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      in Television

      ¡Vámonos! Dora Is Back for a New Round of Exploring

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      Boots, Map, Swiper and Backpack all return too, in a new “Dora” that includes a lot more Latin music and Spanish language.Barbie isn’t the only childhood heroine experiencing a renaissance. Yet unlike the doll of last year’s blockbuster movie, the next pop-culture star who’s about to re-emerge isn’t a statuesque blonde in stiletto heels. She’s a pint-size Latina with sturdy sneakers and a trusty backpack.Welcome back, Dora.Nickelodeon, the network that in 2000 introduced “Dora the Explorer,” the groundbreaking bilingual animated show about the adventures of a 7-year-old Hispanic girl, is now rebooting that hit series, which over eight seasons aired in more than 150 countries, winning multiple awards and inspiring two TV spinoffs and a feature-length film.The new show’s catalyst “wasn’t necessarily that the first series was over,” Valerie Walsh Valdes, a creator and executive producer of “Dora,” said in a video interview. (“Dora the Explorer” continues to stream on various outlets, including YouTube.) “It was, ‘OK, how are we extending it, how are we going to grow her? And what’s the next iteration?’”On Friday, Paramount+ will release a full season of 26 streaming episodes of the new show, which is titled simply “Dora” and which will also air internationally on the Nick Jr. channel. (Select episodes will be on YouTube as well.) An accompanying podcast, “Dora’s Recipe for Adventure,” will expand the little girl’s exploits into the culinary sphere.The 2024 “Dora” combines old and new. The series retains all the core characters — Dora; her sidekick, the monkey Boots; her talking tools, Backpack and Map; and her antagonist, the thieving fox Swiper — while featuring them for the first time in computer-generated animation. The show still focuses on expeditions that teach problem-solving strategies and social skills, but Map now has some high-tech capabilities. Dora and Boots continue to embark on missions to find lost objects or aid friends in a magical rainforest, but the quests are faster-paced: Each “Dora” episode is now an 11-minute story. And, significantly, the series will incorporate a greater breadth of Latin music and more Spanish language for Dora.Ten-year-old Diana Zermeño voices Dora in the new show, while Kathleen Herles, who played her in the original “Dora the Explorer” series, has returned to voice Dora’s mother.Paramount+We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      The Best True Crime to Stream: Scams, Schemes and Costly Lies

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      Four picks across television, film and podcast that depict the art of the con.There are so many true crime offerings dedicated to scams, frauds and con artists that it can be overwhelming. Many of these stories are astonishing and worthy of attention, whether the deceptions are financial, medical, romantic or otherwise. Often most surprising is how relatively painless it seems to lay such traps, and how many people, regardless of personal circumstances, take the bait.Here are four picks across television, film and podcast that stand out, all of which underscore what can unfold when a hunger for money, power or prestige is put above all else.Documentary Film“Operation Varsity Blues: The College Admissions Scandal”With college acceptance season upon us, it seems appropriate to revisit one of the most outrageous education scandals in recent years: a $25 million bribery scheme that prompted a federal investigation called Operation Varsity Blues. The mastermind behind it was William Singer, a basketball coach turned college admissions counselor who ran a criminal enterprise that opened a fraudulent path for wealthy people to have their children accepted by elite universities under the guise that they had earned entry based on academic and extracurricular excellence. Test scores were doctored, for example, and athletic credentials were fabricated in ludicrous ways.Dozens of powerful people were accused and arrested, most famously the actresses Felicity Huffman and Lori Loughlin, who both served time in prison.In this 2021 film, the director Chris Smith puts a fresh spin on re-enactments, long the life blood of true crime television and films, by recreating full scenes and pulling dialogue directly from wiretaps. Matthew Modine (“Stranger Things,” “Oppenheimer”), who plays Singer, and other actors bring it all to life.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      The Sean Combs Saga Is Catnip for Pop Culture Podcasts

