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    Lin-Manuel Miranda reflects on upcoming Latinx films

    A program at the Tribeca Festival, the organization he helped create, aims to support underrepresented groups in filmmaking.The Tribeca Festival is undoubtedly a star-studded event with famous figures, including actors, directors, musicians and artists gracing red carpets and showcasing their works.But supporting aspiring and emerging filmmakers through its artist development programs is also very much part of the festival’s DNA, according to its chief executive, Jane Rosenthal, who founded the event with Robert De Niro and Craig Hatkoff.“So much of the festival is about discovery, and the development programs are part of that,” she said. “We are always looking for new voices and stories and new ways of telling stories, and there are not enough programs supporting aspiring artists.”Since 2015, the artist development programs have included eight initiatives that give producers, directors, writers and other creative people in the moviemaking industry full funding for their projects.Rosenthal said that they have awarded close to $2 million annually, supported more than 1,000 filmmakers and seen celebrities such as Kerry Washington, Queen Latifah and John Leguizamo get involved as mentors and judges. “Everybody needs an advocate, and celebrities, no matter where they are in their careers, help lift these filmmakers up through their support,” Rosenthal said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    At the Kennedy Center, an Ode to the Arts, and a Gentle Jab at Biden’s Age

    Billy Crystal, Renée Fleming, Queen Latifah, Barry Gibb and Dionne Warwick are honored; Robert De Niro joked that Crystal is just a few years younger than the president.Rarely is the president of the United States, nestled in his box, the center of attention at the Kennedy Center Honors, the annual awards ceremony that brings a carousel of celebrities, musicians and actors to the stage to pay tribute to lifetime achievements in the arts.But such was the case on Sunday night, when Robert De Niro, celebrating Billy Crystal’s career, marveled at all the honoree had packed into his career.“You’re only 75,” Mr. De Niro said. “That means you’re just about six years away from being the perfect age to be president.”As President Biden grinned, waved and ruefully shook his finger at Mr. De Niro from the presidential box, members of the audience leaped to their feet with applause — some to gawk at Mr. Biden’s reaction from the front row of the balcony.Billy Crystal attending the Kennedy Center Honors. Robert De Niro noted that Mr. Crystal is nearing the age of the president.Paul Morigi/Getty ImagesIt was the only suggestion of politics in an apolitical, if quintessentially Washington event that sees throngs of dignitaries and politicians gather each year to pay tribute to the arts.On Sunday, the Kennedy Center honored artists who not only revolutionized their genres but transcended them: Billy Crystal, the actor and comedian; Barry Gibb, the musician and songwriter who rose to fame as the eldest member of the Bee Gees; Renée Fleming, the opera singer; Queen Latifah, the rapper, singer and actress; and Dionne Warwick, the singer.Ms. Warwick, who has performed five times at the Kennedy Center and previously appeared at the honors gala to perform tributes to two separate honorees, said her reaction to learning that she would be honored was: “Finally, it’s here!”“It’s a privilege to wear this,” she said, gesturing to the signature rainbow medallion given to each honoree.Missy Elliott, performing at the Kennedy Center. She spoke of Queen Latifah, recalling that for her, Ms. Latifah’s “Ladies First” anthem “was saying, ‘You will respect me.’”Gail Schulman/CBSOne of the quirks of these Honors is that the cast of musicians, actors and singers paying tribute to the honorees are kept secret from the attendees, and even the honorees themselves. On Sunday, a nonstop series of bold-lettered names descended on the stage, including Missy Elliott, Jay Leno, Meg Ryan and Lin-Manuel Miranda.The evening blazed through a Broadway-style medley toasting to Mr. Crystal by Mr. Miranda; a showstopping rendition of “Alfie” by Cynthia Erivo, the Tony and Grammy-award winning singer and actress; tributes to Queen Latifah by Kerry Washington and Rev. Stef and Jubilation, the choir Queen Latifah’s mother had belonged to. It was capped by a stirring rendition of “You’ll Never Walk Alone” by Tituss Burgess, Christine Baranski and Susan Graham, and a medley of Bee Gees songs by Ariana DeBose.The honorees Dionne Warwick and Renée Fleming.Paul Morigi/Getty ImagesFor Mr. Crystal, the Kennedy Center conjured the Lower East Side onstage, projecting a likeness of Katz’s Delicatessen as a backdrop for Ms. Ryan, Mr. Crystal’s most famous co-star, in their famous scene together.“This scene really came naturally to me,” Ms. Ryan said, to laughter. “I’ve actually never been around anyone who made faking an orgasm easier.”For Mr. Gibb, musicians including Barbra Streisand, Dolly Parton and Paul McCartney on Sunday reflected on his extensive list of songs — more than 1,000, with tracks in different genres, like “Islands in the Stream” and “How Can You Mend a Broken Heart,” and the Bee Gees hits that made him and his brothers famous.“He taught us how to walk,” Lionel Richie said in a prerecorded video interview, as the famous guitar hook in “Stayin’ Alive” pulsed through the theater.“Kindness and understanding — we seem to be losing that,” Mr. Gibb said. “And we need to grab it back as quickly as possible.”Ms. Fleming, the soprano known as “the people’s diva,” said that she was grateful for the opportunity to highlight the arts.Barry Gibb and Queen Latifah, who were also honored.Manuel Balce Ceneta/Associated Press“Artists really can change hearts and minds and we’re allowed to wrestle with difficult problems and life and death,” Ms. Fleming said. “Because I’m in the opera world, we all die in opera.”But she allowed ahead of the show that she was experiencing a strange reverse form of stage fright. Performing on the world’s biggest stages may be second nature to her, but, she said, “The thing that scares me is sitting in the box!”Queen Latifah, for her part, appeared prepared to soak up the experience. At the State Department dinner on Saturday night, she told attendees how she would “never forget” the moment. And she appeared visibly moved when Ms. Elliott regaled members of the audience on Sunday with the memory of Queen Latifah on television declaring “Ladies first” in her feminist anthem of the same name, at a time when “we kept hearing, ‘It’s a man’s world.’”“She was saying, ‘You will respect me,’” Ms. Elliott said. “‘I will be a leader. I will be a provider. I will be an inspiration to many.’”The show will be broadcast on CBS on Dec. 27. More

