Reality Television

Subterms

    More stories

    • 125 Shares139 Views

      in Television

      Singing Competition Again Comes Under Fire After Use of Blackface

      by

      Contestants on a recent episode of a Polish reality TV show used blackface to imitate Kendrick Lamar and Beyoncé. It was not the first time the racist tradition had been featured.A reality TV singing competition in Poland is under fire after two contestants used blackface to imitate Kendrick Lamar and Beyoncé during an episode that aired over the weekend.“Your Face Sounds Familiar” (or, in Polish, “Twoja Twarz Brzmi Znajomo”) appears in multiple countries, including the United States, where it ran on ABC for one season in 2014 and was called “Sing Your Face Off.” The show encourages contestants to recreate the appearance and sound of famous singers as accurately as possible.In Saturday’s episode of “Your Face Sounds Familiar,” the singer Kuba Szmajkowski won with his rendition of Mr. Lamar’s “Humble.” Mr. Szmajkowski performed in blackface and wore his hair in cornrows in order to look like Mr. Lamar.Mr. Szmajkowski posted video of his transformation to his 163,000 Instagram followers, with the caption “get ready with Kendrick.” The video showed the singer in front of a mirror getting multiple layers of makeup applied. A representative for Mr. Szmajkowski did not immediately respond to a request for comment.While Mr. Szmajkowski’s post about his transformation received thousands of likes, hundreds of people commented on it, many of them expressing criticism and anger.“This is top racism. Do you not see how inappropriate this is? Not to mention offensive? Wrong,” one user wrote.Another contestant in Saturday’s episode, Pola Gonciarz, performed Beyoncé’s “If I Were a Boy,” also using blackface in an effort to evoke the look of the superstar.“Your Face Sounds Familiar” is produced by Endemol Shine Poland, which is owned by the French company Banijay. In a statement, the company said, “Banijay condemns Endemol Shine Poland’s local execution of ‘Your Face Sounds Familiar,’ which contradicts our group’s global values.” A spokeswoman declined to provide more details until an investigation is completed.It’s not the first time the program has come under fire for the use of blackface. In 2021, a white contestant wore blackface to portray Kanye West performing “Stronger.”In response to that criticism, the show said the negative comments were surprising. “The Polish edition of the show, seen as exemplary abroad, always tries to show great performances, which strive to be as close to the original as possible,” an Instagram post from the show read at the time.This time around, “Your Face Sounds Familiar,” which is in its 19th season, has not yet publicly responded.The show’s Instagram account indicates that multiple contestants have dressed in blackface to perform as Black singers, including Snoop Dogg, Ray Charles, Bill Withers and Missy Elliott. Mia Moody-Ramirez, a professor at Baylor University in Texas who specializes in how race is portrayed in the media, said Mr. Szmajkowski’s performance was particularly offensive because of the combination of blackface, cornrows and his use of a racial slur, which is among the song’s lyrics.She said the continued use of blackface on the show might be because the stigma surrounding it is smaller in Poland, which has a population that is overwhelmingly white, than it is in the United States. About 97 percent of Poland’s population identifies as ethnically Polish, according to Minority Rights Group International.“We are living in a global society,” Dr. Moody-Ramirez said. “If it is produced in one country, it is going to be seen around the world.”In the United States, blackface dates back to early 19th-century minstrel shows, and the racist tradition — even though widely condemned — has persisted, showing up at bachelor parties, in old photos of politicians and elsewhere. The popularity of blackface was at its height in the early 20th century and has waned sharply since the 1950s, but it has not disappeared around the world.In Europe, too, there has been something of a reckoning. In Britain in 2020, some comedy shows that included blackface or racial slurs were removed from streaming platforms, including BBC’s iPlayer and Netflix. And in the Netherlands, a holiday tradition in which people dress in blackface to portray Black Pete, a servant to St. Nicholas, is slowly changing. More

