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      Lisa Marie Presley Died From Bowel Obstruction, Officials Say

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      The singer-songwriter and only child of Elvis Presley died in January after she was found unresponsive, the Los Angeles County Medical Examiner’s office said.Lisa Marie Presley, the singer-songwriter and only child of Elvis Presley, died in January as a result of “a small bowel obstruction” caused by scar tissue that developed after bariatric surgery years ago, the Los Angeles County Medical Examiner’s office said on Thursday.Ms. Presley had been complaining on Jan. 12 of severe abdominal pain, according to an autopsy report released on Thursday by the medical examiner’s office. Later that day, she was found unresponsive at her home in Calabasas, Calif., by her ex-husband, who was not named in the report. Ms. Presley, 54, was taken by paramedics to a hospital, where she went into cardiac arrest and died that afternoon. The report stated that although Ms. Presley had a previous history of drug use, she was sober “for the past few years.” Still, health problems appeared to have occurred after her bariatric surgery, which is generally considered a treatment option for people with a high body mass index who failed to lose weight with diet and exercise alone. Juan M. Carrillo, a deputy medical examiner in Los Angeles County, described Ms. Presley’s health problems after the bariatric surgery as a “known long-term complication of this type of surgery.”Ms. Presley was prescribed opiates after her surgery and after an infection, the report stated. She was then prescribed another type of medication so that she could be taken off the opiates. The report noted that Ms. Presley had a “history of overmedicating; she was known to forget she had taken her medications and would take them again.”The autopsy report said that toxicology results showed “therapeutic levels of oxycodone” in her blood. Buprenorphine, a medication to treat opioid addiction, was also present but did not contribute to her death, the report stated.For months, she complained of abdominal pain, fevers, vomiting and nausea but did not seek medical attention, according to the report.The Los Angeles County Coroner’s office had initially deferred ruling on Ms. Presley’s case. For months, officials said that a medical exam had been performed, but that a pathologist was awaiting further test results — including, potentially, a toxicology report — before releasing an official cause of death. Two days before Ms. Presley’s death, she attended the Golden Globe Awards, at which “Elvis,” a biopic about her father’s life, was nominated for multiple awards. Some of her on-camera interviews on the red carpet prompted concern from fans and others who said she had appeared unsteady. Ms. Presley was buried at Graceland, where a memorial was held in late January. Weeks later, Priscilla Presley, Lisa Marie’s mother, who had long helped administer Elvis’s estate, went to court to challenge the validity of documents that said Lisa Marie’s daughter, the actress Riley Keough, had become the sole trustee upon Lisa Marie’s death.In June, Ms. Keough agreed to provide Priscilla Presley, her grandmother and the former wife of Elvis Presley, with a lump-sum payment as part of a settlement that would resolve the dispute over control of the family trust, according to court documents.Lawyers for the parties had sought to keep details of their agreement confidential, but the papers listed what appears to be a payment of $1 million.The New York Times reported that although the Elvis brand today continues to take in more than $100 million a year as a licensing juggernaut, the family trust receives only a fraction of its proceeds. On Wednesday, Ms. Keough was nominated for an Emmy for best actress in a limited series or TV movie for her titular role as the wild child in “Daisy Jones & the Six,” an Amazon mini-series about the rise and fall of a fictional 1970s band. More

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      As a Film Revives Elvis’s Legacy, the Presleys Fight Over His Estate

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      After the death of Lisa Marie Presley, Elvis’s ex-wife initiated a legal battle with her granddaughter over control of the family trust.When the camera panned to Priscilla Presley and her daughter, Lisa Marie, they appeared enraptured.Austin Butler had rekindled the good memories of Elvis with his portrayal in a lauded biopic. And for a few magical minutes on that January evening, Butler was there, on the stage at the Golden Globes, conjuring the voice and radiating the charm of the King of Rock ’n’ Roll as he accepted a best actor award.Lisa Marie clasped her hands around her mouth. Priscilla placed her hand on her heart. Mother and daughter had had their run-ins over the years, but they were together again — nestled at a table, like family.“One of the greatest nights of my career,” said Jerry Schilling, a Presley family friend and business associate who escorted Lisa Marie that evening.But days later, the sadness that has long trailed the family had again taken hold. Lisa Marie, only 54, died suddenly. Within weeks, Priscilla, who had long helped administer Elvis’s estate, went to court to challenge the validity of documents that say her granddaughter, the actress Riley Keough, is now the sole trustee.The dispute got underway just as Keough prepared for the release of the new Amazon Prime Video series “Daisy Jones & the Six,” in which she stars. It is unclear what acrimony may arise as the litigation unfolds, but Keough stayed conspicuously quiet when her grandmother urged the public not to view it as a family fight. Keough’s lawyers have yet to file court papers in response.Riley Keough, who stars as Daisy Jones in a new Amazon Prime series, has not responded to her grandmother’s decision to challenge her standing as the sole trustee of the family trust.Lacey Terrell/Amazon Prime VideoReaction has been swift, though, at Graceland, Elvis’s former home in Memphis, where emotions over the Presley family run high. Lisa Marie Bailey, a visitor named after Elvis’s only child, said last weekend that she supported Keough.If the King knew what was happening, she said, standing near where Elvis is buried, “he would be turning over in his grave.”The latest Presley family dust-up echoes the messiness that marked Elvis’s life, which, beyond the hit records and Hollywood films, was filled with its share of public dramas, including divorce, profligate spending and, late in life, a struggle with drug addiction.Despite those troubles, the Elvis brand today continues to take in more than $100 million a year as the licensing juggernaut