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      Sean Combs’s Lawyer Calls Home Raids an ‘Unprecedented Ambush’

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      A day after two of the entertainment executive’s homes were raided by federal agents from Homeland Security Investigations, his lawyer said his client is innocent.A lawyer for Sean Combs, the hip-hop mogul whose homes were raided by federal agents on Monday, called the searches “a gross overuse of military-level force” and criticized them as “nothing more than a witch hunt based on meritless accusations made in civil lawsuits.”“There is no excuse for the excessive show of force and hostility exhibited by authorities or the way his children and employees were treated,” the lawyer, Aaron Dyer, said in a statement on Tuesday. “Mr. Combs was never detained but spoke to and cooperated with authorities. Despite media speculation, neither Mr. Combs nor any of his family members have been arrested nor has their ability to travel been restricted in any way.”On Monday, armed agents from Homeland Security Investigations searched two of Mr. Combs’s homes in Los Angeles and Miami Beach, Fla. The authorities did not say whether Mr. Combs was a target or what criminal charges they were investigating. Video taken by a local television station in Los Angeles, Fox 11, showed armed officers entering a home in the exclusive Holmby Hills area of the city.“This unprecedented ambush — paired with an advanced, coordinated media presence — leads to a premature rush to judgment of Mr. Combs,” Mr. Dyer said. “There has been no finding of criminal or civil liability with any of these allegations. Mr. Combs is innocent and will continue to fight every single day to clear his name.”On the same day as those searches, federal agents also stopped Mr. Combs at an airport in the Miami area as he was preparing to leave with family members for the Bahamas, and took a number of electronic devices from Mr. Combs, according to a person with knowledge of the matter. Mr. Combs was not arrested, and remained in the United States, according to that person.The raid was a striking development for Mr. Combs, who has been one of the highest-profile figures in the music industry for decades, credited with transforming hip-hop and R&B in the 1990s into a global business. He worked with stars like Mary J. Blige and the Notorious B.I.G., and as recently as last fall was being showered with industry accolades.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Homes Tied to Sean Combs Raided by Homeland Security in L.A. and Miami

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      In response to questions about Mr. Combs’s residences, Homeland Security Investigations said the searches were part of “an ongoing investigation.”Federal agents raided homes in Los Angeles and Miami on Monday that are connected to the hip-hop mogul Sean Combs, a person with knowledge of the case said.Homeland Security Investigations carried out the raids but did not provide details about the case, including whether Mr. Combs was a target or which criminal charges were being investigated. Mr. Combs, who is also known as Puff Daddy or Diddy, has been accused of sexual assault and sex trafficking in multiple civil lawsuits over the last several months.A spokesperson for Mr. Combs did not respond to a request for comment.The criminal inquiry was being conducted by federal prosecutors in the Southern District of New York and federal agents with Homeland Security, a law-enforcement official said. Nicholas Biase, a spokesman for the Southern District, declined to comment.In a statement, Homeland Security said that agents from New York had “executed law enforcement actions as part of an ongoing investigation, with assistance from HSI Los Angeles, HSI Miami and our local law enforcement partners.”Video from Fox 11 (KTTV), a local television station in Los Angeles, showed armed officers entering a home in the Holmby Hills area of the city, which a law-enforcement official said was connected to Mr. Combs. Public records in California also indicate that the home is owned by a company led by Mr. Combs.The raids were a stunning development in the career of Mr. Combs, 54, a producer, label executive and occasional rapper who has been one of the most influential and widely recognized figures in the music business over the last 30 years.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      LSU’s Flau’Jae Johnson Drops New Song With NLE Choppa As NCAA Tournament Starts

