Presidential Election of 2024

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      J.D. Vance Becomes Trump’s New Apprentice

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      In his prime-time debut, the senator and “Hillbilly Elegy” author showed what he has to offer his running mate.Speaking Wednesday at the Republican National Convention, Senator J.D. Vance of Ohio became the latest, and potentially most consequential, of Donald J. Trump’s apprentices to accept the position in prime time.For years as the host of “The Apprentice,” Mr. Trump picked out protégés from boardrooms full of young supplicants. There was a delicate art to getting the nod. Offend him and you might be dismissed; appear too thirsty and you could get the boot as well. The key was to be yourself but also be him, to be a mirror but a flattering one, to be an echo auto-tuned to please the boss’s ear.Mr. Vance spent much of his two years in the Senate auditioning for the promotion to vice-presidential nominee, cultivating a relationship, apologizing for his Never-Trumper apostasy and recently blaming Biden campaign rhetoric for leading “directly” to the assassination attempt against Mr. Trump.Accepting the nomination on Wednesday night, he cast himself as a loyal fighter, an ideological heir and a grateful son of the working class with roots in Appalachia and the Rust Belt.With Merle Haggard’s “America First” as his walk-on music, he began his speech praising Mr. Trump: “He didn’t need politics,” Mr. Vance said, “but the country needed him.” Mr. Trump looked on smiling in split-screen, as if watching a winner at a season finale.When it came to introducing himself, Mr. Vance had a head start and a challenge. He was telling a story he had already told, in the memoir “Hillbilly Elegy,” and so had Ron Howard, in the 2020 film adaptation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What to Know About ‘Hillbilly Elegy,’ Film Based on JD Vance’s Memoir

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      The 2020 film generally follows the book about the Republican vice presidential nominee’s formative years. But there are significant differences.Before J.D. Vance became the Republican vice-presidential nominee or even ventured into politics, he was best known as the author of “Hillbilly Elegy,” a memoir about growing up in the Rust Belt and Appalachia. Published in 2016, the book became a surprise best seller, offering one kind of answer to those searching for an explanation for Donald Trump’s presidential victory and trying to understand the experience of impoverished white Americans.The success of Vance’s book led to a movie adaptation with Imagine Entertainment winning the film rights in 2017. Netflix eventually spent a reported $45 million to finance the movie, which had a limited theatrical release in November 2020 before moving to streaming soon after. Unlike the book, the film received scathing reviews from critics.Here’s what to know about the movie:Who made “Hillbilly Elegy”? Who stars in it?Directed by Ron Howard with Vance getting an executive producer credit, the film stars Gabriel Basso as Vance. Glenn Close plays his grandmother, Mamaw, a loud, gruff but caring matriarch, and Amy Adams is his mother, Bev, who grapples with mental health issues and substance abuse. The cast includes Freida Pinto as Vance’s wife, Usha.Parts of the film were shot in Middletown, Ohio, where Vance grew up, as well as in Georgia, because of the state’s generous tax incentives.What is “Hillbilly Elegy” about?The film mostly follows Vance’s memoir. It begins with a younger Vance (played by Owen Asztalos) biking along a dirt path, while an older Vance narrates his love for the hill country of Jackson, Ky. Alternating between past and present, the film toggles between Vance’s unstable childhood growing up with Mamaw and a mother struggling with addiction and his adult years as a student at Yale Law School. While competing for a prestigious summer internship, Vance receives a call from his sister, Lindsay (Haley Bennett), who asks him to return home to care for his mother, who has been hospitalized after overdosing on heroin.Glenn Close with Bennett and Owen Asztalos as a young Vance in “Hillbilly Elegy. Lacey Terrell/NetflixWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump Returns to RNC With a Different Look, but Some Things Were Familiar

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      The first night of the Republican National Convention sought to strike a new note. But some of the lyrics were familiar.Donald J. Trump, a former reality-TV star, has always been conscious of his set dressing as a presidential candidate. At the 2016 Republican National Convention, he made a pro-wrestling-style walk-on in front of blinding lights. In 2020, he used the White House itself as the backdrop for his acceptance speech.But on the first night of the 2024 convention, Mr. Trump — in a way that he could not have anticipated before Saturday — was his own biggest prop.Just as the major networks’ prime-time coverage began, Mr. Trump entered the V.I.P. box in Milwaukee with a large white bandage on his injured right ear, the result of a close call on Saturday with a would-be assassin’s bullet at a rally in Pennsylvania. A reminder of mortality, a badge of survival — it was a blank rectangle on which the crowd could read what it wished, and that made it the most potent placard in the hall.Mr. Trump’s rallies and appearances have always been about firing up big feelings: rage, fear, grievance, defiance. This, as Mr. Trump walked out to the sounds of Lee Greenwood performing “God Bless the U.S.A.,” was something a little different.The mood of the moment was emotional and warm. Much of the night felt like a merger of political rally and gospel service, full of exhortations for divine protection, not simply for the country but also for the party’s returning leader.And Mr. Trump, who has said in interviews that he does not cry, looked as close to misty as I can remember in decades of seeing him onscreen.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Biden’s News Conference Answered Many Questions. But Not the Big One.

