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    Sean ‘Diddy’ Combs’s Lawyers Argue Seizure of Jail Notes Was Unjust

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    Lawyers for the music mogul objected at a hearing to prosecutors viewing handwritten materials from their client’s cell after a sweep of the Brooklyn jail where he is being held.Sean Combs appeared in a Manhattan courtroom on Tuesday as his lawyers objected to the prosecution’s use of handwritten notes found inside the music mogul’s jail cell, arguing that his rights had been violated when they were turned over to prosecutors.The dispute stemmed from a recent sweep of the Metropolitan Detention Center in Brooklyn, where Mr. Combs has been held since September. Prosecutors cited the notes, which they contend exposed prohibited behavior, in a court filing last week in which they argued Mr. Combs should remain incarcerated until his trial, which is scheduled for May.The text of Mr. Combs’s notes was redacted from the public record. But prosecutors said it showed that he was trying to obstruct their case, by suggesting that he had paid a potential witness to post a statement on social media expressing support for him. Another note, the government said, related to him directing someone to find “dirt” on two alleged victims.Mr. Combs’s lawyers quickly lodged an objection to the prosecution’s possession of the notes, arguing that it was a violation of attorney-client privilege.“This has been a complete institutional failure,” Marc Agnifilo, Mr. Combs’s lead lawyer, said at the hearing.The prosecution has defended its handling of the notes, writing in court papers that the sweep was preplanned and not engineered to target Mr. Combs. The government further said that any recovered material was reviewed by a “filter team” within the U.S. attorney’s office tasked with excluding any privileged materials from prosecutors handling the case.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Prosecutors Accuse Sean ‘Diddy’ Combs of Trying to Contact Witnesses From Jail

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      The government said the music mogul had been attempting to obstruct federal prosecutors by instructing others to make three-way calls and securing help from other inmates.Prosecutors accused Sean Combs of continuing efforts to obstruct the federal racketeering and sex trafficking case against him from a Brooklyn jail, alleging in court papers filed on Friday night that the music mogul had been trying to evade government monitoring by seeking to arrange three-way phone calls and to buy the use of other inmates’s phone privileges.The government’s account came a week before another hearing to decide whether Mr. Combs would be granted release on bail. Since September, he has been incarcerated at Metropolitan Detention Center in Brooklyn, inside a special housing unit where high-profile inmates are often assigned.In the court filing, the government accused Mr. Combs of “relentless efforts” to contact potential witnesses, including by attempting to use three-way calls to contact associates whom prosecutors consider part of his “criminal enterprise.” Prosecutors also accused Mr. Combs of making unauthorized calls by using the telephone accounts of at least eight other inmates, instructing others to pay them — sometimes through their commissary accounts — to secure their cooperation.“The defendant has demonstrated an uncanny ability to get others to do his bidding — employees, family members, and M.D.C. inmates alike,” prosecutors wrote.Details of the recipients and substance of the phone calls were redacted in the court documents. The calls generated using other inmates’ privileges were not identified as being directed at witnesses, but prosecutors said they were evidence of Mr. Combs’s disregard for the jail’s regulations and were part of what they described as obstruction efforts.Representatives for Mr. Combs, who is known as Diddy, did not immediately respond to the allegations about Mr. Combs’s communications. He has pleaded not guilty and vehemently denied the criminal charges, arguing that the drug-fueled sexual encounters called “freak offs” at the heart of his case were all consensual.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Shaboozey Seeks ‘Good News’ in Another Bar, and 7 More New Songs

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      Hear tracks by Yola, Julia Holter, Angel Olsen and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Shaboozey, ‘Good News’On his new single, “Good News,” Shaboozey doesn’t stray far from the basics of his No. 1, Grammy-nominated hit, “A Bar Song (Tipsy).” Once again he leans into his troubles with a guitar-strumming verse, a chorus with hearty male singalongs and a familiar setting; the singer is “the man at the bar confessing his sins.” But this time, there’s no consolation, not even temporary, in whiskey and dancing. The chorus is rowdy but there’s no happy ending; the good news he needs never arrives. JON PARELESYola, ‘Symphony’The English vocal powerhouse Yola spells out her pleasure principle on “Symphony,” a funky, upbeat celebration of sensuality that will appear on her forthcoming EP, “My Way.” “Play my heartstrings with both your hands,” she commands, “and I’ll sing like a symphony for you.” Then, on a passionately belted bridge, she makes good on her word. ZOLADZSalute and Jessie Ware, ‘Heaven in Your Arms’We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Grammys Snubs and Surprises: Charli XCX, André 3000, the Beatles and More