behind apparel, pink Cadillac plush toys and tickets to tour Graceland. But the family trust receives only a fraction of its proceeds, according to court filings that detail its earnings.In 2005, Lisa Marie and her business manager sold off 85 percent of Elvis Presley Enterprises for roughly $97 million in cash, stock and debt relief, according to court documents — funds that have since been nearly depleted. Still, last year, before her death, Elvis’s daughter drew an income of $1.25 million from the trust, which continues to be worth tens of millions of dollars, according to financial filings. The beneficiaries are now Keough and her two younger half sisters.This weekend, the curious are likely to search for Keough and Priscilla at the Academy Awards in Los Angeles, where Butler is a strong contender for the best actor Oscar.Neither camp would comment on whether the women plan to attend.The family today owns only 15 percent of Elvis Presley Enterprises, which operates Elvis’s former home Graceland, a major draw for fans. Brandon Dill/Associated PressSuccess and excess in the house of ElvisWhen Elvis died unexpectedly in 1977, his estate was worth roughly $5 million. His spending had drained his earnings, which had long been limited by his business arrangement with his longtime manager, Col. Tom Parker. He received as much as half of the King’s income, including roughly half the $5.4 million fee that RCA Records paid in 1973 when Presley gave up future royalty rights from sales of recordings he had made, which included the majority of his hits.The money that remained was left in a trust and, after several family members died, Lisa Marie, emerged as its sole beneficiary. Priscilla, who divorced Elvis four years before his death, became a trustee and eventually engineered an overhaul of the estate, turning it into a moneymaker, in part by opening Graceland to the public in 1982.It was a painful but necessary tactic — “like being robbed,” Priscilla said later of watching strangers enter the home. The Los Angeles Times estimated in 1989 that the value of the estate had climbed to more than $75 million and that Elvis Presley Enterprises was bringing in an estimated $15 million a year in gross income.The assets grew to more than $100 million by 2005, according to court documents. By that time, they had been moved into a new vehicle, the Promenade Trust, established by Lisa Marie in 1993. She was its beneficiary; her mother and Barry Siegel, the family’s business manager, served as trustees.Then began what Lisa Marie’s lawyers have called her “11-year odyssey to financial ruin.”Siegel and Lisa Marie would later trade accusations over who was to blame for her precipitous financial decline. In a 2018 court fight, which was eventually settled, Siegel contended that, though the trust received millions of dollars in annual income, “Lisa’s continuous, excessive spending and reliance on credit” drove it into significant debt.In 2005, as the bills mounted, Lisa Marie and Siegel engineered the sale of 85 percent of Elvis Presley Enterprises to a group led by the investor Robert F.X. Sillerman.The deal paid about $50 million in cash. The trust also received $25 million in stock in Sillerman’s entertainment company, CKX, and $22 million in debt relief, according to court documents. The trust kept the remaining 15 percent of Elvis Presley Enterprises and the main Graceland house, appraised at $5.6 million in 2021.In 2013, Sillerman sold Elvis Presley Enterprises to Authentic Brands Group in partnership with Joel Weinshanker, who now operates Graceland. Three years later, Sillerman’s company declared bankruptcy, rendering Lisa Marie’s CKX stock almost worthless, according to court documents.And by that time, the $50 million in cash that Lisa Marie’s trust had received was also largely gone, spent on things like a $9 million home in England. In her court papers, Lisa Marie blamed Siegel for allowing that purchase and said he had enriched himself with exorbitant fees and failed to alert her to how dire the financial situation had become.By 2016, her lawsuit said, the trust “was left with $14,000 in cash and over $500,000 in credit card debt.”Siegel’s lawyers were blunt in their 2018 cross complaint, which denied their client was responsible for the diminished assets. “Sadly, since inheriting her father’s estate in 1993, Lisa has twice squandered it,” they wrote. “She now has only herself to blame for her financial and personal misfortunes.”Meanwhile, Elvis Presley Enterprises was churning along. Last year, it pulled in $110 million, at least $80 million of which was generated by operations at Graceland. Another $5 million came from the sale of the rights for the Baz Luhrmann biopic, according to Forbes, whose estimates were confirmed by two people with knowledge of the company’s finances.In addition to the $1.25 million she got last year from the trust, Lisa Marie received a monthly salary of roughly $4,300 as an employee of Graceland, according to a financial filing she made last year. It also listed roughly $95,000 in liquid assets, $715,000 in stocks and bonds, and debts that exceeded $3 million.Priscilla and Elvis were married for six years before divorcing in 1973. GETTY‘Family is everything’Though it’s surrounded now by a hotel and other amenities, Graceland is largely the same home Elvis bought in 1957, at 22, and lived in for two decades. The large, once bustling kitchen remains, as does the pool room and the jungle room, with its waterfall and carved wooden furniture.The audio tour offers visitors a glimpse of Presley family life.“Today, Lisa Marie and her family still have dinner around this table when they’re in town,” the audio intones during a stop in the dining room, where Elvis and Priscilla’s wedding china is displayed on a table near a portrait of Priscilla and a young Lisa Marie.The relationship between mother and daughter had become strained in recent years, according to people close to the family who requested anonymity to describe intimate Presley matters. One family confidante said Lisa Marie became particularly upset in 2016 when she filed to divorce her fourth husband, Michael Lockwood, and felt her mother was siding with Lockwood in the dispute.Still, they sat together at the Golden Globes.Schilling, who escorted Lisa Marie that night, declined to discuss Presley family matters. But he said the celebration of the “Elvis” film and the King’s legacy had been something of a salve for Lisa Marie, helping her “come out a little bit” after a difficult period. Her son, Benjamin Keough, died by suicide in 2020.On Jan. 26, two weeks after Lisa Marie’s death, Priscilla filed papers in Superior Court in Los Angeles challenging a 2016 amendment to the trust purportedly authorized