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      For once, a presidential Q. and A. was must-see TV. But it didn’t put an end to the summer’s biggest drama.Follow the latest Biden news and election updates.There were many questions at President Biden’s nearly hourlong news conference on Thursday night — questions about Gaza, Ukraine, the campaign, his health, his record.But at its heart there was only one question: Could he do it?That is, could Mr. Biden, who stunned viewers and his party and George Clooney with a doddering performance at the first presidential debate two weeks ago, stand and deliver? Could he be coherent? Could he dispel the talk of age and frailty and decline? Could he beat the doubters who want him to step down from the ticket? Could he look like a winner?On a national TV stage, Mr. Biden answered the individual questions, often comfortably, sometimes defensively, with depth and engagement and flashes of passion. As for the uber-question, the answer was incomplete. He was not the uncomfortable, lost presence of the debate, but he didn’t erase the memory of that version of himself either. He came across as the president he wants to be, but not necessarily the candidate his critics have said he needs to be.Presidential news conferences are rarely must-see TV. But the stakes — heightened by reports that some Democrats were waiting for it before weighing in on whether Mr. Biden should remain the nominee — gave this one the air of a test, if not a last stand.The telecast had the daredevil feel of a live walk through a minefield. The first false step came before the news conference proper, at remarks after the afternoon’s NATO meeting, when Mr. Biden introduced President Volodymyr Zelensky of Ukraine: “Ladies and gentlemen, President Putin.”The president caught himself and recovered. “I’m better,” Mr. Zelensky joked; “You’re a hell of a lot better,” Mr. Biden said. The audience laughed. Anybody can mix up a name once.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      This Debate, We Could Hear Biden Speak. There His Troubles Began.

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      The CNN presidential debate kept the volume down, for a change. That didn’t make it more intelligible.With the plans for the 2024 presidential debates, President Biden’s campaign appeared to get much of what it wanted. It got its preferred timeline, with Thursday night’s debate in Atlanta far earlier on the calendar than usual. It got the live audience removed. It got, above all, an agreement to mute the microphone on the candidate who wasn’t speaking, to avoid the cross-talk that made his first 2020 debate with Donald J. Trump a cacophonous mess.After Thursday night, Mr. Biden — and his party — might have wanted the cross-talk back.The changes that CNN instituted staved off the shouting matches and the competitive cheering that have marked past debates. But they could not prevent Mr. Biden from starting his rushed opening remarks in a papery rasp that, before the debate was over, his campaign was stressing to reporters was the result of a cold. It did not keep him from getting lost in the corn maze of his sentences, answer after answer.And it did not keep him from finishing an argument on tax reform and health care with a spiral that was surely saved instantly to the hard drives of Republican campaign operatives: “Making sure that we’re able to make every single solitary person eligible for what I’ve been able to do with, the, uh, with the Covid, excuse me, with, um, dealing with, everything we had to do with, uh … look … if — we finally beat Medicare.”There was no interruption. Mr. Biden came across loud and unclear.You can at least credit Mr. Biden for one accomplishment: For perhaps the first time since Mr. Trump announced for president nine years ago, he managed to hold a debate in which Mr. Trump’s performance was not the biggest news afterward.The former president and challenger had his own issues. He blustered, dodged, made false statements and repeated his denials of his 2020 election loss. He cited his golf game as proof of his acuity and uttered the line, “I didn’t have sex with a porn star.” But Mr. Trump, kept to glowering between answers by the mute button, was outrageous and misleading in a familiar way; it was the standard man-bites-fact-checker story.The debate in Atlanta — sorry, the “CNN Presidential Debate,” as the ubiquitous branding emphasized — was fairly bare-bones. (It was also simulcast on the other major news networks.) The moderators, Dana Bash and Jake Tapper, spread questions across a variety of topics, not correcting candidates in the moment. The pushback they gave was limited to reminding the debaters of how much time they had left and firmly asking them, again, to answer questions they had sidestepped, as Ms. Bash did when asking Mr. Trump if he would accept the results of this election as he had not in 2020. (He gave the qualified answer that he would accept a “fair” and “legal” election.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jon Stewart Is a Little Stressed Out About That Debate

