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      ‘Below Deck’ Sails on With a New Captain

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      With a different captain at the helm and new production elements, the reality show about charter yachts is switching up its style.Starting a new season of “Below Deck” can be similar to returning to summer camp as a kid — you know it’s going to be fun and that you’ll be in the same environment, but some of the people will be different and you’re not quite sure what the vibes will be.This time around, in particular, feels that way because for the first time in the show’s 11-season run, Captain Lee Rosbach is no longer at the helm. It’s a pivotal moment for a franchise that has become one of the most popular entities in the sprawling universe of reality TV since premiering on Bravo in 2013. The show’s appeal was built on endless romances between various crew members (“boatmances,” as they came to be known), horrible charter guests and some sort of passive-aggressive fight about how many shackles of the anchor chain should be in the water. And there was always Rosbach presiding over the drama as he trudged around the boat, reeling off one liners like “I’m madder than a pissed-on chicken” and “we screwed the pooch so many times we should have a litter of puppies running around.”At the center of the show now is Kerry Titheradge (the stern yet goofy captain of “Below Deck Adventure” fame), who is managing the Motor Yacht Saint David with the cheeky chief stew Fraser Olender by his side.With that change in captain, the energy on the boat — both onscreen and off — is different, according to Olender.“I feel like Kerry this season, as opposed to Lee, has a no B.S. attitude, which I love with him,” Olender said in an interview. “With Kerry, he taught me a lot and sort of forced to me confront issues directly with my team, work them out, as opposed to making executive decisions too soon.”This shift in management style changes the central conflict — whereas the drama once focused on the captain swiftly kicking out any unpleasant crew member (as we might have seen with Rosbach), the drama now focuses on the whole crew trying to get along (since Titheradge gives people those second chances).We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Real Housewife, Leah McSweeney, Files Lawsuit Against Andy Cohen and Bravo

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      A New York City housewife speaks about a new lawsuit against Andy Cohen and Bravo in which she alleges all of these things (and more) created a “rotted workplace culture.”“I thought it was going to be fun,” Leah McSweeney, a former star of Bravo’s “The Real Housewives of New York City,” said about joining the show’s cast in 2019.She was speaking on a video call on Wednesday, for which her lawyer and her publicist were present. The day before, Ms. McSweeney had filed a lawsuit against parties including the Bravo cable channel; its parent company, NBCUniversal; and Andy Cohen, the executive producer of the “Real Housewives” franchise, alleging the creation of a “rotted workplace culture” that “discriminated against, tormented, demoralized, demeaned, harassed and retaliated against Ms. McSweeney because she is a woman with disabilities, such as alcohol use disorder and various mental health disorders, all in the name of selling drama.”According to the complaint, which was reviewed by The New York Times, Ms. McSweeney, 41, joined the “Housewives of New York City” cast around the time she had relapsed after nine years of sobriety.She became sober just before she started filming the show and has alleged that producers developed “artificially close relationships” with her through which they “cultivated a treasure trove of Ms. McSweeney’s dark secrets with intent to place her in situations known to exacerbate her alcohol use disorder and mental health disabilities because they thought that intentionally making these conditions worse would create good television.”The complaint goes on to allege that producers frequently undermined Ms. McSweeney’s sobriety not only by encouraging her outright to drink but by “engaging in guerrilla-type psychological warfare intended to pressurize Ms. McSweeney into a psychological break and cause Ms. McSweeney to relapse.”It also claims that Mr. Cohen frequently uses cocaine with other “Housewives” stars and that he rewards those cast members with “favorable treatment.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tom Sandoval’s Interview Shows the Perils of Doing PR for Reality TV

