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    Prestige Podcast Company Pineapple Street Studios Shuts Down

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    The studio was a model podcast startup of the 2010s. But Audacy, its owner, has struggled to turn a profit.Pineapple Street Studios, the maker of prestigious narrative podcasts that helped shape the post- “Serial” era of the industry, is shutting down.Audacy, the radio station owner that acquired the studio in 2019, announced the move on Thursday and said it was part of a strategic shift away from branded podcasts and toward more “promising growth areas for our podcasting business.”The roughly 30 members of the staff were notified Thursday afternoon.Founded in 2016 by Jenna Weiss-Berman and Max Linsky, Pineapple quickly established itself as a home for shows hosted by prominent celebrities — at the time a novelty in the medium — like Hillary Clinton and Lena Dunham. Simultaneously, it produced a string of ambitious, limited-run documentary series, including “Missing Richard Simmons,” “Heavens Gate” and “Welcome to Your Fantasy,” which received widespread acclaim.Pineapple was in many ways a model podcast startup of the 2010s — a time when the blockbuster success of “Serial,” the true crime investigation from producers of “This American Life,” triggered a rush of investment and innovation in the industry. (Serial Productions was acquired by The New York Times in 2020.) Pineapple sold adaptation rights for several of its shows to film and television companies. And it built a large roster of companion podcasts for popular TV series like “House of the Dragon,” “The Last of Us” and “Severance.” The radio station owner, formerly known as Entercom, filed for bankruptcy in 2024, citing a steep decline in advertising revenue. Its assets were sold to the Fund for Policy Reform, a nonprofit group controlled by the billionaire George Soros. Shortly thereafter, Audacy laid off about 25 percent of Pineapple’s staff and wound down another of its production studios, Cadence13.The downturn in advertising that began amid spiking inflation in 2023 has had broad repercussions across the industry. Many companies have pulled back investment in the style of highly produced podcasts for which Pineapple was known, turning instead toward lower-overhead chat shows. A spokesman said Audacy will continue to make podcasts under its Audacy Podcasts brand, which is behind titles like “We Can Do Hard Things” with Glennon Doyle, Abby Wambach and Amanda Doyle and “Fly on the Wall With Dana Carvey and David Spade.” More

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      Seth Meyers and His Brother, Josh, Poke Fun at Family Vacations on Podcast

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      In their podcast, “Family Trips With the Meyers Brothers,” the comedians interview notable guests about memorable childhood holidays.When Seth and Josh Meyers were kids, their family spent a week in Maine at a waterfront cabin, where their mother got bitten by a horsefly, developed a bad reaction and ended up in the emergency room.“Her forearms looked like Popeye’s,” Josh recalled.“I remember spending the entirety of the trip in a room with a bunk bed that was a billion degrees,” added Seth, the host of a late-night talk show and a “Saturday Night Live” alumnus.These days, the brothers — both writers and comedians and the rare siblings who claim not to have fought over territory when they were young — mine similar vacation disasters for their weekly podcast, “Family Trips With the Meyers Brothers.” They interview guests including comedians, actors, musicians and even Bill Gates, about their memories of childhood vacations, many of which went awry.“Family trips are high-stakes affairs. We have expectations that these trips should be special. We go into them with the intention of making memories,” Josh said. “And the further we get away from the doomed excursions, creepy hotels, car breakdowns, illnesses, bad weather and knock-down drag-out fights with our siblings, the funnier it all gets.”We talked about the inception of their podcast, which turns two this month, aspects of childhood travel that they miss and what makes family trips, even disastrous ones, worth taking.This conversation has been condensed and edited for clarity.Tell us how the podcast came about.Seth: A family trip sort of stress-tests the family dynamic, both for the good and the bad. I think you really find out a lot about the people you’re closest with when it’s an away game.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Love Island’ Contestant Yulissa Escobar Leaves Show After Racist Comments Surface

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      Yulissa Escobar, 27, was abruptly dropped during Episode 2 after clips of her using a slur in a podcast were resurfaced. The season’s debut week also saw tech issues.“Love Island USA,” the reality dating show that sends singles to an island villa to pair up in hopes of winning a cash prize, is known and often appreciated for its messy plots onscreen. But this week, as Season 7 of the show premiered, most of the chaos took place offscreen. Some offscreen drama also reached the show’s predecessor, “Love Island UK.”Contestant Dismissed for Racial SlursFor starters, one of the contestants, Yulissa Escobar, was summarily dropped from the show after video recordings of her repeatedly using a racial slur in a podcast interview were dug up by online sleuths and then reported by TMZ.The clips created an uproar among fans online before the premiere on Tuesday, but the series is aired with a one- or two-day delay, and Escobar, a 27-year-old Cuban American from Miami, still appeared in the first episode.Before the premiere, fans were vowing on X and TikTok to vote Escobar off the show as soon as they had the opportunity. On the first night of the show, Escobar was also criticized by some viewers for wearing an outfit that they deemed appropriative of Chinese culture and using chopsticks to pin up her hair. At about the 18-minute mark of the second episode, which was shown on Wednesday, the narrator, Iain Stirling, abruptly announced that “Yulissa has left the villa.” She had been paired with Ace Greene, and later in the episode Stirling noted that Greene was single.Escobar could not immediately be reached for comment. Ryan McCormick, a spokesman for Peacock, which streams the show, declined to comment on why the producers had removed her.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Best True Crime to Stream: Dramatizations That Deliver