    • 100 Shares189 Views

      in Television

      ABC Affiliate Cuts ‘Bachelorette’ Finale for Football Game

      by

      Fans of the reality show were not happy after a local ABC affiliate showed a preseason game between the Washington Commanders and Baltimore Ravens instead.Fans of “The Bachelorette” reality television show who live in the Washington, D.C., area were unable to watch the finale of the show’s 20th season on Monday night. It turns out their ABC affiliate showed an N.F.L. game instead — and a preseason one at that.If you know any “Bachelorette” fans, you can probably guess how the Washington-area ones felt about this particular programming call.“I was pretty frustrated,” Pegah Moradi, 25, who lives in Arlington, Va., said by phone early Tuesday.“It’s more important for sports to be live, obviously, than it is for a prerecorded reality show finale,” said Ms. Moradi, a graduate student. “But at the same time, it’s difficult when something that you’re accustomed to viewing at a certain time is just not there.”The practice of cutting one must-watch TV broadcast for another, more common in the past, has become rare in the streaming era. If something is important enough to broadcast live these days, networks and streaming platforms can usually find a way to do that.But on Monday, the “Bachelorette” finale was shelved in the D.C. area by ABC’s local affiliate in favor of a football game between the Washington Commanders and the Baltimore Ravens. (The Commanders won, 29-28, after kicking a field goal in the game’s waning seconds.)“It might be because the two football teams are regional favorites that people are obsessed with,” said Julia Swift, a professor in the Division of Communication and Creative Media at Champlain College in Burlington, Vt. “But people are also obsessed with ‘The Bachelorette.’”The “Bachelorette” finale was available on Charge!, a broadcasting network owned by the Sinclair Broadcast Group. Charge! is free and does not require a paid subscription. But some fans, including Ms. Moradi, had never heard of it and could not figure out how to watch.Professor Swift said that it would have made more sense to air the episode on a streaming platform that belongs to ABC or Disney, the network’s corporate parent.Representatives for Disney did not respond to a request for comment overnight. Neither did a spokesman for the N.F.L.The latest season of “The Bachelorette,” a spinoff of “The Bachelor” and “Bachelor in Paradise,” stars Charity Lawson, a real-life child-and-family therapist from Georgia who is looking for a life partner. Ms. Lawson, 27, began the season with 25 suitors; by the finale, she was down to three.The ABC affiliate that cut the finale likely did so after calculating that more people would watch the football game, said Amanda Lotz, a professor of media studies at Queensland University of Technology in Australia who has studied the U.S. television industry. Whatever the reason, the decision illustrates how the federal policies governing American television today were designed decades ago to promote “local sovereignty” by giving local affiliates discretion over what to air, said Professor Lotz, the author of “We Now Disrupt This Broadcast: How Cable Transformed Television and the Internet Revolutionized It All.”The concept of “local sovereignty” may sound anachronistic in the streaming era, she added, “but these were policies that were designed to protect local community differences so that they wouldn’t be overrun by the creation of a national culture.”One way to read Monday’s scheduling call would be as a kind of karmic victory for football fans, who were famously denied the ending of a nail biter of a game between the Jets and the Oakland Raiders on Nov. 17, 1968. With 50 seconds left, the television broadcast cut out abruptly to make way for “Heidi,” a made-for-TV children’s movie about a Swiss orphan.As for the “Bachelorette,” Ms. Moradi said she understood that the Commanders and the Ravens are both in her television market and have local fan bases. “But a preseason N.F.L. game versus the finale of a major franchise TV show is not a very difficult decision to make in terms of what to broadcast,” she said.After her viewing plans were scrambled on Monday, Ms. Moradi inadvertently saw a spoiler for the show as she searched for how to watch. At this point, she said, she wonders if watching the finale will even be worth her time.“Everyone I know who was watching it will have already seen it, for the most part, so I’ll just kind of be in the dark for 24 hours,” she said. “I won’t get to join in on this rare experience: watching live TV at the same time as everyone else.” More

    • 125 Shares119 Views

      in Television

      Morgan Wade Was Looking for the Spotlight. It Found Her.