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      A look at the nominations’ unexpected and intriguing story lines, including the role of an absent Drake, the validation of André 3000’s flute music and overlooked gems.The names headlining this year’s Grammy Award nominations make a lot of sense: Beyoncé, Kendrick Lamar, Billie Eilish and Taylor Swift are perennial favorites with imperial reach. Sabrina Carpenter and Chappell Roan have stormed the mainstream. Shaboozey and Charli XCX made themselves inescapable.While there was once a time when it was easy to argue that the Grammys were out of touch, barely attempting to be an accurate representation of popular music in a given year, the major acts of 2024 are all accounted for. Shedding some of its fusty baggage under the Recording Academy chief executive Harvey Mason Jr. and a slate of new industry voters, the awards show has brought itself more or less in line with the Billboard charts, radio and streaming services, centering the celebrities of the moment.Still, it’s the Grammy Awards — not everyone can be happy. So after poring over the 94 categories that make up the 67th annual class of nominees, The New York Times’s pop music team — the reporter Joe Coscarelli, the chief pop music critic Jon Pareles, the pop music critics Jon Caramanica and Lindsay Zoladz and the Culture editor Elena Bergeron — were left with a few lingering questions: Is Beyoncé’s cross-genre domination really warranted? What are the Beatles doing here? And have the Grammys gotten too safe?We broke down the richest — and most baffling — story lines, snubs and surprises.Sabrina Carpenter’s success on the charts was mirrored in her Grammy nods: six of them.Emma Mcintyre/Getty Images for CoachellaA Mirror to the MainstreamJOE COSCARELLI I must admit, I’m almost sad at how predictable the Big Four categories — album, record and song of the year, plus best new artist — are these days, and this year in particular. Back in my day — not that long ago! — Beck was beating Beyoncé to close the night. And sure, you still have your occasional upsets by Jon Batiste (album of the year, 2022) or Bonnie Raitt (song of the year, 2023). But the odds of a truly destabilizing major win in February feel quite long now, likely by design.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Beyoncé and Young Women Pop Sensations Lead 2025 Grammy Nominations

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      Charli XCX, Billie Eilish, Chappell Roan and Sabrina Carpenter will compete in the biggest categories, along with Taylor Swift and Kendrick Lamar.Beyoncé and Taylor Swift will face off in all top categories at the 67th annual Grammy Awards, leading a pack of nominees that also features buzzy young female stars who have dominated the pop charts over the past year.With 11 nods, Beyoncé has more citations than any other artist this year, for “Cowboy Carter,” her gumbo of country, R&B and acoustic pop that spurred conversations about the Black roots of many American genres, including country.The other top nominees, with seven apiece, are Billie Eilish, a onetime teenage disrupter who is now a Grammy and Oscar darling; Kendrick Lamar, the rapper laureate, whose nominations stem from a no-holds-barred battle of words with Drake; Post Malone, a pop shape-shifter gone country (and who appeared on both Beyoncé and Swift’s latest albums); and Charli XCX, the British singer-songwriter and meme master whose digital-nostalgic iconography was borrowed by the Kamala Harris campaign.Swift has six nominations, as do Sabrina Carpenter and Chappell Roan — two of this year’s fresh pop sensations, each receiving their first Grammy nods.The awards ceremony is set for Feb. 2 in Los Angeles.The biggest contest this year, at least in terms of celebrity wattage, is Beyoncé vs. Swift. Both are juggernauts in the culture and at the Grammys. With 32 career trophies, Beyoncé, 43, has already won more awards than any other artist, and is now also the most-nominated person, with 99. Yet she has never taken album of the year, despite four previous nods.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Grammy Nominations 2025: See the Full List of Nominees

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      Artists, albums and songs competing for trophies at the 67th annual ceremony were announced on Friday. The show will take place on Feb. 2 at Crypto.com Arena in Los Angeles.Beyoncé is the top nominee for the 67th annual Grammy Awards with 11 nods for her genre-crossing “Cowboy Carter.” The LP and its songs will vie for record, song and album of the year, as well as competitions in pop, rap, country and Americana categories.The superstar — who has already won more Grammys than any other artist — leads a pack of contenders that includes Charli XCX, Billie Eilish, Kendrick Lamar and Post Malone (all with seven nods apiece), followed by Sabrina Carpenter, Chappell Roan and Taylor Swift, who have six each.The ceremony, which is scheduled for Feb. 2, 2025 at the Crypto.com Arena in Los Angeles, will recognize recordings released from Sept. 16, 2023 to Aug. 30, 2024.Here is a complete list of the nominations, which were announced on Friday by the Recording Academy.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      7 Deep Cuts From the 2025 Grammy Nominations

