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    Dolly Parton Bows Out of Rock & Roll Hall of Fame Nomination

    The country singer, who was among 17 genre-spanning nominees this year, said, “I don’t feel that I have earned that right” and asked to be removed. Voting has already begun.Dolly Parton does not feel rock ’n’ roll enough for the Rock & Roll Hall of Fame.The country singer, known for crossover hits like “Jolene,” “I Will Always Love You” and “9 to 5,” said on Monday that she wished to be removed from consideration for the annual honor after earning her first nomination in February.“Even though I am extremely flattered and grateful to be nominated for the Rock & Roll Hall of Fame, I don’t feel that I have earned that right,” Parton, 76, wrote in a statement posted to social media. “I really do not want votes to be split because of me, so I must respectfully bow out.”❤️ pic.twitter.com/Z6LKfWtlxg— Dolly Parton (@DollyParton) March 14, 2022
    The Rock Hall did not immediately respond to a request for comment. Selection was underway as of last month, and it was unclear what would happen to any potential votes already cast for Parton.Among the 17 nominees eligible for inclusion alongside Parton were others who stretch the traditional definition of rock music: Eminem, A Tribe Called Quest, Lionel Richie, Carly Simon, Dionne Warwick and Kate Bush were selected for the ballot along with bands like Judas Priest, MC5, Rage Against the Machine and New York Dolls.Ballots were sent in February to the more than 1,000 artists, historians and music industry professionals who choose their top five inductees each year, with the winners — typically between five and seven in total — scheduled to be announced in May. This year’s induction ceremony was slated for the fall.The Rock Hall asks its voters to consider an act’s music influence and the “length and depth” of its career, in addition to “innovation and superiority in style and technique.” Following complaints about its treatment of female and Black musicians over the years, the Rock Hall has recently expanded its tent to include artists from rap, pop, R&B and beyond, including Whitney Houston, Janet Jackson, Jay-Z and the Notorious B.I.G. Artists in both the Country Music Hall of Fame and the Rock Hall include Hank Williams, Johnny Cash and Brenda Lee, among others. Parton was inducted into the Country Hall of Fame in 1999.On its website, the Rock Hall praised Parton as a “living legend and a paragon of female empowerment,” adding that her “unapologetic femininity belied her shrewd business acumen, an asset in the male-dominated music industry.”A 2019 look at the organization’s nearly 900 inductees found that only 7.7 percent were women.Other artists have balked at inclusion in the club before: John Lydon, better known as Johnny Rotten of the Sex Pistols, thumbed his nose at the band’s induction in 2006, with the band opting not to show. In 2012, when Guns ’n Roses made it, Axl Rose said he would decline to participate and asked that he not be inducted in absentia. Both acts were inducted anyway.In her statement, however, Parton left the door open. She wrote that she hoped the Rock Hall would “be willing to consider me again — if I’m ever worthy,” noting that she had been inspired by the recognition to “put out a hopefully great rock ’n’ roll album at some point in the future.” More

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    ‘Encanto’ Tops Chart for Ninth Week. Will It Be the Last?

    The soundtrack, which includes TikTok-fueled hits like “We Don’t Talk About Bruno,” may soon be ousted by “7220,” a new release by the Chicago rapper Lil Durk.This week, Disney’s “Encanto” soundtrack notches its ninth, and possibly last, time on the top of the Billboard chart.The “Encanto” album, with songs by Lin-Manuel Miranda, like “We Don’t Talk About Bruno” and “Surface Pressure,” that were amplified through TikTok into streaming blockbusters, holds the No. 1 spot with the equivalent of 72,500 sales in the United States, including 93 million streams, according to the tracking service MRC Data.That is the longest run on the Billboard 200 chart since Morgan Wallen’s “Dangerous: The Double Album,” which ruled for 10 weeks last year. But the numbers for “Encanto” have been slipping for weeks, and it may have finally met a challenger that could oust it: “7220,” by the Chicago rapper Lil Durk, which was released on Friday and is expected to make a splash on the next chart.Also this week, “What It Means to Be King,” a posthumous album by King Von, who died in late 2020 at age 26, opened at No. 2 with the equivalent of 59,000 sales, including 79 million streams.Wallen’s “Dangerous” holds at No. 3 in its 61st week on the chart; of those, 60 have been spent in the Top 10. Kodak Black’s “Back for Everything” is No. 4 and Gunna’s “DS4Ever” is No. 5. More

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    Bobbie Nelson, Longtime Pianist for Brother Willie, Dies at 91