by Lisa Marie. That amendment had removed Priscilla and Siegel as trustees. It had also designated Riley Keough and Benjamin, her brother, as co-trustees in the event of Lisa Marie’s death.Siegel had acknowledged receiving notice of his removal as trustee during his 2018 court battle with Lisa Marie. But Priscilla’s lawyers argued that the amendment was invalid, saying that it had never been delivered to her during Lisa Marie’s lifetime as required under the language of the trust. They also argued that the amendment was potentially fraudulent, asserting that Lisa Marie’s signature was “inconsistent” with her usual penmanship. Priscilla asked the court to recognize her as a trustee.Discord in the Presley family appears to have grown since the death of Lisa Marie, left, in January. She is shown with her mother, center, and daughter, Riley, at an event in Los Angeles last year.Jordan Strauss/Invision, via Associated PressA spokeswoman for Priscilla did not respond to requests for comment on her motivations for the court challenge. But Priscilla, in a statement last month, asked the public to “allow us the time we need to work together and sort this out,” imploring fans to “ignore ‘the noise.’”Keough’s representative declined to comment on the estate matters.Weinshanker, the managing partner of Graceland, also declined to comment but has said since Lisa Marie’s death that he believed it was her intention to have Keough and her brother run the trust.“There was never a question in her mind that they would be the stewards,” he told Sirius XM’s Elvis Radio, “that they would look at it the exact same way that she did. And obviously when Ben passed, it really sat with Riley.”In Memphis last weekend, people touring Graceland said they had been closely watching the dispute unfold. Many have been Elvis fans for their entire lives and have grown accustomed to Presley family drama. Still, some worried that the schism might lead to Graceland’s being sold.Kristie Gustafson, 54, said she grew up listening to Elvis’s music with her mother. “I’m a very family-oriented person, so I would say it’s very important to keep it in the family,” she said, beginning to tear up.“Family,” she said, “is everything.”Nicole Sperling contributed reporting from Los Angeles, Jessica Jaglois contributed reporting from Memphis and Ben Sisario contributed reporting from New York. Sheelagh McNeill and Jack Begg contributed research. More

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      Fans Mourn Lisa Marie Presley, Daughter of the King, at Graceland

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      At the stone wall outside Elvis Presley’s estate, his only child was remembered as a kind of rock star royalty.MEMPHIS — Some wrote messages on the stone wall in front of Graceland, the storied Memphis mansion that housed Elvis Presley’s studded jumpsuits and his private plane, the Lisa Marie, customized with gold bathroom fixtures. Others left flowers.A day after the death of Lisa Marie Presley, 54, the singer-songwriter and only child of Elvis, fans mourned her loss and recalled how the Presleys had touched their lives.At Graceland on Friday, Stephanie T. Perez, whose great-aunt taught Elvis in high school and whose grandfather worked for him as an upholsterer, said she had visited the same spot with her mother years ago, when the king of rock ’n’ roll had died. She was 2.“I just felt it was important to be on this street the day his daughter passed away,” Ms. Perez, now 47, said. “You hate it for them. You hate it for Elvis’s legacy. You hate it for her life that was cut short. But most of all, just sorrow for the kids and Priscilla.”Now Lisa Marie Presley, who owns the mansion and original grounds at Graceland, will be buried there, according to the Lede Co., which represents her daughter Riley Keough. “Lisa Marie’s final resting place will be at Graceland, next to her beloved son Ben,” it said in a statement.It was not immediately clear on Friday what had caused Ms. Presley’s death. Her mother, Priscilla Presley, said in a statement on Thursday that her daughter had been receiving medical attention but did not share more information. “She was the most passionate, strong and loving woman I have ever known,” Ms. Presley said.Lisa Marie Presley was born to Elvis and Priscilla in 1968. He died when she was 9.Keystone/Getty ImagesLisa Marie Presley was famous from the moment she was born, the daughter of one of the biggest stars in the world. And while she would go on to try to forge her own path as a singer, she remained best known as a kind of rock star royalty: She was the only daughter of Elvis and, from 1994 to 1996, she was married to Michael Jackson.But she led a tumultuous life, one that was buffeted by loss. She lost her father when she was 9. Married and divorced four times, she also struggled with opioid addiction. Her son, Benjamin Keough, died by suicide in 2020. Less than six months before her own death, she wrote about grieving his loss, saying that it had “destroyed” her but that she kept going for the sake of her three daughters.Fans mourned her outside Graceland, the eclectic eight-bedroom residence in Memphis that Ms. Presley inherited after her father’s death and which opened to the public as a museum in 1982.The plane that Elvis named after his daughter sits at Graceland.Lucy Garrett for The New York TimesGraceland has housed more than a million artifacts, among them a fake-fur cocoon bed with a stereo in the canopy. Then there is Mr. Presley’s private plane, the Lisa Marie, which had four TVs and a stereo with 52 speakers.Within hours of the announcement of Ms. Presley’s death late Thursday, about a dozen Elvis fans arrived at Graceland, bundled up in coats and gloves on a blustery chilly nightKimber Tomlinson, 49, recalled how Elvis fans in Memphis had been smitten from the start with Lisa Marie, who was so well-known here that nobody seemed to feel the need to use her last name. Her first memory of Elvis, she added, was when her mother took her to Graceland about a week or so after his funeral.“It’s sad, so sad,” Ms. Tomlinson said. “Her life was always in the spotlight,” she added, referring to Lisa Marie. “That family has had their share of heart attacks and heartbreaks.”Ms. Tomlinson recited the long history of loss among the Presley family: Gladys, Elvis’s mother died at age 46 in 1958; Elvis died in 1977 of heart failure at age 42; Lisa Marie’s son, Benjamin Keough, died by suicide in 2020 at age 27; and now there was Lisa Marie’s death.The sprawling estate opened for business as usual on Friday, just days after Ms. Presley had joined fans at the mansion on Sunday to celebrate what would have been Elvis’s 88th birthday.Jason Hanley, the vice president of education at the Rock & Roll Hall of Fame in Cleveland, observed that Ms. Presley’s death was a cultural touchstone of sorts because she was the daughter of the “King of Rock ’n’ Roll” and had been married to the “King of Pop.” Her death, he said, was imbued with a particular wistfulness and nostalgia for an era that had changed American music.