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    How Hip-Hop Conquered the World

    How Hip-HopConqueredthe World A crowd in Harlem watching Doug E. Fresh, 1995.David Corio The Great Read How Hip-Hop Conquered the World Fifty years ago, a party in the Bronx jumpstarted an essential American artform. For decades the genre has thrived by explaining the country to itself. Aug. 10, 2023, 5:00 a.m. ET We’ve gathered here […] More

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    Grammys Celebrate Hip-Hop History, From Grandmaster Flash to Lil Uzi Vert

    In what could be seen as an elaborate mea culpa to rap music after decades of friction and perceived disrespect, the Grammy Awards dedicated an extended, centerpiece performance on Sunday to the forthcoming 50th anniversary of hip-hop, going from Grandmaster Flash to Lil Uzi Vert in about 15 minutes.Featuring a taste of some two dozen songs from across decades, regions and movements, the medley — curated by Questlove of the Roots and narrated by his bandmate Black Thought, plus LL Cool J and Queen Latifah — included deep cuts, smash hits and fan favorites in a rapid-fire fashion. The performance celebrated the half-centennial of the genre, which many in the industry have dated to Aug. 11, 1973, when DJ Kool Herc threw a back-to-school party with his sister in the rec room of an apartment building at 1520 Sedgwick Avenue in the Bronx.Opening with Grandmaster Flash performing his traditional record-scratching and drum-machine techniques, the first of three segments breezed through the late 1970s and 1980s with appearances by Run-DMC, DJ Jazzy Jeff, Salt-N-Pepa, Rakim and Public Enemy’s Chuck D and Flava Flav. (Jazzy Jeff — along with the Fresh Prince, a.k.a. Will Smith — and Salt-N-Pepa were among the first-ever Grammy nominees in a rap category, though both groups boycotted the ceremony in 1989 because the award was not being televised.)Representing the next waves, including early gangster rap, Southern hip-hop and 21st-century pop crossovers, were artists like Queen Latifah, Big Boi of Outkast and Missy Elliott, who performed her 2005 hit “Lose Control,” which peaked at No. 3 on the Billboard Hot 100. In a showstopping moment, Busta Rhymes transitioned from “Put Your Hands Where My Eyes Could See,” his 1997 single, to his 2011 verse on Chris Brown’s “Look at Me Now,” a feat of vocal speed, verbal dexterity and breath control.Moving toward the present day in the high-energy third act, Nelly, Too Short and the Lox made way for the current crop of rap stars, including Lil Baby and GloRilla.Concluding the set was Lil Uzi Vert, hitting viral dance moves alongside LL Cool J, to his Jersey club-influenced TikTok hit “Just Wanna Rock,” as clear an example as any of how unpredictably hip-hop has evolved.Here’s the full set list:Grandmaster Flash, “Flash to the Beat”/“The Message”Run-DMC, “King of Rock”LL Cool J and DJ Jazzy Jeff, “I Can’t Live Without My Radio”/“Rock the Bells”Salt-N-Pepa, “My Mic Sounds Nice”Rakim, “Eric B. Is President”Chuck D and Flavor Flav, “Rebel Without a Pause”Black Thought and LL Cool J interlude (“Rump Shaker”)Posdnuos of De La Soul, “Buddy”Scarface, “Mind Playing Tricks on Me”Ice-T, “New Jack Hustler (Nino’s Theme)”Queen Latifah, “U.N.I.T.Y.”Method Man, “Method Man”Big Boi of Outkast, “ATLiens”Busta Rhymes, “Put Your Hands Where My Eyes Could See”/“Look at Me Now”Missy Elliott, “Lose Control”Nelly, “Hot in Herre”Too Short, “Blow the Whistle”The Lox and Swizz Beatz, “We Gonna Make It”Lil Baby, “Freestyle”GloRilla, “F.N.F. (Let’s Go)”Lil Uzi Vert, “Just Wanna Rock” More

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    ‘End of the Road’ Review: Thrill Ride