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      Big names dominate the biggest categories, but lovely discoveries await on the ballot too. Hear tracks from Arooj Aftab, Sierra Ferrell, Tems, Idles and more.Grammy nominee Arooj Aftab.Luisa Opalesky for The New York TimesDear listeners,This morning, the nominees for the 67th annual Grammy Awards were revealed, and the names that appeared most often should be quite familiar: Beyoncé (leading the pack with 11 nominations), Billie Eilish, Kendrick Lamar, Post Malone and Charli XCX (all with seven nods apiece). The Grammys have rarely been so reflective of the top of the charts and the celebrity zeitgeist, and that can make the announcement feel anticlimactic. But if you dig a little deeper into the list — as I do on today’s playlist — plenty of surprises and discoveries await.All seven of the artists included below are nominated for Grammys next year, even if they’re not the marquee acts vying for the biggest, all-genre awards (record, album and song of the year). But the genre-specific categories are often the best places to find interesting music you might not have heard before: Today, I’m highlighting recent tunes from the Pakistani composer Arooj Aftab, the boisterous British band Idles and the Nigerian songwriter-turned-solo star Tems, to name a few. Plus, this collection of songs also features a certain Australian goth rock legend who has somehow never won a Grammy. Will 2025 be his year? We’ll find out on Feb. 2. Until then, here’s the full list of nominees, Ben Sisario’s roundup of all the story lines to watch and the pop team’s discussion of the year’s surprises and snubs.All the king’s horses and — oh, nevermind, nevermind,LindsayListen along while you read.1. Nick Cave & the Bad Seeds: “Song of the Lake”Let’s begin with this regal, oddly stirring opening track from Nick Cave & the Bad Seeds’ latest album, “Wild God.” Even though Cave may not leap to mind when you think of the Grammys, it’s still rather astonishing he’s never won one, given his deep, boundary-pushing discography and especially his late-career renaissance, which has included excellent recent albums like “Skeleton Tree” and “Ghosteen.” He and the Bad Seeds have two opportunities to finally take home a trophy next year: “Song of the Lake” is nominated for best alternative music performance and “Wild God” is nominated for best alternative album.▶ Listen on Spotify, Apple Music or YouTube2. Arooj Aftab: “Raat Ki Rani”In 2022, the composer and vocalist Arooj Aftab became the first Pakistani woman ever to win a Grammy, when her incantatory “Mohabbat” was awarded best global music performance. She’s nominated again in that category, for this hypnotizing, appropriately nocturnal track named for a night-blooming flower. The LP on which it appears, the enchanting “Night Reign,” also received a nod for best alternative jazz album.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      New York’s Wu-Tang Clan Street Signs Sell Out in a Blink

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      The 100 replicas of the “Wu-Tang Clan District” sign on Staten Island, where the group was formed in 1992, were gone in less than two hours.New York celebrated the Wu-Tang Clan by releasing on Thursday 100 replicas of the street sign on Staten Island named for the group. They were all snapped up in less than two hours.The Wu-Tang Clan was formed in Staten Island’s Park Hill neighborhood in 1992, and went on to become one of hip-hop’s most beloved and influential acts. The city named an intersection in Park Hill “Wu-Tang Clan District” and unveiled the sign in 2019.The commissioner of the city’s Transportation Department, Ydanis Rodriguez, called the group “a legendary part of Staten Island’s North Shore,” in a statement replete with puns and references to Wu-Tang’s music.The department began monthly releases of limited-run replicas in June to honor famous New Yorkers and events. The proceeds go to the city’s general fund. The first one marked Pride Month with a sign reading Christopher Street/Stonewall Place, where a police raid of the Stonewall Inn, a gay bar, set off unrest in 1969. That replica sold out in under three hours.The replicas, which the Transportation Department sells for $75, are produced by the shop that makes New York City’s street signs. The department has compared them to limited-edition sneaker drops.The other releases include replicas of the signs honoring the Brooklyn hip-hop superstars the Notorious B.I.G. and the Beastie Boys, and Mariano Rivera, the Yankees legend. All the releases sold out quickly. More