“She was the heir to Elvis’s empire and rock ’n’ roll royalty, and she recorded three great albums in which she wanted to say something about herself in the shadow of her father’s legacy,” he said. “Her death is heartbreaking for us because it marks the passage of time.”A bouquet of flowers for Lisa Marie Presley at Graceland.Lucy Garrett for The New York TimesOne of her former husbands, the actor Nicolas Cage, told The Hollywood Reporter he was devastated by Ms. Presley’s death. “Lisa had the greatest laugh of anyone I ever met,” he was quoted as saying. “She lit up every room, and I am heartbroken.” The Michael Jackson estate said in a statement that Jackson had “cherished the special bond” he and Ms. Presley shared and that he was “comforted by Lisa Marie’s generous love, concern and care during their times together.”Ms. Presley released three albums in which she set out to forge her own musical path while drawing from the music of her father, whose singular cocktail of blues, gospel, pop and country made him the first huge rock star and transformed American music.She said she had been hesitant to lean on her family name. But she was overruled by her record label, which made the personal “Lights Out” — “Someone turned the lights out there in Memphis. That’s where my family’s buried and gone” — her debut single in 2003.Her father’s larger-than-life legacy remained with her right until her final days. On Tuesday, she was again conjuring him at the Golden Globes, telling a television host that Austin Butler, who won the lead acting award for drama for his performance in Baz Luhrmann’s biopic “Elvis,” had perfectly embodied her father.But at Graceland on Friday, it was Lisa Marie that Presley fans remembered. Perez left her own message on Graceland’s wall: “Godspeed, LMP.”Cindy Wolff More

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      Lisa Marie Presley, Singer-Songwriter and Daughter of Elvis, Dies at 54

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      Her death in Los Angeles on Thursday, after a life tinged with tragedy, came after a medical emergency and brief hospitalization.Lisa Marie Presley, the singer-songwriter and only child of Elvis Presley, died on Thursday in Los Angeles after a medical emergency and a brief hospitalization. She was 54.Sam Mast, a representative of Priscilla Presley, her mother, announced the death in a statement. Earlier in the day, Ms. Presley said her daughter had been receiving medical attention but did not provide more information. Ms. Presley lived in Calabasas, Calif., west of Los Angeles.The daughter of one of the most celebrated performers in music history, Ms. Presley followed her father’s career path. She released three rock albums, on which she set out to establish a sound of her own while also paying homage to the man who forever changed the American soundscape with his blend of blues, gospel, country and other genres.Hers was a life tinged with tragedy. She was 9 when her father died in 1977, and she lost others who had been close to her along the way, including her former husband, Michael Jackson. The suicide of her only son, Benjamin Keough, at age 27 in 2020 hit her especially hard, an episode she wrote about movingly last year in an essay for People magazine to mark National Grief Awareness Day.“My and my three daughters’ lives as we knew it were completely detonated and destroyed by his death,” she wrote. “We live in this every. Single. Day.”The enormous legacy of her father was a constant presence in her life. On Tuesday, she was again celebrating him at the Golden Globe awards ceremony, telling Extra TV that Austin Butler, who won the award for lead actor in a drama for his performance in the title role of Baz Luhrmann’s “Elvis,” had perfectly captured the essence of her father.“I was mind-blown, truly,” Ms. Presley said. “I actually had to take, like, five days to process it because it was so spot on and authentic.”In his speech accepting his award during the televised ceremony, Mr. Butler singled out the Presley family for its friendship and support as the camera panned to a visibly moved Priscilla and Lisa Marie Presley seated at his table.Ms. Presley in 2012 beside a display of her childhood crib at Graceland, Elvis Presley’s home in Memphis. Lance Murphey/Associated PressOn Sunday, Ms. Presley was at Graceland, her father’s estate in Memphis, to commemorate what would have been his 88th birthday.Father and daughter were extremely close. Elvis once flew Lisa Marie to Idaho after she said she had never seen snow. He named his 1958 Convair 880 private jet the Lisa Marie.Ms. Presley owned Graceland and her father’s artifacts, as well as 15 percent of Elvis Presley Enterprises, the corporate entity created by a Presley trust to manage its assets.Though Ms. Presley’s music career never reached the heights her father’s had achieved, his influence was evident in her music and lyrics. “Someone turned the lights out there in Memphis,” she sang in “Lights Out,” a song from “To Whom It May Concern,” her debut album, released in 2003. “That’s where my family’s buried and gone.”In 2018, she co-produced an album celebrating Elvis’s love of gospel music and sang along with a recording of him on one of the songs. “I got moved by it as I was singing,” she said in an interview.If her albums produced no signature hits, her last name enshrined her as a celebrity. And her star-studded relationships only deepened that perception. Foremost among those was her marriage, from 1994 to 1996, to Mr. Jackson. Together, the pair — one the daughter of the king of rock ’n’ roll, the other regarded as the king of pop — attracted the glare of cameras and bountiful attention. In August 1994, The New York Times reported on the couple’s revelation that they had married.