Rap and Hip-Hop

Subterms

    Latest story

    138 Shares

    Irv Gotti: Key Milestones in the Life of the Rap Mogul

    by

    The producer, who died on Wednesday, built Murder Inc. into one of the most influential record labels of the early 2000s. His career was marred by a federal investigation and trial.Irv Gotti, who founded the record label Murder Inc. and helped shape the sound of hip-hop and R&B in the late 1990s and early 2000s when he shepherded the careers of Ja Rule and Ashanti, died on Wednesday at 54.Here is a brief look at how the rap entrepreneur and record executive worked his way from humble beginnings in Queens, N.Y., to the top of the charts before his momentum was marred by a federal investigation into the label in which he was charged with money laundering and acquitted.A Childhood in Queens, N.Y.Gotti was born Irving Domingo Lorenzo Jr. in Queens, N.Y., in 1970. He was the youngest of eight children, according to “The Murder Inc Story,” a documentary about his life that aired on BET in 2022. His family, which he described as one that didn’t have much money but had plenty of love, recalled him as a “clown” who loved performing, dancing and entertaining, sometimes even for small change.His foray into music began as a preteen, when he played for hours with a turntable and a mixer that his siblings had purchased for him. By the age of 15, he had begun to make a name for himself as a D.J. at local parties.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    More stories

    • 150 Shares16 Views

      in Music

      How Kendrick Lamar’s Performances Led Him to the Super Bowl Halftime Show

      by

      Kendrick Lamar performs like someone parceling out a secret. On the 2015 single “King Kunta,” he stage-whispers, “I swore I wouldn’t tell,” and then proceeds to flaunt industry gossip without naming names. Though the Grammy-hoarding, Pulitzer Prize-winning rapper has mastered literary opacity in his music — he’s a generous user of perspective shifts and allusion — in videos and in live performances, Lamar’s expressive stagings strike like visual poetry.Lamar has scaled up those performances, becoming more elaborate as his platforms have grown in the 14 years since his recording debut. Dave Free, his primary creative partner and a collaborator on his visual presentations, has in the past attributed the rapper’s mutability to what he called the roller coaster effect: “You give people some type of variation, they can’t get used to you. They can’t put their finger on you. The more you keep people on their toes, the more interested they stay in you, for a longer period of time.” The zigzagging ride Free described is not unlike the sensory swerve of verse, especially Lamar’s quirky couplets. Ahead of his performance at the Super Bowl halftime show on Sunday, and a planned stadium tour this spring, it’s worth tracing how Lamar has visually explored intimate themes as his ambitions and career have expanded.‘Bitch, Don’t Kill My Vibe’ video (2013)Layering Comedy and Tragedy“Bitch, Don’t Kill My Vibe,” the last single from Lamar’s debut album, “good kid, m.A.A.d. city”(2012), is his most straightforward exploration of a visual lament. “I know you had to die in a pitiful vain, tell me a watch and a chain / Is way more believable, give me a feasible gain,” he chants in one verse. The song’s video, directed by Lamar and Free, is set at a funeral, with the rapper joining a procession of mourners wearing white in a hike up a picturesque hill. Their destination? A party with a preacher played by the comic Mike Epps.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares12 Views

      in Music

      Irv Gotti, Famed Hip-Hop Music Executive, Dies at 54

      by

      A founder of Murder Inc. Records, he helped launch the careers of Ja Rule and Ashanti and was credited as a producer on 28 records that made the Billboard Hot 100.Irv Gotti, who founded Murder Inc. Records with his brother and built a hip-hop empire that produced some of the biggest rap and R&B albums of the early 21st century, has died. He was 54.His death was confirmed late Wednesday in a statement by Def Jam Recordings, which was the parent label for Murder Inc. when it was founded in 1998, and where Mr. Gotti had also worked as an executive. The statement did not say where or when he died or cite a cause.Murder Inc., which Mr. Gotti started with his brother Chris, helped launch the careers of the rapper Ja Rule and the R&B singer Ashanti. Their success propelled the label to prominence in the late 1990s and early 2000s.“I’m important in America because of hip-hop,” Mr. Gotti said in the 2022 BET documentary series “The Murder Inc Story.” “I love hip-hop with a passion.”Mr. Gotti was born Irving Domingo Lorenzo Jr. in Queens on June 26, 1970. He said in the BET documentary that his father was a taxi driver and he was the youngest of eight children. In his early teens, he recalled, he played for hours with turntables and a mixer that his siblings got for him, and he started working as a D.J. for parties when he was 15.He later began working as a music producer and talent scout, and he was credited with helping discover the future hip-hop superstars Jay-Z and DMX. He became an A&R executive at Def Jam.Mr. Gotti was also an executive producer of DMX’s first album, “It’s Dark and Hell Is Hot,” released in 1998, which debuted at No. 1 on the Billboard 200 chart. He also produced Ja Rule’s first album, “Venni Vetti Vecci” (1999), and worked on several successful releases by Ashanti in the early 2000s, cementing his reputation as a hitmaker.Mr. Gotti was credited as a producer on 28 Hot 100 hits, according to Billboard.With the ascent came scrutiny. In 2003, the F.B.I. and the police raided Murder Inc.’s offices in New York. That was followed by a federal investigation into whether the label had been founded with drug money. Mr. Gotti faced charges of laundering money for Kenneth McGriff, a convicted gang leader. In an attempt to clean up the image of his label, Mr. Gotti dropped “Murder” from its name.“They had everybody who loved me in corporate America, who felt I was a good guy, distance themselves from me,” he said after his acquittal in 2005. “All while I was saying, ‘I didn’t do this, I didn’t do this,’ and they was like, ‘OK, we’ll wait and see.’”Information on survivors was not immediately available.A complete obituary will be published shortly. More