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      Publicists who work with “unscripted” people say it presents several challenges.Tom Sandoval, a star of “Vanderpump Rules,” has shared a lot in the decade that he has appeared on that reality TV show, the 11th season of which began airing on Bravo in January. But in a recent interview with The New York Times Magazine, Mr. Sandoval, 41, said things that surprised even people who were well familiar with his penchant for shocking behavior.Speaking about the public interest in an affair he had with a co-star while he was dating another co-star, a tryst known as “Scandoval,” Mr. Sandoval said that he was not a historian of pop culture, but that he “witnessed the O.J. Simpson thing and George Floyd and all these big things, which is really weird to compare this to that, I think, but do you think in a weird way it’s a little bit the same?”Mr. Sandoval also said he felt that he received more hate for his affair than the actor “Danny Masterson, and he’s a convicted rapist.” He spoke in the presence of a member of his publicity team, which to some was as astonishing as his comments.The writer who interviewed Mr. Sandoval for The Times Magazine wrote that a representative for Bravo contacted her after their conversation took place and before it was published to relay concerns about what he had said.Alyx Sealy, a publicist for Mr. Sandoval, declined to comment for this article. Bravo declined to participate. Adam Ambrose, a publicist who represents reality stars and who has represented Mr. Sandoval in the past, said in an emailed statement that working with people on reality TV could present unique challenges because of the nature of that genre.“Unscripted stars portray and are their authentic selves, so at times the lines can be blurred for them to discern between being in front of the camera and speaking to the media,” said Mr. Ambrose, the founder of Brand Influential, a public relations company in Los Angeles, who emphasized that he was speaking generally and not about any specific client, past or present. “Sometimes they may be perceived as uncoachable, making it more challenging to manage their media presence from a P.R. perspective.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Comedy, and the Horror, of the Infertility Plot

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      Onscreen, assisted reproductive technology is a double-edged device, representing women’s empowerment, or their exploitation.“Scrambled” is a romantic comedy about a woman who falls in love with her decision to freeze her eggs. Nellie, a 34-year-old perma-bridesmaid, is wasted and alone at yet another wedding when she is struck by the fear that her fertility may peak before her romantic situation is resolved.The conventional romantic comedy may culminate in marriage, but “Scrambled” leads Nellie toward a procedure that extends the timeline of her own marriage plot. Nellie (Leah McKendrick, who also writes and directs the film) gets her happy ending from an embryology lab. “You were no accident,” she tells one of her cryogenically preserved eggs. “You were one of the most intentional things that I have ever done.”Reproductive technologies are increasingly assisting in human conception (even as the Alabama Supreme Court has complicated their use), and they have become familiar narrative devices, too. Their meaning is double-edged. “Scrambled,” with its oddball cheer, gives fertility treatments an empowering gloss. But an emerging horror genre sharpens the same technologies into instruments of exploitation, turning clinics into torture chambers and doctors into demons. The deus ex machina of assisted reproduction can be a blessing or a curse, depending on the god who sent the machine.After swigging from the sentimental techno-optimism of “Scrambled,” I chased it with a wave of recent downers: I watched “False Positive,” the 2021 horror movie in which Lucy (Ilana Glazer) is subdued by a creepy fertility clinic; “Dead Ringers,” the 2023 limited series in which Rachel Weisz plays a pair of twin gynecologists; and “American Horror Story: Delicate,” the latest installment of the FX horror anthology series about an actress (Emma Roberts) who attempts to secure a baby and an Oscar with the help of her ambiguously sinister publicist (Kim Kardashian).As I watched these horror stories, I found myself counting their clichés on both hands. In the standard fertility-horror plot, a wealthy white couple will report to a an experimental clinic. Its staff will forgo scrubs for bespoke costumes resembling clerics or Stepford wives. An inscrutable and potentially supernatural ultrasound reading will occur. A woman will struggle to conceive, and this difficulty will be blamed on her careerism. She will be instructed to ingest strange tinctures and coached to mistrust her own mind. Her terror will be dismissed as “pregnancy brain” or “hormones.” Her pain will be denied. Her male partner will collude with a male doctor behind her back. Her female friend will be in on it, too. In the end, her pregnancy will be simulated, sabotaged or terminated without her knowledge or consent.In “American Horror Story: Delicate,” an actress (Emma Roberts, right) attempts to secure a baby and an Oscar with the help of her sinister publicist (Kim Kardashian, left).Eric Liebowitz/FXWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Is Tom Sandoval of ‘Vanderpump Rules’ the Most Hated Man in America?

