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    Bruce Springsteen’s Rowdy ‘Repo Man,’ Plus 11 More New Songs

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    Hear tracks by S.G. Goodman, the Lemonheads, Rihanna, Lido Pimienta and more.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Bruce Springsteen, ‘Repo Man’While Bruce Springsteen was recording the somber songs on “The Ghost of Tom Joad” in 1995, he was also, it’s now revealed, blowing off steam with rowdy, lighthearted songs like “Repo Man,” the latest preview of his archival collection “Tracks II: The Lost Albums.” It’s a Chuck Berry-meets-Buck Owens country-rocker that has Springsteen hollering, “You shouldn’t have bought it if you couldn’t have paid!” It’s also a showcase for skidding, careening, scene-stealing solos by Marty Rifkin on pedal steel guitar, abetting Springsteen’s stunt driving as he turns class warfare into comedy.S.G. Goodman, ‘Snapping Turtle’“I grew up hard on bottom land where only crops should grow / Watched people reap what the demons sowed,” S.G. Goodman sings in “Snapping Turtle,” from an album due June 20. She’s from Kentucky, where she grew up and still lives; the cracks and scratches in her voice hark back to Appalachian roots. “Snapping Turtle” is a stoic, six-minute march, a two-chord jam with eerie resonances opening up under drums and guitars. Goodman sings about memories she can’t escape — including a friend who had “a life beat down” — and the bitter lessons of the small town “where my mind gets stuck.”Sofi Tukker featuring Liniker, ‘Intensity’Sofi Tukker — the duo of Sophie Hawley-Weld and Tucker Halpern — sets aside its usual electronic production on its new album, “Butter.” Instead, they visited Brazil, enlisted the producer Marcio Arantes to assemble a mostly acoustic studio band and invited Brazilian musicians like Seu Jorge as guest singers. Most of “Butter” remakes (and unplugs) songs from the duo’s 2024 album, “Bread.” But “Intensity” — with guest vocals from the Brazilian songwriter Liniker — is a new song. Over syncopated acoustic guitar and a crisply sputtering, samba-rooted beat, Hawley-Weld and Liniker celebrate a partnership that’s “way too much / It’s the right amount for me.”yeule, ‘Dudu’Named after the nonsense syllables in its hook, “Dudu” has such a blithe, shiny pop facade that the verses could easily go unnoticed. Yeule — a style-hopping, electronics-friendly songwriter and producer from Singapore — sings about unrequited love that’s turned pathological. “Overdosed from the pain / Woke up in a bed, restrained,” yeule sings. “I screamed and screamed and screamed your name.” But the vocals are so nonchalant, surrounded by whizzing synthesizers and kicked along by a robust backbeat, that the heartache almost evaporates.DannyLux, ‘Sirena’The Mexican American songwriter DannyLux has thrived by playing up his sensitive side, and “Sirena,” the single from his new album “Leyenda,” is no exception. In a waltzing corrido that updates the traditional acoustic guitars with a sheen of reverb, extra vocal harmonies and a sudden shift of texture before the second verse, he insists he’s been hypnotized forever by a woman’s beauty — though he also reminds her that “Other guys would put a price on your body, a price on your kisses.” He’s more sensitive, of course.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Who is Dawn Richard, the Danity Kane Singer Who Will Testify at Sean ‘Diddy’ Combs’s Trial?

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      The musician performed in two of the mogul’s best-known recent acts, Danity Kane and Diddy — Dirty Money. She sued him last year, alleging threats and groping.Dawn Richard, the singer expected to take the stand as a witness at the Sean Combs trial after Casandra Ventura, was part of two of Mr. Combs’s best-known acts over the last two decades. She was in the R&B girl group Danity Kane, familiar to viewers of his MTV reality show “Making the Band,” and a trio called Diddy — Dirty Money.And like Ms. Ventura, she has accused Mr. Combs of misconduct during her time with him, alleging in a lawsuit filed last year that he threatened her, groped her and would fly into “frenzied, unpredictable rages” while he oversaw her career. In response to that suit, a lawyer for Mr. Combs said in a statement that Ms. Richard had “manufactured a series of false claims all in the hopes of trying to get a payday.”Danity Kane was assembled by Mr. Combs during the third iteration of “Making the Band,” which began in 2005. On the show, 11 finalists were winnowed to a final team of five, their name inspired by a superhero character that Ms. Richard had drawn.Ms. Richard, now 41, grew up in New Orleans, and she was the subject of the premiere episode of the show’s third season, as the group visited her hometown and surveyed the destruction caused by Hurricane Katrina. That season ended with the quintet’s filming a video for its debut single, “Show Stopper,” which reached No. 8 on Billboard’s Hot 100 chart.Danity Kane opened for Christina Aguilera on tour and released two albums before going on a hiatus in 2009. Then, Ms. Richard remained in Mr. Combs’s musical tent as part of Diddy — Dirty Money, a trio that also featured Mr. Combs as well as another singer, Kalenna Harper.After one album, Mr. Combs disbanded the trio — over email — but Danity Kane reunited, releasing a third and final album in 2014. After another break, Danity Kane was active again, from 2018 to 2020.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Springsteen, in England, Blasts Trump Administration as ‘Treasonous’