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      The sophomore guard is prepping collaborations with hip-hop heavyweights like Lil Wayne and NLE Choppa as she helps L.S.U. defend its basketball title in the N.C.A.A. tournament.When Flau’jae Johnson helped lead the Louisiana State University women’s basketball team to a national championship last April, in her first season on the squad, she ascended to the top of the sport. The win, the school’s first title, also vaulted her as a hip-hop artist, lifting a career that has found her teaming up with rap royalty.At least twice in the past year, Johnson staged rap performances within 24 hours of a game or a practice, in one instance opening for the chart-topping rapper and singer Rod Wave in Atlanta after traveling from Louisiana on a day off from the court. She walked offstage to body cramps after another performance in November; she had scored 17 points in a game hours before her show.“I know this is what I’m supposed to be doing,” said Johnson, 20, a sophomore guard who averages 14.2 points per game and over 62,000 monthly listeners on Spotify. “If you want to be a legend at something, you’ve got to do something nobody has done before and execute it at a high level.”Johnson’s two careers went into overdrive over the past year, and she’s balancing both as L.S.U. prepares to defend its title in the N.C.A.A. tournament, starting with its first-round game on Friday. The same day, Johnson plans to release “AMF (Ain’t My Fault),” her new song with the rapper NLE Choppa, who last year asked her and her L.S.U. teammate Angel Reese to appear in the video for his single “Champions”; they made cameos alongside other top athletes including the boxers Floyd Mayweather Jr. and Mike Tyson. Johnson then asked NLE Choppa to collaborate on “AMF,” which will premiere on Snapchat through a partnership with the social media platform.Johnson often composes lyrics during flights to away games and records songs in between basketball practices.Carly Mackler/Getty Images“She’s redefining and showcasing the renaissance and the revolution that is possible in women’s sports,” said Ketra Armstrong, a professor of sports management at the University of Michigan. “She’s showing not only how you do it, but how you do it masterfully without compromising one for the other.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Cola Boyy, Indie Singer and Disability Activist, Dies at 34

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      Cola Boyy, whose real name was Matthew Urango, sang and produced his own brand of disco music. Born with spina bifida, he had been a vocal advocate for people with disabilities.Cola Boyy, the California singer-songwriter who collaborated with MGMT and the Avalanches and advocated for people with disabilities, has died. He was 34.Cola Boyy, who was born Matthew Urango, died Sunday at his home in Oxnard, his mother, Lisa Urango, said. No cause was given.A self-described “disabled disco innovator,” Mr. Urango assembled diverse instruments to create a brimming mixture of funky rhythm and colorful sounds that accompanied his alluring voice, a striking balance of silk and chirp.Mr. Urango was born with spina bifida, kyphosis and scoliosis and had used a prosthetic leg since he was 2.As Cola Boyy, he released a debut 2021 album, “Prosthetic Boombox,” that garnered millions of streams on Spotify and other platforms and boasted lively and introspective tunes such as “Don’t Forget Your Neighborhood,” a collaboration with the indie pop group the Avalanches.He used his burgeoning platform as an artist to speak out for social causes, including those related to people with disabilities.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Gylan Kain, a Founder of the Last Poets and a Progenitor of Rap, Dies at 81

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      He spun gripping portraits of the Black experience starting in the 1960s with the seminal Harlem spoken-word collective, laying a foundation for what was to come.Gylan Kain, a Harlem-born poet and performance artist who was a founder of the Last Poets, the spoken-word collective that laid a foundation for rap music starting in the late 1960s by delivering fiery poetic salvos about racism and oppression over pulsing drum beats, died on Feb. 7 in Lelystad, the Netherlands. He was 81.He died in a nursing home from complications of heart disease, his son Rufus Kain said. His death was not widely reported at the time.The Last Poets, which originally consisted of Mr. Kain, David Nelson and Abiodun Oyewole, were aligned with the Black Arts Movement — the cultural corollary to the broader Black Power movement of the 1960s and ’70s — of which the activist poet and playwright Amiri Baraka was a central figure.The Original Last Poets, as they were billed, in the 1970 film “Right On!” From left, Mr. Kain, Felipe Luciano and David Nelson. Herbert Danska, via Museum of Modern ArtWith their staccato wordplay and sinewy rhythms, the Last Poets were pioneers of performance poetry, spinning out portraits of Black street life that often bristled with the guerrilla spirit of revolution.They made their public debut on May 19, 1968, in Mount Morris Park, now Marcus Garvey Park, in Harlem, at a celebration of the slain civil rights leader Malcolm X. Less than two months after the assassination of the Rev. Dr. Martin Luther King Jr. in Memphis, it was a fraught period in Black America, but also a time percolating with calls for dramatic change.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      7 Artists Shaping the Sound of 2024

