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    What to Know About ‘The Apprentice,’ the Controversial Trump Biopic

    The film, now available on demand, followed a thorny path to distribution — including the threat of a lawsuit by its subject.If you know one thing about the new Donald Trump biopic “The Apprentice,” it’s likely this: The former president doesn’t want you to see it.The drama, which debuted to mostly positive reviews at the Cannes Film Festival in May, follows a young Trump (Sebastian Stan) as he meets — and falls under the spell of — the lawyer and political fixer Roy Cohn (Jeremy Strong); brashly courts, then quickly tires of his first wife, Ivana Trump (Maria Bakalova), and becomes single-mindedly obsessed with winning, at everything, at all costs.Despite praise for Stan and Strong, the film, directed by the Iranian filmmaker Ali Abbasi and written by the author Gabriel Sherman, struggled to secure distribution, and Trump threatened to file a lawsuit to block its release.But in August, Briarcliff Entertainment, a distributor founded by Tom Ortenberg, a producer on “Spotlight” and “W,” acquired the theatrical rights and announced plans to release the film ahead of the presidential election. After debuting in cinemas on Oct. 10 (again drawing largely positive reviews but just $3.5 million at the box office), it is debuting on demand this weekend.Here’s what to know about the offscreen saga and the onscreen story.What period in Trump’s life does the film cover?It chronicles Trump’s younger years as a New York real estate developer, though the title comes from the TV series Trump later hosted for 14 seasons.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A 400-Acre Movie Ranch Outside Los Angeles Is Listed for $35 Million

    Sable Ranch, about 30 miles north of Hollywood, includes an Old West movie set. It has been used for productions like “American Horror Story” and “Oppenheimer.”When Frank Vacek arrived at Sable Ranch in the 1970s, with its chaparral-covered hills bounded by the mountains of the Angeles National Forest, he instantly saw a California dream.Mr. Vacek, who with his wife had fled the Nazis in Czechoslovakia three decades earlier, rewrote his fortunes by opening a successful camera shop in downtown Los Angeles in the 1950s. But 30 miles north at Sable Ranch, where cattle grazed amid oak trees, he pictured an even grander second act for his life. He bought the ranch and the property next to it and built an Old West movie set on its land, bringing Hollywood — with its gun shows, cowboys and insatiable appetite for entertainment — to his doorstep.The Sand Fire ripped through the ranch in 2016, but its Old West film set has been rebuilt.Cristian CruzioHalf a century later, Sable Ranch, in Santa Clarita, has served as movie set for productions including “Robin Hood: Men in Tights,” “American Horror Story” and “Oppenheimer.” Its 400 acres have stood in for so many cinematic backdrops that they have morphed into Hollywood iconography. And now, for $35 million, the ranch is hitting the market.“The amount of history that is here, and the amount of movies and TV shows and commercials that have been made here, really is phenomenal,” said Derek Hunt, the owner of Sable Ranch. Mr. Hunt is Mr. Vacek’s grandson; he grew up on the property and formally inherited it in 2020. In 2008, Mr. Hunt began rallying the City of Santa Clarita to create the Movie Ranch Overlay Zone, a special designation for feature-film and television production that streamlines permitting and lowers costs.The Movie Ranch Overlay Zone was set up in 2011. Sable Ranch sits within it as well as within the Thirty Mile Zone, also known as the TMZ, a sector within 30 miles of downtown Los Angeles where the labor costs for film crews are lower.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Two More New York Theaters to Share Space