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    How Hip-Hop Conquered the World

    How Hip-HopConqueredthe World A crowd in Harlem watching Doug E. Fresh, 1995.David Corio The Great Read How Hip-Hop Conquered the World Fifty years ago, a party in the Bronx jumpstarted an essential American artform. For decades the genre has thrived by explaining the country to itself. Aug. 10, 2023, 5:00 a.m. ET We’ve gathered here […] More

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    Grammys Celebrate Hip-Hop History, From Grandmaster Flash to Lil Uzi Vert

    In what could be seen as an elaborate mea culpa to rap music after decades of friction and perceived disrespect, the Grammy Awards dedicated an extended, centerpiece performance on Sunday to the forthcoming 50th anniversary of hip-hop, going from Grandmaster Flash to Lil Uzi Vert in about 15 minutes.Featuring a taste of some two dozen songs from across decades, regions and movements, the medley — curated by Questlove of the Roots and narrated by his bandmate Black Thought, plus LL Cool J and Queen Latifah — included deep cuts, smash hits and fan favorites in a rapid-fire fashion. The performance celebrated the half-centennial of the genre, which many in the industry have dated to Aug. 11, 1973, when DJ Kool Herc threw a back-to-school party with his sister in the rec room of an apartment building at 1520 Sedgwick Avenue in the Bronx.Opening with Grandmaster Flash performing his traditional record-scratching and drum-machine techniques, the first of three segments breezed through the late 1970s and 1980s with appearances by Run-DMC, DJ Jazzy Jeff, Salt-N-Pepa, Rakim and Public Enemy’s Chuck D and Flava Flav. (Jazzy Jeff — along with the Fresh Prince, a.k.a. Will Smith — and Salt-N-Pepa were among the first-ever Grammy nominees in a rap category, though both groups boycotted the ceremony in 1989 because the award was not being televised.)Representing the next waves, including early gangster rap, Southern hip-hop and 21st-century pop crossovers, were artists like Queen Latifah, Big Boi of Outkast and Missy Elliott, who performed her 2005 hit “Lose Control,” which peaked at No. 3 on the Billboard Hot 100. In a showstopping moment, Busta Rhymes transitioned from “Put Your Hands Where My Eyes Could See,” his 1997 single, to his 2011 verse on Chris Brown’s “Look at Me Now,” a feat of vocal speed, verbal dexterity and breath control.Moving toward the present day in the high-energy third act, Nelly, Too Short and the Lox made way for the current crop of rap stars, including Lil Baby and GloRilla.Concluding the set was Lil Uzi Vert, hitting viral dance moves alongside LL Cool J, to his Jersey club-influenced TikTok hit “Just Wanna Rock,” as clear an example as any of how unpredictably hip-hop has evolved.Here’s the full set list:Grandmaster Flash, “Flash to the Beat”/“The Message”Run-DMC, “King of Rock”LL Cool J and DJ Jazzy Jeff, “I Can’t Live Without My Radio”/“Rock the Bells”Salt-N-Pepa, “My Mic Sounds Nice”Rakim, “Eric B. Is President”Chuck D and Flavor Flav, “Rebel Without a Pause”Black Thought and LL Cool J interlude (“Rump Shaker”)Posdnuos of De La Soul, “Buddy”Scarface, “Mind Playing Tricks on Me”Ice-T, “New Jack Hustler (Nino’s Theme)”Queen Latifah, “U.N.I.T.Y.”Method Man, “Method Man”Big Boi of Outkast, “ATLiens”Busta Rhymes, “Put Your Hands Where My Eyes Could See”/“Look at Me Now”Missy Elliott, “Lose Control”Nelly, “Hot in Herre”Too Short, “Blow the Whistle”The Lox and Swizz Beatz, “We Gonna Make It”Lil Baby, “Freestyle”GloRilla, “F.N.F. (Let’s Go)”Lil Uzi Vert, “Just Wanna Rock” More