“After announcing a union that might have been conceived in supermarket-tabloid heaven and proclaiming a need for privacy, the world’s most famous newlyweds were holed up last night in a place not known for its isolation: Trump Tower,” The Times wrote. “At 5:40 p.m., a few hours after the statement was released in Los Angeles, the developer Donald J. Trump emerged from Trump Tower to the kind of reportorial throng normally reserved for the likes of, well, Michael Jackson or Donald Trump, and confirmed that, yes, the couple were ensconced on the top floor of the Fifth Avenue tower.”There was speculation that the marriage was an effort to deflect attention from investigations into allegations by a 13-year-old boy that Mr. Jackson had molested him. For a time the couple portrayed a happy marriage — Ms. Presley said she wanted to be known as “Mrs. Lisa Marie Presley-Jackson.” But by the end of 1995 they had separated, and they divorced the next year.Ms. Presley was married three other times; those marriages ended in divorce as well. She married the singer and songwriter Danny Keough in 1988, the actor Nicolas Cage in 2002 and, most recently, in 2006, Michael Lockwood, a guitarist who was music director of her 2005 album, “Now What.” They divorced in 2021.Her survivors include her daughter with Mr. Keough, the actress Riley Keough, and twin daughters with Mr. Lockwood, Harper and Finley.In a foreword to the 2019 book “The United States of Opioids: A Prescription for Liberating a Nation in Pain” by Harry Nelson, Ms. Presley wrote about her struggle with addiction, which she said began when she was given a prescription for pain medication after the birth of the twins in 2008. She quoted her own response to a point-blank question about her problem posed to her on the “Today” show in 2018.“I’m not perfect,” she recalled saying. “My father wasn’t perfect, no one’s perfect. It’s what you do with it after you learn and then you try to help others with it.”Elvis and Priscilla Presley with their daughter, Lisa Marie, after her birth in 1968. Associated PressLisa Marie Presley was born in Memphis on Feb. 1, 1968. “I’m a shaky man,” her famous father told reporters when his wife was admitted to Baptist Memorial Hospital for the birth, an occasion that made international news.In “Elvis by the Presleys,” a 2005 book of recollections by Lisa Marie and Priscilla Presley and others, Lisa Marie wrote of her childhood memories of her father.“The thing about my father is that he never hid anything,” she wrote. “He didn’t have a facade. Never put on airs. If he was crabby, you knew it. If he was angry, he’d let you know. His temper could give Darth Vader a run for his money. But if he was happy, everyone was happy.”Home life had its odd moments.“One time in the middle of the night I’m awoken by this incredibly loud noise coming from my father’s bedroom, which was right next to mine,” she related. “I get out of bed and see the guys buzz-sawing down his door so they can move in a grand piano. He felt like playing piano and singing gospel songs.”In the same book, Priscilla Presley wrote of Elvis’s tenderness toward his daughter in her early years.“Twice he spanked her on her bottom,” she remembered. “Once she colored a velvet couch with crayons, and once she ignored his warnings and got too close to the edge of the pool. The spankings were restrained and also warranted. But poor Elvis was a mess afterwards. You would have thought he had committed murder.”As a performer, Ms. Presley, whose most recent album was “Storm & Grace” (2012), knew her name would always be impossible to escape. But she was eager to be taken on her own terms.“It’s my own thing,” she said of her career in a 2003 interview with The Times. “I’m just trying to be an artist. I’m not trying to be Elvis Presley’s child. And I’m not trying to run from it either.”Kirsten Noyes More

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      ‘Elvis’ vs. Elvis

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      Subscribe to Popcast!Apple Podcasts | Spotify | StitcherThe Baz Luhrmann biopic “Elvis” has been one of this summer’s box office success stories, demonstrating the ongoing appetite for stories about Elvis Presley, one of pop music’s dynamic and contentious figures, as well as the cinematic power of Luhrmann’s vivid, overwhelming style, which is optimized for the big screen.The film is loyal to Presley (Austin Butler), and uses his manager, Colonel Tom Parker (Tom Hanks) as a narrator and also a moral foil. It emphasizes Presley as a performer and cultural agitator more so than as a person, while combining or rewriting historical moments to serve the larger narrative.On this week’s Popcast, a conversation about Presley’s career, how the film smooths out the rough edges of his story, and the role that fantasy and imagination play in remembering pop culture heroes.Guests:A.O. Scott, co-chief film critic of The New York TimesAlanna Nash, author of “The Colonel: The Extraordinary Story of Colonel Tom Parker and Elvis Presley,” “Baby, Let’s Play House: Elvis Presley and the Women Who Loved Him” and several other booksConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      The Best Actors to Play Elvis Onscreen

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      In honor of Austin Butler’s performance in the Baz Luhrmann biopic, we ranked 10 of the best — and worst — Presleys to grace the silver screen.Kurt Russell had the hip swivel down cold. Val Kilmer nailed the sincere, soulful voice. And Michael Shannon … well, the credits identified him as Elvis Presley, so that was the character he must have been playing in “Elvis & Nixon,” right?Since the King’s death in 1977, at 42, more than a dozen actors — and one space alien — have portrayed his walk, talk and famous charm in dozens of films and TV shows. Now one more has joined their ranks — Austin Butler, whose on-point hip gyrations are at the heart of Baz Luhrmann’s new “Elvis.”So how does Butler’s sultry, baby-faced King stack up against Jonathan Rhys Meyers’s Golden Globe-winning crooner or Harvey Keitel’s over-the-hill rocker? We offer our rankings. 1979Kurt Russell, ‘Elvis’ 🎸🎸🎸🎸🎸The perfectly coifed pouf, the raw, emotive voice, the frenzied hip thrusts, the gleaming, skintight rhinestone jumpsuit … blink, and you could easily believe, thanks to this near-flawless portrayal in a 1979 TV movie, that Kurt Russell is Elvis. Sure, Russell doesn’t actually sing — that was all the country artist Ronnie McDowell — but that speaking voice is spot-on. Buy it on Amazon.2005Jonathan Rhys Meyers, ‘Elvis: The Miniseries’ 🎸🎸🎸🎸The two-part show, which tackles Presley’s rise from high school in Mississippi to international superstardom, is a showcase for Rhys Meyers’s heart-pounding leg pumps (with memorable supporting turns from Randy Quaid as Col. Tom Parker, Presley’s manager, and Rose McGowan as the actress Ann-Margret, with whom Presley was rumored to have had an affair). Like Russell, Rhys Meyers doesn’t do his own singing, but he lip-syncs flawlessly to an even better option: the real thing. (This was the first biopic that the Presley estate allowed to use the master recordings.)Rent it on DVD.com.2005Tyler Hilton, ‘Walk the Line’ 🎸🎸🎸🎸Hilton pops up in four scenes of this Johnny Cash biopic as a young Elvis, opposite a young Joaquin Phoenix as Cash. It was one of Hilton’s first forays into