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      Sean Combs Sold Share of Tequila Brand for $200 Million

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      Mr. Combs, who was accused of sexual assault in several lawsuits, made the sale as he ended his long-term partnership with the liquor giant Diageo. He has denied wrongdoing.Sean Combs, the music mogul whose business empire has been upended by recent lawsuits accusing him of sexual assault and a federal investigation, sold his half of the tequila brand DeLeón for about $200 million this year, according to a public report for investors.Mr. Combs, who has vehemently denied allegations of sexual assault and sex trafficking, came to prominence as a hip-hop impresario but amassed much of his wealth from other businesses, including through work with the liquor giant Diageo. Their partnership, which was thrown into turmoil last year before the sexual assault lawsuits, is now over.Diageo disclosed in a recent financial statement that it had agreed on Jan. 16 to buy the 50 percent stake in the DeLeón tequila brand from Mr. Combs’s company, Combs Wine and Spirits, “for a total consideration of approximately $200 million.”Mr. Combs’s work with Diageo began more than 15 years ago when he began promoting its vodka brand Ciroc. He purchased DeLeón in a joint venture with the company about a decade ago, leveraging his celebrity to promote the tequila brand on social media, in interviews and as a prop in music videos.According to a court filing in June by a Diageo executive, Mr. Combs — who has also been known throughout his career as Puff Daddy or Diddy — amassed nearly a billion dollars from his relationship with the company.But the mogul’s partnership with the liquor giant began to fray, spilling into public last year. Combs Wine and Spirits sued Diageo and accused it of typecasting Ciroc and DeLeón as “Black brands” that should be targeted only to “‘urban’ customers,” limiting potential growth.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Mister Cee, Pioneering Brooklyn D.J., Dies at 57

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      Born Calvin Lebrun, Mister Cee was a pioneer in New York City’s hip-hop scene and helped boost the career of the Notorious B.I.G.Mister Cee, a disc jockey who was an integral figure in New York City’s booming 1990s hip-hop scene and was an early champion of the Notorious B.I.G., has died. He was 57.His death was confirmed on Wednesday by Skip Dillard, the brand manager at WXBK 94.7 The Block NYC, where Mister Cee had a show. No cause was given.Mister Cee, whose head-bopping mixes reverberated on New York radio for decades, was a hit D.J. on New York City’s Hot 97 for more than 20 years before leaving the station in 2014. He was the executive producer of the Notorious B.I.G.’s debut album, “Ready to Die.”Born Calvin Lebrun in August 1966 in Brooklyn’s Bedford-Stuyvesant neighborhood, Mister Cee grew up at his grandparents’ home and took to the turntables under the mentorship of an uncle who was a D.J., he told Rock The Bells, a satellite radio show, in November.He added that his early influences came from the radio, listening to the likes of the hip-hop acts World Famous Supreme Team and Awesome Two.“This turned into my passion for deejaying and having that dream that one day I wanted to be on the radio,” he said.Mister Cee lived out the dream on Hot 97 before leaving the station, citing the station’s new musical direction.“I might be the answer for now, but I don’t think I’ll be the answer five or 10 years from now,” he told The Times in 2014.Chris Green, a promoter at Capitol Musical Group who had known the D.J. since the mid-90s, said in an interview with The New York Times that year that Mister Cee “was the glue between the old and the new” on Hot 97.But Mister Cee, a highly-respected figure in the hip-hop community, continued spinning records in clubs and on radio shows. Before he died, he had his own show playing throwbacks on 94.7 The Block NYC.After his death was announced Wednesday, the station honored Mister Cee by playing a recording of his 2022 mix paying tribute to the Notorious B.I.G. for what would have been late rapper’s 50th birthday.A full list of survivors was not immediately available.A full obituary will follow. More

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      Ed Piskor, Comics Artist, Dies After Sexual Misconduct Accusations

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      Ed Piskor, 41, was known for his detailed “Hip Hop Family Tree” and “X-Men: Grand Design.” A Pittsburgh gallery canceled an exhibition of his work after the initial allegation.The comics artist Ed Piskor, who was best known for his multivolume “Hip Hop Family Tree,” died last week after posting a lengthy note to social media about an accusation of sexual misconduct that led a gallery in Pittsburgh to indefinitely postpone an exhibition of his work.The death of Piskor, who lived in Munhall, Pa., was confirmed by a funeral home, but no cause was given. Many people read his note on social media — in which he repeatedly spoke of his death — as a suicide note.Two of Piskor’s relatives declined to comment. The chief of the Munhall Police Department said Piskor died outside of Pennsylvania.The Pittsburgh Cultural Trust, a nonprofit arts group, announced last month that it would not open the five-month exhibition as planned after a woman accused Piskor of trying to “groom” her in 2020, when she was in high school, and posted screenshots from their online conversations.Piskor, 41, apologized for the messages in his note and said he never should have communicated with the teenager. He also addressed separate allegations from another artist, saying that they had a consensual sexual relationship.His agent, Bob Mecoy, said the artist had defined himself by his work and was devastated by what the future had held.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      J. Cole Apologizes for Kendrick Lamar Diss Track

