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      How Adele Springsteen Gave Bruce His Rock ’n’ Roll Spirit

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      Adele Springsteen bought her son, Bruce, his first electric guitar and encouraged him to get up and dance. She died on Wednesday at 98.Joy and despair, vitality and darkness course through Bruce Springsteen’s songs. The joy, he told the world, came from his mother, Adele Springsteen, who died on Wednesday at 98.When he accepted the Ellis Island Family Heritage award in 2010, Springsteen brought his mother onstage with her sisters, Dora and Eda, and declared, “They put the rock ’n’ roll in me.”Adele, born Adele Zerilli in 1925, was constantly listening to Top 40 radio when Springsteen was growing up, getting her son on his feet to dance with her. She scrimped to buy him his first electric guitar and she encouraged him to be a musician.She worked for decades as a legal secretary, an example that taught her son the dignity and camaraderie of holding a job. “It’s a sight that I’ve never forgotten, my mother walking home from work,” he said during “Springsteen on Broadway,” his autobiographical stage show. “My mom was truthfulness, consistency, good humor, professionalism, grace, kindness, optimism, civility, fairness, pride in yourself, responsibility, love, faith in your family, commitment, joy in your work and a never-say-die thirst for living — for living and for life. And most importantly, for dancing.”She also protected him from his father, who had a lifelong struggle with depression — and whose grimmer view of humanity is the counterweight that runs through Springsteen’s songs. “She was a parent,” he wrote in his memoir, “Born to Run,” and that’s what I needed as my world was about to explode.”As his career took off, she kept detailed scrapbooks of every small milestone. And she danced in the spotlight at her son’s concerts when she was well into her 90s, even when her Alzheimer’s disease had taken its toll and music was an instinctive consolation.“Through my mother’s spirit, love and affection, she imparted to me an enthusiasm for life’s complexities, an insistence on joy and good times, and the perseverance to see the hard times through,” the musician wrote in his memoir. That’s the measured, grown-up Springsteen, striking his balance. But a key moment in “Springsteen on Broadway” was “The Wish,” a song to his mother that glows with pure fondness.In it, he looks back to getting a guitar as a Christmas present, and he reminisces about “me in my Beatle boots, you in pink curlers and matador pants/Pullin’ me up on the couch to do the Twist for my uncles and aunts.” He also considers “all the things that guitar brought us” and offers to play his mother a request, but with one proviso: “If you’re looking for a sad song, well I ain’t gonna play it.”Art is never just autobiography, and children grow up to be far more than the sum of their parents. But anyone who’s ever shouted along on a chorus with an arena full of Springsteen fans — those choruses that often break through the darker thoughts in the verses — clearly owes Adele Springsteen some thanks. More

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      Toni Stern, Who Wrote Songs With Carole King, Dies at 79

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      A sunny California poet, she provided the words to songs on “Tapestry” and other albums, including the enduring hit “It’s Too Late.”Toni Stern, a breezy young Californian who became a trusted lyricist for Carole King, providing the words for the enduring standard “It’s Too Late” and many other songs during Ms. King’s flowering as a chart-topping solo artist, died on Jan. 17 at her home in Santa Ynez, Calif., near Santa Barbara. She was 79.Her husband and only immediate survivor, Jerry Rounds, confirmed the death. He did not specify the cause.Ms. Stern, a Los Angeles native, was an aspiring painter and poet living in Laurel Canyon, an enclave popular with the Los Angeles rock elite, in the late 1960s. It was there that she met Ms. King, who had moved west from New Jersey after a painful breakup with her husband and songwriting partner, Gerry Goffin, with whom she had formed one of the decade’s powerhouse hit-making duos.The two hit it off immediately. “When I moved to California in 1968, she was the epitome of a free-spirited Laurel Canyon woman,” Ms. King wrote in a Facebook post after Ms. Stern’s death. “She lived in a hillside house with her dog, Arf, surrounded by books, record albums, plants and macramé.”The two would soon share songwriting credits. When Ms. King stepped into the limelight as a solo performer, Ms. Stern provided lyrics to the songs “What Have You Got to Lose” and “Raspberry Jam” on her first solo album, “Writer,” released in 1970.Their partnership continued on the follow-up, “Tapestry” (1971), a pop music colossus that topped the Billboard 200 for 15 weeks and went on to become one of the best-selling albums of all time. Ms. Stern provided the words for “It’s Too Late,” which was No. 1 on the Billboard singles chart for five weeks, and “Where You Lead.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Barbie’ Conquered the World. Are the Grammys Next?

