Rap and Hip-Hop

Subterms

    More stories

    • 125 Shares99 Views

      in Music

      6 Social Media Accounts That Changed How I Rediscover Music

      by

      Hear songs surfaced by Ryley Walker, Drumeo and other feeds from Bring Me the Horizon, Lil Tecca and more.Ryley Walker’s X account is filled with wild (true) stories and a pure love of rock.Astrida Valigorsky/Getty ImagesDear listeners,Sometimes, to listen to music, you have to do something more than just listen.Personally, I spend a significant — disproportionate? unhealthy? — amount of time on social media, and I find myself drawn to accounts that are music-adjacent, or perhaps music-enhancing. They’re not criticism or reporting, but through a hammered-home gimmick (all great accounts have them) they serve up extremely engaging information about certain styles and scenes that you might otherwise allow to float on by.Here’s a list of some of the accounts that fill my screen, along with a song that each one either brought me back to or introduced into my life.Get your scroll on,JonListen along while you read.1. Drumeo (TikTok, YouTube)Drumeo’s videos are created as an extension of a drumming-education platform. The clips feature drummers talking about their craft, and the account’s most intriguing recurring series forces well-established drummers to invent a part for a song they’ve never heard and which is outside of their usual style. The results can be chaotic: Dennis Chambers, a jazz fusion and funk legend, treats a Tool song like an unwelcome pop quiz that he then casually rewrites; Dirk Verbeuren from Megadeth takes a surprisingly patient approach to “Mr. Brightside,” perhaps finding the Killers not quite muscular enough; and Liberty DeVitto, who played for decades with Billy Joel, takes a wry joy in pounding along to Deftones, as if unleashing a lifetime’s worth of backlogged pugnacity.A rediscovered song: Bring Me the Horizon, “Can You Feel My Heart”▶ Listen on Spotify, Apple Music or YouTubeWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares189 Views

      in Music

      What to Know About the Lawsuits Against Sean ‘Diddy’ Combs

      by

      The music mogul, who faces federal sex trafficking and racketeering charges, has been accused in civil court of raping and drugging people. He has denied the allegations.In November 2023, the R&B singer Cassie filed a lawsuit against the hip-hop mogul Sean Combs, her former record label head and boyfriend, accusing him of rape, of forcing her to participate in sexual encounters he called “freak-offs” and of ongoing physical abuse for about a decade. Mr. Combs, who is also known as Puff Daddy or Diddy, has “vehemently” denied the allegations.Over the following months, more than 20 additional lawsuits were filed against Mr. Combs — including more than half of them after he was indicted on federal charges of sex trafficking, racketeering conspiracy and transportation to engage in prostitution in September. He has pleaded not guilty and remains detained in a Brooklyn jail; the trial is scheduled for May 5.The Lawsuits Against Sean Combs, Known as DiddyOCTOBER 202411 Lawsuits From Anonymous Plaintiffs in federal court in New YorkA legal team led by Tony Buzbee, a personal injury lawyer in Houston who has used a phone hotline, Instagram and a news conference to solicit clients with claims against Mr. Combs, filed six suits alleging sexual assaults from 1995 to 2021, followed by five additional suits alleging sexual assaults from 2000 to 2022.Tony Buzbee, a Houston lawyer, held a news conference to announce he had a large number of individuals with claims against Mr. Combs — and to solicit more.Elizabeth Conley/Houston Chronicle, via Associated PressThe accusations: In two suits from the first batch of filings, women accused Mr. Combs of raping them at parties in New York City; one plaintiff said Mr. Combs raped her in 1995 at a promotional event for a music video by the Notorious B.I.G. Four of the plaintiffs are men, including one who said he was working security at a White Party in the Hamptons in 2006 when Mr. Combs drugged him, pushed him into a van and raped him. Another man accused Mr. Combs of groping his genitals at a 1998 White Party, when the plaintiff was 16. A third man’s suit involves a 2008 encounter in a stockroom at Macy’s, where he said Mr. Combs forced his penis into the plaintiff’s mouth.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares169 Views