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      Across television, film and podcast, here are four picks that successfully give well-known true-crime stories the scripted treatment.Not long ago, comically bad re-enactments were the cornerstone of true-crime movies and TV shows. Despite their cheesiness, these staged scenes served a purpose: to bring scenarios to life, of course, but also to offer some relief from talking-head interviews and still shots of photographs and documents.But in the last decade or so, the number of true-crime stories that have received scripted treatment, often casting A-list actors, has exploded. It’s a phenomenon due in part to Ryan Murphy’s true-crime anthology series “American Crime Story” — which debuted in 2016 and has taken on the O.J. Simpson saga and the assassination of Gianni Versace — and more recently “Monster.”Coming this summer is a Paramount+ mini-series about the murder of JonBenet Ramsey, the child beauty queen who was found strangled to death in her family’s Colorado home in 1996. It will star Melissa McCarthy and Clive Owen as JonBenet’s parents. And over at Hulu, a scripted series about the Murdaugh family murders is being developed. Like their predecessors, these series will most likely aim to hew closely to their stranger-than-fiction origins while giving the creators artistic license in how the cases are brought to life onscreen.Ahead of those, check out these four offerings that give such stories the dramatized treatment to great effect.Mini-Series“The Staircase”Few true-crime stories have held my attention over the years as this one about Michael Peterson, a North Carolina novelist and aspiring politician who was charged with the death of his wife, the telecom executive Kathleen Peterson. She was found crumpled and bleeding at the base of the staircase in their upscale Durham home in 2001.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Theo Von, Andrew Schulz, Joe Rogan: A ‘Manosphere’ Just Asking Questions

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon Music | YouTubeSo long Jimmy Fallon, Jimmy Kimmel and Stephen Colbert? The next generation of celebrity interviewers has emerged, auguring their eventual replacement. On YouTube, a wave of comedians-turned-podcasters, many of them immature verging on boorish, have created a new media mainstream, where actors, musicians and crucially, politicians, sit for loose, extended conversations that are quickly becoming the new norm.Some of the best known of these new chatters are Theo Von, Andrew Schulz and Joe Rogan. Loosely, they’re part of the so-called “manosphere,” a set of social media figures who tilt rightward. But really, they’re a more diverse lot, with varying strengths, interests and politics.On this week’s Popcast, a conversation about the generation of male comedians who have remade themselves as the interlocutors of the day, how politicians have weaponized them for their purposes, and how they’re reshaping how celebrity is approaching the post-monoculture landscape.Guest:Dan Adler, a staff writer at Vanity FairConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. More

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      Book Review: ‘Slayers, Every One of Us,’ by Kristin Russo and Jenny Owen Youngs

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      In a fizzy joint memoir, Jenny Owen Youngs and Kristin Russo capture what it was like to create a popular podcast for fellow superfans — and how they kept it going even after breaking up.SLAYERS, EVERY ONE OF US: How One Girl in All the World Showed Us How to Hold On, by Kristin Russo and Jenny Owen Youngs“The story you most often hear about divorce, about heartbreak, is the story of an ending. A light switch flicked into the Off position,” writes Jenny Owen Youngs in “Slayers, Every One of Us,” a memoir written with her ex-wife, Kristin Russo. “But what if you clicked the bulb back on?”Restoring the power is the dominant theme in their book, with that light source being the creative partnership the two achieved through their podcast about “Buffy the Vampire Slayer,” even as their romantic partnership went dark five years after their 2013 marriage. The book is narrated by both women, with each providing her perspective on their shared history in alternating sections. Russo (a speaker, a consultant and an “Italian-born, Long Island-raised triple fire sign”) comes off as the more ebullient and emotional partner. Youngs (a musician and songwriter who has “always been a bit more grounded in reality”) is more sardonic and taciturn.Boom-and-bust romance memoirs are common, but mix in fervent fandom and original music and we’ve got ourselves a different approach to the well-trod ground here — all spurred on by a 1990s television show about a girl with superhuman strength fighting evil with help from her pals. (The book’s title comes from an inspirational speech, given by Sarah Michelle Gellar as Buffy Summers, to a room full of young women in the final episode of the series: “I say my power should be our power. … Slayers, every one of us.”)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Best True Crime to Stream: 1970s and ’80s Kidnappings