      by

      The day before Morgan Wade was set to perform at Lollapalooza for the first time, the country singer-songwriter was in a Chicago hotel gym at around 10:30 a.m. It was arm day: regular curls, hammer curls, triceps pushdowns, lateral raises, dumbbell presses, face pulls and shoulder presses. She stopped after around 45 minutes, but only because it was actually her second session of the morning — she’d been up for hours, and had already done another 90-minute workout, and also ran three miles.“It’s just been something healthy for me to be addicted to,” Wade, 28 and slathered in tattoos, said of her fitness routine, sipping a chocolate Muscle Milk she’d grabbed from a vending machine for a quick boost of protein.For the last couple of years, Wade’s music career has been ascendant. Her 2021 album, “Reckless,” was a critical favorite in progressive country music circles, and “Wilder Days,” its stoutly aching breakout single, became an unlikely mainstream country crossover success. “Psychopath,” Wade’s second album and first on a major label, will be released on Aug. 25.In almost every other way, though, the last couple of years have been destabilizing: the erratic schedule, the increasing obligations to the music business, a slate of health struggles, the full-scale immersion into the public spotlight. And Wade, who has been sober for six years, has been finding ways to cope: therapy, fitness, clean eating, reading, journaling.In recent weeks, those tools have been stress-tested at a profound level, as Wade has found herself the subject of prurient tabloid interest regarding her seemingly unlikely connection with Kyle Richards, one of the Real Housewives of Beverly Hills. Online chatter that the women might share a romance has taken Wade from CMT to TMZ in record time.“Trust me, I’ve Googled it, man,” Wade said the prior night, backstage before a midnight gig at Reggie’s Rock Club. “I’ve Googled how to deal with the beginning stages of fame. The Wikipedia articles on that aren’t very helpful.”“I’m just a private person,” Wade said. “I’ve always been just kind of quiet. And so when all this kind of came out, I was just, it felt like everything had been stripped from me.”Lyndon French for The New York TimesWhen Wade was performing acoustic gigs at FloydFest, the roots music festival in her Floyd, Va., hometown, in the late 2010s, that she might someday be simultaneously navigating the rollout of her major label debut and the public dissection of her personal life might have seemed unfathomable.But even then, Wade was deeply disciplined. She took music seriously, writing and performing her own songs long before meeting Sadler Vaden, who plays guitar for Jason Isbell and has become her go-to producer.“She already had taken on the challenge of addiction when I met her. And she was in sobriety,” said Mary Sparr, Wade’s manager. “I saw in her that she had already had this huge challenge and chose to go ham, you know?”Vaden, who first saw Wade in a video performing her track “Mend” on a flatbed truck, described her as something akin to “a country Melissa Etheridge,” noting how the specificity of her gritty and reedy voice locates her in a country lineage, which frees her to make music that’s more eclectic and less hidebound.“Reckless,” which contained songs that Wade had written over several years, had the lightly bumpy texture of a scar that’s never quite healed. Wade’s voice is rich and sinewy, and it can sound like a scold and a plaint all at once. “Wilder Days,” which made it into the Top 40 on the Billboard country chart and was certified gold, got her signed to a Nashville major label, but she is in no way a country centrist. She has opened for Luke Combs, Chris Stapleton and Ashley McBryde, all on the genre’s more stylistically earthy side.Wade onstage at the Stagecoach Festival in Indio, Calif., in April. In August, she made her Lollapalooza debut.Monica Schipper/Getty Images for StagecoachWhen it came to beginning work on “Psychopath,” Wade was feeling pressure, self-imposed, to follow the success of “Wilder Days.” The first batch of songs was recorded last summer, but Vaden sensed she needed some more breathing space. “We have to just make an album that we are proud of,” he said he told her.Her manager was concerned, too. “She was burning herself out really bad,” Sparr said. “She’s the type that will say yes till the end of the world and work herself to the death until she hits that boiling point. We’ve had to mitigate her drive in those cases to give herself some more balance.”The songs from a second batch, recorded in January, are both heftier and more assured, playing with emotion, or genre, or both. The chirpy “Fall in Love With Me” is in this set, as is “Alanis,” which directly takes on the difficulties of a female performer enacting her whole self in public. “Losers Like Me” is an agitation about small-town life that recalls Kacey Musgraves’s debut single, “Merry Go ’Round.” And “27 Club” is a cutting song about dodging the worst fate, and still being unsure of what comes next.During that stretch of time, Wade and Richards were forming a friendship. Richards discovered Wade on the radio and followed her on Instagram. Wade, ever the skeptic (and who had never previously watched “Housewives”), messaged her to ask why. They got close quickly. Soon, they had a Wordle group chat, including fellow Housewife Teddi Mellencamp Arroyave and Richards’s friend Jenn Leipart. Richards began filming content for a documentary about Wade’s life, both onstage and off. The two posted photos together working out in the gym, and one of Wade sitting in Richards’s lap. Wade performed at a charity concert Richards had organized to benefit the National Alliance on Mental Illness. (Wade