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      Grammys 2024 Takeaways: Taylor Swift Makes History in a Big Night for Women

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      Women thoroughly dominated the 66th annual Grammy Awards on Sunday, with a history-making album of the year win by Taylor Swift and victories by Miley Cyrus, Billie Eilish, SZA, Lainey Wilson, the Colombian pop star Karol G and the band boygenius.The wins capped a year when women were extraordinarily successful in pop music, and also signified a change for the Grammys, which have frequently been criticized — as recently as five years ago — for overlooking female artists on the show.In addition to the wins, the show featured powerful performances by SZA, Eilish, Dua Lipa, Olivia Rodrigo and even Joni Mitchell and Tracy Chapman — two godmothers of modern songwriting who have made only rare public appearances in recent years.In taking album of the year for “Midnights,” Swift became the first artist to win the Grammys’ top prize four times, beating a trio of male legends — Frank Sinatra, Stevie Wonder and Paul Simon — who had three.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Miley Cyrus Wins Grammy for Record of the Year for ‘Flowers’

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      Miley Cyrus won the Grammy for record of the year on Sunday for the kiss-off anthem “Flowers,” her first win in the category.The husky-voiced former Disney Channel star — and daughter of Billy Ray Cyrus, himself a record of the year nominee in 1993 for “Achy Breaky Heart” — had never won a Grammy before Sunday night. She also won for best pop solo performance, also for “Flowers.”During a performance of “Flowers” at the ceremony, Cyrus ad-libbed several times, shouting, “Don’t act like you don’t know this song!” and “I just won my first Grammy!”Cyrus bested nominees from several other prominent female stars for record of the year, including Taylor Swift’s “Anti-Hero,” Olivia Rodrigo’s “Vampire” and SZA’s “Kill Bill.” More

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      Taylor Swift Wins 4th Grammy for Album of the Year, Breaking a Record

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      Taylor Swift already has more No. 1 albums than any other woman (12), as well as the highest-grossing tour in history (an estimated $1 billion and counting).Now she can count another major achievement: four Grammy Awards for album of the year — more than any other artist in the 66-year history of the prize.“Midnights,” Swift’s most recent LP of new material, beat out entries from SZA, Olivia Rodrigo, boygenius, Lana Del Rey, Miley Cyrus, Jon Batiste and Janelle Monáe to take the Grammys’ top album prize on Sunday. It was her second win of the night.Earlier in the night, as she accepted the Grammy for best pop vocal album for “Midnights,” Taylor Swift announced that she would be releasing her new album, “The Tortured Poets Department,” on April 19. It was Swift’s sixth nomination for the prize, and fourth win, after her previous victories for “Fearless” in 2010, “1989” in 2016, and “Folklore” in 2020. With her latest win, she moves past three beloved stars who had each won the category three times: Frank Sinatra, Stevie Wonder and Paul Simon.In 2014, Swift’s “Red” lost the award to Daft Punk’s “Random Access Memories,” and in 2022 “Evermore” lost to Batiste’s “We Are.”Last year, Beyoncé won her 32nd Grammy, more than any other artist in history. (Take that, Quincy Jones and Sir Georg Solti!) With 14 lifetime wins so far, Swift would need another 18 to match Beyoncé. More

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      Annie Lennox Honors Sinead O’Connor at Grammys