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      Valley Village is a Los Angeles neighborhood just across the freeway from Studio City, near the southern edge of the area locally referred to with both affection and derision as the Valley. There, at the end of a quiet, leafy street of ranch-style homes stands what real estate agents have come to describe as a “modern farmhouse,” which its current occupant, the reality-TV star Tom Sandoval, has outfitted with landscaping lights that rotate in a spectrum of colors, mimicking the dance floor of a nightclub. The home is both his private residence and an occasional TV set for the Bravo reality show “Vanderpump Rules.” After a series of events that came to be known as “Scandoval,” paparazzi had been camped outside, but by the new year it was just one or two guys, and now they have mostly gone, too.Listen to this article, read by Julia WhelanOpen this article in the New York Times Audio app on iOS.“Scandoval” is the nickname for Sandoval’s affair with another cast member, which he had behind the backs of the show’s producers and his girlfriend of nine years. This wouldn’t be interesting or noteworthy except that in 2023, after being on the air for 10 seasons, “Vanderpump” was nominated for an Emmy for outstanding unstructured reality program, an honor that has never been bestowed on any of the network’s “Housewives” shows. It also became, by a key metric, the most-watched cable series in the advertiser-beloved demographic of 18-to-49-year-olds and brought in over 12.2 million viewers. This happened last spring, when Hollywood’s TV writers went on strike and cable TV was declared dead and our culture had already become so fractured that it was rare for anything — let alone an episode of television — to become a national event. And yet you probably heard about “Scandoval” even if you couldn’t care less about who these people are, exactly.The story has continued offscreen. After the season aired, Raquel Leviss, with whom Sandoval had the affair, entered a mental-health facility in Arizona and started going by a different name. Ariana Madix, Sandoval’s now-ex-girlfriend, garnered so much national sympathy that she has had the most prosperous year of her career. In addition to being invited to the White House Correspondents’ Dinner and to compete on “Dancing With the Stars,” she landed ads with Duracell batteries, Bic razors, Uber Eats and Lay’s chips, as well as a starring role in “Chicago” on Broadway this winter. Sandoval, meanwhile, became the most reviled man in America and the butt of a million jokes. Jennifer Lawrence made fun of his skin. Amy Schumer called him a narcissist. One of the hosts of “The View” called him “the Donald Trump of ex-boyfriends.” And Sandoval has just been here, in the Valley, trying to process it all. “I feel like I got more hate than Danny Masterson,” he told me, “and he’s a convicted rapist.”When I arrived at his house late last year, Sandoval, who is 41, had just finished working out. He wore a black muscle shirt and a wide headband. His assistant, Miles, was at the dining-room table sorting through Sandoval’s utility bills on two laptops. “He basically does anything I don’t personally have to do,” Sandoval explained. We were also joined by Rylie, who’s on Sandoval’s new publicity team, which has a background in crisis P.R. I assumed Rylie would be an impediment, but my fears were put to rest when she didn’t flinch at the Danny Masterson comment. Rylie is 23, has watched “Vanderpump” since she was in middle school and seemed as interested in Sandoval’s life as I was. When Sandoval described how, despite their gnarly, nationally televised split, he and Madix have continued living together, sequestered in separate parts of the five-bedroom home and communicating via assistants, Rylie was curious to hear more. “So all of her stuff is still here?” Rylie asked. Sandoval wasn’t sure, but he thought Madix might have finally rented a place. “She took the dog and the cat, and I know she wouldn’t do that if she was staying somewhere temporary,” he said. Sandoval wanted to buy out her share of the home, but interest rates are so crazy right now. He was considering getting a roommate to help with the mortgage. At least he thought Madix was finally open to the idea. “It took her a while to not be spiteful about the house,” he said. (A month after we met, Madix sued Sandoval in Los Angeles County to force him to sell the home and divide the proceeds.) We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sutton Stracke Travels to Spain With Merce Cunningham’s Ashes

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      The current season of “The Real Housewives of Beverly Hills” meets Merce Cunningham in an incongruous mash-up of reality TV and modern dance.“Can you get my drink, and I’ll get Merce?“In certain circles — OK, mine — that name can belong to only one person: Merce Cunningham, the 20th-century choreographer who reshaped modern dance. Over the past few weeks, his name has come up in the strangest of places: “The Real Housewives of Beverly Hills.”On recent episodes, Sutton Stracke traveled to Spain with her fellow Housewives. Along with racks of designer clothes, she brought Cunningham’s ashes packed in a Ziploc bag. Cunningham, it turns out, was one of the most important men in her pre-“Housewives” life, and she wanted to release the ashes “in a significant place and make this a really meaningful trip.”Dismay ensued. “Put me in a Birkin, fine,” Kyle Richards, another Housewife, said. “But a Ziploc? No.”And out of Erika Girardi’s tipsy mouth poured this gem at dinner: “Merce is in the purse.”Worlds are truly colliding. Cunningham, who died in 2009 at 90, is an indelible part of dance history but less familiar to the general public. As Stracke told her castmates, “He’s a real big deal.” How big? Stracke explained that he was a founder of modern dance.Girardi asked, “With Martha Graham and all them?”“Yes,” Stracke said.“Twyla?” Girardi said, referring to Twyla Tharp. Girardi, who performs pop music as Erika Jayne, has long worked with the choreographer Mikey Minden, and knows a thing or two.“Twyla studied under him,” Stracke said.“OK,” Girardi said with detectable pride, “There you go.”Erika Girardi revealed the location of Cunningham’s ashes (a purse) over a tipsy dinner.Bravo/NBCUniversalWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Sandra Milo, Who Had Star Turns in Fellini Films, Dies at 90