    • 150 Shares28 Views

      in Music

      The Super Bowl Finally Embraced Rap. Is There Also Room for Country?

      by

      Since Roc Nation’s partnership with the N.F.L., hip-hop stars like Snoop Dogg and Kendrick Lamar have been center stage at halftime.The Super Bowl halftime show was at a low point in 2019. Despite an unrivaled television audience, Rihanna turned down the National Football League’s invitation to perform, keeping solidarity with Colin Kaepernick, the exiled quarterback who had repeatedly knelt during the national anthem to protest racial injustice.The pop band Maroon 5 headlined instead, underwhelming nearly 100 million television viewers. Jon Caramanica, a music critic for The New York Times, called it “an inessential performance” that was “dynamically flat” and “mushy at the edges.”The N.F.L. was quick to respond, courting Roc Nation, the entertainment company founded by the billionaire rapper Jay-Z, in an attempt to strengthen its music and social justice initiatives. Over the past six years, Roc Nation has prioritized hip-hop and R&B, bringing rap to the Super Bowl spectacle for the first time with a celebratory 2022 performance by Snoop Dogg, Dr. Dre, Kendrick Lamar, Eminem, Mary J. Blige and 50 Cent. Sunday’s show will feature Lamar and the guest star SZA.“The N.F.L. needed to do something to bring life to what is supposed to be their signature event, and that was accomplished,” said Jemele Hill, a writer for The Atlantic who is producing an ESPN documentary on Kaepernick with the director Spike Lee.An overdue emphasis on hip-hop and R&B — Usher and the Weeknd have also headlined under Roc Nation — means that other genres have been sidelined. Country music is ascendant culturally but has rarely been part of the Super Bowl; halftime shows by Coldplay and Lady Gaga feel long in the past.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares32 Views

      in Music

      Is Kendrick Lamar’s ‘Not Like Us’ Too Controversial for the Super Bowl?

      by

      Kendrick Lamar’s smash “Not Like Us” has been a lot of things since its release less than a year ago: a Drake-slaying diss track, a No. 1 single, a West Coast unity anthem, a Kamala Harris rally singalong, a World Series fight song, a bar mitzvah dance floor party-starter.At the Grammys over the weekend, it swept all five of its nominations, including song and record of the year, becoming only the second rap track ever to win in each category, while also taking home trophies for best rap song, best rap performance and best music video.A week after those victories, “Not Like Us” — with its one billion plays on Spotify and at least hundreds of millions more across radio, YouTube and social media — may reach its ultimate peak: a performance on Sunday for some 100 million people, live from the Super Bowl halftime stage in New Orleans.A casual listener — or Super Bowl viewer — may hear an easily digestible crowd-pleaser. A popular rapper, known for knotty introspection, going playful over a spacious, bouncy beat by the producer Mustard, punctuated with sped-up stabs of strings and an all-purpose, easily co-opted chant of a chorus: “They not like us.”In many senses an inescapable, old-fashioned hit, “Not Like Us” was immediately absorbed into the cultural bloodstream, where it has remained ever since, holding strong in the Billboard Top 40 in its 38th week since release. But while the song’s mega-success can by now be taken for granted, it also happens to be incredibly bizarre.The song’s specifics, and its omnipresence, represent a significant swerve for Lamar, 37, who until recently was known primarily as one of the most revered M.C.s of all time: a Pulitzer Prize winner with a sterling career whose 2015 track “Alright” was adopted as an anthem of the Black Lives Matter movement.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares199 Views

      in Music

      Jay-Z Will Seek Dismissal of Assault Lawsuit His Lawyer Calls a ‘Sham’

