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    Touch Grass With an Unexpected 10-Song Nature-Bathing Playlist

    Explore the outdoors however you see fit with a soundtrack of Doechii, Remi Wolf, Erykah Badu and more.Doechii, as near to nature as one can get on the Met Gala’s blue red carpet.Evan Agostini/Invision, via Associated PressDear listeners,As a pop culture reporter and editor at The New York Times, I spend much of my life toggling from one of a few modes to another: full-focus viewing, extensive conversation about said viewing, deep-think typing and — to cleanse my soul of all I’ve seen on all the screens — blissed-out nature bathing.Still, whether I’m kayaking down a river, hiking up a mountain, hanging around a campfire or swaying in a hammock, my phone tags along so I can listen to music. My tastes run the gamut, but us outdoorsy types sometimes get a reputation for gravitating primarily toward folk, reggae and acoustic light-rock tunes. There’s room in my heart for it all.But often, especially under a radiant sun or shimmering moon, I enter a mental space that can best be described as “forest girlie vibing hard.” The necessary ingredients: a splash of existential euphoria, a twist of party energy, an addictive groove and beats packed to the brim.Here are 10 songs I’ll have on repeat day and night while vacationing in Acadia National Park this summer, listening solo on headphones or triangulated on Bluetooth speakers with my crew.If the sun is bright, no matter where you are, this list will hit,MayaListen along while you read.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Doechii Criticizes Trump’s Response to L.A. Protests at BET Awards

    The rapper drew attention to the president deploying the military against protesters in Los Angeles and said it was her responsibility as an artist to speak up for all oppressed people.The rapper Doechii accepted the BET award for best female hip-hop artist on Monday night, but instead of using her acceptance speech as a victory lap, she criticized President Trump for deploying the military against protesters in Los Angeles.“There are ruthless attacks that are creating fear and chaos in our communities in the name of law and order,” Doechii said, pointing to ongoing protests over Mr. Trump’s immigration policies. “Trump is using military forces to stop a protest.” The 25th Annual BET Awards were held downtown at the Peacock Theater.The protests began on Friday when federal agents searched the city’s garment district for workers whom they suspected were undocumented immigrants. The action was part of the Trump administration’s new focus on raiding workplaces.Demonstrations continued over the weekend. Though mostly peaceful, there have been scattered protests that became violent, prompting the authorities to make about 150 arrests and in some cases to use tear gas and crowd-control munitions against protesters. Mr. Trump, calling the protesters “insurrectionists,” mobilized the National Guard, a step Gov. Gavin Newsom has said was “purposefully inflammatory” and intended to create a spectacle.By Monday, the protests had turned calmer, but Mr. Trump doubled the number of deployed California Guard troops to 4,000 and ordered a battalion of 700 Marines to the city.Several hours before the awards ceremony began, a spokesman for BET said the network was working with the Los Angeles Police Department and monitoring the situation for safety reasons, CNN reported. The show went on despite the administration’s escalation of the federal response to the demonstrations.Doechii, who beat out Cardi B, Doja Cat, GloRilla, Latto, Megan Thee Stallion, Nicki Minaj, Rapsody and Sexyy Red, continued her acceptance speech by asking the audience to consider why the government would deploy the military against its people who exercise their constitutional right to protest. She also criticized the Trump administration’s raids on workplaces and aggressive deportation policies.“People are being swept up and torn from their families, and I feel it’s my responsibility as an artist to use this moment to speak up for all oppressed people, for Black people, for Latino people, for trans people, for the people in Gaza,” she said. “We all deserve to live in hope and not in fear, and I hope we stand together, my brothers and my sisters, against hate, and we protest against it.”Her speech drew applause from the audience and was in stark contrast to the Tony Awards on Sunday night, where Mr. Trump was barely mentioned — an unexpected turn for a ceremony that often features more political commentary from its winners and presenters.Doechii, who over the last year has experienced a meteoric rise to the top of hip-hop, in February became the third woman to win a Grammy for best rap album, for “Alligator Bites Never Heal.” More

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    The Best Songs of 2025, So Far

