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    Billie Eilish and Rosalía Join Eccentric Forces, and 12 More New Songs

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    Salt-N-Pepa, Hip-Hop Duo That Spoke Up for Women, Tells Its Own Story

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storySalt-N-Pepa, Hip-Hop Duo That Spoke Up for Women, Tells Its Own StoryIn a new biopic for Lifetime that they helped executive produce, the rap group that got its start in 1980s New York traces its roots and its conflicts.Pepa, left, and Salt. “Pep called and was like, ‘Girl, we have to do our movie before someone else does,’” Salt said.Credit…Sabrina Santiago for The New York TimesJan. 22, 2021, 1:58 p.m. ETWhile selling warranties on washing machines from a Sears call center in Queens, the friends Cheryl James and Sandra Denton came together as a hip-hop duo called Super Nature with the staccato 1985 track “The Show Stoppa (Is Stupid Fresh).” When they first heard it on the radio, they danced together on top of a car. It was just the beginning: James became Salt and Denton became Pepa; the group changed its name and scored 10 hits on the Hot 100, including the ’80s dance classic “Push It” and the ’90s sex anthem “Shoop,” becoming one of the few superstar female acts of hip-hop’s male-dominated golden era.Fixtures on the I Love the ’90s tour circuit in recent years, the twosome tell their story in a new Lifetime biopic, “Salt-N-Pepa,” out Saturday, that captures both the rush of touring the world and the conflicts that broke them up in 2002. The group’s longtime D.J., Spinderella, is a character in the film, too, but the biopic doesn’t cover her unsuccessful lawsuit against the duo, which was filed in 2019. The film — which they executive produced along with Queen Latifah and others — begins and ends on a note of unity, showing their 2005 reunion for a VH1 event.“It was something me and Pep had been shopping around,” Salt said. “Pep called and was like, ‘Girl, we have to do our movie before someone else does.’” Latifah, an old friend, attended meetings where they picked the director (Melvin Van Peebles) and screenwriter (Abdul Williams of “The Bobby Brown Story”).The duo’s “Laverne & Shirley”-style partnership — Salt calm and precise, Pepa loose and boisterous — has endured despite a dispute with the man who helped them get their start, abuse, divorce and plain old Salt vs. Pepa personality conflicts. “We get to tell a 36-years lifetime in like two and a half hours,” Pepa said on a group Zoom interview. These are edited excerpts from the conversation.From left, Monique Paul, Laila Odom and GG Townson in “Salt-N-Pepa.”Credit…LifetimeFor a movie about the journey of two women, your producer and manager Hurby Azor, known as “Luv Bug,” plays a big role as a crucial creative force, especially at the beginning. How much did you grapple with the decision to emphasize his character?SALT Well, the truth is the truth. And Hurby was our guy. He started out being my boyfriend. Being an artist was something that he embodied and transferred over to us. My mom took me to all the Broadway plays, and I took singing lessons and dance lessons, and I did productions at home with my cousins for my aunties. But I didn’t know how to sing. I didn’t play an instrument. When hip-hop came along, it was an opportunity to realize something that I was passionate about — and that was through Hurby.In an early scene, we see Hurby (played by Cleveland Berto) drilling Pepa (played by Laila Odom) to rap without her Jamaican accent, and Salt (played by GG Townson) caught in the middle. How frustrating were those early days?PEPA For me, with hip-hop, it was a way of life — we had these park jams where the turntables are getting electricity from the light poles. When Hurby felt that I was the one that will be Pepa, I was thrown in the studio. Hurby had his vision. He wanted it said, done — this kind of way and no other way. I had a difficult time in the beginning, jumping on the beat. Finally, I got it.SALT Pep always says, “Hurby is our third,” and the chemistry between the three of us was explosive on so many levels. Pep and Hurby used to fight like cats and dogs. It was just an explosion of creativity, of passion, of drama that resonated into a sound, a music, a movement.The opposites-attract part of your personae, as depicted in the movie, is based on reality?PEPA One-hundred percent.SALT I’m an introvert and a little bit of a recluse. What