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    Ricky Powell, 59, Dies; Chronicled Early Hip-Hop and Downtown New York

    AdvertisementContinue reading the main storySupported byContinue reading the main storyRicky Powell, 59, Dies; Chronicled Early Hip-Hop and Downtown New YorkProlific with his point-and-shoot camera, he captured essential images of the Beastie Boys, Jean-Michel Basquiat, Run-DMC, Andy Warhol and more.The photographer Ricky Powell in 2012. An inveterate walker, he pounded the New York pavement with his camera and snapped photos of whatever caught his fancy.Credit…Janette BeckmanPublished More

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    Duke Bootee, Whose ‘Message’ Educated Hip-Hop, Dies at 69

    AdvertisementContinue reading the main storySupported byContinue reading the main storyDuke Bootee, Whose ‘Message’ Educated Hip-Hop, Dies at 69His 1982 hit about the “jungle” of urban poverty charted a new, grittier path for rap music in its early days.Edward Fletcher, better known as Duke Bootee, in 2013. He was a studio musician at Sugar Hill Records when he began writing “The Message,” which Rolling Stone has called the greatest song in hip-hop history.Credit…Geoff L JohnsonJan. 29, 2021, 2:53 p.m. ETEdward Fletcher, who as Duke Bootee was the driving force behind “The Message,” the 1982 hit that pushed hip-hop from merry escapism toward chronicling the daily grind of urban poverty, died on Jan. 13 at his home in Savannah, Ga. He was 69.The cause was heart failure, said his wife, Rosita Fletcher.Mr. Fletcher started writing “The Message” in 1980, the same year he became a studio musician at Sugar Hill Records, which released the early work of groups like the Sugar Hill Gang and Grandmaster Flash and the Furious Five. Mr. Fletcher toured with Sugar Hill acts, contributed to the recording of seminal tracks and occasionally composed music.“We wrote the first chapter in the history of rap,” he said in a 2013 interview broadcast on Channel 28 in Savannah.The sound of hip-hop was initially cheerful and upbeat, with lyrics that encouraged dancing crowds to “throw your hands up in the air/and party hardy like you just don’t care,” as the Sugar Hill Gang rapped on their landmark 1979 single, “Rapper’s Delight.”In his mother’s basement one night, in the tough and increasingly impoverished city where he grew up, Elizabeth, N.J., Mr. Fletcher was smoking a joint with a friend and fellow musician, Jiggs Chase. Thinking about his hometown, he began piecing together a different approach to hip-hop.“The neighborhood I was living in, the things I saw — it was like a jungle sometimes in Elizabeth,” Mr. Fletcher told The Guardian in 2013. In another interview, with the hip-hop historian JayQuan, he recalled how often someone would “ride by and you hear a bottle get broken.”The images of the jungle and broken glass contributed two signature motifs to the lyrics of “The Message,” which sought to define everyday life in a tough urban world. The rhymes included “Got a bum education, double-digit inflation/Can’t take the train to the job, there’s a strike at the station.” Mr. Fletcher wrote most of the lyrics and the lurching, ominous electro melody.It baffled Grandmaster Flash and the Furious Five.“It was just too serious,” Melle Mel, a member of the group, told Uncut magazine in 2013. “We were making party tracks,” he added, “and wanted to keep in the same lane. Nobody wanted that song.”Melle Mel eventually caved to pressure from Sylvia Robinson, one of Sugar Hill’s owners. He contributed a final verse to “The Message” and shared rapping duties with Mr. Fletcher, who also played all the instruments except guitar. As a rapper, Mr. Fletcher’s baritone voice registered a cool impassivity that stood in contrast to the excitability of many of his peers.“The Message” was credited to Grandmaster Flash and the Furious Five, although it was mostly the work of Mr. Fletcher (not seen here).Credit…Sugar Hill RecordsThe song was an instant hit. In years to come, it would be sampled nearly 300 times, according to whosampled.com. Rolling Stone called it the greatest song in hip-hop history and a major influence on rappers like Jay-Z and the Notorious B.I.G. It also helped earn Grandmaster Flash and his band a place in the Rock & Roll Hall of Fame, even though Melle Mel was the only one of them to appear on what was called “their masterpiece,” aside from a short closing skit.“The world (me included) absolutely froze in its tracks the week it debuted on radio,” the musician and songwriter Questlove wrote in Rolling Stone. “Hip-hop was once known as party fodder, a fad. ‘The Message’ pulled a 180 and proved it could be a tool of sociopolitical change.”Mr. Fletcher was credited as a co-composer of “The Message” and received royalties for his work on it. But he did not appear on the album cover, and Rahiem of the Furious Five lip-synced to Mr. Fletcher’s voice in the music video.Mr. Fletcher’s feelings about being cut out of the public image of the song were mixed. At times he saw a shrewd marketing strategy. “It worked with a group like Flash and them because they had that threatening, street image,” he said in the interview with JayQuan. “There aren’t any other groups from that time that could have pulled that record off better than them.”But his gratitude had limits. “If I’d known what it was going to do,” he told The Guardian about his hit song, “I’d have kept it for myself.”Edward Gernel Fletcher was born on June 6, 1951, in Elizabeth. His father, Ernest, was a truancy officer, and his mother, Helen (Bridges) Fletcher, taught elementary school. When he was 16, Ed began dating Rosita Ross, a classmate and family friend. They married in 1976 and stayed together for the rest of his life.Ed took drum and xylophone lessons as a boy, and he played in cover bands at Dickinson College in Pennsylvania. After graduating in 1973 with a degree in English, he played with local New Jersey bands. He first gained notoriety for playing on Edwin Starr’s disco single “Contact,” and two years later he started working at Sugar Hill.Mr. Fletcher left the music industry while still a young man; the money he was making, he decided, was not worth all the travel and the time away from his family. Back in New Jersey, he turned to what he called “the family business”: teaching.He got master’s degrees from the New School in media studies and from Rutgers University in education. He worked at a juvenile detention center, a high school and two colleges, spending the last decade of his career as a lecturer in critical thinking and communication at Savannah State University. He retired in 2019.Mr. Fletcher left the music industry while still a young man and turned to what he called “the family business”: teaching.Credit…Geoff L JohnsonIn addition to his wife, Mr. Fletcher is survived by two children, Owen Fletcher and Branice Moore, and five grandchildren.The frank discussion of everyday problems in “The Message” informed Mr. Fletcher’s sensibility as a teacher. He propounded what he called the Fletcherian Principles. In the Channel 28 interview, the rap godfather explained the ultimate Message he had worked out for young students:“Figure out a way to take care of yourself, legal. Find somebody you can stand that can stand you. Pay your taxes. Take care of your teeth.”AdvertisementContinue reading the main story More