will also appear in the upcoming season of “Real Housewives.”)Wade, left, and Kyle Richards on a red carpet in late April. The two struck up a friendship after Richards followed the musician on Instagram.Ella Hovsepian/Getty ImagesThe public adjustments have not all come smoothly. “She told me at the NAMI event she almost wanted to leave at one point — she was like, This is so stressful,” Richards said in an interview. “I realized and appreciated later her hanging in there for me.”In the first week of July, news of Richards’s separation from her husband, Mauricio Umansky, hit the internet. Suddenly, Wade was being floated as a possible factor in the split. Strangers began dissecting her music, her lyrics, her past struggles with addiction and depression.Wade was at her family’s home in Virginia at the time. For three days, she didn’t get out of bed, she said. Sparr checked in like clockwork. “She was calling me like once an hour or every two hours and being like, What am I going to do? What are we going to do?” Sparr said. “She’s programmed to want to take an action. She wants to fix things. And, you know, sometimes there’s not anything to do but let time do the work.”Wade even skipped going to the gym. “For her to not go to the gym, I was like, OK, this is not good,” Richards said. “I’ve never seen her in two years not do that.”She continued, “I carried some guilt for having her be a victim of this because of me. I felt like it was collateral damage and I felt guilt about that, you know?”The gossip even traveled to Wade’s family; her grandfather suggested that land prices in their small town might go up. (“He has a damn flip phone!” Wade cackled.) Her 5-year-old half sister asked her why she was crying so much.“I seriously thought I was going to have to go to a rehab just preventively, to keep me from doing something stupid,” Wade said.Slowly, she got back on her feet. She returned to the gym, and set up twice-weekly therapy sessions. Getting a taste of public scrutiny, she said, made her regretful of the judgment she used to hold about celebrities. She tried to encourage her family and friends to see that she had now become the object of the kind of dismissiveness with which they had once regarded the famous. “You have to give people a little bit of grace,” Wade said.Wade said she’s going to go “Back to basics,” to articulate her post-fame version of herself on her next album.Lyndon French for The New York Times“I’m just a private person. I’ve always been just kind of quiet. And so when all this kind of came out, I was just, it felt like everything had been stripped from me,” Wade said anxiously, but with a touch of resentment. “And then too, your orientation, your sexuality, all that is just being discussed online by random people that don’t even know. It’s heartbreaking.”Sparr encouraged Wade to get offline, and to treat her relationship with social media “with a similar urgency and with a similar seriousness that she did with sobriety.”But Wade also had, depending on your perspective, either an ace up her sleeve, or a liter of gasoline about to spill onto the fire. In June, she had filmed a video for “Fall in Love With Me,” the cheeriest and poppiest song on “Psychopath.” The video features a slowly unfolding romantic rapport in a shiny “Desperate Housewives”-ish exurb between Wade, depicted in tight workout gear, and an infatuated neighbor, who watches longingly from a window in the house next door.The neighbor is played by Richards.It was inspired, in part, by avid Housewives fans who had already been speculating about their friendship online. “There was already a little bit of Reddit fodder — I call it fan fiction — about Kyle and Morgan,” before any of the “TMZ stuff happened,” Sparr said.The clip is playful, cheeky, a welcome blast of good mischief. “I’ve actually, my entire life, weaseled my way out of kissing someone on camera,” Richards said. Even though there’s a strategic millimeter between their mouths in the video’s most steamy moments, “This is the closest I’ve ever gotten, and it’s, spicy enough, I guess, that I would consider that breaking that streak.”The power of the video, far beyond the tabloid tease, is the conventional frankness with which it depicts same-sex attraction. Coming from an artist signed to a Nashville major label, it is deeply striking.“There was never any pushback from the label,” Sparr said. “But the greater feeling of everyone I talked to was like, I can’t believe you guys are going to pull this off.”There, again, is Wade’s discipline at work, steadily walking a path few before her have tried, emphasizing the representational value of the video while also toying with the story, real or imaginary, of her and Richards’s bond. And having been on the receiving end of scrutiny for the last several weeks, Wade has finally emerged on the other side, emboldened.“I don’t know why we’re in this day and time where we have to speculate about people’s sexuality,” she said, emphatically. “That is not appropriate at all. Like, let anybody be what they want to be — it’s none of your damn business.”She has more pressing things in front of her — an ultramarathon in November, just a couple of weeks before she is scheduled to undergo a double mastectomy (following a positive test for a BRCA mutation, a genetic risk for breast cancer). And she has already written a dozen songs for her next album.“Back to basics,” she said of the challenge of articulating the new, post-spotlight version of herself. “Taking elements of who I used to be and those core fundamental things and finding out like, Hmm. What I believed then and thought then, that part of me doesn’t exist anymore.” But, she added, there are some things “that I’m going to keep that didn’t die.” More

