Delivery: “During Covid, I was buying cabinets online from Restoration Hardware, and I forgot to remove the bed I had put in the shopping cart. When the guys from the shipping company arrived, they said, ‘We have your bed,’ and I said, ‘What bed?’ So now I have an accidental blue bed.”Also, up there in the stratosphere, Ms. Flower is at a considerable remove from ambient street noise. She was, thus, able to record most of her self-titled debut album at home. It’s due out July 16.Location. Location. Location. So goes the real estate mantra. To which Ms. Flower responds: Who cares? Who cares? Who cares? “Whenever I’m looking for an apartment, I’m never concerned where it is, because I’m either working from home or working in a studio,” she said.“I prefer certain areas of New York, of course,” added Ms. Flower, who previously rented in Union Square and Gramercy Park. “But New York has everything everywhere. Same with Los Angeles.”In fact, she was living in L.A. when she and her boyfriend, Michael Sepso, a New York-based entrepreneur, decided to move in together and began looking for suitable quarters.It was the musician Questlove who introduced his pal Ms. Flower to New York by Gehry. He is a tenant, “and when I saw his place, that was it,” she said. “I was, like, ‘Wait. Hold on. The view.’ I was so excited.”One attraction was the bay window in the living room, which “makes the apartment feel much bigger,” Ms. Flower said of the space, which is almost 1,400 square feet.Much of it is ceded to the Steinway Spirio|r, a piano that can record and play back performances, and to a Baldwin SD10 concert grand with a transparent lid and a cladding of hundreds of glass tiles, a loaner from the estate of Liberace to add flash to those Instagram videos. The man known as Mr. Showmanship often took it on tour. “Aesthetically, it doesn’t look like any piano you’ve ever seen. It’s really, really cool,” Ms. Flower said.“I love Liberace,” she added. “I know he’s not a traditional classical pianist, but he used his flair and drama and passion to break into the mainstream pop world. I like to celebrate him.”Ms. Flower loves having friends and family visit. Pre-Covid, everyone in her orbit referred to the second bedroom, now an office-slash-workout area, as Hotel Chloe. But visitors don’t have too many places to perch. There are no easy chairs, and Ms. Flower ditched her purple Ligne Roset sofa two years ago, when the Liberace joined the Steinway.“It was beautiful,” she said. “But when I had to choose between a second piano and a couch, it was, like, ‘A piano, of course.’”To be sure, there are other things in the living-and-dining room: a wood dining table; a teak tree-trunk console, a Yamaha keyboard, a pair of sculptural bookshelves, a vase or three of flowers, and many white candles. Ms. Flower buys them by the dozen from Amazon, lighting and shuffling them around as the spirit moves her.“I love their glow. I like the way they look when they’ve burned down,” she said. “They’re romantic and I think they set a mood, especially at night against the city lights.”But the décor must always serve the music. “When I’m composing, I don’t like to have a lot of distractions, and clutter is distracting,” she said. “I like the space to be clear, so I feel I have a clean slate.”Ms. Flower wrote her latest composition, “Tamie,” on the Steinway.Katherine Marks for The New York TimesConsequently, with the exception of a gilded mirror and a TV screen that doubles as a canvas to display digital art, the walls are bare. So are most surfaces.The annotated piano books and sheet music that Ms. Flower has had since childhood — “if there were a fire, I’d take them out first” — were briefly on a shelf in the living room.“But they just looked a little messy, a lot of loose paper,” she said, so she consigned them to a Restoration Hardware cabinet in the couple’s bedroom. She even turned down the offer of a candelabra from the Liberace estate because it would block the view — a key source of inspiration during the creative process.Ms. Flower describes herself as a homebody. But she would be that much happier at home if it had a dedicated recording studio and sufficient space to show off some of her mother’s artwork.“And,” she said, “there’s a third piano I want to buy. I asked my boyfriend, ‘What if we got rid of the dining table?’”For weekly email updates on residential real estate news, sign up here. Follow us on Twitter: @nytrealestate. More