    The prestigious downtown nonprofit Soho Rep will share space with Playwrights Horizons in Midtown Manhattan while figuring out a longer-term plan.In another indication of how postpandemic economics are rattling the nonprofit theater world, the prestigious Soho Rep is giving up its longtime home in TriBeCa and will instead share space with Playwrights Horizons, a Midtown theater company, while trying to figure out a longer-term plan.The move, prompted by real estate constraints as well as fiscal concerns, comes at the same time that another important New York nonprofit, Second Stage Theater, is leaving its Off Broadway home. That company is now planning to reside, at least temporarily, with Signature Theater, which in recent years has had more space than it can afford to program.The two decampments follow a 2022 decision by the Long Wharf Theater, in New Haven, Conn., to let go of its waterfront home and become itinerant.Taken together, the transitions are a reminder of the enormous stresses facing nonprofits, and suggest that revisiting real estate choices will become part of the solution for some.“If you look at the field-wide vulnerability, partnerships are a result of that,” said Eric Ting, one of Soho Rep’s three directors. “We look to each other for support and for strength.”Soho Rep, established in 1975, is small: Its current annual budget is about $2.8 million, it has just five full-time employees and since 1991 it has been presenting most of its work in a 65-seat TriBeCa space, making it an Off Off Broadway theater. But the company, committed to what it calls “radical theater makers,” punches way above its weight. It was the first to stage Jackie Sibblies Drury’s “Fairview,” which won the Pulitzer Prize in drama in 2019, as well as Shayok Misha Chowdhury’s “Public Obscenities,” which was a Pulitzer finalist this year. The theater has regularly introduced New York audiences to work by important, and often provocative, playwrights, including Sarah Kane, Aleshea Harris, Branden Jacobs-Jenkins and Lucas Hnath.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Celebrities Support Plan to Reopen Upper West Side Movie Theater

    Martin Scorsese, Ethan Hawke and John Turturro are all listed as advisers to a new proposal to buy the former Metro Theater, which closed in 2005.After almost two decades of failed attempts to reopen, a landmark Upper West Side movie theater may be resurrected with a plan from a potential new buyer and celebrity support.The independent film producer Ira Deutchman is spearheading the project, along with Adeline Monzier, the U.S. representative of the French film promoter Unifrance and a programmer at the Metrograph, a Lower East Side theater. They have formed the Upper West Side Cinema Center, a nonprofit corporation, whose website lists Martin Scorsese, Ethan Hawke and John Turturro as advisers, along with Bob Balaban, Griffin Dunne and the “American Psycho” director Mary Harron. (They would call it the Metro Cinema Center.)Representatives for Scorsese and Dunne confirmed their involvement.The plan was reported earlier by IndieWire.The proposal includes a five-screen theater dedicated to art house releases, classic film and special events; it would also have an education center and a cafe.Mark Levine, the Manhattan borough president, said he has spoken with two other parties that are talking with the owners about a potential sale, but Deutchman’s proposal is the most fully developed. The estate of the former owner also has yet to engage a broker for the sale, Levine said.The Upper West Side, once a hot spot for art house theaters, is now served by selections at Film at Lincoln Center and large multiplexes. “This is a really underserved audience that is in a community that clearly has an interest in the kinds of movies we’re talking about,” Deutchman said in an interview.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Zack Norman, Actor Who Juggled Multiple Professions, Dies at 83

    Best known for movies like “Romancing the Stone,” he also made a mark as a producer, a real estate developer and the butt of a Generation X-friendly television gag.Zack Norman, who made his mark as an actor in films like “Romancing the Stone” and “Cadillac Man” and with appearances on television shows like “The A-Team” and “The Nanny” — and who, as a producer, also became known for a star-crossed movie that became a running punchline on the show “Mystery Science Theater 3000” — died on April 28 in Burbank, Calif. He was 83.The cause of his death, at a hospital, was bilateral pneumonia related to the coronavirus, his daughter Lori Zuker Briller said.While best known for scene-stealing appearances as a supporting player, Mr. Norman was always more than a character actor. He was also a painter, a real estate developer and an art collector who in the 1980s mingled with the likes of Andy Warhol and Jean-Michel Basquiat.Mr. Norman had a memorably menacing turn alongside Danny DeVito in the hit 1984 movie “Romancing the Stone.”20th Century Fox/Everett CollectionStarting in the early 1970s, Mr. Norman tallied