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      Hosting a live “Daily Show” after the Biden-Trump spectacle, Stewart said he needed “to call a real estate agent in New Zealand.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Jon Stewart went live hosting “The Daily Show” on Thursday, recapping the debate between President Biden and Donald Trump. Stewart wasn’t in the best of spirits.Things started out strong: “Both men are ambulatory. They are both upright. Level one cleared,” Stewart joked over a clip of the candidates taking the stage. But it wasn’t long before the host said he needed “to call a real estate agent in New Zealand.”One rambling Biden answer — ending with the non sequitur “We finally beat Medicare” — had Stewart staring into the camera in horror.“OK, a high-pressure situation. A lot of times, you can confuse saving Medicare with beating it. I’m sure it’s not something that repeated throughout the debate, causing Democrats across the country to either jump out of windows or vomit silently into the nearest recycling bin. Anybody can [expletive] up talking.” — JON STEWART“I’m not a political expert, but while Biden was preparing at Camp David — for a week — did anyone mention he would also be on camera?” — JON STEWART“A lot of people have resting 25th Amendment face.” — JON STEWARTStewart also called out Trump for his many falsehoods.“Just so we’re all clear, everything that Donald Trump said in that clip is a lie,” he said after one montage. “Blatant and full. And we were tight on time putting this [expletive] together. There’s plenty more. Really makes you wonder: What’s R.F.K. Jr. doing tonight?”“Let me just say after watching tonight’s debate, both of these men should be using performance-enhancing drugs, as much of it as they can get, as many times a day as their bodies will allow. If performance-enhancing drugs will improve their lucidity, their ability to solve problems, and in one of the candidate’s cases, improve their truthfulness, morality and malignant narcissism, then suppository away.” — JON STEWART More

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      Trump Biopic ‘The Apprentice’ Nears Distribution Deal

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      “The Apprentice,” a dramatized origin story about Donald J. Trump, has faced fierce criticism from the former president and his allies.Hollywood executives love to characterize themselves as fearless. The truth is that they spend most of their time trying to minimize risk.It’s why theaters are clogged with vacuous sequels. It’s why so many Hollywood power players hide behind P.R. people. And it’s why all of the big movie studios and streaming services — and, in fact, most indie film companies — declined to distribute “The Apprentice,” a dramatized origin story about Donald J. Trump that the former president has called “malicious defamation” and showered with cease-and-desist letters.But the movie business still has at least one wildcatter: Tom Ortenberg.Mr. Ortenberg, 63, and his Briarcliff Entertainment are pushing to complete a deal to acquire “The Apprentice” for wide release in theaters in the United States in September or early October — close enough to the presidential election to bask in its heat, but far enough away to avoid final-stretch media overload. Briarcliff’s pursuit of the $16 million film was confirmed by five people involved with the sale process, who spoke on the condition of anonymity to discuss a private negotiation.“Tom’s got more courage than most people in Hollywood combined,” said Stephen Galloway, the dean of Chapman University’s film school. “His interest in this kind of movie involves business, of course. He sees money to be made by leveraging millions of dollars in free publicity. But part of it is wanting to do his bit. He’s liberal and cares about social issues.”Hurdles remain, the people cautioned. “Apprentice” producers cobbled together the money to make the movie from various sources. One was Kinematics, an upstart film company backed by Dan Snyder, the former Washington Commanders owner — and a Trump supporter. Kinematics, which invested about $5 million, would need to sign off on the Briarcliff deal and has balked, calling the offer subpar, according to the five people involved in the sale process. The Kinematics snag was reported earlier by a Puck newsletter.So producers have put together a package to buy out Kinematics at a premium. The sides are now haggling over terms, including the timing of payment.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Age and the Image of Capacity

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      “Watch me,” President Biden likes to say when he’s asked — he’s asked a lot, these days — whether he is too old to serve a second term. He is getting his wish.For the first three years of his administration, in contrast to the last president’s chaotic omnipresence, Mr. Biden kept himself scarce. Now his smallest appearance brings with it a thousand remote diagnoses from armchair gerontologists. A major speech, like his State of the Union address in March, is assessed not for its policy but its fluidity as spoken-word performance. A minor gaffe, like bungling a single sentence at a Philadelphia rally in April, is dissected as possible evidence of decline.At a campaign rally in April, President Biden fumbled during his speech, urging Americans to choose “freedom over democracy.”He is facing an image problem that time exacts on everyone. Now the first presidential debate of 2024 is happening months earlier than usual, in part because the Biden campaign wants to overcome a mounting concern that the president, at 81, is not up to four additional years of service. “Old age isn’t a battle; old age is a massacre” — or so Philip Roth’s “Everyman” howled in 2006. Electorally, this year, it might be both.The president is indeed rather old, older than anyone who has held the office. When he first won his Senate seat in 1972, the current leaders of Britain, France and Italy were not yet born. If Mr. Biden serves a full second term, he will retire to Delaware at 86. Already, after three-and-a-half years in a job that superannuates everyone, he appears a different man from the days of the Covid campaign, his hair thinner, his gait tighter. His age may be nothing but a number. But the perception of his age has become desperately entangled with cultural connotations of elderliness, formed over centuries, handed down to us through religion and literature and art.His predecessor and rival is also old, and also has trouble speaking clearly. But the same polls that have Mr. Biden trailing the 78-year-old Donald J. Trump, even after the latter’s conviction on 34 felony counts, show too that only one of these men is facing such widespread anxieties about the way of all flesh. The principal roadblock to the incumbent’s re-election, the polls keep telling us, is not policy. Younger Democrats, to his left and right, outpace him down-ballot.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More