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    ‘End of the Road’ Review: Thrill Ride

    Queen Latifah and Chris Bridges anchor a predictable thriller that also manages to spin a charming tale of family unity.A family of four traverses an obstacle course of Wild West crime escapades in the charming caper “End of the Road.” Queen Latifah and Chris Bridges anchor the antics as Brenda, a mother of two teenagers, and Reggie, Brenda’s layabout younger brother. Their sibling alliance forms the heart of the movie, and the pair toggle credibly between a combative dynamic and a considerate one.When the movie begins, Brenda has resolved to move the brood from California to Texas following the death of her husband. Her children (Mychala Faith Lee and Shaun Dixon) are bitter about being uprooted from their home. The story takes place during their road trip across the Southwest, but what begins as a quiet journey through the desert spirals into a violent chase after the family become earwitnesses to a grisly motel murder.Despite its thriller structure, this crime story offers little surprise or intrigue. With a brief running time, the movie unspools simply: each beat is predictable, and even the identity of the unseen felon is a mystery easily solved.But this plainness of plot — and a sparsity of the action set pieces that often clog up such movies — ultimately proves a boon to “End of the Road,” leaving space for the director, Millicent Shelton, to nurture a comforting tale of family unity. Shelton also demonstrates a creative eye; check out her use of purple lighting during certain night scenes. Even when the movie wants for tension, it brims with playful style.End of the RoadRated R for drugs and danger. Running time: 1 hour 29 minutes. Watch on Netflix. More

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    ‘The Tiger Rising’ Review: A Cage of Clichés

    A lonely boy finds an ally when he discovers a caged tiger in a forest behind his home, but imagination is somehow short-lived in this children’s movie.In the children’s drama “The Tiger Rising,” a lonely boy whose mother recently died finds a spiritual ally when he discovers a caged tiger in a forest behind his home in rural Florida.Rob (Christian Convery) is a shy 12-year-old whose skin disorder has made him a target for his classmates. They call him, in an example of the movie’s flavorless affectations, Disease Boy.Rob stumbles upon the tiger when he wanders the woods alone, but the quiet boy is an unlikely companion for such a wild creature. It’s only when he befriends a spirited new student named Sistine (Madalen Mills) that Rob’s imagination is given room to grow.Loneliness bonds the two outcasts, and together, they find an outlet for their frustrations by visiting the tiger. They want to set the animal free, even if it’s against the advice of the one adult Rob and Sistine trust, Willie May (Queen Latifah), a maid whom the children think of as a prophet.The director and screenwriter, Ray Giarratana, mixes elements of whimsy and childhood longing into “The Tiger Rising,” based on the book by Kate DiCamillo, with drawings that come to life and vivid dreams of tigers running wild. The fantasy sequences provide the film with momentary zings of energy. But imagination is short-lived, as the movie seems to wring every drop of sentiment from its scenes of lonesome dreamers.Here, children are angels who overcome demons, Black women are endowed with otherworldly wisdom, and tigers are symbols of spiritual emancipation. The metaphors are so obvious that the film becomes trapped in its own cage of archetypes and clichés, and unlike the tiger, there is no champion to open the gates to a more original cinematic world.The Tiger RisingRated PG. Running time: 1 hour 42 minutes. Rent or buy on Apple TV, Google Play and other streaming platforms and pay TV operators. More

  • Queen Latifah Raves Over Country Music for Its Crossover With Hip Hop

    WENN/Avalon

    During an appearance on ‘The Kelly Clarkson Show’, the hip-hop pioneer-turned-actress admits she actually planned to attend the 2019 Country Music Association Awards.
    Sep 28, 2020
    AceShowbiz – Rap veteran Queen Latifah has become such a big fan of country music, she considered attending one of the industry’s biggest awards shows last year (19).
    The hip-hop pioneer-turned-actress reveals she’s always been partial to a good country jam, particularly the Charlie Daniels Band classic “The Devil Went Down to Georgia”.
    “That was really kinda a rap record, if you think about it – a country-rap record! I was like, ‘Wait a minute, this is dope!’ ” she smiled on America’s “The Kelly Clarkson Show”.
    And Latifah is really enjoying the cross-genre hits popularized by modern country artists.

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    “I heard something from Florida Georgia Line the other day…,” she recalled, without remembering the name of the track. “The pocket of the song felt very hip-hop, but the song was very country, so I was like, I love the combination of it.”
    “I love that country music is really leaning into so many other genres now. It’s pulling from a little hip-hop, it’s pulling from a little R&B – well, it’s always got like, blues under it too, but I like (that) it’s pulling from the hip-hop… You starting to hear some of that in the songs, that you didn’t really hear before (sic).”
    [embedded content]
    Latifah was even keen to mingle with the genre’s top talents at the 2019 Country Music Association Awards, although she was unable to make it to Nashville, Tennessee to attend the ceremony in the end.
    “I actually was gonna go to the Country Music (Association) Awards, the last one, because I really just love some of those performances, and they’re fun to me,” she said, naming Carrie Underwood, Blake Shelton, Luke Bryan and show host Kelly Clarkson among her favorite country artists.

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