nearly 40 movie and television acting credits. He had a memorably menacing turn as Danny DeVito’s crocodile-tending antiquities-smuggler sidekick in “Romancing the Stone,” Robert Zemeckis’s 1984 adventure comedy starring Kathleen Turner and Michael Douglas.He was abundantly familiar to fans of the indie director Henry Jaglom, appearing in many of Mr. Jaglom’s films, including “Sitting Ducks” (1980), a comedy in which he was one of two dimwitted hoods who steal from a gambling syndicate, and “Hollywood Dreams” (2006), in which he played a kindly film producer who looks after a fame-obsessed starlet (Tanna Frederick).We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Downtown Los Angeles Places Another Big Bet on the Arts

    The pandemic was tough on city centers and cultural institutions. What does that mean for Los Angeles, whose downtown depends on the arts?For decades the effort to revitalize downtown Los Angeles has been tied to arts projects, from the construction of the midcentury modern Music Center in 1964 to the addition of Frank Gehry’s soaring stainless steel Walt Disney Concert Hall in 2003.But the pandemic was tough on downtowns and cultural institutions around the country, and Los Angeles has been no exception.Its downtown office vacancy rates climbed above 25 percent. Storefronts are empty. Homelessness and crime remain concerns. Many arts organizations have yet to recover their prepandemic audiences. And there have been vivid displays of the area’s thwarted ambitions: Graffiti artists covered three abandoned skyscrapers just before the Grammy Awards were held across the street at the Crypto.com Arena, and some lights on the acclaimed new Sixth Street Viaduct were doused after thieves stole the copper wire.So it was a major vote of confidence in the area’s continuing promise when the Broad, the popular contemporary art museum that opened across the street from Disney Hall in 2015, announced last month that it was about to begin a $100 million expansion.A rendering of the expansion announced by the Broad, a contemporary art museum, in March, which it said would cost $100 million.Diller Scofidio + Renfro, via The BroadAnd it was very much a continuation of the vision of its founder, Eli Broad, the businessman and philanthropist who played a key role in the effort to create a center of gravity in a famously spread-out city by transforming Grand Avenue into a cultural hub. Broad, who died in 2021, helped to establish the Museum of Contemporary Art and get Disney Hall built before opening the Broad to house his own art collection.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Second Stage to Leave Its Rem Koolhaas-Designed Off Broadway Theater

    The company said that it was leaving its space in a former bank in Times Square after 25 years because the rent was too high and the lease had unfavorable terms.Second Stage Theater, a leading nonprofit that presents work by living American writers both on and off Broadway, is giving up its Rem Koolhaas-designed Off Broadway home in a former bank near Times Square, saying its rent was too high and its lease had unfavorable terms.The theater company, which has nurtured multiple Pulitzer Prize- and Tony Award-winning shows over the years, until recently operated three theaters: the Hayes Theater on Broadway, an Off Off Broadway space on the Upper West Side and an Off Broadway theater, the Tony Kiser Theater, in a former bank building at the corner of West 43rd Street and Eighth Avenue.Last year, Second Stage gave up the lease on its Off Off Broadway space. Now it is also relinquishing the Kiser Theater, a 296-seat theater space where it has been presenting plays and musicals since 1999. The Broadway house has been unaffected by the changes. The company said it was committed to continuing to produce work Off Broadway, and was searching for a new place in which to do so.Second Stage is letting go of the Kiser at a time of significant strain on nonprofit theaters everywhere, and at a time of transition for the organization. Carole Rothman, one of the company’s founders and now its president and artistic director, is leaving the organization this summer after a 45-year tenure; the board is conducting a search for her successor.The Second Stage board had agreed to an 8-year lease renewal for the West 43rd Street building in 2021, but decided late last year to exercise a one-time option that allowed it out of the lease at the end of this year.Lisa Lawer Post, the company’s executive director, cited financial concerns in explaining the decision by the organization’s board to terminate the lease for the West 43rd Street building, which is where the company presented early productions of shows including “Dear Evan Hansen,” “Next to Normal” and “Between Riverside and Crazy.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Angelina Jolie and the Ghosts of New York Past