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      In an emotional ode to Sinead O’Connor at the Grammys, Annie Lennox performed “Nothing Compares 2 U,” the Irish singer-songwriter’s cover of the Prince original that became a No. 1 hit.A forceful performer known for her lilting voice and her political provocations, O’Connor died in July at 56. Her rendition of “Nothing Compares 2 U,” her best-known track, highlighted her ability to veer from breathy high notes to penetrating, heavy vocals, delivering performances with an emotional gut punch.There was a bit of irony in Lennox’s performance: In 1991, the year that O’Connor won the Grammy for best alternative music performance — for the album “I Do Not Want What I Haven’t Got,” which featured “Nothing Compares 2 U” — she boycotted the ceremony over what she called the show’s excessive commercialism.In a fitting tribute, Lennox took a moment at the end of her performance for an antiwar statement, saying, “Artists for cease-fire,” in reference to the ongoing Israel-Hamas war.O’Connor had a tendency of turning public performances into headlines, famously ripping up a photo of Pope John Paul II on “S.N.L.” in protest of sexual abuse in the Roman Catholic Church. As Amanda Hess wrote in a 2021 profile of O’Connor, the act was more personal than it may have seemed. Her mother, who the singer said in her memoir had physically abused her, died when O’Connor was 18. It was her mother’s photo, plucked from a bedroom wall, that O’Connor destroyed on national television.“I’m not sorry I did it. It was brilliant,” she said. “But it was very traumatizing.” Her career never recovered, but she felt a sense of freedom. “I could just be me,” she wrote in her book, “Rememberings.” “I’m not a pop star. I’m just a troubled soul who needs to scream into mikes now and then.”In the days and months following O’Connor’s death, which a coroner later said was the result of natural causes, scores of artists spoke of her bravery and pure talent.Lennox, a Scottish singer-songwriter who started her own solo career around the time of O’Connor’s rise, posted to social media a moving tribute to the singer after she died, calling her raw, fierce and brilliant. More

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      Taylor Swift Announces New Album, ‘The Tortured Poets Department,’ at Grammys

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      As she accepted the Grammy for best pop vocal album for “Midnights,” Taylor Swift announced that she would be releasing her new album, “The Tortured Poets Department,” on April 19.“I know that the way that the Recording Academy voted is a direct reflection of the passion of the fans, so I want to say thank you to the fans by telling you a secret that I’ve been keeping from you for the last two years,” Swift said. “Which is that my brand-new album comes out April 19. It’s called ‘The Tortured Poets Department.’”Swift said she would post the album’s cover from backstage when she was done accepting the prize.Going into the night’s awards show, Swift fans had noticed that the artist had changed her profile picture on X, Instagram and Facebook to a black-and-white version, and many interpreted this as a hint that Swift would announce a new “Taylor’s version” of her “Reputation” album, which has a black-and-white cover.Swift received six Grammy nominations, including nods for “Anti-Hero” in the best song and record of the year categories and a nomination for “Midnights” in the album of the year category.“This is my 13th Grammy,” Swift said in her speech. “This is my lucky number, I don’t know if I’ve ever told you that.” More

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      Taylor Swift Makes Fox News Suddenly Hate Celebs in Politics

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      The news network that wants Taylor Swift to stick to singing has had no problem handing conservative celebrities the microphone.Taylor Swift, you may have noticed, is everywhere: packing arenas on the Eras tour; filling theaters with her concert film; popping onto your TV screen from a luxury suite at Kansas City Chiefs games, cheering on her boyfriend, Travis Kelce.And now she’s living rent-free in Fox News hosts’ heads.After reports that the Biden re-election campaign was angling for an endorsement from the superstar (who backed President Biden in 2020), commentators on the network strapped on their culture-war helmets. “Don’t get involved in politics!” Jeanine Pirro urged her. “We don’t want to see you there!” Another commentator, Charly Arnolt, pleaded, “Please don’t believe everything Taylor Swift says.” Sean Hannity addressed the issue in prime time: “Maybe she wants to think twice.”Fox’s anxiety attack follows months in which MAGA opinionators have spun baroque conspiracy theories about the power couple: that Ms. Swift and Mr. Kelce’s romance was staged; that the N.F.L. was rigging the Super Bowl for the Chiefs; and that it was all an unholy plot to supercharge an eventual Biden endorsement. The Fox host Jesse Watters even flirted with the speculation, floating the idea that Swift’s success was a psyop masterminded by the Defense Department.In retrospect, “Paul is dead” lacked imagination.Of course, people are entitled to their opinions on celebrity political speech or the possible existence of a secret Pentagon diva lab. But if Fox News’s hosts truly believe that it’s irresponsible and dangerous to invite celebrities to weigh in on politics, they might want to turn their attention to … Fox News.Over the years, Fox has invited Gene Simmons, the bassist of Kiss, to talk about the handling of an Ebola outbreak. It had the fashion model Fabio on to blame crime in California on liberalism. It gave us Kid Rock on cancel culture. Last year, the actor Jim Caviezel declared Donald J. Trump “the new Moses” on “Fox & Friends.”And let’s not forget that Fox was instrumental in the entry into politics of a certain TV celebrity, whom you might know better as the candidate Mr. Biden will likely be running against.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Meet the 2024 Grammys’ Best New Artist Nominees