I love about being an artist is the creative process. I love taking something from nothing and bringing it to fruition, I love the response from the audience, but I don’t necessarily love everything that comes along with it — the attention and the chatter. But Pep loves it all.PEPA I’m an extra-extra-extrovert.SALT Someone asked us, when we first met, what intrigued us about one another. What made her interested in me is, she was thinking, “Who is this girl that’s not paying me any attention?”PEPA When we were in college, I was coming in the lunchroom and talking crazy, and I used to see Cheryl in the corner and notice her. It was a chemistry. I was pulled to her.“It’s difficult to be friends and business partners, and anybody in that position can relate,” Salt said.Credit…Michael Ochs Archives/Getty ImagesHow much writing did you both do for the script, and did you work separately or together?PEPA Separately.SALT It was a lot of rewrites. What I found frustrating — I’m just keeping it real — it was quite a few restrictions when you’re making a movie that I was not ready for.PEPA Keep it real, Salt!SALT Legal restrictions, infringing on other people’s rights that people had to sign off on, budget restrictions. What ended up being important was a story of two women in a male-dominated industry who were friends first, who became business partners, who faced a lot of struggles to be heard, to be taken seriously — from the record company to our producer Hurby. We had struggles in our relationships and picked the wrong men over and over.PEPA We get to take ’em back to college, when it all started and we making $200 per show.SALT And splitting it.There was a long period after Salt-N-Pepa’s biggest hits and before Nicki Minaj and Cardi B, when the route for women in hip-hop was limited. How much did you pay attention to that?SALT I remember that question being asked a lot when there was a big, empty space of no women. I have no idea why, other than this is a male-dominated genre of music and business, and we had to come through a Hurby. There was a time when you had to be vouched for by a camp — a man camp. That’s starting to change through social media and all the avenues that people have to put themselves out there, without belonging to a Jay-Z or whoever.How many of the original “Push It” video eight-ball jackets, originally designed by your friend Christopher Martin (Play of Kid ’n Play), do you each own?PEPA The original was stolen backstage at a performance.SALT I remember it being Brixton, London, and someone breaking in the back door of our dressing room. We came in and the door was open and the jackets were gone.PEPA Everything else stayed — the pocketbooks, everything.In the movie, at the time of the split, Salt says, “I have to carve out a space that has nothing to do with you.” Now that you’re back together, is that still important?SALT Absolutely. When I left, I got to deal with a lot of my own issues, my own demons. It’s healthy when you’re in a group to also be able to maintain your individuality. We were doing this since we were 18, 19 years old, and I did not get the opportunity to figure out who I was apart from Salt-N-Pepa. I felt a lot of disconnect after a while, a lot of resentment, a lot of anger coming from Pep that I did not understand. I felt like I was in a spiral of trying to prove myself to her: “Girl, I got your back. Girl, I’m here for you.” Nothing I did or said could remedy what she was feeling. I feel like there was a great miscommunication.PEPA [vigorously playing with her hair] The point is, you and I have never talked — you keep telling me how I feel and say and think. When have you and I talked?SALT I feel resented by you. And your answer —PEPA It’s a feeling I never got to talk through with her. It’s all her feeling with everything. I’m dealing with her boyfriend being the manager! I’m going through a whole situation, too. We were in it together. When you’re feeling all of this, I’m feeling it, too.How unified is Salt-N-Pepa these days?SALT Relationships go through different phases. I know one thing: I love Sandy, and I know that Sandy loves me. It’s difficult to be friends and business partners, and anybody in that position can relate. Sometimes we will be married and sometimes we will be co-parenting the brand and sometimes I will be sleeping on the couch.PEPA But communication is the key to all successful relationships.AdvertisementContinue reading the main story More

