Rap and Hip-Hop

Subterms

    More stories

    • 113 Shares189 Views

      in Music

      Dawn Richard Sues Sean Combs, Alleging Threats and Groping

      by

      The lawsuit was filed by Dawn Richard, a member of groups assembled by Mr. Combs. A lawyer for Mr. Combs called the suit “manufactured” to get a “payday.”Dawn Richard, a singer who came to prominence on the MTV reality show “Making the Band,” filed a lawsuit on Tuesday against the music mogul Sean Combs, accusing him of threatening her, groping her and flying into “frenzied, unpredictable rages” while he oversaw her career.A former member of the now-defunct groups Danity Kane and Diddy — Dirty Money, which were both assembled by Mr. Combs, Ms. Richard detailed a litany of complaints from her time working with him, alleging a culture in which her boss would order her to strip down to her underwear, smack her behind, throw objects such as laptops and food, and at times fail to pay her for her work.In response to the lawsuit, a lawyer for Mr. Combs, Erica Wolff, said in a statement that Ms. Richard had “manufactured a series of false claims all in the hopes of trying to get a payday,” noting that the lawsuit came shortly before Ms. Richard is slated to release a new album.In the lawsuit, filed in federal court in Manhattan, Ms. Richard detailed several occasions from as far back as 2009 in which she said she witnessed Mr. Combs physically abuse his former girlfriend Cassie, whose lawsuit last year prompted a cascade of civil claims against Mr. Combs. Once, the lawsuit said, Ms. Richard saw Mr. Combs push Cassie, whose full name is Casandra Ventura, against a wall and choke her, then throw a hot pan of eggs at her.“On many occasions, Ms. Richard tried to intervene, offering Ms. Ventura support and encouragement to leave Mr. Combs,” the lawsuit says. The court papers accuse Mr. Combs of responding with threats such as “you want to die today” and “I end people.”This is the eighth sexual misconduct lawsuit that Mr. Combs has faced since Ms. Ventura sued last November; the two sides settled in one day. Mr. Combs, who is also facing a federal investigation into his conduct, has described the civil suits as “sickening allegations” from people looking for “a quick payday,” and his lawyers have been fighting them in court.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares119 Views

      in Music

      Popcast: Kendrick Lamar at the Super Bowl, Sabrina Carpenter on Top

      by

      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicOn this week’s episode of Popcast, the pop music critic Jon Caramanica and the pop music reporter Joe Coscarelli discuss the week in music:The announcement that Kendrick Lamar will headline the halftime show at Super Bowl LIX, to be held in February in New Orleans, and how it extends his year of tension and musical beef with Drake.Sabrina Carpenter’s sixth album, “Short n’ Sweet,” which is No. 1 on the Billboard album chart, and has helped her break into pop’s top tier.The career of the Atlanta rapper Rich Homie Quan, who died last week at 34.Connect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

    • 88 Shares169 Views

      in Music

      Readers Pick Their Song of the Summer

      by

      You sent in an eclectic mix of tracks from Chappell Roan, Bad Bunny, Lawrence and more.A lot of you got into Chappell Roan this summer.Chona Kasinger for The New York TimesDear listeners,A few weeks ago, I asked you to share your 2024 song of the summer. Not necessarily your favorite of the pop smashes that defined the balmiest months of this year — because I’ve already compiled a playlist of those — but the song that served as your personal soundtrack to the season. The song that will conjure a montaged rush of summer of ’24 memories when you hear it years from now.As usual, Amplifier readers delivered, sending me an eclectic mix of songs and some of your lively personal stories.Over and over, it occurred to me while reading your submissions that a song of the summer does not need to be the kind of frothily fun, carefree tune that we usually associate with that phrase. Sure, there are quite a few tracks on this playlist that fit the bill, from artists like the New York-bred sibling duo Lawrence, the ’60s pop singer Keith and the French icon Zizi Jeanmaire. But quite a few of you recommended more subdued songs that had inspired reflection (like a ballad from Zach Bryan’s latest album) or that provided the soundtrack to a challenging moment (like one reader’s selection of a Mississippi John Hurt classic).I wish I could have selected every single song you submitted — but that would have been a very, very long playlist. It was difficult to pare it down to just 13 tracks, but these selections reflect the range of what you recommended: Some new and some old, some familiar and some so obscure I’d never even heard of them. Thanks to each and every one of you who shared your song and your story.Also, reading through these submissions gave me concrete proof of something I’d suspected: A lot of you got into Chappell Roan this summer. Femininomenon indeed.Ouch! Mi corazón,LindsayWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares119 Views