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      His remarks, delivered to an audience abroad, stood out at a time when other superstar artists have seemed to mute their criticism of the president.Bruce Springsteen opened his “Land of Hope and Dreams” tour in Manchester, England, on Wednesday with a forceful denunciation of President Trump, accusing him and his administration of trampling on civil rights and workers, abandoning allies and siding with dictators.Even for an avowed liberal like Mr. Springsteen, it was a notably piercing broadside at a time when some artists have seemed to avoid directly confronting Mr. Trump as they did in 2017, after he took office the first time. Back then, many prominent performers and celebrities roundly denounced Mr. Trump at shows and rallies and on television.Appearing in Manchester, Mr. Springsteen, 75, criticized Mr. Trump in separate remarks before his songs “Land of Hope and Dreams,” “House of a Thousand Guitars” and “My City of Ruins.” He later posted a transcript of his comments on his website and a video of them on his YouTube channel.“The mighty E Street Band is here tonight to call upon the righteous power of art, of music, of rock ’n’ roll, in dangerous times,” he said. “In my home, the America I love, the America I’ve written about that has been a beacon of hope and liberty for 250 years is currently in the hands of a corrupt, incompetent and treasonous administration.”The crowd responded with cheers, and Mr. Springsteen went on to offer a litany of grievances about the administration, accusing it of “taking sadistic pleasure in the pain that they inflict on loyal American workers.”“They’re rolling back historic civil rights legislation that has led to a more just and plural society,” he said. “They’re abandoning our great allies and siding with dictators against those struggling for their freedom. They’re defunding American universities that won’t bow down to their ideological demands. They’re removing residents off American streets and, without due process of law, are deporting them to foreign detention centers and prisons. This is all happening now.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How Much Does It Cost to See Beyoncé? It Depends.

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      Some fans who paid top dollar for the star’s Cowboy Carter Tour are feeling miffed as prices drop. Other procrastinators are reaping the benefits.Tanaka Paschal, 43, was thrilled to be taking her son to Beyoncé’s final Southern California show on her Cowboy Carter Tour this month. They had missed the Renaissance World Tour two summers ago; tickets had sold out so fast, some fans ventured overseas to catch a gig.“I thought I was not going to be able to see her, so I jumped on it,” she said.Paschal bought a pair of floor seats for about $900 total, but like many others, she soon had a bit of buyers’ remorse. In the weeks that followed, she saw the price for similar seats drop by hundreds of dollars, then increase, then drop again.“It’s frustrating,” she said. “The next time, I’m going to wait until the day of.”When tickets for big summer tours by acts like Lady Gaga, the Weeknd and Kendrick Lamar and SZA go on sale, the prevailing wisdom is you have to move fast during one of the presales offered by artists and credit card companies or you’ll be shut out.Most, if not all, tickets are usually snatched up immediately, with prime seats popping up on resale platforms like StubHub or Ticketmaster’s own secondary market at inflated prices. (Fans hoping to see Taylor Swift’s Eras Tour famously didn’t even get a shot at the general on-sale: All the tickets were long gone.)Kendrick Lamar is also on a stadium tour this year, supporting his recent album, “GNX” and a big year.Graham Dickie/The New York TimesBut things have been different for Beyoncé’s tour this time supporting her Grammy album of the year-winning “Cowboy Carter”; tickets moved during the presales, but a glance at the seat maps on Ticketmaster’s pages later revealed not only a lot of pink dots indicating resale tickets, but plenty of blue dots representing available seats that had gone unpurchased, too. And those prices were notably changing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Christy Moore, Ireland’s Folk Music Legend, Is Still Writing History