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      She was called Fellini’s muse. She claimed she was his lover. In a long career, she was best known for her performances in his movies “8 ½” and “Juliet of the Spirits.”Sandra Milo, who was best known internationally for her roles in Federico Fellini’s movies “8 ½” and “Juliet of the Spirits” — and whose tumultuous love life churned headlines in Italy — died on Monday at her home in Rome. She was 90.Her children announced the death on her official Facebook page. No cause was given.Ms. Milo’s screen debut, alongside the comic actor Alberto Sordi in “Lo Scapolo” (“The Bachelor”) in 1955, coincided with the golden age of Italian cinema. She went on to work alongside some of Italy’s most famous leading men, including Marcello Mastroianni, Vittorio Gassman and Vittorio De Sica, and for some of the country’s most renowned directors, including Roberto Rossellini, Dino Risi and later Pupi Avati and Gabriele Salvatores.But her primary claim to stardom was the two films she made with Fellini, with whom, she claimed in a 1982 book, “Caro Federico,” she had an offscreen romance that lasted nearly two decades. Fellini, who died in 1993, never spoke publicly about that claim. The Italian media called her Fellini’s muse.Ms. Milo and Fellini on the set of “Juliet of the Spirits” in 1965. She played the free-spirited next-door neighbor of the film’s protagonist, played by Fellini’s wife, Giulietta Masina.Pierluigi Praturlon/Reporters Associati & Archivi, via Mondadori Portfolio, via Getty ImagesFellini, who fondly called Ms. Milo “Sandrocchia,” had also wanted her to play the role of the glamorous Gradisca in his semi-autobiographical 1973 film, “Amarcord,” but, she told interviewers, her husband at the time had objected because he knew she was fond of Fellini.“He knew I loved him,” she said in a 2019 documentary about her life.She also said she knew that the production would take her away from her children. “Am I first a woman, or first a mother?” she mused in the documentary. “Maybe I am first a mother, so I didn’t do it.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Prosecutors in Nashville Drop Charges Against Country Singer Chris Young

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      The country singer had been charged with disorderly conduct, assaulting an officer and resisting arrest after an altercation at a downtown bar.Prosecutors on Friday dropped all charges that had been brought against the country music singer Chris Young in connection with an altercation with an Alcoholic Beverage Commission agent at a Nashville bar.“After a review of all the evidence in this case, the Office of the District Attorney has determined that these charges will be dismissed,” Glenn R. Funk, the Nashville district attorney, said in a statement.Mr. Young, 38, had been charged with disorderly conduct, assaulting an officer and resisting arrest following the episode on Monday night.“Mr. Young and I are gratified with the D.A.’s decision clearing him of the charges and any wrongdoing,” Bill Ramsey, the musician’s lawyer, said in a statement.The episode that led to the charges occurred as Tennessee Alcoholic Beverage Commission agents were checking IDs at the DawgHouse Saloon, a downtown bar. Mr. Young was accused of hitting one of the agents, according to an arrest affidavit filed with a criminal court in Nashville. Agents handcuffed Mr. Young after he did not comply with their orders, the affidavit says.Mr. Young’s representatives previously shared surveillance footage showing that the singer was standing by the bar when agents walked past him.In the video, as one of the agents walks by, Mr. Young places a hand on him, walks backward with the agent and apparently says something. The agent pushes Mr. Young with two hands, and Mr. Young staggers backward and hits his back on a corner of the bar table, causing him to briefly fall, the video shows.He then gets up, raises both of his hands in the air and walks backward away from the agents.Mr. Young rose to stardom after winning the country-music reality TV competition “Nashville Star” in 2006, and his second album, “The Man I Want to Be,” released in 2009, reached the platinum sales mark in the United States. He has been a familiar presence on the Billboard country charts since.John Yoon More