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      J. Cole also vowed to update the track, “7 Minute Drill,” or remove it from streaming services after it was featured on his new album, “Might Delete Later.”The rapper J. Cole apologized on Sunday for releasing a diss track about Kendrick Lamar, saying he felt “terrible” and vowing to update the song or remove it from streaming services.The apology followed an exchange of verses that began in October, when J. Cole and Drake ranked themselves, with Lamar, as the “big three” in hip-hop in the song “First Person Shooter.” In March, Lamar dismissed that comparison in a guest verse on the song “Like That” by Future and Metro Boomin, rapping that there was no big three, “it’s just big me.”In response, J. Cole on Friday released the diss track “7 Minute Drill” on his surprise new album, “Might Delete Later.” It includes the lines: “I got a phone call, they say that somebody dissing / You want some attention, it come with extensions / He still doing shows but fell off like ‘The Simpsons.’”Two days after the song was released, J. Cole apologized for it while onstage at his Dreamville Festival in Raleigh, N.C., according to videos posted on social media. During his headlining performance, he said that when he saw the response to the song after it came out, it didn’t “sit right with my spirit,” and that he was speaking about it at the concert to end the beef.He also called Lamar one of the “greatest” to ever use a microphone and said he hoped Lamar would forgive him.“The past two days felt terrible,” J. Cole said. “It let me know how good I’ve been sleeping for the past 10 years.”As of early afternoon on Monday, “7 Minute Drill” was still available on major streaming services.J. Cole released “Might Delete Later” on his Dreamville Records label, an imprint of Interscope Records, which is owned by Universal Music Group. Universal did not immediately respond to a request for comment.Lamar does not appear to have addressed the track or the apology publicly. Representatives for Lamar did not immediately respond to a request for comment.Drake seemed to respond to Lamar’s verse at a concert in Sunrise, Fla., in late March, according to Complex. He told the crowd that people had been asking him how he was feeling and that he had his “head up high,” and felt as if no one could mess with him.Lamar, Drake and J. Cole have worked together in the past and have individually received numerous awards for their music, including multiple Grammy Awards and nominations. In 2018, Lamar received the Pulitzer Prize in music for his album “DAMN.” More

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      Chappell Roan’s Eye-Roll Kiss-Off, and 11 More New Songs

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      Hear tracks by Prince, Young Miko, the Black Keys and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Chappell Roan, ‘Good Luck, Babe!’The rising pop star Chappell Roan sends an ex-lover off with an eye roll on the wrenching “Good Luck, Babe!,” a synth-driven tune that allows the dynamic vocalist to do her best Kate Bush. The subject of the song is noncommittal and perhaps in denial of her sexuality: Roan imagines her former flame kissing “a hundred boys in bars” and eventually becoming a man’s dissatisfied wife in the aftermath of their affair. But ultimately, Roan chooses herself, singing with all her heart, “I just wanna love someone who calls me baby.” LINDSAY ZOLADZPrince, ‘United States of Division’“Everybody stop fighting/everybody make love,” Prince urged in “United States of Division,” a song previously released only as a British single B-side in 2004, alongside Prince’s album “Musicology.” It’s six minutes of deep-bottomed polytonal funk — topped with synthesizer jabs and horn lines, goaded by a hard-rock guitar riff — that veers between disenchanted verses and a conditionally optimistic chorus. Prince was hoping for the best but seeing stubborn obstacles, pondering tribalism, inequality and faith all at once and wondering, “Why must I sing ‘God Bless America’ and not the rest of the world?” JON PARELESCharli XCX, ‘B2b’We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ye Is Sued for Hostile Work Environment at Donda Academy and Yeezy