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      The raids of Combs’s homes have been a primary topic on podcasts and radio shows that cover the Black entertainment world.In the sprawling world of Black pop culture podcasts, its own media ecosystem covering the story lines and people central to the hip-hop genre, the one topic that dominated conversation this week was, unsurprisingly, the latest in the saga of Sean Combs.On Monday, federal agents raided the Los Angeles and Miami homes of Combs, the hip-hop mogul who has been accused in several civil lawsuits of sexual assault. He has vehemently denied all the claims. The news spurred days of freewheeling and varied reactions from radio personalities and podcast hosts whose discourse veered toward humor, speculation and denial, far from the tone struck by traditional news outlets.The rapper Mase, who topped charts as an artist signed to Combs’s Bad Boy record label in the late ’90s before their relationship soured, avoided addressing him by name on the sports-centric “It Is What It Is” podcast a day after the raids, but laughed and said that “reparations is getting closer and closer.”The same day, hosts of the popular morning radio show “The Breakfast Club” criticized the actions of the authorities — which Combs’s lawyer called an “unprecedented ambush, paired with an advanced, coordinated media presence” — as unnecessary: Charlamagne Tha God said he was curious about what information they had to justify the raids. Jessica Moore, known as “Jess Hilarious,” implied that the federal action was reminiscent of a television show. The third host, DJ Envy, agreed, and said the authorities acted like “they were going for the mob.”The former N.B.A. player Gilbert Arenas, who hosts the “No Chill” podcast, posted a 10-minute special episode on YouTube on Thursday that discussed the raids.“It’s over, no, it’s done, they got you,” he said, while laughing.To provide context for his listeners, Arenas said he had been at the scene of more than a dozen raids while he was in “the weed game, the poker game.” He noted that those raids happened between 1 a.m. and 5 a.m.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Nickelodeon and Disney Stars Find a Second Act on Podcasts

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      The cast of the Nickelodeon series “Ned’s Declassified School Survival Guide” are among the stars of 2000s teen sitcoms who are using podcasts to connect with their Gen Z and millennial fan bases.For three years starting when he was just 12 years old, Devon Werkheiser dispensed advice for bearing the indignities of middle school as the title character in the Nickelodeon series “Ned’s Declassified School Survival Guide.” Two decades later, he said, people still recognize him as Ned Bigby.“There was a time when I wanted to transcend ‘Ned’s,’” Werkheiser said, “but maybe it’s the answer in getting me where I want to go.”Now 33, he’s made peace with his past and is still giving tips to his peers, only he is using a more modern medium. In “Ned’s Declassified Podcast Survival Guide,” he and his former “Ned’s” castmates Lindsey Shaw and Daniel Curtis Lee dish about the show, which aired from 2004 to 2007, and open up about past personal and career struggles.The three are among a cohort of former stars, many from Nickelodeon and Disney Channel shows from the 2000s, who have started podcasts as a way of connecting with a nostalgic Gen Z and millennial fan base. In doing so, they are embracing roles that they played as children and teenagers — characters that some had spent years trying to move beyond, with mixed success.“Part of the truth is, if any of our careers were maybe further along, maybe we wouldn’t be doing podcasts,” Werkheiser said in an interview. “There are comments that speak to that as if we don’t know.”Since the “Ned’s” podcast debuted in February 2023, several exchanges have caused a stir among its 717,000 TikTok followers. Shaw, who played Moze on the show, spoke about her past struggles with substance abuse. Werkheiser gave an emotional account of his time on the set of the troubled Alec Baldwin western “Rust.” And he and Shaw punctured the innocent image of their old show with an awkward exchange about their fumbling offscreen sexual encounters.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      The Loony Musings of the ‘Valley Heat’ Podcast

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      Christian Duguay’s podcast purports to be about the neighbors in the Rancho Equestrian District of Burbank. One thing is for sure: It’s masterfully absurd.In the Rancho Equestrian District of Burbank, Calif., they take foosball seriously — and those who don’t, well, they might get their thumbs broken. Or worse. Foosball is life or death there, but mostly death, or at least it can seem that way on “Valley Heat,” a deliriously deadpan fictional podcast about this real neighborhood that delights in ludicrous lore and nonsense.Its host, the spectacularly ineffectual freelance insurance adjuster Doug Duguay (played by Christian Duguay, a former star of “Mad TV”), tells his audience with the earnestness of an NPR host that when it comes to causes of death, a lot of people don’t know that foosball is “second only to jumping off cliffs in bat suits.”There’s no better indictment of the algorithms that power our digital landscape than the fact that my feeds have shown me thousands of videos of comedians doing crowd work over the past few years, but not a peep about this masterfully absurd podcast. While its 17 episodes evoke the dry humor of Mike Judge and the gleefully silly song parodies of “Flight of the Conchords,” “Valley Heat” remains under the radar, probably for the same reason it’s such an exciting find. It’s too weird to neatly categorize or quickly explain.I knew little about it before a recommendation from a friend, who said: “I’m not going to tell you anything, just listen.” I didn’t get it at first. It seemed banal, wandering. But its humor sneaks up on you. It’s somehow improvisational and literary at the same time, drunk on language, packed with twists, narrowly satirical while also creating a strange aesthetic world. The muted tone requires some focus from listeners. Once I tuned into its peculiar frequency, it had me laughing out loud as much as any TV show has in recent years.The first season was released in 2020 and developed a cult following, with some famous fans like Patton Oswalt. After a few episodes of a second season, the podcast vanished for more than a year and a half. It re-emerged in January on the platform Maximum Fun, which this year released two new episodes (that include Oswalt as a voice). The show centers on Doug, a beta male buffoon who tells us he was the kind of kid who could never have fun at a party. Doug grew into the kind of adult who becomes flustered when his wife’s yoga teacher, who answers the phone by saying “light and love,” texts mermaid emojis in Venmo transactions. “The mermaid is the only naked emoji,” he explains, before hedging. “Not fully naked.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Neil Young Will Return to Spotify, Ending Protest of Joe Rogan