    They grew up together playing music, and in 1973 she became a core member of the band that would take Mr. Nelson to worldwide fame.Bobbie Nelson, the longtime piano player in her brother Willie’s band and a grounding influence in his life and music, died on Thursday in Austin, Texas. She was 91.Mr. Nelson’s publicist, Elaine Schock, confirmed the death.Ms. Nelson and her brother, who is two years younger, had been playing music together since they were children; their grandparents, who were raising them, introduced them to instruments. Bobbie was the more able musician, Mr. Nelson noted in his 2015 autobiography, “It’s a Long Story” (written with David Ritz).“Sister Bobbie’s vast musical mind could deal with all those white and black keys on the piano,” Mr. Nelson wrote. “She knew what to do with them. Six strings was about all I could handle.”Both of them played in the band of Bud Fletcher, whom Ms. Nelson married when she was a teenager. For a time, their career and domestic paths took them in different directions. But in the early 1970s, they both found themselves living in Austin, where Ms. Nelson was teaching piano and playing in lounges.“Then Willie signed with Atlantic Records and asked me if I wanted to do this gospel record with him,” she recounted in a 2008 interview with The Reno Gazette-Journal in Nevada. “I took my first airplane flight then and flew to New York City, and we did ‘The Troublemaker’ and ‘Shotgun Willie,’ and we’ve been playing together from that time on.”She became a foundational member of the Family, Mr. Nelson’s backing band, which he formed in 1973. The band helped rejuvenate his career, which had hit a plateau after a decade of working and recording in Nashville. As Mr. Nelson began to tour extensively and record albums like “Red Headed Stranger” (1975) that branched out from traditional country music, Ms. Nelson was at his side.“She is the best piano player for me,” he wrote in “Roll Me Up and Smoke Me When I Die: Musings From the Road,” a 2012 collection of miscellany. “She rolls with whatever I throw at her, and it doesn’t matter where I run off to in music, she is always there when I get back.”Ms. Nelson was generally content to be in her brother’s shadow, but she would occasionally take a more out-front role, as in 2014 when, billed as Willie Nelson and Sister Bobbie, the two of them released “December Day: Willie’s Stash Vol. 1,” an album of 18 of their favorite songs. James Beaty, reviewing it for The McAlester News-Capital & Democrat in Oklahoma, called it “as smooth as lightly falling snow and warm as a glowing fireplace on a winter’s afternoon.”They released other albums together as well, including several gospel records, and in 2007 Ms. Nelson released a solo album, “Audiobiography.” In 2020, they collaborated on the book “Me and Sister Bobbie: True Tales of the Family Band,” (with Mr. Ritz), in which they told their intertwined life stories, alternating chapters.“Without my sister,” Mr. Nelson wrote in that book, “I’d never be where I am today.”Bobbie Lee Nelson was born on Jan. 1, 1931, in Abbott, Texas, north of Waco, to Ira and Myrle Nelson. They had married when they were teenagers, and soon after Willie was born they divorced and went their separate ways, leaving the children in the care of their grandparents Alfred and Nancy Nelson.“I believe my brother’s happy-go-lucky personality stayed happy-go-lucky because he wasn’t traumatized by the shock of our parents’ departure,” Ms. Nelson wrote in “Me and Sister Bobbie.” “He was too young to understand what was going on. But the trauma got to me.”As a child, Ms. Nelson was mesmerized by the pianist she saw in church each week.“I loved watching her fingers fly over the keys,” she wrote. “I watched her form the clusters of notes that I’d later learn were chords. I watched her, in short, make magic.”When she started playing herself, she wrote, “the piano felt like a friend.”Ms. Nelson and her brother played at local functions before landing in the Fletcher band. After her marriage to Mr. Fletcher ended — she would marry twice more — Ms. Nelson and her three sons ended up in Austin, where she played at piano bars and shopping center openings to make ends meet. When Mr. Nelson’s house in Nashville burned down, she urged him to join her in Austin. They had not played together publicly for years.“If I did come down,” Mr. Nelson recalled saying in his autobiography, “what would you think about playing with my band, Sis?”She replied: “I wouldn’t be thinking, Willie. I’d be crying with joy.”In addition to her brother, Ms. Nelson’s survivors include a son, Freddy, and a granddaughter. More

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    The Songs That Get Us Through It

    Mitski moved to Nashville. She’s not quite sure why, because she didn’t really know anyone there, but she liked how specifically weird it was — a town with stories. A local businessman had recently died and left his substantial estate to his Border collie. Bachelorette parties were a surreal and ever-present cottage industry: “There’s always a woman crying on the street and five other women in matching T-shirts comforting her,” as Mitski put it to me. “It feels like such a good place to observe the human condition.” More

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    The Delicious Misery of the ‘Sad Banger’

    Mitski moved to Nashville. She’s not quite sure why, because she didn’t really know anyone there, but she liked how specifically weird it was — a town with stories. A local businessman had recently died and left his substantial estate to his Border collie. Bachelorette parties were a surreal and ever-present cottage industry: “There’s always a woman crying on the street and five other women in matching T-shirts comforting her,” as Mitski put it to me. “It feels like such a good place to observe the human condition.” More

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    Mitski Is More Than TikTok

    Mitski moved to Nashville. She’s not quite sure why, because she didn’t really know anyone there, but she liked how specifically weird it was — a town with stories. A local businessman had recently died and left his substantial estate to his Border collie. Bachelorette parties were a surreal and ever-present cottage industry: “There’s always a woman crying on the street and five other women in matching T-shirts comforting her,” as Mitski put it to me. “It feels like such a good place to observe the human condition.” More

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    Adele and Abba’s Songs of Experience

    Mitski moved to Nashville. She’s not quite sure why, because she didn’t really know anyone there, but she liked how specifically weird it was — a town with stories. A local businessman had recently died and left his substantial estate to his Border collie. Bachelorette parties were a surreal and ever-present cottage industry: “There’s always a woman crying on the street and five other women in matching T-shirts comforting her,” as Mitski put it to me. “It feels like such a good place to observe the human condition.” More

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    Turnstile on the Comfort of Hardcore Punk Shows

    Mitski moved to Nashville. She’s not quite sure why, because she didn’t really know anyone there, but she liked how specifically weird it was — a town with stories. A local businessman had recently died and left his substantial estate to his Border collie. Bachelorette parties were a surreal and ever-present cottage industry: “There’s always a woman crying on the street and five other women in matching T-shirts comforting her,” as Mitski put it to me. “It feels like such a good place to observe the human condition.” More