    Queen Latifah and Chris Bridges anchor a predictable thriller that also manages to spin a charming tale of family unity.A family of four traverses an obstacle course of Wild West crime escapades in the charming caper “End of the Road.” Queen Latifah and Chris Bridges anchor the antics as Brenda, a mother of two teenagers, and Reggie, Brenda’s layabout younger brother. Their sibling alliance forms the heart of the movie, and the pair toggle credibly between a combative dynamic and a considerate one.When the movie begins, Brenda has resolved to move the brood from California to Texas following the death of her husband. Her children (Mychala Faith Lee and Shaun Dixon) are bitter about being uprooted from their home. The story takes place during their road trip across the Southwest, but what begins as a quiet journey through the desert spirals into a violent chase after the family become earwitnesses to a grisly motel murder.Despite its thriller structure, this crime story offers little surprise or intrigue. With a brief running time, the movie unspools simply: each beat is predictable, and even the identity of the unseen felon is a mystery easily solved.But this plainness of plot — and a sparsity of the action set pieces that often clog up such movies — ultimately proves a boon to “End of the Road,” leaving space for the director, Millicent Shelton, to nurture a comforting tale of family unity. Shelton also demonstrates a creative eye; check out her use of purple lighting during certain night scenes. Even when the movie wants for tension, it brims with playful style.End of the RoadRated R for drugs and danger. Running time: 1 hour 29 minutes. Watch on Netflix. More

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    ‘The Tiger Rising’ Review: A Cage of Clichés

    A lonely boy finds an ally when he discovers a caged tiger in a forest behind his home, but imagination is somehow short-lived in this children’s movie.In the children’s drama “The Tiger Rising,” a lonely boy whose mother recently died finds a spiritual ally when he discovers a caged tiger in a forest behind his home in rural Florida.Rob (Christian Convery) is a shy 12-year-old whose skin disorder has made him a target for his classmates. They call him, in an example of the movie’s flavorless affectations, Disease Boy.Rob stumbles upon the tiger when he wanders the woods alone, but the quiet boy is an unlikely companion for such a wild creature. It’s only when he befriends a spirited new student named Sistine (Madalen Mills) that Rob’s imagination is given room to grow.Loneliness bonds the two outcasts, and together, they find an outlet for their frustrations by visiting the tiger. They want to set the animal free, even if it’s against the advice of the one adult Rob and Sistine trust, Willie May (Queen Latifah), a maid whom the children think of as a prophet.The director and screenwriter, Ray Giarratana, mixes elements of whimsy and childhood longing into “The Tiger Rising,” based on the book by Kate DiCamillo, with drawings that come to life and vivid dreams of tigers running wild. The fantasy sequences provide the film with momentary zings of energy. But imagination is short-lived, as the movie seems to wring every drop of sentiment from its scenes of lonesome dreamers.Here, children are angels who overcome demons, Black women are endowed with otherworldly wisdom, and tigers are symbols of spiritual emancipation. The metaphors are so obvious that the film becomes trapped in its own cage of archetypes and clichés, and unlike the tiger, there is no champion to open the gates to a more original cinematic world.The Tiger RisingRated PG. Running time: 1 hour 42 minutes. Rent or buy on Apple TV, Google Play and other streaming platforms and pay TV operators. More

  • Queen Latifah Raves Over Country Music for Its Crossover With Hip Hop

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    During an appearance on ‘The Kelly Clarkson Show’, the hip-hop pioneer-turned-actress admits she actually planned to attend the 2019 Country Music Association Awards.
    Sep 28, 2020
    AceShowbiz – Rap veteran Queen Latifah has become such a big fan of country music, she considered attending one of the industry’s biggest awards shows last year (19).
    The hip-hop pioneer-turned-actress reveals she’s always been partial to a good country jam, particularly the Charlie Daniels Band classic “The Devil Went Down to Georgia”.
    “That was really kinda a rap record, if you think about it – a country-rap record! I was like, ‘Wait a minute, this is dope!’ ” she smiled on America’s “The Kelly Clarkson Show”.
    And Latifah is really enjoying the cross-genre hits popularized by modern country artists.