      in Music

      Sean ‘Diddy’ Combs’s Streaming Numbers Grow as His Legal Woes Pile Up

      by

      The embattled music mogul is facing federal sex trafficking charges and a slew of lawsuits. Curious listeners and fans are keeping his catalog in rotation.In the 11 months since the singer Cassie accused Sean Combs in a lawsuit of sexual assault and years of physical abuse, the mogul’s once-booming music career has largely fallen apart.His songs have vanished from radio playlists. He became a pariah at the Grammy Awards, where he once held court. And his business interests — including stakes in a media network and a popular liquor brand — have collapsed. At least 17 more lawsuits have been filed against Mr. Combs alleging misconduct, and last month, he was indicted in New York on federal charges including sex trafficking and racketeering conspiracy. He has pleaded not guilty and is appealing his detention in a Brooklyn jail.But through it all, one part of Mr. Combs’s music business has remained steady, and even seen some growth: the popularity of his songs on streaming services like Spotify and Apple Music.Over the last year, as Mr. Combs, who is also known as Diddy and Puff Daddy, faced a drumbeat of negative stories in the news media — like the raids on his homes by federal agents in March, and a leaked security camera video in May that showed him brutally assaulting Cassie in a hotel in 2016 — the number of people who follow him on Spotify has steadily grown. That figure has climbed from about 1.5 million late last year to 1.8 million now, an increase of about 15 percent, according to Chartmetric, which tracks data from streaming music and social media.Recently the number of clicks for Mr. Combs’s songs have shot up dramatically. In the week before his arrest on Sept. 16, his catalog had about 3.2 million streams on services in the United States; in the weeks following, that figure rose about 50 percent to 4.8 million, according to Luminate, which supplies the data for Billboard’s charts. (In the most recent chart week, the number dipped a bit to 4.3 million.) On social media, Mr. Combs’s follower count has fluctuated, depending on the platform, but support on TikTok has been strong, where the hashtag #FreeDiddy has 12,000 uses.In the music business, this has become a familiar phenomenon of the streaming era. A household-name star — like R. Kelly, Marilyn Manson or Michael Jackson — comes under harsh scrutiny over allegations of sexual misconduct, and may temporarily suffer in the broader cultural marketplace, but maintains steady streaming numbers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares199 Views

      in Music

      Sean Combs’s Legal Woes Are Growing. So Are His Streaming Numbers.

      by

      The embattled music mogul is facing federal sex trafficking charges and a slew of lawsuits. Curious listeners and fans are keeping his catalog in rotation.In the 11 months since the singer Cassie accused Sean Combs in a lawsuit of sexual assault and years of physical abuse, the mogul’s once-booming music career has largely fallen apart.His songs have vanished from radio playlists. He became a pariah at the Grammy Awards, where he once held court. And his business interests — including stakes in a media network and a popular liquor brand — have collapsed. At least 17 more lawsuits have been filed against Mr. Combs alleging misconduct, and last month, he was indicted in New York on federal charges including sex trafficking and racketeering conspiracy. He has pleaded not guilty and is appealing his detention in a Brooklyn jail.But through it all, one part of Mr. Combs’s music business has remained steady, and even seen some growth: the popularity of his songs on streaming services like Spotify and Apple Music.Over the last year, as Mr. Combs, who is also known as Diddy and Puff Daddy, faced a drumbeat of negative stories in the news media — like the raids on his homes by federal agents in March, and a leaked security camera video in May that showed him brutally assaulting Cassie in a hotel in 2016 — the number of people who follow him on Spotify has steadily grown. That figure has climbed from about 1.5 million late last year to 1.8 million now, an increase of about 15 percent, according to Chartmetric, which tracks data from streaming music and social media.Recently the number of clicks for Mr. Combs’s songs have shot up dramatically. In the week before his arrest on Sept. 16, his catalog had about 3.2 million streams on services in the United States; in the weeks following, that figure rose about 50 percent to 4.8 million, according to Luminate, which supplies the data for Billboard’s charts. (In the most recent chart week, the number dipped a bit to 4.3 million.) On social media, Mr. Combs’s follower count has fluctuated, depending on the platform, but support on TikTok has been strong, where the hashtag #FreeDiddy has 12,000 uses.In the music business, this has become a familiar phenomenon of the streaming era. A household-name star — like R. Kelly, Marilyn Manson or Michael Jackson — comes under harsh scrutiny over allegations of sexual misconduct, and may temporarily suffer in the broader cultural marketplace, but maintains steady streaming numbers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 175 Shares199 Views

