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    6 Movie Trends from the Toronto International Film Festival

    And other cultural predictions based on movies that played at the Toronto International Film Festival, including Pedro Almodóvar’s latest.After years of pandemic delays and Hollywood strikes, the Toronto International Film Festival, which concludes on Sunday, felt particularly alive this year. Unlike recent years, there was no surefire hit like “Everything Everywhere All at Once” (2022) or “Oppenheimer” (2023) that premiered in the spring or summer, which added excitement and uncertainty going into awards season. Movies both big and small come to the Canadian city to launch Oscars campaigns, build audiences, announce major debuts and, in some cases, woo buyers that’ll release films over the coming months. But it’s also a great place to see how culture at large is shifting, at least as far as Hollywood is concerned. Here’s where we’re headed.1. We’re all in the mood for love again …Florence Pugh and Andrew Garfield in “We Live in Time.”Courtesy of TIFFIf the September film season (which also includes major festivals in Venice, Italy, Telluride, Colo., and the upcoming one in New York), has shown something, it’s that many writers and directors are feeling romantic. There’s Sean Baker’s “Anora,” about a sex worker who marries the son of an oligarch, and William Bridges’s “All of You,” which depicts Brett Goldstein (of “Ted Lasso” acclaim) and Imogen Poots as best friends who can’t decide whether to date. Chemistry always wins out, of course, and it’s hard to deny the frisson between Florence Pugh and Andrew Garfield in John Crowley’s “We Live in Time,” an indie crowd-pleaser that’s ideal for crying your way through on a rainy Sunday afternoon.2. … Or maybe it’s just lust.Nicole Kidman and Harris Dickinson in “Babygirl.”Courtesy of TIFFDaniel Craig and Drew Starkey in “Queer.”Yannis DrakoulidisToronto was brimming with romantic tragedies, not comedies; perhaps because of ongoing conversations about non-monogamy and open relationships, there were a lot of affairs onscreen, too. The most successful scripts focused on intense, almost unnamable desire, often between two people who know it can’t last: In Halina Reijn’s “Babygirl,” Nicole Kidman plays a powerful executive who gets into a complicated psychosexual mess with her intern; in Luca Guadagnino’s “Queer,” based on the William S. Burroughs novel (published in 1985), Daniel Craig’s heroin-addled character deals with the hot-and-cold affections of a paramour while traveling through midcentury Mexico City and South America. Both films sizzle, and it’s no coincidence that the actors playing the young objects of these leads’ affections — Harris Dickinson and Drew Starkey, respectively — are proving themselves to be rising talents.3. Another major star? Danielle Deadwyler.Danielle Deadwyler in “The Piano Lesson.”Courtesy of TIFFWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Daniel Craig Gets Explicit in Luca Guadagnino’s ‘Queer’

    At the Venice Film Festival, the star said he embraced the scenes with sexual encounters: ‘If I wasn’t in the movie and saw this movie, I’d want to be in it.’If you know Daniel Craig only as James Bond, “Queer” is liable to throw you for a loop. In this new film from Luca Guadagnino, which premiered at the Venice Film Festival on Tuesday, Craig, 56, plays a drug addict whose sexual escapades and heroin use are filmed with matter-of-fact candor.But if you knew Craig even before he was pressed into Her Majesty’s Secret Service — when he was still an up-and-coming young actor who appeared in risky, sexually explicit films like “Love Is the Devil” and “The Mother” — then you might guess that “Queer” is much more in line with his sensibilities than some of the big studio fare he’s made recently are. At the film’s Venice news conference, he all but confirmed that hunch.“If I wasn’t in the movie and saw this movie, I’d want to be in it,” Craig told reporters. “It’s the kind of film I want to see, I want to make, I want to be out there. They’re challenging but hopefully incredibly accessible.”Adapted from the novel of the same name by William S. Burroughs, “Queer” follows Lee (Craig), an American expat wasting away in Mexico City. Most of Lee’s waking hours are spent pursuing some sort of high, whether that means drinking to excess in dive bars, cruising any handsome man to cross his path, or shooting up heroin while all alone in his apartment.In his linen suits, Lee lurches through life like a well-attired zombie until he meets Allerton (Drew Starkey), a beguiling young drifter whose sexuality seems up for grabs. Does he like Lee or does he just like being liked? Allerton says awfully little, which only beguiles Lee even more. As the older man’s romantic obsession grows, he entices Allerton to help him search for a drug that can supposedly induce a type of telepathy; if it can be scored, maybe he’ll learn what the object of his affection is really thinking.Written in the early 1950s but not published until 1985, the Burroughs novel is slight and scuzzy. Guadagnino takes a much different approach to the source material, building lavish sets (this Mexico City was erected at Rome’s Cinecittà Studios) and imbuing the story with a sweeping romanticism.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Venice Film Festival 2024: What to Watch For

    “Joker: Folie à Deux,” with Joaquin Phoenix, and Pedro Almodóvar’s first English-language feature are on tap. Here are the questions we hope to answer.The 81st edition of the Venice Film Festival kicks off Wednesday with the premiere of Tim Burton’s sequel “Beetlejuice Beetlejuice,” and starry fare will follow, like the sexually provocative Nicole Kidman film “Babygirl” and the George Clooney-Brad Pitt team-up “Wolfs.”Here are four big questions we expect to be answered at the festival, which has long been considered the unofficial kickoff of Oscar season.Will Joaquin Phoenix face the music?A Venice debut for “Joker: Folie à Deux” has been presumed ever since the first “Joker” won the festival’s prestigious Golden Lion award five years ago. Can the sequel match that film’s success, which made more than a billion dollars at the box office and landed a best-actor Oscar for Joaquin Phoenix? The new film adds song-and-dance sequences and a potent co-star in Lady Gaga, so it’s clear that some big swings have been taken.But the “Joker: Folie à Deux” news conference at Venice may be even more keenly awaited than the movie itself now that Phoenix has made headlines for dropping out of a Todd Haynes film just as it was about to start shooting. With the actor potentially facing legal action, will he be willing to take questions about the controversy from reporters? Or will he skip the conference altogether and call to mind Florence Pugh, who famously ditched her Venice press duties for “Don’t Worry Darling” two years ago amid a rumored feud with her director, Olivia Wilde?Can ‘Queer’ and ‘Maria’ make a mark?Two of Venice’s most anticipated titles are still looking for buyers: Luca Guadagnino’s “Queer,” an adaptation of the William S. Burroughs novel starring Daniel Craig, and Pablo Larraín’s “Maria,” featuring Angelina Jolie as the opera singer Maria Callas.After the writers’ and actors’ strikes left many studios’ year-end slates looking awfully barren, you might have expected a bidding frenzy for two prestige films with major stars, but potential distributors that have screened the movies are taking a wait-and-see approach. Splashy premieres at Venice and almost-certain Oscar buzz could help make the sale.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More