      by

      The woman who accused him of raping her in 2000, when she was a minor, acknowledged to NBC that there were inconsistencies in her account, but stood by her claim.Lawyers for Jay-Z plan to ask a judge to toss a lawsuit accusing the rapper of raping a 13-year-old in 2000, pointing to what they described as “glaring inconsistencies” that emerged in an NBC interview of the accuser, who was not named in the suit.In the lawsuit, which was filed last week, the unnamed accuser said that she had been raped by Jay-Z (born Shawn Carter) and Sean Combs at a party at a private residence after the MTV Video Music Awards in Manhattan in 2000. Mr. Carter strongly denied the allegation.NBC News published an interview with the accuser on Friday evening in which she acknowledged inconsistencies in her account, but maintained that her allegation of assault was true.The woman’s lawsuit claimed that after the encounter she was picked up by her father, whom she called from a gas station. But NBC reported that her father, who would have had to drive hours from his home in upstate New York to pick up his daughter following the after-party, did not recall having done so. The father was also unnamed in the report.The plaintiff, who now lives in Alabama, also told NBC that she had spoken to the musician Benji Madden, a member of the band Good Charlotte, at the party after the awards that night. But Mr. Madden, who was not accused of any wrongdoing in her suit, was on tour in the Midwest at the time.Alex Spiro, a lawyer for Mr. Carter, wrote a letter Friday night to U.S. District Court Judge Analisa Torres saying that Mr. Carter intends to file a motion to strike the complaint, citing the NBC report. “The interview outs plaintiff’s allegations for what they are: a sham,” he wrote in the letter.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares109 Views

      in Music

      Miley Cyrus Gives Showgirl Pathos, and 8 More New Songs

      by

      Hear tracks by Benjamin Booker, Julien Baker and Torres, and more.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Miley Cyrus: ‘Beautiful That Way’At 32, Miley Cyrus is an old soul in the guise of a provocative modern pop star, which means that she can nail a slow, torchy ballad in her sleep. She brings expected, husky-voiced pathos to “Beautiful That Way,” a Golden-Globe-nominated song from the soundtrack of “The Last Showgirl,” Gia Coppola’s moody character study that stars Pamela Anderson. “Just like a rose, she’ll cut you with thorns,” Cyrus croons on the track, co-written with Andrew Wyatt and the Swedish musician Lykke Li. “She’s beautiful that way.” LINDSAY ZOLADZSnoop Dogg featuring 50 Cent and Eminem, ‘Gunz N Smoke’Self-congratulation reigns on “Missionary,” the new Snoop Dogg album that reunites him with the producer Dr. Dre and other 1990s Dre protégés — including, on “Gunz N Smoke,” 50 Cent and Eminem. Flaunting a “Gun smoke, gun smoke” sample from “Dead Wrong” (by the Notorious B.I.G. featuring Eminem), the track has the three rappers revisiting belligerent poses that have become all too familiar: “I come from freestylin’ over gunshots and sirens / Nothing more gangster than my voice over these violins,” Snoop Dogg claims. But Eminem admits, “Now I’m much older, and I may be calmer.” JON PARELESMario, ‘Questions’We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares169 Views

      in Theater

      36 Things That Stuck With Us in 2024

      by

      The movie scenes, TV episodes, song lyrics and other moments that reporters, critics, editors and visual journalists in Culture couldn’t stop thinking about this year.The Last Scene in a Film‘Challengers’Mike Faist in “Challengers.”MGMReal tennis, like real dancing, happens when the body is rapt and alive, where visceral sensation takes over and the only thing left is the crystallization of every nerve and muscle, both aligned and on edge. That last match was a dance.— More

    • 163 Shares199 Views

      in Music

      YoungBoy Never Broke Again Sentenced to 23 Months in Prison For Gun Possession

      by

      The rapper, whose real name is Kentrell Gaulden, admitted to possessing guns as a felon in Louisiana. He faced a maximum sentence of 25 years.YoungBoy Never Broke Again, one of the most-streamed hip-hop artists in the United States, has been sentenced to nearly two years in prison by a federal judge in Utah for possessing weapons as a felon.The rapper, whose real name is Kentrell D. Gaulden, was sentenced on Tuesday to 23 months in prison on gun charges related to a case in Louisiana. Mr. Gaulden, 25, was also sentenced to five years of probation and fined $200,000 for a gun charge in a separate Utah case.Federal law bars gun ownership by felons. In 2017, Mr. Gaulden was convicted of aggravated assault with a firearm, a felony, in a Louisiana court. Details of that case could not be independently confirmed early Wednesday.In a plea agreement filed in the United States District Court in Salt Lake City on Tuesday, Mr. Gaulden said that he had been in possession of three guns since his earlier felony conviction.In the first instance, Mr. Gaulden admitted to possessing two guns while filming a music video in Baton Rouge, La., in September 2020. In the second, a semiautomatic pistol was found in the master bedroom of his Utah home during a search, according to the plea agreement.He faced a maximum prison sentence of 10 years in the Louisiana case and 15 years in the Utah case.“This has been a long road that involved extensive litigation and ultimately extensive negotiation,” Mr. Gaulden’s lawyers said in a statement on Wednesday night. “Kentrell’s defense team is very happy for Kentrell and we look forward to his many future successes.”Mr. Gaulden, who is best known as NBA YoungBoy, has legions of dedicated fans. Many of his songs receive hundreds of millions of streams on Spotify and YouTube.But he has a history of legal problems.In 2022, Mr. Gaulden was found not guilty in a similar gun possession case in California. Police in the Los Angeles area had found a pistol and ammunition in the car he was driving. His lawyers argued that he did not know that the weapon was in the car at the time, and that his fingerprints were not found on the gun. More