      in Music

      Kendrick Lamar to Headline 2025 Super Bowl Halftime Show

      by

      The rapper, who’s had a big year thanks to a beef with Drake that led to the smash song “Not Like Us,” will perform in New Orleans in February.Kendrick Lamar will perform at the Super Bowl halftime show next February in New Orleans, the National Football League, Roc Nation and Apple Music announced on Sunday. It is the second time that the rapper, from Compton, Calif., will take part in the event, but will be his first as the headline act.The booking comes amid a busy year for the rapper. Earlier this spring, Lamar and Drake traded bars in a high-profile beef, which resulted in Lamar’s hit song “Not Like Us.”“Rap music is still the most impactful genre to date,” Lamar said in a statement. “And I’ll be there to remind the world why. They got the right one.”The league announced Lamar as the performer after the rapper posted a short video on social media set on a football field with a giant American flag as a backdrop during the opening Sunday of its season, when the majority of its teams will play their games.Lamar last performed on the Super Bowl stage in 2022, as part of the event’s first showcase for hip-hop music, led by the West Coast superstars Dr. Dre and Snoop Dogg, as well as Eminem, 50 Cent and Mary J. Blige.“Kendrick Lamar is truly a once-in-a-generation artist and performer,” Jay-Z, the founder of Roc Nation, said in a statement. “His deep love for hip-hop and culture informs his artistic vision. He has an unparalleled ability to define and influence culture globally. Kendrick’s work transcends music, and his impact will be felt for years to come.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares179 Views

      in Music

      20 Pop and Jazz Albums, Shows and Festivals Coming This Fall

      by

      Anticipated debuts and long-awaited follow-ups are due this season. Our critics plucked out a list of the most notable.Some of the year’s buzziest artists (Charli XCX, Chappell Roan) are headlining tours and festivals this fall, and a bevy of new albums from established stars (Shawn Mendes, Jelly Roll) and up-and-comers (Flo, Nemahsis) are on the way. Dates and lineups are subject to change.SeptemberNILÜFER YANYA The British musician Nilüfer Yanya makes pensive, intricately layered songs that revel in unexpected textural jolts. On “Like I Say (I Runaway),” the lead single from her third album, “My Method Actor,” the deadpan, Sade-like cool of Yanya’s vocals is interrupted by a sudden eruption of PJ Harvey-esque guitar distortion. A melodically rich meditation on identity, desire and the reverberations of heartache, “My Method Actor” is a confident and hypnotic follow-up to her 2022 release, “Painless.” (Sept. 13; Ninja Tune) LINDSAY ZOLADZNEMAHSIS Nemahsis — the songwriter Nemah Hasan, who has Palestinian roots — sings about seizing her tangled identity as an independent artist, a Muslim, the daughter of immigrants and a self-questioning but determined individualist. On her debut album, “Verbathim,” her producers include Drake’s regular collaborator Noah (40) Shebib, with songs that can be folky or test the electronic edges of hyperpop. (Sept. 13; Verbaithim) JON PARELESSEXYY RED Fresh off several high-profile collaborations with Drake, Sexyy Red, the 26-year-old St. Louis rapper, makes the leap to headlining arenas on her Sexyy Red 4 President tour, on which she’s playing songs from her latest mixtape, “In Sexyy We Trust.”. That’s one way to kick off election season. (Sept. 17; Barclays Center) ZOLADZSexyy Red’s tour started in late August and comes to Brooklyn in September.Torben Christensen/Ritzau Scanpix Denmark, via ReutersCHARLI XCX AND TROYE SIVAN Most live performances by the British pop singer, songwriter and producer Charli XCX tend to feel more like semi-legal warehouse raves than highly choreographed arena shows, but the breakout success of her sixth album, “Brat,” means that, on the Sweat Tour that she is headlining with the Australian pop star Troye Sivan, the 32-year-old industry veteran will be playing some of the largest venues of her career. Bid farewell to Brat Summer in style starting Sept. 14 in Detroit. (Sept. 23; Madison Square Garden) ZOLADZWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares149 Views

      in Music

      Rich Homie Quan, Melodic Atlanta Rapper, Dies at 34

      by

      The rapper, who was at one time affiliated with Young Thug, had a 2015 hit with “Flex (Ooh, Ooh, Ooh),” which spawned a dance craze.Rich Homie Quan, an Atlanta rapper who played a role in the city’s thriving hip-hop scene in the 2010s, died on Thursday at a hospital in Atlanta. He was 34.His death was confirmed by the Fulton County Medical Examiner’s Office, which did not provide a cause.A melodic rapper who broke out in one of the country’s most fertile rap scenes over a decade ago, Rich Homie Quan has more recently become a character in the sprawling gang conspiracy trial in Georgia centered around Young Thug, the Atlanta superstar.Quan’s early career was closely tied to that of Young Thug; the two were members of Rich Gang, a group assembled by Bryan Williams (a.k.a. Birdman), one of the founders of the label Cash Money.Their slow-rolling debut single from 2014, “Lifestyle,” was a Hot 100 hit and has been certified platinum. The pair later fell out over what Quan said were issues around ego and money, and parts of their feud have spilled over into testimony at the trial.In 2013, Quan broke out solo with “Type of Way,” a song about ambition and romance that the Michigan State football team adopted as an anthem. In The New York Times, the critic Jon Caramanica wrote about the track, proclaiming Quan part of a new generation of rappers “who deliver lines with melody and heart, like singers on the verge of a breakdown.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares109 Views