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    Kodak Black Celebrates Clemency From Trump, and 10 More New Songs

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    How Four Tet Helped Madlib Make Something Totally New: A Solo Album

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    Billie Eilish and Rosalía Join Eccentric Forces, and 12 More New Songs

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    Salt-N-Pepa, Hip-Hop Duo That Spoke Up for Women, Tells Its Own Story

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storySalt-N-Pepa, Hip-Hop Duo That Spoke Up for Women, Tells Its Own StoryIn a new biopic for Lifetime that they helped executive produce, the rap group that got its start in 1980s New York traces its roots and its conflicts.Pepa, left, and Salt. “Pep called and was like, ‘Girl, we have to do our movie before someone else does,’” Salt said.Credit…Sabrina Santiago for The New York TimesJan. 22, 2021, 1:58 p.m. ETWhile selling warranties on washing machines from a Sears call center in Queens, the friends Cheryl James and Sandra Denton came together as a hip-hop duo called Super Nature with the staccato 1985 track “The Show Stoppa (Is Stupid Fresh).” When they first heard it on the radio, they danced together on top of a car. It was just the beginning: James became Salt and Denton became Pepa; the group changed its name and scored 10 hits on the Hot 100, including the ’80s dance classic “Push It” and the ’90s sex anthem “Shoop,” becoming one of the few superstar female acts of hip-hop’s male-dominated golden era.Fixtures on the I Love the ’90s tour circuit in recent years, the twosome tell their story in a new Lifetime biopic, “Salt-N-Pepa,” out Saturday, that captures both the rush of touring the world and the conflicts that broke them up in 2002. The group’s longtime D.J., Spinderella, is a character in the film, too, but the biopic doesn’t cover her unsuccessful lawsuit against the duo, which was filed in 2019. The film — which they executive produced along with Queen Latifah and others — begins and ends on a note of unity, showing their 2005 reunion for a VH1 event.“It was something me and Pep had been shopping around,” Salt said. “Pep called and was like, ‘Girl, we have to do our movie before someone else does.’” Latifah, an old friend, attended meetings where they picked the director (Melvin Van Peebles) and screenwriter (Abdul Williams of “The Bobby Brown Story”).The duo’s “Laverne & Shirley”-style partnership — Salt calm and precise, Pepa loose and boisterous — has endured despite a dispute with the man who helped them get their start, abuse, divorce and plain old Salt vs. Pepa personality conflicts. “We get to tell a 36-years lifetime in like two and a half hours,” Pepa said on a group Zoom interview. These are edited excerpts from the conversation.From left, Monique Paul, Laila Odom and GG Townson in “Salt-N-Pepa.”Credit…LifetimeFor a movie about the journey of two women, your producer and manager Hurby Azor, known as “Luv Bug,” plays a big role as a crucial creative force, especially at the beginning. How much did you grapple with the decision to emphasize his character?SALT Well, the truth is the truth. And Hurby was our guy. He started out being my boyfriend. Being an artist was something that he embodied and transferred over to us. My mom took me to all the Broadway plays, and I took singing lessons and dance lessons, and I did productions at home with my cousins for my aunties. But I didn’t know how to sing. I didn’t play an instrument. When hip-hop came along, it was an opportunity to realize something that I was passionate about — and that was through Hurby.In an early scene, we see Hurby (played by Cleveland Berto) drilling Pepa (played by Laila Odom) to rap without her Jamaican accent, and Salt (played by GG Townson) caught in the middle. How frustrating were those early days?PEPA For me, with hip-hop, it was a way of life — we had these park jams where the turntables are getting electricity from the light poles. When Hurby felt that I was the one that will be Pepa, I was thrown in the studio. Hurby had his vision. He wanted it said, done — this kind of way and no other way. I had a difficult time in the beginning, jumping on the beat. Finally, I got it.SALT Pep always says, “Hurby is our third,” and the chemistry between the three of us was explosive on so many levels. Pep and Hurby used to fight like cats and dogs. It was just an explosion of creativity, of passion, of drama that resonated into a sound, a music, a movement.The opposites-attract part of your personae, as depicted in the movie, is based on reality?PEPA One-hundred percent.SALT I’m an introvert and a little bit of a recluse. What I love about being an artist is the creative process. I love taking something from nothing and bringing it to fruition, I love the response from the audience, but I don’t necessarily love everything that comes along with it — the attention and the chatter. But Pep loves it all.PEPA I’m an extra-extra-extrovert.SALT Someone asked us, when we first met, what intrigued us about one another. What made her interested in me is, she was thinking, “Who is this girl that’s not paying me any attention?”PEPA When we were in college, I was coming in the lunchroom and talking crazy, and I used to see Cheryl in the corner and notice her. It was a chemistry. I was pulled to her.