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      Songs from the soundtrack to Greta Gerwig’s blockbuster have 11 nominations on Sunday night, led by Billie Eilish’s heart-wrenching “What Was I Made For?”The Grammy Awards have long faced criticism for spotlighting the work of older, male artists. But at the 66th annual ceremony on Sunday night, young women dominate the nominees: SZA earned nine. The R&B singer and songwriter Victoria Monét picked up seven. Taylor Swift, Olivia Rodrigo, Miley Cyrus and the band boygenius all nabbed six. And one very recognizable lady has the most nods of all: Barbie.“Barbie: The Album,” the soundtrack to the director Greta Gerwig’s blockbuster, will enter Sunday’s pre-telecast and prime-time ceremonies with 11 nominations across seven categories. (In best song written for visual media, four of its tracks will compete against one another.) Five of Billie Eilish’s six nominations this year honor “What Was I Made For?,” her spare, aching “Barbie” ballad, written with her brother, Finneas.“It’s really cool to be part of the ‘Barbie’ family,” said Eilish, who could win her third record of the year trophy for the song.“Barbie” charmed viewers at the box office with grosses of $1.4 billion worldwide, became one of last year’s inescapable cultural touchstones and scored eight Oscar nominations. How did its soundtrack become a powerhouse, too?In terms of attracting talent, “It was Greta, hands down,” said Mark Ronson, one of the soundtrack’s producers, explaining how he conscripted an A-list roster that also includes Dua Lipa, Nicki Minaj, Lizzo and Sam Smith. “Everybody admired her work — I feel like there wasn’t anyone who hadn’t seen ‘Lady Bird’ or ‘Little Women’ and didn’t love both of those films.”Working with Gerwig was certainly part of the allure for Eilish, who first met the director when they were grouped together at a 2019 gala dinner. “I remember being like, ‘Greta Gerwig sitting next to us is so cool,’” she said in an interview. “‘She seems like somebody I would be friends with already.’”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Taylor Swift, SZA, Billie Eilish: Who Will Have a Big Grammys?

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      Taylor Swift and SZA could make history at the 66th annual awards on Sunday night, where young women dominate the nominations, and revered older artists will take the stage.The 66th annual Grammy Awards on Sunday are poised to be a celebration of a dominant year for women in pop music, with female stars like SZA, Taylor Swift, Olivia Rodrigo and Billie Eilish facing off in the major categories.SZA, whose “SOS” was a critical and chart smash, leads with nine nominations; the pop and R&B singer and songwriter Victoria Monét has seven; and Swift, Rodrigo, Eilish, Miley Cyrus and the indie-rock trio boygenius have six apiece. Swift and SZA each have the potential for landmark wins.For an award show that in the past has been criticized for its treatment of female stars, its lineup alone is being interpreted as a sign of progress. But the show this year is taking place in the shadow of lawsuits against two former Grammy leaders, accusing each of sexual assault. Neil Portnow, a former Recording Academy president, has denied the allegations against him; Michael Greene, his predecessor, has not commented.Never bet on the Grammys’ being too predictable. Industry politics, vote-splitting and a shifting membership have the potential, as always, to scramble outcomes, despite expectations about who may win or lose.Whoever wins, the night will have a roster of performers that mixes young and old, fresh faces and classics, including SZA, Eilish, Rodrigo, Joni Mitchell, Luke Combs, Dua Lipa, Travis Scott, Burna Boy, Billy Joel and U2. The host, for a fourth straight year, is the comedian Trevor Noah.Here is a look at some of the night’s major story lines.Will Taylor Swift Make History?Swift was a gale-force power in pop culture last year, and she has the potential to make a major mark at the Grammys.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Melinda Wilson, Wife of Beach Boys’ Brian Wilson, Dies at 77