acting — he considered himself more of a musician at the time — but he nails Presley’s slurred vocal style and the deeply felt conviction of his singing.Stream it on Tubi; rent or buy it on Amazon Prime, Apple TV, Google Play, Vudu or YouTube.1993Val Kilmer, ‘True Romance’ 🎸🎸🎸🎸This romantic crime drama written by Quentin Tarantino centers not on the King, but on an Elvis fanatic (Christian Slater) and his new wife on the run from mobsters. But Kilmer’s apparition of Elvis, complete with gold lamé suit, might just be the most memorable part. (That’s saying something in a film that also featured Patricia Arquette, Dennis Hopper, Gary Oldman, Samuel L. Jackson and a young Brad Pitt.) Kilmer’s appearance tops out at around two minutes and he’s credited only as “Mentor.” But the suave voice whispering murderous thoughts into Slater’s ear is unmistakably intended to be the King’s, and Kilmer aces it.Rent or buy it on Amazon Prime, Apple TV, Google Play, Vudu or YouTube.1998Harvey Keitel, ‘Finding Graceland’ 🎸🎸🎸OK, so strictly speaking, Harvey Keitel is not Elvis but “Elvis,” a fictional older — and very much alive — version of Presley who faked his death in 1977 after becoming overwhelmed by the pressures of fame. Keitel nails the melted-chocolate quality of the rocker’s voice and delivers a full-throated portrayal of an over-the-hill King, complete with hip thrusts and shoulder shimmies. (The film was produced by Elvis’s ex-wife, Priscilla Presley, and scenes were actually filmed inside the Graceland mansion in Memphis.)Buy it on Amazon.2003Bruce Campbell, ‘Bubba Ho-Tep’ 🎸🎸🎸In this R-rated comedy-horror flick, Bruce Campbell is an aged Elvis impersonator in a nursing home, Ossie Davis is a fellow resident who claims to be President John F. Kennedy, they fight an Egyptian mummy sucking out residents’ souls through their butts, and, just trust us, it works. Campbell brings an endearingly crusty charisma to the part, and his self-deprecating hospital-bed monologues about growing old are surprisingly moving.Stream it on Tubi or Amazon Prime; rent or buy it on Apple TV or Vudu.1988David Keith, ‘Heartbreak Hotel’ 🎸🎸🎸“Heartbreak Hotel” sounds, from the title, like an Elvis-adjacent chick flick, but it’s actually a comedy written and directed by Chris Columbus about a teenage boy who kidnaps Elvis as a present for his mother when she’s recovering from a car crash. (Elvis happens to be his mom’s favorite singer.) Critics — and the public — gave Keith’s portrayal a rather tepid reception, with Rita Kempley of The Washington Post concluding in her scalpelesque pan that “Playing Elvis is like playing a Kennedy, nearly impossible.” At least someone liked it: Keith’s King, who was fatherly, clean-cut and drug-free, did get the blessing of the Presley estate and Elvis’s national fan club.Buy it on Amazon.1981Don Johnson, ‘Elvis and the Beauty Queen’ 🎸🎸This made-for-TV movie focused on the end of Elvis’s life and his relationship with the beauty-pageant contestant Linda Thompson, whom he was romantically involved with after the end of his six-year marriage to Priscilla Presley. To judge by YouTube clips, Johnson rocked a jumpsuit as a zonked-out Elvis, yes, but his high-pitched speaking voice was better suited for a “Saturday Night Live” sketch than a seduction scene, and his bushy black wig was downright hokey — and that was before the heavy eyeliner and mascara.2016Michael Shannon, ‘Elvis & Nixon’🎸If you didn’t hear a security guard say, “It’s Elvis Presley!” you wouldn’t know Michael Shannon’s careworn, sullen Elvis was supposed to be the King. His craggy face is at odds with the King’s smooth features, and, combined with a voluminous black wig, his Elvis smacks of Michael Crawford in “Dance of the Vampires.” The film, a historical comedy, focused on a 1970 meeting between Presley and President Richard Nixon (played by Kevin Spacey, who also does not resemble his real-lie counterpart). Shannon is a great character actor, but he can’t overcome this confoundingly bad casting, despite the gleaming gold belt buckle, tinted glasses, high-collared shirt and flashing rings.Stream it on Amazon Prime; rent it on DVD.com.2002Bonus: Stitch in ‘Lilo & Stitch’He ain’t nothin’ but a hound alien. In this animated comedy, Experiment 626 — a.k.a. Stitch — uses a black wig, white jumpsuit and ukulele to indulge Lilo as she tries to teach him to be a model citizen. And honestly, based on the number of beachgoers who swooned when they got one of his flirtatious winks, we’d have to crown him the hip-swivel champion.Stream it on Disney+; rent or buy it on Amazon Prime, Apple TV, Google Play, Vudu or YouTube. More

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      ‘Elvis’ Review: Shocking the King Back to Life

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      Austin Butler plays the singer, with Tom Hanks as his devilish manager, in Baz Luhrmann’s operatic, chaotic anti-biopic.My first and strongest memory of Elvis Presley is of his death. He was only 42 but he already seemed, in 1977, to belong to a much older world. In the 45 years since, his celebrity has become almost entirely necrological. Graceland is a pilgrimage spot and a mausoleum.Baz Luhrmann’s “Elvis” — a biopic in the sense that “Heartbreak Hotel” is a Yelp review — works mightily to dispel this funerary gloom. Luhrmann, whose relationship to the past has always been irreverent and anti-nostalgic, wants to shock Elvis back to life, to imagine who he was in his own time and what he might mean in ours.The soundtrack shakes up the expected playlist with jolts of hip-hop (extended into a suite over the final credits), slivers of techno and slatherings of synthetic film-score schmaltz. (The composer and executive music producer is Elliott Wheeler.) The sonic message — and the film’s strongest argument for its subject’s relevance — is that Presley’s blend of blues, gospel, pop and country continues to mutate and pollinate in the musical present. There’s still a whole lot of shaking going on.As a movie, though, “Elvis” lurches and wobbles, caught in a trap only partly of its own devising. Its rendering of a quintessentially American tale of race, sex, religion and money teeters between glib revisionism and zombie mythology, unsure if it wants to be a lavish pop fable or a tragic melodrama.The ghoulish, garish production design, by Catherine Martin (Luhrmann’s wife and longtime creative partner) and Karen Murphy, is full of carnival sleaze and Vegas vulgarity. All that satin and rhinestone, filtered through Mandy Walker’s pulpy, red-dominated cinematography, conjures an atmosphere of lurid, frenzied eroticism. You might mistake this for a vampire movie.It wouldn’t entirely be a mistake. The central plot casts Elvis (Austin Butler) as the victim of a powerful and devious bloodsucking fiend. That would be Col. Tom Parker, who supplies voice-over narration and is played by Tom Hanks with a mountain of prosthetic goo, a bizarre accent and a yes-it’s-really-me twinkle in his eyes. Parker was Presley’s manager for most of his career, and Hanks portrays him as part small-time grifter, part full-blown Mephistopheles.