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      The rock musician removed his songs from the streamer in 2022 to protest coronavirus podcast episodes, but reversed course in light of the show’s wider distribution.Neil Young will return his music to Spotify, two years after withdrawing it in protest over the podcast host Joe Rogan’s shows about Covid-19, the veteran rock musician announced on his website Tuesday.Without naming Rogan, Young wrote: “My decision comes as music services Apple and Amazon have started serving the same disinformation podcast features I had opposed at Spotify.” Rogan previously had an exclusive deal with Spotify, which has since been renewed to allow wider distribution of his show.In January 2022, Young drew wide attention by accusing Spotify of “spreading fake information about vaccines” through Rogan’s show, and he gave the platform an ultimatum: “They can have Rogan or Young. Not both.”Rogan, a comedian and actor, has become one of the most popular and influential figures in podcasting with his show “The Joe Rogan Experience,” which features long, freewheeling interviews with guests like Elon Musk, Ye, scientists and fellow comedians.Days before Young’s public letter, a group of doctors, scientists and public health officials asked Spotify to crack down on Covid-19 misinformation, pointing to an episode of Rogan’s show that featured Dr. Robert Malone, a virologist and vaccine skeptic who promoted a theory that millions of people had been “hypnotized” about the coronavirus.Following Young’s protest, the singer-songwriter Joni Mitchell also removed her music from Spotify, and the R&B singer India.Arie circulated clips showing Rogan using a racial slur repeatedly on the show. Rogan apologized for his use of the word, and Spotify quietly removed dozens of episodes of his show. Rogan also said he was willing to have “more experts with differing opinions right after I have the controversial ones.”In a public statement at the time, Daniel Ek, Spotify’s chief executive, said, “It is important to me that we don’t take on the position of being content censor while also making sure that there are rules in place and consequences for those who violate them.” The company added a “content advisory” notice to any podcast episode that involved Covid.Spotify signed Rogan to a deal in 2020, worth at least $200 million, that made his show exclusive to that platform. Last month, the company announced a new, multiyear arrangement with Rogan in which Spotify would also distribute “The Joe Rogan Experience” to other podcast platforms, as well as YouTube. According to a report in The Wall Street Journal, the new deal could be worth as much as $250 million.In his statement on Tuesday, Young didn’t give a timeline for when his music would return to Spotify, and a representative of Spotify did not immediately respond to a request for comment.Last year, in an analysis of how Young’s streaming activity had changed since withdrawing his music from Spotify, Billboard estimated that the protest had cost him about $16,000 in royalties per month. More