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      Ms. Wilson’s relationship with her husband, a co-founder of the Beach Boys, was portrayed in the 2014 film “Love & Mercy.”Melinda Wilson, who rescued her future husband, the Beach Boys co-founder Brian Wilson, from psychological ruin when they were dating in the 1980s, died on Tuesday. She was 77.Mr. Wilson confirmed her death on Instagram, saying that they had been married for 28 years. No cause of death was given.Jean Sievers, Mr. Wilson’s manager, said that Ms. Wilson had died suddenly at her home in Beverly Hills, Calif. She added that the couple has five adopted children — Dakota Rose, Daria Rose, Dash, Dylan and Delanie Rae — who all survive her and carry Mr. Wilson’s surname.The couple’s relationship was portrayed in the 2014 biopic “Love & Mercy.” The film shows Ms. Wilson (Elizabeth Banks) meeting Mr. Wilson, played by both John Cusack and Paul Dano, in a Cadillac showroom in Los Angeles where she was working as a saleswoman.After the film was released, Ms. Banks said in an interview with ABC News that she had met Ms. Wilson while preparing for the role.“She said to me, ‘Music is his first love,’” Ms. Banks told ABC. “‘Nothing can replace it. It’s his being, it’s his essence, it’s his everything. So I’m settling for second, but it’s a pretty good — it’s a pretty good second.’”The film shows Ms. Wilson helping her then boyfriend navigate a bout of mental illness in the 1980s. That effort, and their courtship, is complicated by the presence of Eugene Landy (Paul Giamatti), a psychologist who had helped Mr. Wilson fight off depression and substance abuse to stage a professional comeback.Mr. Landy, whose team of professional minders at one point lived with Mr. Wilson 24 hours a day, insinuated himself into the musician’s life to the point where the therapist was at one point acting as his Mr. Wilson’s business partner, record producer and occasional songwriting partner.In 1992, a lawsuit by Mr. Wilson’s family resulted in a court order that barred Mr. Landy from contacting Mr. Wilson. Mr. Landy died in 2006.John Cusack as Brian Wilson and Elizabeth Banks as Melinda Ledbetter in the 2014 film “Love & Mercy.”François DuhamelMelinda Kae Ledbetter was born on Oct. 3, 1946, in Pueblo, Colo. She grew up in Whittier, Calif., and went to college there before becoming a model, Ms. Sievers said.She also worked as a producer on several films related to her husband’s music, including “Brian Wilson: Long Promised Road” (2021) and “Pet Sounds Live at Royce Hall” (2006). The latter title refers to “Pet Sounds,” a landmark 1966 Beach Boys album.When the couple saw the film “Love & Mercy” for the first time, Ms. Wilson told ABC News, she did not know how tough the experience would be.“I think I was more nervous than him when I took him to see it, and after, I said, ‘So what did you think?’” she said. “And he goes, ‘Oh, it was really a lot worse in real life.’” More

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      Was 1968 the Grammys’ Best Year Ever?

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      Before the 2024 awards on Sunday, revisit a ceremony where the Recording Academy got it right, honoring the Beatles, Bobbie Gentry, Aretha Franklin and more.In 1968 the Beatles won their first and only album of the year Grammy for “Sgt. Pepper’s Lonely Hearts Club Band.” PA Images, via Getty ImagesDear listeners,The 66th annual Grammy Awards take place on Sunday, and this year’s lineup of performers is pretty exceptional. I mean, Joni Mitchell is performing! For the first time ever at the Grammys! I could really just stop there, but Billy Joel, Billie Eilish, SZA, U2, Olivia Rodrigo, Burna Boy, Luke Combs, Dua Lipa, Travis Scott and more are scheduled to grace the stage. Will Joel and Eilish take this opportunity to start a supergroup called the Billies? Will SZA and U2 start an all-caps collaborative side project called SUZA2? Will Travis Scott meet Joni Mitchell, and if so, what will they talk about? The possibilities of this year’s ceremony are endless, and a little weird.To kick off Grammy week, I thought it would be fun to take a look back at another exceptional-if-slightly-odd year in Grammy history: the 10th annual ceremony, which took place on Feb. 29, 1968 and honored the music of 1967.The Grammys, infamously, do not always get it right. Sometimes their slights are laughably egregious (like when Metallica lost the 1989 award for best hard rock/heavy metal recording to … Jethro Tull); other times, they play things annoyingly safe (see: Beyoncé’s last three losses for album of the year). But just as a broken clock is right twice a day, sometimes justice actually is served at the Grammys. And 1968 was one of those years.Consider that album of the year went to a release that pushed the format forward into the future, and one that’s still often (and rightly) mentioned in lists of the greatest albums of all time. Some incredibly worthy artists won their first-ever Grammys that year: Elvis Presley, Aretha Franklin and Tammy Wynette. Many of the songs and artists awarded have — gasp — actually stood the test of time.Today’s playlist is culled entirely from the winners of the 10th annual Grammys. Feed your meter, inflate that beautiful balloon and prepare to hop in a time machine ready to take you up, up and away.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      5 Places to Visit in Tucson, Arizona, With Singer Linda Ronstadt