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    Lil Wayne, Kodak Black and Others Pardoned by Trump

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    Election Results: Biden Wins

    Electoral College Votes

    Congress Defies Mob

    Georgia Runoff Results

    Democrats Win Senate Control

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    The Blockbuster ‘Drivers License,’ a Possible Reply and 7 More New Songs

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    Why Digga D, a British Drill Artist, is Banned from Using Violent Lyrics

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyFor British Drill Stars, the Police Are Listening CloselyRecent court rulings require officers to keep watch over artists’ rap lyrics, which prosecutors say celebrate gangs and violent crimes.The rapper Digga D, whose real name is Rhys Herbert, in a North London park this month. A court order, issued in 2018, restricts the subjects the musician can mention in his lyrics.Credit…Adama Jalloh for The New York TimesJan. 11, 2021LONDON — The British rapper Digga D can’t explain how he lost the use of an eye while serving a prison sentence last year: not because he doesn’t want to, but because talking about what happened might get him sent back to jail.The police here scrutinize everything the 20-year-old says in public, whether in an interview, or on a track.In 2018, Digga D was sentenced to a year in prison for conspiracy to commit violent disorder, after a court case in which music videos by the masked rapper were presented as evidence. In sentencing Digga D, whose real name is Rhys Herbert, the judge also issued an order banning him from releasing tracks that describe gang-related violence.He must notify the police within 24 hours of releasing new music, and provide them with the lyrics. If a court finds that his words incite violence, he can be sent back to prison; parole conditions also limit what he can say publicly about his past.So when asked, in a Zoom interview, about how he lost the sight in his eye, Digga D could only shrug.Digga D is a leading voice in Britain’s drill scene, a subgenre of hip-hop featuring eerie piano melodies layered over droning bass lines, and lyrics portraying life in some of the country’s most deprived neighborhoods. Arising in Chicago, drill started to take on a new life in London in the mid-2000s, fusing with the city’s grime and garage sounds and helping to drive offshoot scenes in places as disparate as Brooklyn and Brisbane, Australia.Digga D performing at the Wireless Connect virtual festival in July 2020.Credit…Lambert Productions, via BBCBut drill’s sometimes violent lyrics have led the police and lawmakers to accuse the genre of fueling knife crime, which is currently at a 10-year high in England, according to government figures.Like Digga D, some of Britain’s most popular drill artists have found themselves on the wrong side of the law, and their lyrics reflect their experiences of gang life, criminal justice and time behind bars.Sentencing orders, like the one banning Digga D from rapping about violence, have also been handed to other drill artists. Introduced in 2014 and known as criminal behavior orders, the measures give judges broad powers to regulate a convicted criminal’s life, such as by banning them from certain neighborhoods or by preventing them from meeting former associates. Judges have also used the orders to control some musicians’ lyrics, arguing that when rappers brag about attacks on rivals, it stokes street tensions.In January 2019, for example, a London judge sentenced the musicians Skengdo and AM to nine months in prison for breaking a criminal behavior order by performing a song with lyrics including a list of gang members who had been stabbed.Rebecca Byng, a spokeswoman for the London police’s violent crime unit, said in an email that criminal behavior orders had “a wide-ranging scope, and go beyond addressing lyrics which incite violence,” adding that they were an important tool to “steer young people away from violence.”“We are not targeting music artists, but addressing violent offenders,” she added.Yet the London police has recently stepped up its efforts to remove drill music videos from YouTube.In 2020, the video platform removed 319 music videos at the force’s urging, according to a police report obtained through a Freedom of Information request. That is more than twice the number it took down in 2019. In total, YouTube has removed more than 500 music videos over the past three years, the report says.Keir Monteith, a criminal defense attorney based in London, is advising a government-funded research project studying how rap lyrics are used as evidence in court. He said that in some ways, the authorities’ treatment of drill recalled the heyday of punk in the 1970s, when the police shut down concerts and the BBC banned a hit single by the Sex Pistols.But if punk artists were treated harshly, drill rappers have it even worse, Monteith said. The efforts of the criminal justice system were “focused, worryingly, on a particular set of our society, which is young Black lads,” he noted. “That’s the real concern here.”Lyrics that deal with life behind bars have long been defining features of American hip-hop, but they are relatively new preoccupations for British rappers. As a growing number of drill artists fall foul of the criminal justice system, however, those themes are starting to trickle through.“There’s more in my heart that I would like to speak about and show,” Digga D said.Credit…Adama Jalloh for The New York TimesIn a recent freestyle posted to YouTube, Digga D raps about using his jail kettle to boil canned tuna; and Headie One, another London-based drill rapper, describes using cookies to make a birthday cake in prison in “Ain’t It Different,” a song that reached No. 2 in the British singles chart this summer.Potter Payper, a 25-year-old drill musician, was incarcerated on drug-related charges when he wrote much of his most recent album, “Training Day 3.” He has been in prison 14 times, and, like Digga D, his music videos have formed part of the evidence used to convict him.During his most recent custodial sentence, Payper initially wasn’t writing music or looking after himself, he said in a phone interview. But a turning point came one evening in June 2019.Stormzy, perhaps Britain’s most commercially successful rapper, was performing on the main stage at the Glastonbury Festival, and Payper could hear fellow inmates in nearby cells listening to the rapper’s performance. After Stormzy named him onstage as one of his influences, the other prisoners started banging on their doors, yelling Payper’s name.After that, he wrote nearly 30 new songs, he said.How Digga D lost the use of his eye — the story he was so hesitant to talk about — can be found in prison records. He was stabbed with a blade fashioned from a tuna can, according to an official at the Ministry of Justice who was not authorized to publicly discuss the matter and who spoke on the condition of anonymity. Cecilia Goodwin, Digga D’s lawyer, said that the rapper had been struggling with post-traumatic stress disorder after the attack.But much of Digga D’s experience remains hidden, for now.“There’s more in my heart that I would like to speak about and show,” he said.He might get to do that with music when the court order expires, in 2025.AdvertisementContinue reading the main story More