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      in Movies

      The Best True Crime to Stream: Viral Stories With a Twist

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      What happens when widespread attention plays an unexpected role in a crime or investigation? Here are four picks across television, documentaries and podcasts that explore the question.These days, it’s common for a true crime story to go viral, but that interest often gathers momentum only after an investigation, documentary, podcast or online conversation brings to light a previously unfamiliar saga. For this streaming list, I wanted to look instead at stories that were, to some degree, viral already, and where that buzz was essential to the yarn itself — altering or shaping the unusual events. Here are four memorable offerings.Documentary film“The Hatchet Wielding Hitchhiker”Caleb McGillvary, known as Kai, may have been among the first so-called milkshake ducks, a term for a noncelebrity who delights the internet, only to fall from grace.In 2013, he was interviewed for an on-the-scene news segment in which he recounted how he had intervened to stop a crime while hitchhiking in Fresno, Calif. The video, where he is referenced as “Kai, the Homeless Hitchhiker With a Hatchet” quickly went viral, and McGillvary — a goofy, charismatic, eccentric vagabond — was hailed as a hero.Quickly came a bonanza of memes and television appearances — including a segment on “Jimmy Kimmel Live!” — as well as talks of his own reality show. But the good times didn’t last. A few months later, he was arrested on charges that he had killed a man in New Jersey.This 2023 Netflix documentary, from the director Colette Camden, unpacks McGillvary’s internet fame, the subsequent fallout and his murder trial. It also serves as a time capsule of sorts, capturing the frenetic pace and fickle mood of American web culture in the mid-2010s.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      5 Podcasts for Hollywood’s Awards Season

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      As Oscars night approaches, these shows offer expert analysis and predictions, insight into behind-the-scenes machinations and reflections on front-runners of the past.The 2024 awards season has felt unusually hectic so far, thanks to the strike-delayed Emmy Awards shifting from their usual fall airdate to January. To help make sense of it all — and unpack the discombobulated state of Hollywood now — these five podcasts offer a mixture of expert analysis and predictions for the major ceremonies, original reporting on the industry trends and behind-the-scenes machinations that influence voting, and reflections on Oscar front-runners of the past that probably shouldn’t have been.‘Little Gold Men’This Vanity Fair series debuted in 2015, which means it’s been on hand to chronicle some of the weirdest moments in Academy history, like the 2017 Best Picture flub (when “La La Land” was mistakenly announced as the winner instead of “Moonlight”), 2021’s muted Covid-era ceremony held in a cavernous Los Angeles train station, and the slap heard around the world in 2022. But even when there’s nothing quite so unusual going on, the analysis here always makes awards season more interesting. Hosted by the Vanity Fair journalists Michael Hogan, Katey Rich, Richard Lawson and Joanna Robinson, the conversation is always exhaustive and packed with expertise, exploring not just the contenders for Hollywood’s top prizes, but also the campaigning and strategizing that shape the race. Since many Oscar journeys begin at film festivals such as Sundance, Cannes, Venice and Toronto, there’s no shortage of news and releases to cover year round, not to mention interviews; recent guests have included Andrew Scott (“All of Us Strangers”), Emma Stone (“Poor Things”) and Greta Lee (“Past Lives”).Starter episode: “Oscar Voters, Start Your Engines”‘This Had Oscar Buzz’There’s a peculiar category of film that debuts with great fanfare, attracts plenty of awards buzz, and then fades from the cultural consciousness without a trace (and no awards). Not all of the films discussed on “This Had Oscar Buzz” fall into that bracket, but, as the title suggests, the focus is on the movies that had that buzzy aura around them, at least for a while. An early episode about “Cake,” a 2014 movie starring Jennifer Aniston as a woman living with chronic pain, exemplifies what works so well about this format — Aniston was lauded for her playing-against-type performance and campaigned intensely during that awards season, but was famously snubbed on Oscar nomination morning. The hosts, Joe Reid and Chris Feil, don’t belittle either the performance or the hustle, but rather use the hype around “Cake” as a jumping-off point to discuss Aniston’s career and celebrity more broadly, alongside the ins and outs of how exactly buzz gets built in the first place.Starter episode: “Alexander (With David Sims)”‘The Town With Matthew Belloni’Though not a traditional awards season podcast with predictions or play-by-play recaps, “The Town” is an invaluable resource for anyone hoping to understand the upheaval in Hollywood. Delivered in snappy episodes that clock in around 30 minutes, Matthew Belloni, a former editor of The Hollywood Reporter and a founding partner of the digital media company Puck, shares insights and exclusive reporting on the industry, whether the issue is last year’s monthslong writers’ and actors’ strikes, Disney’s succession woes or the cost-of-streaming crisis. In a recent episode, Belloni and Brooks Barnes, a Hollywood correspondent for The New York Times, went deep on the current state of the “unkillable” Golden Globes, which returned last year after a hiatus sparked by controversy surrounding its now-defunct unorthodox voting body, the Hollywood Foreign Press Association. Traditionally the first awards show on the calendar — and the most chaotic — the Globes have proved to have more staying power than many predicted, and this analysis is a good resource for anybody wondering why.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More