    • 113 Shares99 Views

      in Television

      ‘Big Brother’ Expels Luke Valentine For Using Racial Slur

      by

      “Well, I’m in trouble now,” Luke Valentine said after using a slur for Black people in a conversation on the reality show.“Big Brother,” CBS’s long-running reality competition, has kicked off a contestant for using a racial slur.The contestant, Luke Valentine, used a slur for Black people this week while chatting with other men in the compound where houseguests are filmed 24 hours a day as they compete for a large cash prize. Valentine is white, and one of the other men in the conversation is Black.The incident, broadcast during the show’s live online feed, was addressed on Thursday night’s episode, in which highlights from the feed are interspersed with contestants’ reflections on recent events in the house.“It’s been an emotional 24 hours in the ‘Big Brother’ house as the houseguests learned that one of their own broke the ‘Big Brother’ code of conduct and was removed from the game,” the show’s longtime host, Julie Chen Moonves, said during the episode.After Valentine, an illustrator from Florida, used the slur, he immediately apologized to the three other men in the room and tried to backtrack. Clearly shocked, two of the men quickly left. Jared Fields, who is Black, mostly stayed quiet but responded to Valentine by saying that the slur can make white people more uncomfortable than Black people.“Well, I’m in trouble now,” Valentine said to Fields.In an interview aired on Thursday’s episode, Fields said: “My nonreaction in the moment, being the only Black male in this house, I don’t know what to say. Anything I say or do can come across wrong or aggressive.”“I don’t associate ignorance with malice,” he later added.On an Instagram account that is followed by verified accounts of other “Big Brother” contestants, Valentine posted an apology to his story, along with a photo of himself and a prayer hands emoji. “Luke made a big mistake,” it read, “please forgive him.”Andy Herren, the show’s Season 15 winner, said CBS did the right thing by expelling Valentine. “YEARS of problematic behavior and language in the Big Brother house going unpunished led to fans and former houseguests speaking up,” Herren posted on X, formerly known as Twitter. He added, “This is huge and will change things moving forward!”“Big Brother,” now in its 25th season, has a history of racism among its contestants.In 2019, shortly before winning Season 21, Jackson Michie was asked on live television to answer for accusations that some of his behavior during the season had been racist and sexist. He defended himself in the moment but later apologized, admitting blame. Aaryn Gries, a Season 15 contestant, was questioned by Chen Moonves after being filmed making racist and homophobic remarks.Black contestants have also struggled to advance on “Big Brother,” often getting voted out early. The show’s first Black winner, Xavier Prather, was not crowned until Season 23. The next season featured the show’s first Black female winner, Taylor Hale.“It was something I was cognizant of,” Prather told The New York Times this year. “I am a 6-2, 200-pound athletic Black man — I can’t approach the game the same way that a slim, 5-10 white man can, because we’re perceived differently.”“To assume that I could approach the game the same way would be to assume that I could approach life the same way,” he continued. “‘Big Brother’ is literally a reflection of our society.”Calum Marsh More