    Her new store, Atelier Jolie, occupies an unassuming building on Great Jones Street with an illustrious history.When Angelina Jolie opened her first fashion boutique in a squat, two-story building at 57 Great Jones Street in Lower Manhattan this month, she joined a long line of notable New Yorkers, including gangsters and artists, who lived or worked at that unassuming address.Atelier Jolie, which has an appointment-only fitting room on the second floor, sells clothes made from vintage and deadstock materials and offers Turkish coffee and Syrian mini pies in its chic cafe. “I hope to see you there, and to be one of the many creating with you within our new creative collective,” Ms. Jolie wrote in a founding statement. “Bear with me. I hope to grow this with you.”Atelier Jolie’s branding is tied to the artistic heritage of 57 Great Jones Street. Andy Warhol bought the building in the 1970s. Everyone from Keith Haring to Madonna dropped by. Jean-Michel Basquiat lived and painted in the upstairs studio loft, producing some of his most significant works, before he died there of a heroin overdose at 27 in 1988.Jean-Michel Basquiat and Andy Warhol, artists with ties to 57 Great Jones Street, at a 1984 benefit in Manhattan.Ron Galella Collection via Getty ImagesIf you dust off more of the structure’s past, you find the bones of New York. The brick building once housed mobsters and bare-knuckle boxers.It was built in the 1860s, architect unknown, and its first known use was as a stable, according to Village Preservation, an advocacy group. Great Jones Street, a two-block lane in NoHo named after the lawyer and politician Samuel Jones, was a home for the city’s affluent merchant class that counted the mayor and diarist Philip Hone among its early residents. During the Civil War, the 69th Regiment gathered on the street to march toward a steamer on the Hudson. Crowds looked on as the young men headed off to battle.As Manhattan grew and wealthy residents moved uptown, the neighborhood began its slump into a skid row. At the east end of Great Jones Street lay the Bowery, a once-reputable boulevard that had become a notorious thoroughfare lined with brothels, beer gardens, flophouses and pawn shops.An 1897 map of Great Jones Street, which was named after Samuel Jones, a New York lawyer and politician.Lionel Pincus and Princess Firyal Map Division, New York Public LibraryThe Bowery of old.The building became a saloon and dance hall, the Brighton, which The New York Times called a “notorious dive.” The place was nearly blown to smithereens in 1901 after some men making a beer delivery disturbed a gas jet in the cellar. When the establishment’s owner, Charles Deveniude, went to investigate, he lit a candle. The explosion was heard “several blocks away,” The Times reported, and Mr. Deveniude suffered burns to his face, hands and shoulders.The Brighton was sold a few years later to Paul Kelly, whom The Times described in a 1912 article as “perhaps the most successful and the most influential gangster in New York history.” In a nod to his Italian heritage, Mr. Kelly, a onetime pugilist born Paolo Antonio Vaccarelli, renamed the saloon Little Naples.Mr. Kelly ran the Five Points Gang, one of the most feared street gangs of its day, and Little Naples served as his association’s headquarters and as a gathering place for the city’s political elite. He was an enforcer for the corrupt Democratic political machine, Tammany Hall, and his henchmen helped provide paid voters, known as “floaters,” to cast ballots for Tammany candidates. The gang’s members included future underworld leaders like Lucky Luciano and Al Capone.A 1905 article in The Times recounted a “desperate fight” at Little Naples in which a man was killed and several others were wounded. “Scores of shots were fired, but as far as is known to the police, only one man went to his death,” the paper reported, adding: “His body was found in the saloon nearly half an hour after the smoke of the battle had cleared away. There was a bullet wound in his left breast.” The man was discovered