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      A former employee sued the rapper formerly known as Kanye West, claiming a hostile work environment at Yeezy, his fashion brand, and Donda Academy, his private school.Ye, the rapper formerly known as Kanye West, was sued Tuesday by a former employee who accused him of discrimination and creating a hostile work environment by calling Adolf Hitler “great,” disparaging Jews and saying that “gay people are not true Christians.”The lawsuit was filed in Los Angeles Superior Court by Trevor Phillips, who says he was hired in November 2022, around the time a series of antisemitic remarks publicly made by Ye lost the artist his major-label record deal and put his businesses in jeopardy.Phillips was initially hired to oversee “projects related to growing cotton” and other plants in an effort to make Yeezy, Ye’s fashion brand, “self-sustainable,” the lawsuit said, and then went on to work for Donda Academy, Ye’s private school in Southern California.Phillips’s lawsuit claims that Ye made antisemitic comments in front of staff members at Donda Academy, including, “the Jews are out to get me” and “the Jews are stealing all my money.” After Adidas ended its decade-long partnership with Ye over his public remarks, the lawsuit claimed, the rapper told Phillips: “The Jews are working with Adidas to freeze up my money to try and make me broke!”The lawsuit claims that Ye treated Black employees at Donda Academy, including Phillips, “considerably worse than white employees.”Representatives for Ye and Donda Academy did not immediately respond to requests for comment on the lawsuit.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Future and Metro Boomin’s First Joint Album Opens Big at No. 1

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      The Atlanta rapper and star producer topped Ariana Grande’s first-week total for “Eternal Sunshine,” but Beyoncé’s “Cowboy Carter” may beat them all next week.Future and Metro Boomin, two of the biggest stars of Atlanta hip-hop, have scored the best opening of the year so far with their joint album “We Don’t Trust You,” though Beyoncé is on deck for next week’s chart with potentially even bigger numbers.“We Don’t Trust You” opens at No. 1 with the equivalent of 251,000 sales in the United States, a better opening than Ariana Grande’s “Eternal Sunshine” had two weeks ago (with 227,000). According to the tracking service Luminate, the vast majority of fans’ consumption of “We Don’t Trust You” was through streaming platforms, with 324 million clicks in its opening week — more than any album since Taylor Swift’s “1989 (Taylor’s Version),” which arrived with 375 million in November.“We Don’t Trust You,” featuring guest spots by the Weeknd, Kendrick Lamar and Travis Scott, among others, is the first of two announced LPs by the rapper Future and Metro Boomin, a star producer who has been behind dozens of hit songs over the last decade, and who has gone to No. 1 on the album chart three times before in his own right. The next joint album by Future and Metro Boomin is expected April 12.Beyoncé’s 27-track “Cowboy Carter” seized headlines even before its release last Friday, and fans started clicking as soon as they could. Spotify announced that “Cowboy Carter” became the service’s most-streamed album in a single day so far this year. It is expected to arrive with big numbers on next week’s chart, helped by sales on vinyl and CD — though fans complained that a number of tracks on the digital version were absent from the physical editions, including “Ya Ya,” one of the album’s most-streamed songs.Also this week, Olivia Rodrigo’s seven-month-old “Guts” jumps 16 spots to No. 2, thanks to the release of a deluxe version with five added tracks. Grande’s “Eternal Sunshine” falls to No. 3 after two weeks at the top, Morgan Wallen’s “One Thing at a Time” is No. 4 and Noah Kahan’s “Stick Season” is No. 5. More

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      The Sean Combs Saga Is Catnip for Pop Culture Podcasts

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      The raids of Combs’s homes have been a primary topic on podcasts and radio shows that cover the Black entertainment world.In the sprawling world of Black pop culture podcasts, its own media ecosystem covering the story lines and people central to the hip-hop genre, the one topic that dominated conversation this week was, unsurprisingly, the latest in the saga of Sean Combs.On Monday, federal agents raided the Los Angeles and Miami homes of Combs, the hip-hop mogul who has been accused in several civil lawsuits of sexual assault. He has vehemently denied all the claims. The news spurred days of freewheeling and varied reactions from radio personalities and podcast hosts whose discourse veered toward humor, speculation and denial, far from the tone struck by traditional news outlets.The rapper Mase, who topped charts as an artist signed to Combs’s Bad Boy record label in the late ’90s before their relationship soured, avoided addressing him by name on the sports-centric “It Is What It Is” podcast a day after the raids, but laughed and said that “reparations is getting closer and closer.”The same day, hosts of the popular morning radio show “The Breakfast Club” criticized the actions of the authorities — which Combs’s lawyer called an “unprecedented ambush, paired with an advanced, coordinated media presence” — as unnecessary: Charlamagne Tha God said he was curious about what information they had to justify the raids. Jessica Moore, known as “Jess Hilarious,” implied that the federal action was reminiscent of a television show. The third host, DJ Envy, agreed, and said the authorities acted like “they were going for the mob.”The former N.B.A. player Gilbert Arenas, who hosts the “No Chill” podcast, posted a 10-minute special episode on YouTube on Thursday that discussed the raids.“It’s over, no, it’s done, they got you,” he said, while laughing.To provide context for his listeners, Arenas said he had been at the scene of more than a dozen raids while he was in “the weed game, the poker game.” He noted that those raids happened between 1 a.m. and 5 a.m.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More