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      In the course of becoming a Rock & Roll Hall of Famer, a Grammy Lifetime Achievement Award winner and the subject of a forthcoming biopic set to star Selena Gomez, Linda Ronstadt has packed theaters around the globe. But her favorite sits on a one-way side street in Tucson, Ariz.Ms. Ronstadt in Tucson in September 2022. She still makes occasional trips to the city, where she was born and raised.Cassidy Araiza for The New York TimesWith a courtyard draped in vines and string lights and a main stage the size of “a good little opera house,” the 1927 Temple of Music and Art is “just magic,” said Ms. Ronstadt. Before the onset of progressive supranuclear palsy — a Parkinson’s-like disorder that ended her singing career in 2009 — she could fill the auditorium with her unamplified voice (little surprise to anyone who’s ever heard her belt out “Blue Bayou” or “Long Long Time,” for the legions who may have just discovered her on “The Last of Us”). She also loves the theater’s proscenium: a stage-framing arch that instantly focuses the eye — “like that fireplace,” she explained, gesturing toward a wall near the sofa where we chatted in her cozy San Francisco living room.At 77, Ms. Ronstadt now lives in the Bay Area, close to her kids, but the Sonoran Desert borderlands where she was born and raised will always be home. And despite the changes she sees when she returns every six months or so, plenty of familiar local pleasures remain, for starters: bubbling-hot cheese crisps at El Minuto Cafe, ice-chilled shrimp cocktail at Hotel Congress, giant saguaros at every turn and live entertainment of all kinds at the Fox Tucson Theater, where her father — a businessman with a renowned baritone — used to perform as Gil Ronstadt and His Star-Spangled Megaphone.The Ronstadts have been part of the Tucson music scene since her grandfather arrived from Mexico in 1882 and helped found the Club Filarmónico Tucsonense civic band. And perhaps no place highlights the family’s cultural legacy like the former Tucson Music Hall, rechristened the Linda Ronstadt Music Hall in May 2022. The naming ceremony took place during a mariachi spectacular that featured Jesús “Chuy” Guzmán, who’d recorded with Ms. Ronstadt on the 1987 “Canciones de Mi Padre” — still the best-selling non-English album in U.S. history. This ode to the borderland classics she’d grown up on was remastered and rereleased last fall, and there may be no better soundtrack for exploring her hometown.Here are five of her favorite places to visit in Tucson:1. Barrio BreadMs. Ronstadt always stops at the artisanal bakery Barrio Bread on her way from the airport when she visits.Cassidy Araiza for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      If It Isn’t Perfect, Is It Still K-Pop?

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      Musical acts like Balming Tiger are challenging the idea that K-pop is nothing but polished, perfectly synchronized boy bands and girl groups.What comes to mind when you hear the word “K-pop”? Is it the global boy band phenomenon BTS, wearing studded jackets and dancing in perfect sync? Or the girl group Blackpink, performing at Coachella in trendy fashions and perfectly curled hair?How about an “independent music collective” of casually dressed people, crowded around a mixing board in a one-room studio, across the street from a Seoul restaurant specializing in fried chicken?“Give me some more bass,” said Omega Sapien, a vocalist with electric-green hair and grills, swaying his hips and grunting to the beat. The studio was cluttered with art, vinyl records, dumbbells and other odds and ends. Another singer lay prone nearby, nursing a bad hangover.For Balming Tiger, this is daily life as an alternative K-pop band. Their music, a fusion of diverse genres from electro to hip-hop, is funky and edgy. Their look, unkempt and grungy, is far from the professional styling of the groups that most of the world associates with K-pop.“Even if we wanted to be like idols, we can’t,” said Chanhee, far left, a vocalist with Balming Tiger. Other members are, from left, Mudd the Student, Unsinkable, BJ Wnjn, Omega Sapien and Sogumm. Woohae Cho for The New York TimesBut they claim that label, too. K-pop is any music that comes out of South Korea, according to Omega Sapien. “Everything in that realm is K-pop,” he said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More