      in Music

      Sabrina Carpenter Beats Travis Scott to No. 1 by a Hair

      by

      The pop singer and songwriter’s “Short n’ Sweet” debuts atop the Billboard 200 with the equivalent of 362,000, the third-best opening of the year.In an extraordinarily close contest on this week’s Billboard album chart that left the music industry biting its collective nails with anticipation over the holiday weekend, the pop singer Sabrina Carpenter triumphed over the veteran rapper Travis Scott to clinch the No. 1 spot — but just barely.Carpenter’s “Short n’ Sweet,” her sixth studio LP, featuring infectious tracks like “Espresso,” “Please Please Please” and “Taste” that have dominated streaming and radio playlists this year, opens at the top with the equivalent of 362,000 sales in the United States, according to the tracking service Luminate. That is the third-best opening week of the year, behind only Taylor Swift and Beyoncé, and it is Carpenter’s first time at No. 1 on the Billboard 200 chart.But Carpenter, who released “Short n’ Sweet” on Aug. 23, came close to losing her big moment to a 10-year-old mixtape by Scott, “Days Before Rodeo,” which was rereleased on the same day. Scott’s album was credited with 361,000 sales — meaning the race came down to a margin of only about 1,000 copies, give or take a few. (Luminate’s publicly announced numbers are rounded.)Carpenter, 25, who began her career as a Disney Channel actress, has been releasing music for a decade. But she has been a major pop contender only for the last couple of years, with a string of bubbly and smart singles, like “Feather,” that have been pop-culture bulls-eyes; this year and last, she also performed as an opening act for a number of dates on Swift’s Eras Tour. She was widely expected to open on the chart with a big splash — until the rerelease announcement a few days earlier by Scott, who in addition to his popularity as a rapper is a master direct-to-consumer marketer.Carpenter’s “Short n’ Sweet” garnered 233 million streams in the United States. According to the formula that Billboard uses to reconcile streams with album sales, that means that clicks on streaming services gave her the equivalent of 176,000 album sales, nearly half Carpenter’s total for the week. She also sold 184,000 copies of the LP as a complete package.Scott’s “Days Before Rodeo,” revisited almost exactly 10 years from its initial release, had never been released commercially before, nor had it been widely available on all streaming services, according to Billboard. Yet streaming ended up being a relatively small part of its total consumption, with about 41 million clicks, equivalent to about 30,000 album sales.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares129 Views

      in Music

      Fatman Scoop, a D.J. and Rapper, Dies at 56

      by

      He was at the Hamden Town Center Park in Hamden, Conn., when he collapsed onstage on Friday night.The rapper Fatman Scoop, whose hoarse and booming voice brought an electric energy to songs by Missy Elliott and Mariah Carey, and who performed the underground club favorite “Be Faithful,” died after collapsing onstage during a performance on Friday. He was 56.A statement from the rapper’s family posted to his Instagram account confirmed his death but did not provide a cause. The post described him as “the undisputed voice of the club” and as a performer with an infectious stage presence.A video taken at the concert, at the Hamden Town Center Park in Hamden, Conn., appeared to show people performing CPR behind equipment on the stage.Lauren Garrett, the mayor of Hamden, said that paramedics had attempted lifesaving measures.Fatman Scoop, whose birth name was Isaac Freeman III, rose to prominence and international recognition after the song “Be Faithful,” in which the rapper performs over beats by the Crooklyn Clan, became the No. 1 single on the U.K. Billboard singles chart in 2003, more than four years after the track’s initial release.The song, which primarily samples “Love Like This” by Faith Evans, is a constant thrum of bass lines and lyrics from Fatman Scoop as he works to hype up a crowd.“You got a $100 bill get your hands up; you got a $50 bill get your hands up” are the opening lines to the track that goes on to rhythmically instruct a crowd to make noise.Questlove, the drummer for the Roots and the author of “Hip Hop Is History” (2024), wrote his appreciation on social media for the song and Fatman Scoop: “I want to thank FATMAN SCOOP for being an embodiment of what hip-hop was truly about,” he wrote. “To just forget about your troubles and live in the moment and allow joy in.”Fatman Scoop was born on Aug. 6, 1968, and grew up in Harlem, learning the art of hip-hop from his peers and those already making noise in the scene.“I am a disciple of Doug E. Fresh,” Fatman Scoop said in a 2023 interview with Urban Politicians TV, speaking of the New York City rapper who is also known as the Human Beat Box. “He was the neighborhood star.”“Everything that I learned, pretty much, I learned from Doug,” he added.Fatman Scoop was formerly a D.J. on Hot 97, an FM radio station in New York, which described him as a “legendary hype man and radio personality” in an online tribute. It said he helped usher a digital era for the station, bringing a video camera to what had been strictly a radio operation.Complete information on survivors was not immediately available.Missy Elliott recognized his impact in a tribute on social media on Saturday, saying “Fatman Scoop VOICE & energy have contributed to MANY songs that made the people feel HAPPY & want to dance for over 2 decades.” More