      in Music

      Cher, Dave Matthews Band and Others Inducted Into Rock & Roll Hall of Fame

      by

      Gratitude flowed at the 39th induction ceremony in Cleveland, where Mary J. Blige, Peter Frampton, Ozzy Osbourne and the bands Foreigner and Kool & the Gang were honored.Superstar power arrived early at the 39th Rock & Roll Hall of Fame induction ceremony in Cleveland on Saturday night, as Cher strode onstage and joined Dua Lipa, who opened the show with “Believe,” the 1998 dance-pop smash that revitalized the singer’s career.In a candid, conversational acceptance speech, Cher joked about her long wait to induction (she was first eligible more than three decades ago), telling the crowd at the Rocket Mortgage FieldHouse and those streaming the show online, “It was easier getting divorced from two men than it was getting in the Rock & Roll Hall of Fame.” She assessed her own vocal abilities (“I’m a good singer. I’m not a great singer,” she decided, but added, “I changed the sound of music forever”), and reflected on the many reinventions that have sustained her career across 60 years.“My life has been a roller coaster, and the one thing that I have never done is I never give up,” Cher, 78, said, addressing women directly: “We’ve been down and out, and we keep striving, and we keep going, and we keep building, and we are somebody. We are special.”Perseverance was a recurring theme across the five-and-a-half-hour ceremony, which also honored two mainstays of the ’70s and ’80s: the funk and disco powerhouse Kool & the Gang and the pop-rock band Foreigner. Peter Frampton, 74, who is battling the degenerative muscle disease inclusion body myositis, thanked David Bowie for rescuing him from a low point — “I had no idea what a huge gift David was giving me” — and performed a short set from a chair. Mary J. Blige, 53, spoke about having faith throughout her ups and downs (“You don’t have to wait until you’re perfect to feel worthy. You are worthy”) before a sterling three-song performance.And Ozzy Osbourne, 75, who has paused touring because of health challenges, appeared onstage in a suitably sinister black throne adorned with skulls and bat wings to offer a brief collection of thank yous and introduce a rendition of his de facto theme song “Crazy Train” with a raucous shout of his famed intro line, “All abooooard!”Jack Black, left, gave a passionate speech for Ozzy Osbourne, who attended the event in an appropriately sinister throne.Chris Pizzello/Invision, via Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares169 Views

      in Music

      A New Venue Celebrates the Sound of the Bronx

      by

      The Bronx Music Hall is the first new independent music venue in the borough in more than 50 years.Good morning. It’s Friday. Today we’ll get a look at the Bronx Music Hall, the first brand-new music performance space to open in that borough in more than 50 years.David Dee Delgado for The New York TimesThe 250-seat music performance space that is opening tonight in the Melrose section of the Bronx began with a cassette recording that was played at a staff meeting of a nonprofit organization. This was in the early 2000s, when cassette tapes were still a thing.The tape was a sampling of the musical legacy of the Bronx — music that had been written or performed there.“Everyone’s eyes lit up,” recalled Nancy Biberman, who at the time was the president of the nonprofit, the Women’s Housing and Economic Development Corporation.She remembers telling herself after the meeting that “maybe we are thinking too narrowly about what community development could mean — it’s not just bricks and mortar.” That realization morphed into thinking about what tenants would want besides basic needs like food, health care and education. What would make them happy?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares129 Views