with his legs protruding from a swinging bathroom door. His dog, a spaniel, was whimpering beside him.The Times further reported that one of Mr. Kelly’s lieutenants, John Ratta, was wounded in another shootout at the saloon that same week. He refused to cooperate with the police, saying only that he “slipped and fell so hard on a bullet on the floor that it entered his flesh.” The Times noted: “Ratta will live to carry a revolver, and he says he will settle the difficulty in his own way.”The June 9, 1912, edition of The New York Times included a detailed report on the murderous goings-on at Little Naples, a night spot that once occupied the Atelier Jolie building.The New York TimesIn later decades, the building housed metalwork and kitchen equipment supply businesses. Don DeLillo wrote Great Jones Street into the annals of American literature in 1973, when he named his third novel after the street. The book’s narrator-protagonist, a disillusioned rock star, Bucky Wunderlick, slums it in an apartment there: “I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble.”Mr. Warhol purchased 57 Great Jones Street in 1970 under the corporation name Factory Films Inc., according to a report by the New York City Landmarks Preservation Commission. In 1983, as he became a mentor to Mr. Basquiat, who was then a fast-rising art world star, Mr. Warhol rented the upstairs loft to him. In the next few years Mr. Basquiat produced works including “King Zulu” and “Riding With Death.”“Jean-Michel called,” Mr. Warhol wrote in his diary on Sept. 5, 1983. “He’s afraid he’s just going to be a flash in the pan. And I told him not to worry, that he wouldn’t be. But then I got scared because he’s rented our building on Great Jones and what if he is a flash in the pan and doesn’t have the money to pay his rent?”After Mr. Basquiat’s death, the building’s exterior became a mecca for street artists to leave tributes to him, and the site has been marked with renditions of his crown motif and “SAMO” graffiti tag ever since.The Warhol estate sold the building in the early 1990s. After that, as the gentrification of the neighborhood accelerated, and nightlife hot spots like B Bar and the Bowery Hotel thrived, a referral-only Japanese restaurant with no listed phone number, Bohemian, occupied the address. It was concealed, speakeasy-style, behind a butcher shop.In 2022, the building was put on the rental market by Meridian Capital Group for $60,000 a month. Its landlord, according to property records, is the noted real estate appraiser Robert Von Ancken, whose services have been used by New York real estate families including the Trumps, the Helmsleys and the Zeckendorfs. Reached by phone, Mr. Von Ancken clarified that he had bought the building with his business partner, Leslie Garfield, who died last year, and that he now owns the property with Mr. Garfield’s family.“When we first occupied the space, we didn’t really know much about the artist who’d been living there, because he wasn’t as well known then,” Mr. Von Ancken recalled. “There were all these drawings on the walls. We rented it as it was. A tenant painted all over it. That was all lost.”He added: “The building has been getting graffitied over for years. I’ve tried repainting the front, but I eventually gave up. It’s clearly still very important for young artists, even today, to put their mark on that facade.”About a year ago, Ms. Jolie and her teenage daughter Zahara started scouting for a downtown retail space, and their wanderings brought them to 57 Great Jones. They felt an immediate communion with the building, Ms. Jolie said in an interview with Vogue, so she quickly rented it. As the store approached its opening date, one of her sons, Pax, helped spray-paint the Atelier Jolie logo onto a canvas draping the doorway.Angelina Jolie, the latest tenant of 57 Great Jones Street, outside the building in August.Mega/GC Images, via Getty ImagesOne recent night, a security guard manned Atelier Jolie’s entranceway while two young employees explained the shop’s mission of promoting sustainable fashion to a visitor. Upstairs, in the same space that the Five Points Gang used as a meeting place, another employee worked on a laptop in the fitting room.Outside, a couple stopped to read the plaque that memorialized Mr. Basquiat’s residence at the address and noted its early use as a stable. Then they reminded each other that they were running late for a hard-to-get dinner reservation at a nearby restaurant. More