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      Across television, film and podcasting, here are five stories of child abductions that shook parents across the United States.Documentary Film“Chowchilla”It took just a few minutes into this 2023 documentary for me to be dumbfounded that I had never heard about this chapter in American history, when an entire school bus of children and their driver, 27 people in total, disappeared mid-route on a hot summer day in 1976 in the small California town of Chowchilla.What unfolded from there and the motivation behind the kidnapping are beyond imagination. In fact, those responsible for the crime were inspired in part by the Clint Eastwood movie “Dirty Harry.”In this documentary, from CNN Films and streaming on Max, we hear from some of the abductees, who recall the experience in great detail. Unlike many other such stories, we learn quickly that no one died in the ordeal, but that doesn’t make the decades-long fallout less tragic.The trauma was so acute that the survivors were able to help catapult the field of child psychology forward. “Chowchilla children are heroes,” Lenore C. Terr, a child psychiatrist who has studied the victims in depth, said in the film. “And they continue to teach us what childhood trauma is.”Documentary Series“The Beauty Queen Killer: 9 Days of Terror”For this three-part 2024 docuseries from ABC News, Tina Marie Risico — who survived a nightmarish nine days with the serial killer Christopher Wilder in 1984 before he made the astonishing decision to release her — sits down to tell her story for the first time.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Katt Williams Interview Made Shannon Sharpe’s “Club Shay Shay” a Hit

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      “Club Shay Shay” became a must-stop destination for Hollywood after Katt Williams aired his grievances. “This was our ‘Thriller’ album,” said the host Shannon Sharpe.Shannon Sharpe won three Super Bowls in a Hall of Fame career and once recorded 214 receiving yards in a game, the most ever by a National Football League tight end. Another crowning achievement came long after he was outmuscling bulky defenders, when he convinced a 5-foot-5 comedian to open up while sipping cognac on a brown leather sofa.When that comedian and actor, Katt Williams, aired his grievances against prominent Black celebrities, including Sean Combs and Kevin Hart, it instantly turned Sharpe’s podcast “Club Shay Shay” into a must-stop destination in Hollywood and beyond. In the months after the episode aired in January 2024, Sharpe secured interviews with the rapper Megan Thee Stallion and the Democratic presidential candidate Kamala Harris.“‘Club Shay Shay’ has become the modern-day talk show,” said Lillian Xu, a top podcast executive for Vox Media, which produces a handful of rival series.Sharpe has cut through in a saturated podcast ecosystem where Alex Cooper and the Kelce brothers command nine-figure contracts. In addition to “Club Shay Shay,” Sharpe makes twice-weekly appearances on “First Take,” ESPN’s popular morning debate show, and hosts a secondary podcast, “Nightcap,” with the former N.F.L. receiver Chad Johnson.Before a live taping of a “Nightcap” episode in New Orleans this week ahead of the Super Bowl, Sharpe exercised his vocal cords in a backstage greenroom as a makeup artist prepared to pat his face. Moments later, his voice, laced with a country-twang accent, soared throughout an auditorium. The friends debated N.F.L. award winners, Johnson’s relationship issues and other topics.In the past year, Sharpe has interviewed Megan Thee Stallion, Kamala Harris, Mo’Nique and Kai Cenat on his podcast “Club Shay Shay.”Emily Kask for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Kanye West Announces He Was Diagnosed With Autism

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      The rapper and designer formerly known as Kanye West revealed the diagnosis during a podcast interview where he also discussed his upcoming album.Less than a week after his controversial appearance on the Grammy Awards red carpet, in which his wife stripped down to an entirely sheer dress, Ye, the rapper and designer formerly known as Kanye West, announced in a podcast interview that he had been diagnosed with autism.Over the past few years, Ye has frequently mentioned a diagnosis of bipolar disorder, which he alluded to on the cover of his album “ye” in 2018, with scrawled green text that read “I hate being Bi-Polar its awesome.”On the track “Yikes,” Ye said being bipolar was not a disability but rather a superpower. That same year, in an interview with The New York Times, he said he had been “learning how to not be on meds.”But on an episode of “The Download,” hosted by Justin Laboy, a former professional basketball player turned internet personality, Ye discussed his mental health and said he had been misdiagnosed. In the interview, which was released on Wednesday, he said that his wife, Bianca Censori, had challenged him to get a second opinion, and that he sought out a doctor who he said had previously worked with the singer Justin Bieber.“Come to find out it’s really a case of autism that I have,” Ye said.“Autism takes you to a ‘Rain Man’ thing where you’re like, I’m gonna wear this Trump hat because I just like Trump in general, and then when people tell you to not do it you just get on that one point,” he added, making reference to the 1988 film starring Dustin Hoffman as a man with autism.Messages to a representative for Ye seeking further clarity on the diagnosis were not immediately returned.In 2020, Kim Kardashian, who was then married to Ye, defended the rapper in an Instagram post after a series of erratic social media posts. In it, she attributed at least some of his actions to his diagnosis of bipolar disorder. Two years later, Ye made a series of antisemitic and offensive comments that led Adidas to end its longtime relationship with him and the Creative Artists Agency to drop him as a client.On social media, the reactions to this week’s podcast interview, in which Ye also discussed his upcoming album, “Bully,” and the ongoing feud between the rappers Kendrick Lamar and Drake, were mixed.In comments on the podcast’s Instagram account, some users praised Ye for his openness and chattered excitedly about the new album, which he said will be released later this year. Others continued to criticize him for the barely there dress he designed for Ms. Censori to wear at the Grammys.On the social media platform X, other users voiced concern for Mr. West’s mental health, with many noting that diagnoses of autism and bipolar disorder do not have to be mutually exclusive. More