    • 138 Shares179 Views

      in Television

      ‘The Ultimatum: Queer Love’ Is a TV Rarity With Familiar Drama

      by

      Netflix’s latest dating reality show hit, which wrapped up on Wednesday, broke ground by focusing exclusively on queer and nonbinary couples.The finale of Netflix’s latest dating show hit, “The Ultimatum: Queer Love,” arrived on Wednesday after weeks of partner swapping that amounted to a milestone in romantic reality television: The first of the genre’s marriage contests that focused exclusively on queer couples.Like its predecessor, “The Ultimatum: Marry or Move On,” from last year, “The Ultimatum: Queer Love,” which premiered in May, follows couples who don’t agree about their future together (one wants to get engaged; the other is not ready). So they agree to split up and live with new partners for a few weeks in front of the cameras. After meeting, dating and committing to a “trial wife,” the original couples reunite to live together as married, also for a few weeks. Then, after eight episodes worth of soul-searching, they must decide whether to get engaged, end the relationship or leave with their “trial wife” — the “ultimatum” of the title.“I feel like we’re at a lesbian club, and all our exes are here,” a castmate named Tiff Der joked in the first episode, sitting by the compound’s firepit surrounded by Der’s partner-turned-ex (for the purposes of the show), Mildred Woody, and the eight other contestants they each went on short dates with that day.In the same scene, another contestant, Vanessa Papa, suggests the cast all have a “polyamorous orgy,” drawing head shakes and nervous laughter from the others. By that point, Papa was interested in both Lexi Goldberg and Rae Cheung-Sutton while her ex, Xander Boger, was hitting it off with someone else’s former partner nearby.Same-sex marriage became federally recognized eight years ago, and it’s taken that long for L.G.B.T.Q. people to get their own dating show focused on love and commitment — though a number of queer-inclusive reality shows have demonstrated an appetite for such series. In earlier such shows, like the bisexual-themed competition “A Shot at Love With Tila Tequila” (2007) and the all-pansexual season of MTV’s “Are You The One?” (2019), the focus was on the competition, not on lifelong commitment. In “Queer Love,” which wrapped up Wednesday with a final episode and reunion special, the only prize is the clarity gained from such an experiment, the first in which men are not potential partners.“The Ultimatum: Marry or Move On” hadn’t aired yet when the cast of the spinoff began filming, so the five couples who appeared in “Queer Love” had little sense of how the show would unfold. All they had to go on was the track record of the show’s production company, Kinetic Content, which is also behind the Netflix reality hit “Love is Blind,” as well as the long-running “Married at First Sight,” on Lifetime in recent years.In many ways, “Queer Love” is reminiscent of any other marriage reality show — their struggles and triumphs with their partners (trial and otherwise) are not unlike those experienced by “Love Is Blind” competitors after they emerge from their pods and pair off. Commitment angst and the allure of potential new partners are reliable generators of the interpersonal drama that reality producers crave, no matter the makeup of the couples involved.“It was a real accurate representation of who I am and how I navigate the world,” said Mal Wright, left, with Yoly Rojas in “The Ultimatum: Queer Love.”Netflix
      Der and Woody had been in a breakup-makeup-breakup cycle for almost two years, Der said, when they were approached by a casting producer about participating in “Queer Love.”“I actually said no at first because I’m like, ‘Actually, we’re in a really bad spot right now, so I don’t think so, I’m sorry,’” Der said in an interview. “And then she goes, ‘No, actually that’s what we’re looking for.’”Goldberg said she was approached at just the right time in her relationship with her partner, Cheung-Sutton. “It was kind of this question of, do you have a relationship where one person is questioning or dragging their feet?” she said.As universal as relationship frustrations can be, “Queer Love” also captures the specific ways queer women and nonbinary people relate to one another — for example, spending time with one another’s exes, whether intentional or not, is common in such a small community. For straight viewers, the show serves as a kind of voyeuristic microcosm; for queer ones, it provides a more relatable analog to the messy behavior of heterosexual dating shows like “The Bachelor” or “Love Is Blind.”Cast members, who ranged in age from 25 to 42 when they filmed, said they were encouraged by the production’s general queer competency — several crew members on set were L.G.B.T.Q., including the director of photography — but some noted blind spots. Yoly Rojas, a first-generation Venezuelan immigrant, said she was excited to be “a brown Latina femme on television,” but she was disappointed that her partner, Mal Wright, was the only Black person in the cast.“I don’t think that’s a fair representation of the community,” Rojas said. “It just felt still a little bit whiter than what I would’ve liked.”Wright initially was concerned about being portrayed as an aggressor — a common TV fate for butch and more masculine-of-center women or nonbinary people. “I didn’t want to be portrayed in a way that wasn’t true to me,” Wright said.But after watching the full season, Wright, who uses they/them pronouns, felt reassured: “There was no angry trope that got attached to me,” they said. “So it was a real accurate representation of who I am and how I navigate the world.”One of the show’s stranger moves — and probably its most controversial one — was its choice of host. Nick and Vanessa Lachey co-host both “Love is Blind” and “The Ultimatum: Marry or Move On,” but for “Queer Love,” Netflix brought in the actress JoAnna Garcia Swisher, a star of its show “Sweet Magnolias.” When Garcia Swisher is revealed as the host in the first episode, the cast appears surprised. It is Papa who finally pops the question: “Are you queer?”“I just wanted to know,” Papa, a fan of Garcia Swisher’s recurring role on her favorite show, “Freaks and Geeks,” said in an interview. “But she’s not, which is also great because now you have this mix of a queer cast and then this religious married-to-a-man host, so it’s like two worlds converging.”Other cast members were confused by the choice.“It took me a minute to warm up with Joanna because I didn’t get it,” Rojas said. “There’s no correlation to anything gay or to anything queer — like, it made no sense. But she’s a really sweet person, as understanding as one can be as a straight woman. She did her best.”Chris Coelen, an executive producer of the show, said Garcia Swisher had the most important quality for a host: curiosity. “Is JoAnna queer?” he said. “No, she’s not. Does she need to be to do a good job on show? I don’t think so.”The show puzzled some cast members and viewers by hiring a straight host, JoAnna Garcia Swisher.NetflixViewers of the show called out the strangeness of the hosting choice on social media. But overall “Queer Love” has been well-received and highly memed — praised by writers and viewers for giving queer women and nonbinary people a chance to see their own relationships reflected on an enormous platform like Netflix.“It’s all pretty standard reality show stuff,” Emma Specter wrote in Vogue. “But I wonder what it would have meant for me to watch 10 queer people date, break up, cry, have fun and drink disgusting-looking cocktails out of weird chrome glasses on TV in high school, when there were approximately zero out queer people in my actual life.”For the “Queer Love” cast, their appearances on the show came with a feeling of responsibility to not embarrass communities that historically have been ignored or misrepresented on TV. Goldberg, the youngest castmate, said the weight of the contestants displaying themselves in such a public way was palpable from their first group gathering.“It was kind of this unspoken thing,” Goldberg said. “Not that the stakes were higher, but that the importance of being good representatives was something we should consider day in and day out.”“But it doesn’t mean we don’t get to have relationships and feel and cry and deal with problems the way they arise,” Goldberg continued. “It just meant we do have to remember that this is important, and that there will be a lot of people that watch this and that look to this as a sense of normalcy in queer relationships that maybe they just never knew before.”Coelen, the executive producer, hopes “Queer Love,” in both its relatability and specificity, “lowers barriers between people in some way.”“Because people are people,” he continued. “And, like the ‌cliché, love is love, you know?” More