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      Even though he just turned 80 and doesn’t leave the country, Moore finds himself at a surprising career peak, performing for generations of fans with an intense connection to his music.A sudden buzz crackled through the 2011 Oxegen Music Festival as one of pop’s starriest power couples — Beyoncé, who was performing on the final night, and Jay-Z — made their way backstage at the summer fete in the rolling countryside of County Kildare, Ireland. An older gentleman (bald, barrel-chested, in a black T-shirt) held open a door to the V.I.P. entrance for them. Sweeping past, Jay-Z pressed a $50 bill into the man’s hands, assuming he was a staff member or security — unaware he’d just tipped Ireland’s most beloved living musician, Christy Moore.Moore closed the festival that night, as the surprise guest of the headliners, Coldplay. Performing his soaring 1984 anthem “Ride On,” he heard 60,000 fans roar at his introduction (“One of our heroes since we were kids,” Chris Martin announced), sing along at full volume and chant his name.Born in nearby Newbridge, Moore had returned home after a long, celebrated career as a singer, songwriter, solo artist and leader of the groundbreaking folk band Planxty and the Celtic rock collective Moving Hearts. He’d become an icon, a national treasure — but a man still easily mistaken for the help.“Once, at Carnegie Hall,” Moore recalled gleefully during a recent interview, “a critic wrote, ‘When Moore came out, I presumed he was a stagehand coming to move the piano.’ I think that review was OK.”Moore, who turned 80 earlier this month, finds himself at a surprising professional peak. Last year, his 25th studio LP, “A Terrible Beauty,” debuted at No. 1 in Ireland, besting Sabrina Carpenter and Tyler, the Creator. Once a globe-trotting touring artist, these days Moore only plays his native island, performing solo — accompanying himself on guitar, bodhran drum or sometimes singing a cappella — while exploring a repertoire of songs that cut across several hundred years of history.Whether singing about the Blanket Protests (“Ninety Miles to Dublin Town”), detailing the Stardust nightclub tragedy (“They Never Came Home”) or pondering post-Troubles reconciliation (“North and South of the River,” his collaboration with U2), Moore has made a career charting his nation’s tragedies, triumphs and often difficult progress.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How to Win Eurovision in 7 Easy Steps

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      What’s the best way to win the Eurovision Song Contest, the world’s most watched cultural event?Should you enter a disco track about a long-forgotten military conflict (like Abba once did)? A French-language workout song (like Celine Dion’s 1988 winner)? Maybe some swaggering rock about marching to the beat of your own drum (like Maneskin)?We analyzed the music, lyrics and onstage performances of every winning act since 2000 to learn the secrets of a perfect Eurovision song.NO. 1Sing about personal liberationConchita Wurst (Austria) performing her 2014 winning song “Rise Like a Phoenix.”A good start is to have a track about believing in yourself, owning your own destiny, or not caring what society thinks.Take Conchita Wurst, a bearded drag queen who represented Austria in 2014 with the epic song “Rise Like a Phoenix.” The self-help bona fides were clear from the title: Wurst was emerging from the ashes of past troubles, and nobody could stop her.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Joe Louis Walker, Free-Ranging Blues Explorer, Is Dead at 75

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      A product of the San Francisco rock crucible of the 1960s, he fashioned his own brand of the blues, blending gospel, soul, rock and other genres.Joe Louis Walker, a blues master and musical omnivore whose snarling guitar work, gritty vocals and introspective songwriting earned him the praise of Herbie Hancock, Mick Jagger and many others over a six-decade career, died on April 30 in Poughkeepsie, N.Y. He was 75.His wife, Robin Poritzky-Walker, said his death, in a hospital, was from a cardiac-related illness.Mr. Walker recorded more than 30 albums for a variety of labels, starting with “Cold Is the Night” in 1986. He toured extensively and was a staple of blues festivals around the world. He won the Blues Music Award (formerly the W.C. Handy Award) multiple times and was nominated for a Grammy Award for his 2015 album, “Everybody Wants a Piece.” He was inducted into the Blues Hall of Fame in 2013.Mr. Walker was nominated for a Grammy Award for his 2015 album, “Everybody Wants a Piece.”ProvogueAlong the way he traded riffs with blues powerhouses like B.B. King, Buddy Guy and Otis Rush.The keyboard innovator Herbie Hancock deemed him “a singular force” with a “remarkable gift for instantly electrifying a room.” Mick Jagger called him “a magnificent guitar player and singer.” The jazz pianist and composer Chick Corea playfully anointed him “the Chick Corea of blues.”Critics, too, felt Mr. Walker’s power. “His voice is weather-beaten but ready for more; his guitar solos are fast, wiry and incisive,” Jon Pareles wrote in a 1989 review in The New York Times, “often starting out with impetuous squiggles before moaning with bluesy despair.”Mr. Walker in performance in 1995. One reviewer called him “a fluttering blues guitarist” whose “lines seem blown by the wind.”Simon Ritter/Redferns, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      April Showers Bring May Flowers, the Playlist