      See also…

    “I heard something from Florida Georgia Line the other day…,” she recalled, without remembering the name of the track. “The pocket of the song felt very hip-hop, but the song was very country, so I was like, I love the combination of it.”
    “I love that country music is really leaning into so many other genres now. It’s pulling from a little hip-hop, it’s pulling from a little R&B – well, it’s always got like, blues under it too, but I like (that) it’s pulling from the hip-hop… You starting to hear some of that in the songs, that you didn’t really hear before (sic).”
    [embedded content]
    Latifah was even keen to mingle with the genre’s top talents at the 2019 Country Music Association Awards, although she was unable to make it to Nashville, Tennessee to attend the ceremony in the end.
    “I actually was gonna go to the Country Music (Association) Awards, the last one, because I really just love some of those performances, and they’re fun to me,” she said, naming Carrie Underwood, Blake Shelton, Luke Bryan and show host Kelly Clarkson among her favorite country artists.

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  • Queen Latifah to Lead Star-Studded Special to Remember Martin Luther King's Historic March

    WENN

    The actress is going to be joined by a number of activists and fellow celebrities like Amanda Seales and Donald Glover for the upcoming Facebook Watch event.
    Aug 27, 2020
    AceShowbiz – Queen Latifah is set to commemorate the 57th anniversary of Martin Luther King, Jr.’s March on Washington with a new Facebook Watch special.
    An estimated 250,000 people marched to advocate for the civil and economic rights of African-Americans, culminating in Martin Luther King Jr.s iconic “I Have a Dream” speech on 28 August, 1963.
    On Thursday (27Aug20), the singer and Oscar-nominated actress will be joined by civil rights activists, educators, entertainers and other speakers who will address the history of systemic racism while encouraging viewers to vote in November’s (20) U.S. election.
    Among those confirmed to speak during the “Change Together: From the March” on Washington to Today special are Amanda Seales, Angela Rye, Common, Danny Glover, Fat Joe, Heather McGhee, Jamarria Hall, Kendrick Sampson, LaTosha Brown, Matt McGorry, and Will Packer, who will also executive produce.
    “I can’t think of a more important time than now to recognise the powerful changemakers from the ’60s and how we can bring the same needed energy to the present,” Latifah said in a statement.
    “I hope you love watching this program as much as I loved hosting it.”

    The special will stream live at 12 pm ET and will be featured on Facebook’s #LiftBlackVoices tab. Tune in here: facebook.com.

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    Queen Latifah Talks Racist Treatment Received by 'Gone With the Wind' Star Hattie McDaniel at Oscars

    WENN

    The ‘Living Single’ star urges people not to celebrate ‘Gone With the Wind’ for Hattie McDaniel’s Oscar win because the black actress received horrendous discriminations at the awards show.
    Jun 17, 2020
    AceShowbiz – Queen Latifah has mixed emotions about the decision by HBO Max bosses to reinstate “Gone with the Wind” because the 1939 film is often wrongly considered a civil rights success story due to Hattie McDaniel’s Oscar win.
    The movie was pulled from the new streaming service earlier this month, June 2020 after film critics suggested the racist and slavery undertones of the story were too much for the current era following weeks of Black Lives Matter protests.
    African-American filmmaker Spike Lee urged HBO Max bosses to reconsider and now the film will return to the site with an introduction from Jacqueline Stewart, a Cinema and Media Studies professor at the University of Chicago in Illinois.
    But Latifah, who portrayed “Gone With the Wind” star McDaniel in Ryan Murphy’s Netflix hit “Hollywood”, feels viewers should also be educated on Hattie’s role in the 1939 film, which earned her the first Academy Award for an African-American.
    “They didn’t even let her in the theatre until right before she got that award,” the “Chicago” star says. “Someone came outside and brought her into the auditorium. She wasn’t even allowed to sit in there.”
    “And then she had to read a speech that was written by a studio. You know that’s not what the hell she wanted to say…”
    “Then after that, all she could do was play the same kinds of roles…, so the opportunities at that time and the way that those in power in that business were relegating us and marginalising us and not allowing us to grow and thrive after that was just terrible. And a lot of that is still around today.”

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