    • 125 Shares99 Views

      in Television

      Anna Shay, Star of Netflix’s ‘Bling Empire,’ Dies at 62

      by

      A Los Angeles socialite and heiress to a defense contractor, she lived most of her life in private before joining a reality show.Anna Shay, an heiress and Los Angeles socialite who became a breakout star of the Netflix reality show “Bling Empire,” has died. She was 62.Her family confirmed her death to The Associated Press in a statement, which said the cause was a stroke. It was not immediately clear when or where she died.“It saddens our hearts to announce that Anna Shay, a loving mother, grandmother, charismatic star, and our brightest ray of sunshine, has passed away,” said the statement provided to The A.P. “Anna taught us many life lessons on how not to take life too seriously and to enjoy the finer things. Her impact on our lives will be forever missed but never forgotten.”“Bling Empire,” which ran for three seasons on Netflix starting in 2021, centered on wealthy Asian and Asian American fun seekers in Los Angeles and was billed as the real version of the movie “Crazy Rich Asians.” Ms. Shay appeared in 22 episodes, according to the Internet Movie Database.Jeff Jenkins, who produced the show and other reality hits like “Keeping Up With the Kardashians,” praised Ms. Shay’s performance in an interview with Town & Country magazine in 2021.“I consider it a personal gift that she agreed to participate,” he said. “But it’s also a gift to everybody watching.”Ms. Shay’s presence on the show was that of a sometimes intimidating, but well-loved matriarch. “Anna is nice to people,” Guy Tang, another cast member, said in one episode, “but you cross her line, she’s going to cut you.”Born in Japan, Ms. Shay was the daughter of Ai Oizumi Shay, who died in 2015, and Edward Albert Shay, who died in 1995. Her parents moved the family to Los Angeles from Tokyo in 1968, according to several news reports.Her father founded the defense contractor Pacific Architects and Engineers, which she and her brother Allen Shay sold to Lockheed Martin in 2006 for an estimated $700 million.Ms. Shay said on the show that she had been married and divorced four times.“I always meet people and then we become friends and that’s it,” Ms. Shay said, adding that all four spouses brought adventure to her life. (She met one of them when she was learning to fly helicopters, she said). Getting ready for a blind date on “Bling Empire,” she said she was open to marrying a fifth time. Ms. Shay never publicly shared her spouses’ identities.She is survived by a son, Kenny Kemp. A full list of survivors was not immediately available.Ms. Shay in a scene from “Bling Empire,” which ran on Netflix for three seasons.Netflix/Netflix, via Associated PressAfter the news of Ms. Shay’s death, her co-stars and other friends expressed their grief and posted tributes on social media.“We spent most of the pandemic together, slaying it on Rodeo Dr., grocery shopping, making Japanese plum wine and doing silly things,” Kane Lim, a fellow cast member who said he forged an off-camera friendship with Ms. Shay, wrote on Instagram.“You had a nonchalance about you that was mesmerizing,” he wrote. “I was lucky to get to know the real you.”She was known on “Bling Empire” for her personal style, a love for cooking and cutting zingers. In her first scene, she is seen sledgehammering a wall in her closet while wearing a red ball gown and a sparkling diamond necklace. When a friend asked what she was doing, she dryly answered, “I’m fixing my closet.”Ms. Shay was always surrounded by a security detail, including at her vast estate in Beverly Hills, something she said she had been used to from an early age as a member of a wealthy family.“My father, he was extremely protective as I was growing up,” Ms. Shay said on the show.Even though she spent much of her final years in front of cameras, she remained somewhat of a mystery. “Anna Shay can reach you, but you can’t reach Anna Shay,” Kelly Mi Li, another “Bling Empire” star, said on a podcast last year.“She was something special,” Pep Williams, an art photographer in Los Angeles, wrote on Facebook. “We used to race Ferraris and Lamborghinis from Beverly Hills to Palm Springs. So many good times just hanging out at the house talking about life, cars, and photography.”This spring, Netflix canceled “Bling Empire” as well as its spinoff, “Bling Empire: New York.”Mostly, Ms. Shay exuded a sense of confidence among the gossip and drama that the reality show inspires. “I don’t feel this need to compete,” she said in one episode. “I find it fiercely annoying.” More