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      Hear songs by Lana Del Rey, SZA, Waxahatchee and more.Lana Del ReyMario Anzuoni/ReutersDear listeners,This is Dani Blum, a health reporter and sometime music writer at The New York Times, filling in for Lindsay this week.May is when music leaks outside, when songs start to seep out of car windows, when clusters of speakers clog parks. This always feels like a kind of benediction to me, or a reward for the long slog of murky, soggy spring.You know the saying about the seasonal blossoming — so with that in mind, I put together a playlist focused on flowers, but also on the quiet, thrumming hope that comes this time of year. Call it post-spring, pre-summer, the sweetest form of seasonal purgatory. This playlist features songs from across the last decade, including older tracks from Lorde and Lana Del Rey — two artists whose new music I’m most excited to hear this summer — as well as an understated track from the queen of last summer, Charli XCX.I bloom just for you,DaniListen along while you read.1. Faye Webster featuring Father: “Flowers”The Atlanta-based indie singer Faye Webster can tell an entire story with the quake in her voice. Her vowels seem to cave in as she sings, “Can you just give me all your time?/ I’m gonna try give you mine.” It’s a simple couplet that binds the song together, equal parts pleading and reassuring.▶ Listen on Spotify, Apple Music or YouTubeWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      He Spent $12,495 to Be Gene Simmons’s Roadie (and Got More Than Expected)

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      A father-son pair ponied up for the V.I.P. experience last week and got a glimpse behind the scenes of a rock ’n’ roll show, and into a notorious star’s heart.A few years ago, The Financial Times named Kiss “rock’s greatest capitalists.” By the newspaper’s count, the band founded in 1973 had licensed its name to some 5,000 products, including Kiss Kondoms and Kiss Kaskets.The “Kiss thing,” Gene Simmons, the band’s brash founding singer-bassist, once said, “has become this huge monster, despite the fact that critics say that doing games and slot machines and golf courses is not credible. Critics still live in their mother’s basement. We own the world.”Kiss wrapped up its End of the Road (supposed) farewell tour at Madison Square Garden in December 2023, but not before introducing digital avatars designed to perform shows and, in theory, make money in perpetuity. (Actual members of Kiss will play together in November as part of the Kiss Army fan club’s 50th-anniversary celebration in Las Vegas.)Early this month, Simmons started a solo tour with his Gene Simmons Band. And, at the age of 75, he’s still upsetting critics. For each stop, Simmons is offering a “Personal Assistant and Band Roadie for the Day” experience to one fan. The rocker’s website promises that the roadie and one guest will get to help set up for the gig, attend the soundcheck, have a meal with Simmons, get an onstage introduction during the show and receive a signed bass. V.I.P. experiences have become standard in pop, but it was the package’s price tag — $12,495 (show tickets not included) — that set the internet off. “‘Greedy’ Kiss rocker worth $400M is slammed for charging fans insane money to be his assistant,” blared a Daily Mail headline.Dwayne Rosado, right, and his son, Zach, got to attend the soundcheck, have a meal with Simmons, get an onstage introduction during the show and receive a signed bass.Peter Fisher for The New York TimesIt’s not insane to everyone. “This is what I choose to spend my money on,” said Dwayne Rosado, a tattooed 52-year-old retired corrections sergeant from Middletown, N.Y. He and his soft-spoken son, Zach, a 5-foot-11 seventh grader into mixed martial arts, video games and electric guitar, were the roadies for the day at Simmons’s recent concert at the Count Basie Center for the Arts’ 1,500-capacity theater in Red Bank, N.J. On the afternoon of the show, father and son — both wearing the official Gene Simmons Band road crew shirts that had been provided for them — waited at the theater’s loading area for the rock star to arrive.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More