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      Listen to songs by Ice Spice, Jelly Roll, Victoria Monét and five more competitors for one of the show’s big four awards.Ice Spice.Nina Westervelt for The New York TimesDear listeners,Some people swear there’s a curse that comes with winning the Grammy for best new artist, but it’s difficult to believe that when you remember who has actually taken home the trophy.In the past five years, the award has gone to quite a few bona fide superstars-in-the-making, including Billie Eilish, Dua Lipa and Olivia Rodrigo — all of whom are currently nominated for song of the year. Toggle the winners list back another decade and you’ll see some established industry power players like John Legend (best new artist 2006), Carrie Underwood (2007) and Adele (2009). The Grammys even got it right as far back as 1965, when the award went to a group of worthy Liverpudlian newcomers called the Beatles.Today’s playlist is an introduction to the eight artists who stand a chance to join their ranks at this Sunday’s Grammys. They include some names you might already be familiar with, like the overnight rap sensation Ice Spice and the gravel-throated country crooner Jelly Roll, and a few you might not be, like the married Americana duo the War and Treaty and the R&B stylist Coco Jones.The current betting favorite is Victoria Monét, a trusted pop songwriter who has garnered previous Grammy nominations for her work on hits recorded by Ariana Grande and Chloe x Halle. Monét has a total of seven nominations as a solo artist this year, including two for her breakout album “Jaguar II” and one for a collaboration with Earth, Wind and Fire. Personally, I’d be happy to see the 34-year-old mom take home best new artist; I love when someone who’s been toiling in semi-obscurity for years finally gets her moment in the spotlight.But, as you’ll see below, Monét isn’t the category’s elder — one of these artists turns 40 this year, and stands a chance to become the oldest solo act ever to be crowned best new artist.As the Justin Bieber fans who unleashed unnecessary wrath on Esperanza Spalding will tell you, though, the category always holds the potential for an upset. For that reason, I wouldn’t be shocked to see the rootsy 27-year-old singer-songwriter Noah Kahan accept the award, even if his yelpy emotionalism isn’t exactly my thing. Still, best new artist is a rare Grammy category that skews female, which means that if Kahan wins he’d be the first male artist to do so since Chance the Rapper in 2017.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Billy Joel’s Long-Awaited Return to Pop, and 8 More New Songs

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      Hear tracks by Camera Obscura, Yaya Bey, Paramore and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes), and sign up for The Amplifier, a twice-weekly guide to new and old songs.Billy Joel, ‘Turn the Lights Back On’In his first new rock song in nearly two decades, Billy Joel sings about striving to rekindle a romance that has faded to indifference or worse. He blames himself; he longs for forgiveness; he wonders if there’s a second chance; he vows not to give up on “trying to find the magic that we lost somehow.” It’s a stately piano ballad, an heir to “Piano Man,” with Joel’s forthright, unmistakable voice and an orchestral buildup to match the narrator’s rising heartache. JON PARELESCamera Obscura, ‘Big Love’“It was a big love, she said,” Tracyanne Campbell sings on Camera Obscura’s new single. “That’s why it took 10 years to get her out of your head.” It’s been 11 years, actually, since the beloved Scottish indie-pop band released its last album, “Desire Lines,” but Camera Obscura is back in fine form here, combining foot-stomping percussion, electric guitar embroidery, and the clarion tone of Campbell’s voice into a lightly country-tinged sound. A new album, “Look to the East, Look to the West,” will follow on May 3. LINDSAY ZOLADZParamore, ‘Burning Down the House’We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More