“I didn’t kill Elvis,” Parker says, though the movie implies otherwise. “I made Elvis.” In the Colonel’s mind, they were “the showman and the snowman,” equal partners in a supremely lucrative long con.Luhrmann’s last feature was an exuberant, candy-colored — and, I thought, generally underrated — adaptation of “The Great Gatsby,” and the Colonel is in some ways a Gatsbyesque character. He’s a self-invented man, an arriviste on the American scene, a “mister nobody from nowhere” trading in the unstable currencies of wishing and seeming. He isn’t a colonel (Elvis likes to call him “admiral”) and his real name isn’t Tom Parker. The mystery of his origins is invoked to sinister effect but not fully resolved. If we paid too much attention to him, he might take over the movie, something that almost happens anyway.Luhrmann seems more interested in the huckster than in the artist. But he himself is the kind of huckster who understands the power of art, and is enough of an artist to make use of that power.Butler with Tom Hanks, left, as Col. Tom Parker, Presley’s manager. The film depicts him as a small-time grifter and full-time Mephistopheles.Warner Bros.As a Presley biography, “Elvis” is not especially illuminating. The basic stuff is all there, as it would be on Wikipedia. Elvis is haunted by the death of his twin brother, Jesse, and devoted to his mother, Gladys (Helen Thomson). Relations with his father, Vernon (Richard Roxburgh), are more complicated. The boy grows up poor in Tupelo, Miss., and Memphis, finds his way into the Sun Records recording studio at the age of 19, and proceeds to set the world on fire. Then there’s the Army, marriage to Priscilla (Olivia DeJonge), Hollywood, a comeback broadcast in 1968, a long residency in Las Vegas, divorce from Priscilla and the sad, bloated spectacle of his last years.Butler is fine in the few moments of offstage drama that the script allows, but most of the emotional action is telegraphed in Luhrmann’s usual emphatic, breathless style. The actor seems most fully Elvis — as Elvis, the film suggests, was most truly himself — in front of an audience. Those hips don’t lie, and Butler captures the smoldering physicality of Elvis the performer, as well as the playfulness and vulnerability that drove the crowds wild. The voice can’t be imitated, and the movie wisely doesn’t try, remixing actual Elvis recordings rather than trying to replicate them.At his first big performance, in a dance hall in Texarkana, Ark., where he shares a bill with Hank Snow (David Wenham), Snow’s son, Jimmie (Kodi Smit-McPhee), and other country acts, Elvis steps out in a bright pink suit, heavy eye makeup and glistening pompadour. A guy in the audience shouts a homophobic slur, but after a few bars that guy’s date and every other woman in the room is screaming her lungs out, “having feelings she’s not sure she should enjoy,” as the Colonel puts it. Gladys is terrified, and the scene carries a heavy charge of sexualized danger. Elvis is a modern Orpheus, and these maenads are about to tear him to pieces. In another scene, back in Memphis, Elvis watches Little Richard (Alton Mason) tearing up “Tutti Frutti” (a song he would later cover) and sees a kindred spirit.The sexual anarchy and gender nonconformity of early rock ’n’ roll is very much in Luhrmann’s aesthetic wheelhouse. Its racial complications less so. “Elvis” puts its hero in the presence of Black musicians including Sister Rosetta Tharpe (Yola), Big Mama Thornton (Shonka Dukureh) and B.B. King (Kelvin Harrison Jr.), who offers career advice. An early montage — repeated so often that it becomes a motif — finds the boy Elvis (Chaydon Jay) simultaneously peeking into a juke joint where Arthur Crudup (Gary Clark Jr.) plays “That’s All Right Mama” and catching the spirit at a tent revival.There’s no doubt that Elvis, like many white Southerners of his class and generation, loved blues and gospel. (He loved country and western, too, a genre the film mostly dismisses.) He also profited from the work of Black musicians and from industry apartheid, and a movie that won’t grapple with the dialectic of love and theft that lies at the heart of American popular music can’t hope to tell the whole story.In the early days, Elvis’s nemesis is the segregationist Mississippi senator James Eastland (Nicholas Bell), whose fulminations against sex, race-mixing and rock ’n’ roll are intercut with a galvanic performance of “Trouble.” Later, Elvis is devastated by the assassinations of the Rev. Dr. Martin Luther King Jr. (who was killed “just three miles from Graceland”) and Robert F. Kennedy. These moments, which try to connect Elvis with the politics of his era, are really episodes in his relationship with Colonel Parker, who wants to keep his cash cow away from controversy.Alton Mason as Little Richard in the film. Early rock’s sexual anarchy and gender nonconformity are in Luhrmann’s wheelhouse, our critic writes, but the music’s racial complications are not.Kane Skennar/Warner Bros.When Elvis defies the Colonel — breaking out in full hip-shaking gyrations when he’s been told “not to wiggle so much as a finger”; turning a network Christmas special into a sweaty, intimate, raucous return to form — the movie wants us to see his conscience at work, as well as his desire for creative independence. But Luhrmann’s sense of history is too muddled and sentimental to give the gestures that kind of weight.And Elvis himself remains a cipher, a symbol, more myth than flesh and blood. His relationships with Vernon, Priscilla and the entourage known as “the Memphis mafia” receive cursory treatment. His appetites for food, sex and drugs barely get that much.Who was he? The movie doesn’t provide much of an answer. But younger viewers, whose firsthand experience of the King is even thinner than mine, might come away from “Elvis” with at least an inkling of why they should care. In the end, this isn’t a biopic or a horror movie or a cautionary parable: It’s a musical, and the music is great. Remixed, yes, and full of sounds that purists might find anachronistic. But there was never anything pure about Elvis Presley, except maybe his voice, and hearing it in all its aching, swaggering glory, you understand how it set off an earthquake.Like a lot of people who write about American popular culture — or who just grew up in the second half of the 20th century — I’ve spent a lot of time thinking about Elvis. “Elvis,” for all its flaws and compromises, made me want to listen to him, as if for the first time.ElvisRated PG-13. Rock ’n’ roll, sex, drugs. Running time: 2 hours 39 minutes. In theaters. More