    Ten tracks that push boundaries, uncork emotions and can get the block party started.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new songs. After six months of listening, here’s what they have on repeat. (Note: It’s not a ranking, it’s a playlist.) Listen on Spotify and Apple Music.Bad Bunny, ‘Baile Inolvidable’Heartache and heritage mingle in “Baile Inolvidable” (“Unforgettable Dance”) from Bad Bunny’s album “Debí Tirar Más Fotos” (“I Should Have Taken More Photos”). The song bridges current and vintage sounds, underscoring the multigenerational continuity of Puerto Rican music. It begins as a blurred dirge of synthesizer lines and Bad Bunny’s vocals, mourning a lost romance; “I thought we’d grow old together,” he sings in Spanish, then admits, “It’s my fault.” But the track switches to an old-school salsa jam, with organic percussion, horns and a jazzy piano. The lessons of the girlfriend who taught him “how to love” and “how to dance” have stayed with him. — Jon Pareles▶ Listen on Spotify, Apple Music or YouTubeDrake, ‘Nokia’After making headlines for a war of words with Kendrick Lamar, Drake returned with one of his loosest projects.Jeenah Moon for The New York TimesAfter the conclusion (?) of his war of words with Kendrick Lamar, Drake briefly hibernated, then re-emerged with one of his loosest projects, “Some Sexy Songs 4 U,” with longtime collaborator PartyNextDoor. Its charming center is “Nokia,” a saucy and cheeky electro-rap track that calls back to the sweet woe-is-me plaint of “Hotline Bling,” perhaps the peak of universal-approval-era Drake. — Jon Caramanica▶ Listen on Spotify, Apple Music or YouTubeB Jacks featuring Zeddy Will, ‘Get Jiggy’A post-drill hip-house throwback that restores lightness to contemporary rap. These two young rappers — B Jacks from New Jersey, Zeddy Will from Queens — find a middle ground between the dance floor and the comedic internet, making a song that works as a party anthem, a meme soundtrack or a savvy entry in the long lineage of club-focused hip-hop. It’s summer block party manna. — Caramanica▶ Listen on Spotify, Apple Music or YouTubeObongjayar, ‘Not in Surrender’Obongjayar’s “Not in Surrender” finds its way to euphoria.Diego Donamaria/Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Defense to Question Woman About ‘Hotel Nights’ With Sean ‘Diddy’ Combs

    One of the music mogul’s ex-girlfriends, who is going by the pseudonym Jane, has spent days testifying that he pressured her to have sex with other men.For more than 13 hours over three days, jurors in the federal trial of Sean Combs have heard gripping testimony from one of his former girlfriends, a witness for the prosecution called Jane. Now it is time for her cross-examination.Mr. Combs, the producer and impresario also known as Puff Daddy and Diddy, is charged with sex trafficking and racketeering conspiracy. The government has accused the music mogul of running a “criminal enterprise” whose objectives included coercing women into sex and covering it up; after Casandra Ventura, the singer known as Cassie, who testified over four days last month, Jane is the second woman put forward by prosecutors as a victim of sex trafficking.Mr. Combs, who faces life in prison if he is convicted, has pleaded not guilty to the charges, and has strongly denied that any of his sexual relations were not consensual.Appearing under a pseudonym to protect her privacy, Jane first took the stand on Thursday afternoon and will continue on Tuesday. She has recounted vivid details of a troubled relationship with Mr. Combs, which began in 2021 and lasted until shortly before his arrest in September 2024.Jane said she was pressured to have sex with a succession of male escorts without condoms, and developed painful infections as a result. She once threw up in the bathroom of a luxury hotel after having sex with two men, she testified; after Mr. Combs told her “let’s go” because a third man was waiting to have sex with her, she complied.Jane was also part of Mr. Combs’s life during the critical period after Ms. Ventura filed her bombshell lawsuit in November 2023, in which she described being coerced into drug-fueled sex marathons she called “freak-offs.” Recognizing a similar pattern to what she called “hotel nights” or “debauchery,” Jane texted Mr. Combs three days after that suit was filed: “I feel like I’m reading my own sexual trauma. It makes me sick how three solid pages, word for word, is exactly my experiences and my anguish.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Sean ‘Diddy’ Combs’s Ex-Girlfriend to Resume Testimony About Sex Under Duress

    The woman, known in court as Jane, has testified that she felt obligated to participate in sex marathons with male escorts because the mogul was paying her rent.A former girlfriend of Sean Combs is set to retake the stand on Monday at his federal trial to continue her testimony about a series of sex marathons with male prostitutes, which she said she felt pressured to continue because Mr. Combs was funding her livelihood.As the trial enters its fifth week, prosecutors are expected to drill down on a key part of their sex-trafficking case: allegations of financial coercion.The former girlfriend, who is known in court by the pseudonym Jane, spent more than seven hours last week testifying about her tumultuous relationship with the music mogul, which started in 2021 and continued until his arrest in 2024. Mr. Combs has pleaded not guilty to the charges of sex trafficking and racketeering conspiracy, and his lawyers have denied that the sex at the center of the case was ever coercive.Jane testified last week that in an effort to fulfill her boyfriend’s fantasies, she began to participate in drug-fueled sexual encounters with a succession of hired men that the couple called “debauchery” or “hotel nights.” Her account of the sex marathons — which could last for days and typically involved Mr. Combs watching and masturbating — aligned with the “freak-offs” described by Casandra Ventura, another former girlfriend who testified at the start of the case.The pattern of “hotel nights” left Jane feeling used, exhausted and at times sick, she testified. But Mr. Combs was dismissive when she voiced her reluctance, she said, and she continued out of a desire to please him. At times, she arranged to hire certain “entertainers” herself so she could choose the men involved, she testified.The dynamic shifted in 2023, when Mr. Combs began paying her $10,000-a-month rent. Jane said she feared losing her home if she did not comply.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Why Beyoncé and BET Keep Calling Jesse Collins