“It’s difficult to be friends and business partners, and anybody in that position can relate,” Salt said.Credit…Michael Ochs Archives/Getty ImagesHow much writing did you both do for the script, and did you work separately or together?PEPA Separately.SALT It was a lot of rewrites. What I found frustrating — I’m just keeping it real — it was quite a few restrictions when you’re making a movie that I was not ready for.PEPA Keep it real, Salt!SALT Legal restrictions, infringing on other people’s rights that people had to sign off on, budget restrictions. What ended up being important was a story of two women in a male-dominated industry who were friends first, who became business partners, who faced a lot of struggles to be heard, to be taken seriously — from the record company to our producer Hurby. We had struggles in our relationships and picked the wrong men over and over.PEPA We get to take ’em back to college, when it all started and we making $200 per show.SALT And splitting it.There was a long period after Salt-N-Pepa’s biggest hits and before Nicki Minaj and Cardi B, when the route for women in hip-hop was limited. How much did you pay attention to that?SALT I remember that question being asked a lot when there was a big, empty space of no women. I have no idea why, other than this is a male-dominated genre of music and business, and we had to come through a Hurby. There was a time when you had to be vouched for by a camp — a man camp. That’s starting to change through social media and all the avenues that people have to put themselves out there, without belonging to a Jay-Z or whoever.How many of the original “Push It” video eight-ball jackets, originally designed by your friend Christopher Martin (Play of Kid ’n Play), do you each own?PEPA The original was stolen backstage at a performance.SALT I remember it being Brixton, London, and someone breaking in the back door of our dressing room. We came in and the door was open and the jackets were gone.PEPA Everything else stayed — the pocketbooks, everything.In the movie, at the time of the split, Salt says, “I have to carve out a space that has nothing to do with you.” Now that you’re back together, is that still important?SALT Absolutely. When I left, I got to deal with a lot of my own issues, my own demons. It’s healthy when you’re in a group to also be able to maintain your individuality. We were doing this since we were 18, 19 years old, and I did not get the opportunity to figure out who I was apart from Salt-N-Pepa. I felt a lot of disconnect after a while, a lot of resentment, a lot of anger coming from Pep that I did not understand. I felt like I was in a spiral of trying to prove myself to her: “Girl, I got your back. Girl, I’m here for you.” Nothing I did or said could remedy what she was feeling. I feel like there was a great miscommunication.PEPA [vigorously playing with her hair] The point is, you and I have never talked — you keep telling me how I feel and say and think. When have you and I talked?SALT I feel resented by you. And your answer —PEPA It’s a feeling I never got to talk through with her. It’s all her feeling with everything. I’m dealing with her boyfriend being the manager! I’m going through a whole situation, too. We were in it together. When you’re feeling all of this, I’m feeling it, too.How unified is Salt-N-Pepa these days?SALT Relationships go through different phases. I know one thing: I love Sandy, and I know that Sandy loves me. It’s difficult to be friends and business partners, and anybody in that position can relate. Sometimes we will be married and sometimes we will be co-parenting the brand and sometimes I will be sleeping on the couch.PEPA But communication is the key to all successful relationships.AdvertisementContinue reading the main story More

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    Lil Wayne, Kodak Black and Others Pardoned by Trump

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    Election Results: Biden Wins

    Electoral College Votes

    Congress Defies Mob

    Georgia Runoff Results

    Democrats Win Senate Control

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    The Blockbuster ‘Drivers License,’ a Possible Reply and 7 More New Songs

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