      in Music

      Prosecutors Say Sean ‘Diddy’ Combs Can’t ‘Pay His Way Out of Detention’

      by

      In a new filing, the government said the music mogul, who has proposed a sizable bail package as part of his bid to be released, should remain incarcerated.Federal prosecutors opposed Sean Combs’s bid for release from jail on Wednesday, asserting that the music mogul should not be allowed to use his wealth to set up a proposed bail release package that would include hiring a private security detail to guard him.Mr. Combs, who is being held in a Brooklyn jail ahead of his trial on racketeering and sex trafficking charges in May, has appealed a court’s decision to deny him bail, which was based in part on a finding that he posed a danger of witness tampering.His lawyers proposed an elaborate system — effectively a private version of house arrest — in which Mr. Combs would be monitored by security staffers at all hours, would have no access to phones or the internet and could only be visited by an approved list of guests. They suggested a bond set at $50 million.In their response to Mr. Combs’s appeal to the U.S. Court of Appeals for the Second Circuit, the prosecutors pushed back on Mr. Combs’s argument for release.“The District Court rightly rejected Combs’s effort to pay his way out of detention,” the prosecution wrote, “when the record established that no set of conditions could ensure the safety of the community.”The government has accused Mr. Combs, 54, of running a “criminal enterprise” that wielded the mogul’s power in the entertainment industry to commit crimes, including coercing women to engage in sexual activity with male prostitutes in drug-fueled encounters known as freak-offs. Lawyers for Mr. Combs, who has pleaded not guilty, have denied the charges, asserting that any sexual activity involved consenting adults.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares179 Views

      in Music

      Sean ‘Diddy’ Combs Faces 6 Lawsuits From Lawyer With a Hotline

      by

      The Houston lawyer Tony Buzbee filed suits in New York with new allegations of rape and sexual assault from 1995 to 2021. Mr. Combs denied the accusations.The embattled music mogul Sean Combs is facing six more sexual assault lawsuits in New York, including one from a man who accused Mr. Combs of groping his genitals when he was 16, in what a team of lawyers say are the first filings from dozens of plaintiffs.The lawsuits, filed on Monday in Federal District Court in Manhattan, also accuse Mr. Combs of raping two men and two women and forcing another man to perform oral sex in allegations that span from 1995 to 2021. All of the claims were filed anonymously.The filings further intensify the legal troubles facing Mr. Combs, the longtime record executive and performer known as Diddy and Puff Daddy, as he awaits a trial for federal racketeering and sex trafficking charges in a Brooklyn jail. He has pleaded not guilty, and his lawyers said in a statement in response to the new lawsuits that “Mr. Combs has never sexually assaulted anyone — adult or minor, man or woman.”The new lawsuits were brought by a personal injury lawyer in Houston, Tony Buzbee, who has used Instagram and a widely publicized news conference to solicit clients. Mr. Buzbee detailed the scope of his work at the news conference this month, where he spoke in front of a backdrop displaying a large red hotline number that people with claims against Mr. Combs could call.“After the indictment of Sean Combs and the announcement that we were pursuing these claims, the floodgates opened,” Mr. Buzbee said at the news conference.In one of the lawsuits filed on Monday, a plaintiff recounts a 1998 encounter with Mr. Combs at one of the entertainer’s famous White Parties at his mansion in the Hamptons. The suit says the plaintiff, who was 16 at the time, bumped into Mr. Combs and shared his dreams of “becoming a star,” after which Mr. Combs told him that he needed to drop his pants. When the plaintiff complied, the suit says, Mr. Combs grabbed and squeezed his genitals.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More