    There’s a memorable scene in Beyoncé’s “Homecoming” documentary about her headlining performance at Coachella in 2018, when she asks a production crew member for a 30-foot-wide camera track. He tells her it doesn’t exist. She then proves him wrong.The Emmy-winning television producer Jesse Collins remembers that moment well, so when the pop superstar called on him to produce her Christmas Day N.F.L. halftime extravaganza “Beyoncé Bowl” for Netflix, he was ready to meet her demands.“Hell no, I will never tell her something doesn’t exist unless it really doesn’t exist,” he said recently with a laugh, “because she’ll Google it and she keeps up with technology. If it can’t happen, I am 1,000 percent certain it can’t happen.”Collins, 54, has worked closely with Beyoncé on awards show performances, including her raucous rendition of “Freedom” at the 2016 BET Awards, when she danced and kicked in a shallow pool of water.“The water was one of the most complicated things that I’ve ever done on any award show,” Collins recalled in a video interview from his office in Burbank, Calif., in a comfy black hoodie as the sun beamed behind him. “Most people try to get away from water,” he said, but an executive had promised it. “When you start the conversation with, ‘This was promised to Beyoncé,’ everybody’s like, ‘We’re going to make this happen.’”Making things happen is Collins’s specialty, and it’s why heavyweights like Oprah Winfrey and Jay-Z have recruited him for their projects.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Lil Wayne Gets Earnest With Bono, and 9 More New Songs

    Hear tracks by Sabrina Carpenter, Ethel Cain, Sudan Archives and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Lil Wayne featuring Bono, ‘The Days’“I ain’t gettin’ younger, but I’m gettin’ better,” Lil Wayne declares in “The Days,” a rock anthem about survival and seizing the moment: “If my days are numbered, treat every day like Day One.” None other than Bono shares the song, starting and ending it and singing about “the days that tell you what life is for,” while the production emulates U2’s grand marches. Elsewhere on his new album, “Tha Carter VI,” Lil Wayne offers his usual punchlines and free associations; here, he’s unabashedly earnest.Water From Your Eyes, ‘Life Signs’The Brooklyn duo Water From Your Eyes revels in musical jump cuts and not-quite-sequiturs. “I am coming apart / I’m becoming together, true to form,” Rachel Brown sings in “Life Signs” from an album due in August. Nate Amos’s guitars leap from wiry, hopscotching math-rock lines to brute-force distortion and back; Brown deadpans through monotone verses, but offers a wistful melody in the chorus. By the end of the song, somehow it all makes sense.Sabrina Carpenter, ‘Manchild’Sabrina Carpenter lightheartedly and brutally dissects what might be called a himbo in “Manchild.” In a track that starts as synth-pop and ends up as country-rock, she mock-appreciates how “your brain just ain’t there” with a guy who can’t charge a phone, much less satisfy her. “I like my men all incompetent,” she claims, barely suppressing a giggle.Addison Rae, ‘Fame Is a Gun’Who could be better than Addison Rae, the TikTok sensation turned pop songwriter, to sing about craving attention, achieving the “glamorous life” and dealing with all the parasocial fallout? “I live for the appeal,” she sings, adding, “It never was enough / I always wanted more.” Yet she also realizes, “I’m your dream girl, but you’re not my type.” The production cycles through its three chords with an insistent pulse that hints at the pressure to keep generating more content.Sudan Archives, ‘Dead’Sudan Archives — the songwriter, violinist and producer Brittney Parks — powers through an identity crisis with the shape-shifting, maximalist, ultimately unstoppable track “Dead.” She asks “Where my old self at?” and “Where my new self at?” and teases “Did you miss me?” and “Do you miss me?” In four minutes, the song morphs among quasi-orchestral string arrangements, spacey electronics and walloping dance beats, then merges them all in a triumphant closing stomp.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    At Combs Trial, ‘Jane,’ an Ex-Girlfriend, to Testify About Sex Abuse

    Prosecutors say the woman, who will take the stand under a pseudonym, endured coerced sex marathons called “freak-offs.” The defense contends they were consensual.A second woman who prosecutors say was sex trafficked by Sean Combs is set to take the stand on Thursday at his federal trial in what is expected to be several days of testimony about drug-fueled sex marathons with male prostitutes known as “freak-offs.”A judge has allowed the woman to testify anonymously, and she is being referred to in court by the pseudonym “Jane.” She is the most significant witness since Casandra Ventura, Mr. Combs’s on-and-off girlfriend of 11 years, whose allegations of physical and sexual abuse gave rise to the criminal case.Prosecutors have said that Jane’s relationship with Mr. Combs mirrored the one he had with Ms. Ventura in many ways. Like Ms. Ventura, they have said, Jane was coerced into freak-offs through violence, financial control and threats related to videos of the sexual encounters, which they said Mr. Combs directed step by step.Unlike Ms. Ventura, who is a singer known as Cassie and a public celebrity, Jane’s identity has not been revealed.The government has described Jane as a single mother who started spending time with Mr. Combs in 2020 and quickly fell in love with the music mogul, agreeing to participate in an initial freak-off to please him.“Jane thought the first freak-off was a one-time, wild night,” Emily Johnson, one of the prosecutors, said at the start of the case. “Jane was wrong.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More