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      Hear songs from Tanner Adell, Bizarrap and Young Miko, and more.Young Miko.Mauricio Duenas Castaneda/EPA, via ShutterstockDear listeners,It’s Jon — I’m filling in for Lindsay today for a very special installment of The Amplifier. By way of introduction, I’ve been a pop music critic at the Times for … around 15 years? (Let us not speak of that further.) I am also the host of Popcast, our weekly music podcast, and the co-host, with Joe Coscarelli, of Popcast (Deluxe), our YouTube conversation show. Like and subscribe!The primary reason I’ve enjoyed this job for so long is that it’s never boring. Surprise lurks around every corner and in every online wormhole. New artists with novel twists on old ideas — or, from time to time, wholly new ideas — emerge constantly. Pop is centerless and ambitious and forever mutating. If you think things are stagnant, you’re not listening hard enough.And so here’s a list of seven emerging artists who I think have real potential, from a range of genres and styles: People you might want to pay attention to in order to get a taste of what this year, and probably the coming ones too, will sound like.P.S. Or alternately, listen to what I was listening to when I compiled this list: one of the best posse cuts of 1994.Listen along while you read.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Becky G’s Rowdy Obsession and 8 More New Songs

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      Hear tracks by Willow, Tierra Whack, Willie Nelson and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and sign up for The Amplifier, a twice-weekly guide to new and old songs.Becky G, ‘Boomerang’Becky G knows better than to keep returning, like a boomerang, to a liar who doesn’t love her — but she can’t resist. And the ingenious, rhythm-forward production of “Boomerang” makes her obsession sound like a village-wide celebration, with the plink of a thumb piano, flamenco-like handclaps, a thudding reggaeton bass line and a rowdy backup chorus that cheerfully supports her misplaced affections.Zsela, ‘Fire Excape’In “Fire Excape,” Zsela croons what turns out to be a love song — but only eventually, after she notes, “There’s a fire in the ocean when the oil starts spilling.” The song takes shape over a lurching, stop-stop beat, with some gaping silences, odd harmonic turns and sudden electronic surges, but amid the asymmetries Zsela proffers some husky reassurance: “We’ll get along quite fine, thank you.”Willow, ‘Symptom of Life’We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Appeals Court Overturns Vybz Kartel’s Murder Conviction

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      A judge ruled that the dancehall artist’s 2014 trial had proceeded improperly after a claim of juror misconduct.The murder conviction of the dancehall artist Vybz Kartel and three co-defendants was overturned on Thursday by the highest court of appeal for Jamaica and other Commonwealth countries.Vybz Kartel, born Adidja Palmer, had previously been convicted and given a life sentence for the 2011 murder of Clive Williams, known as Lizard. The sentence was later reduced to 32 and a half years.On Thursday, the Judicial Committee of the Privy Council in London overturned the conviction because of allegations of jury misconduct in the 2014 trial. A juror, described in court documents as “Juror X,” was allowed to remain seated after a claim that the person had attempted to bribe other members of the jury. Jurors ultimately convicted Mr. Palmer, Shawn Campbell, Kahira Jones and André St. John of murder.“Allowing Juror X to remain on the jury is fatal to the safety of the convictions which followed,” the court ruled. “It was an infringement of the appellants’ fundamental right to a fair hearing under the Jamaican Constitution.”Another appeals court will now decide whether Mr. Palmer should be retried. Lawyers for Mr. Palmer and for the prosecution did not immediately respond to requests for comment.After a string of successful singles in his native Jamaica, Mr. Palmer reached U.S. charts in 2009 with “Romping Shop,” which also featured Spice, and collaborated with Rihanna, Jay-Z and other artists. He also starred in the reality TV show “Teacha’s Pet,” which aired on Jamaican TV in 2011. While imprisoned, Mr. Palmer continued to release new songs, including the 2016 single “Fever,” which went gold.During the trial, prosecutors alleged that Mr. Williams and another man had been given two unlicensed firearms belonging to Mr. Palmer. When the pair did not return the weapons on time, they were summoned to Mr. Palmer’s house, where Mr. Williams was killed, according to prosecutors, who relied on evidence from Mr. Palmer’s cellphone to advance their case. Mr. Williams’s body was never found.All four defendants had pleaded not guilty. More