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      How Elvis Measured His Success: With Watches

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      The legend’s hips weren’t the only things keeping time, says Catherine Martin, the production designer for Baz Luhrmann’s new biopic.Of all the swagger and style that defined Elvis Presley — the gyrating hips, the clothes, the cars, the smirk of all smirks, that hair! — his collection of watches probably didn’t elicit giddy screaming across teen-dom in the late 1950s.But “Elvis,” a new biopic of the singer’s life, celebrates it all. Directed by Baz Luhrmann (with, one assumes, the same panache that all but turned the music and the dancing into characters in films like “Moulin Rouge!” and “Strictly Ballroom”), the movie is said to be a homage to a humble man whose love of collecting and trading watches was often overlooked during his all-too-brief 42 years.Elvis Presley in 1968. “He would swap watches with strangers whose watches he admired,” said Catherine Martin, the costume and production designer for Baz Luhrmann’s “Elvis” biopic.Getty Images“Watches were a symbol of his success and a big part of his story, and he gathered more valuable watches as his career developed,” said Catherine Martin, the four-time-Oscar-winning costume and production designer for the film, in a phone interview from her home in her native Australia. “They were a status symbol, and yet Elvis traded and gave watches away. He would swap watches with strangers whose watches he admired. It was crazy.”Ms. Martin, who also is a producer on the film and is married to Mr. Luhrmann, said she saw Presley’s love of watches as essential to telling his story: The way he wore and collected and traded watches reflects the image he created for himself as “the King,” but blended with his folksy roots.“Elvis was an absolutely iconoclastic dresser, and he was always accessorizing watches,” Ms. Martin said. “He reinvented himself constantly throughout his career. We don’t think of him as shocking now, but in the ’50s it was like he was a member of the Sex Pistols.”That radical transformation of Presley, played by Austin Butler in the film, provides much of the story line for “Elvis,” including his tumultuous relationship with his manager, Col. Tom Parker (Tom Hanks), who discovered the singer in 1955.Watches are an ever-present, if not obvious, element in many of the film’s scenes, Ms. Martin said, particularly because Presley always put a great deal of thought into how he wore and accessorized timepieces.“Even in the 1968 TV special, in his black leather outfit, he had a custom leather wristband made for a Bulova Accutron Astronaut,” she said, referring to Presley’s famous televised comeback concert. “A lot of the watches he wore were about technological style advances. He was always interested in what the latest watches were.”The watch that started it all was one he owned just as he was hitting it big: the triangular Hamilton Ventura, created by the American industrial designer Robert Arbib and known as the world’s first battery-powered watch. It became a signature for Presley — showing up in a gold version in his 1961 film “Blue Hawaii” — and for the watch company, which reintroduced the “Elvis watch” in 2015 to mark what would have been his 80th birthday. (It also was seen in all four “Men in Black” movies.)The “Elvis” director Baz Luhrmann with the Oscar-winning costume and production designer Catherine Martin, who is his wife, at the Met Gala in May. Angela Weiss/Agence France-Presse — Getty Images“It just happened that we didn’t end up with the ‘Elvis watch’ because it’s such an iconic watch and so well known that we didn’t want it to be a main part of the story,” Ms. Martin said. “There is so much more to tell over 40 years. I don’t want to deny that this watch was super important in the Elvis story, but watches were in general.”One example would be the Omega Constellation he wore while stationed in Germany with the U.S. Army from 1958 to 1960. Made of pink gold with a black “sniper” dial, it was one of the originals in the Constellation line. Presley later gave it to Charlie Hodge, a friend and fellow musician.Antiquorum auctioned the timepiece in June 2012, expecting it to fetch $10,000 to $20,000; it sold for $52,500.And there was a second Omega Constellation, given to Presley in 1961 by his record company, RCA. The 33-millimeter white gold watch has a silver dial, with 44 round diamonds accenting the bezel, and a case back that is engraved, “To Elvis, 75 Million Records, RCA Victor, 12-25-60.” Lettering beneath the Omega logo shows that RCA purchased the watch from Tiffany & Company.Legend has it that Presley swapped it for a fan’s watch, and the fan’s nephew put the watch up for auction with Phillips in 2018. It sold for 1.8 million Swiss francs (about $1.87 million today), making it at the time the most expensive Omega ever sold. The highest bidder: Omega itself, which added the watch to its museum collection in Bienne, Switzerland.“The character arc of Elvis is fascinating, as is the fact that he was an extraordinary stylist who created his own look,” said Ms. Martin, who oversaw Mr. Butler’s watches in the new film. “He became super famous super fast, and watches were important to him to show that he had made it.”Warner Bros.One watch that was prominent late in Elvis’s career was the Rolex King Midas, which has an asymmetrical case with a wide integrated bracelet and was designed by Gerald Genta, the name behind such legendary watches as the Royal Oak and the Nautilus. Concert promoters gave the Midas to Presley in 1970 for performing six days of sold-out concerts, and it is now on permanent display at Graceland, Presley’s home in Memphis, where he died in 1977.“The King Midas is a very unusual shape, and Baz happens to own one, so Austin Butler wore that in the movie,” Ms. Martin said. “Some watches were borrowed or purchased online. Some were so valuable that it was impossible to have them on set, so we had duplicates made.”The subject of the film, which premiered at the Cannes Film Festival last month, certainly falls into the larger-than-life category that Mr. Luhrmann and Ms. Martin seem drawn to in filmmaking (like their 2013 version of “The Great Gatsby”).“The character arc of Elvis is fascinating, as is the fact that he was an extraordinary stylist who created his own look,” Ms. Martin said. “He became super famous super fast, and watches were important to him to show that he had made it.” More