    • 125 Shares99 Views

      in Television

      Padma Lakshmi Is Leaving ‘Top Chef’ After Its 20th Season

      by

      The host said she wanted to concentrate on her new show, “Taste the Nation,” her writing and “other creative pursuits.”Padma Lakshmi announced on Friday that she was leaving the Bravo reality-competition juggernaut “Top Chef,” which she has hosted for 19 of the show’s 20 seasons, calling it a “difficult decision” made “after much soul-searching.”“I am extremely proud to have been part of building such a successful show and of the impact it has had in the worlds of television and food,” Lakshmi, who also serves as an executive producer on the show, said in a statement posted on her social media accounts.“Many of the cast and crew are like family to me, and I will miss working alongside them dearly,” she continued. “I feel it’s time to move on and need to make space for ‘Taste the Nation,’ my books and other creative pursuits. I am deeply thankful to all of you for so many years of love and support.”Lakshmi did not immediately responded to a request for comment on Friday. In an interview with The New York Times earlier this year, she discussed why she had decided to go on the show in the early days of reality television. “I liked how serious they were about the food,” she said. “It wasn’t about the cat fights and lowest common denominator.”At the time, she said, she figured that if nothing else, “Top Chef” would at least expose her to an audience of potential book buyers who did not yet know her work. “We had no evidence that this would be a huge pop culture phenomenon,” she said.Since 2006, the original “Top Chef” — there have been numerous international adaptations and spinoffs since — has traveled across the United States, filming seasons in Boston, New Orleans, Kentucky and Colorado, among other places. Each season brings together up-and-coming chefs who compete against one another in the hopes of winning cash prizes (and acclaim in the food world) and avoiding elimination — and the dreaded order to “please pack your knives and go.”Next week, Bravo will air the finale of Season 20 of “Top Chef.” The season, titled “World All-Stars,” has been based in London, and brought together winners, finalists and memorable competitors from “Top Chef” adaptations from around the world.In a statement to The Times, the food writer Gail Simmons, Lakshmi’s co-star and fellow judge on “Top Chef” (along with the restaurateur Tom Colicchio), said she is “so grateful for all the knowledge she shared and for the friendship that saw us through countless milestones both on and off camera.”“I could not have asked for a better host and partner in the job,” Simmons went on. “I’ll always admire her work ethic and how she paved the way for so many women and people of color across the many industries she touches. She is an important person not just in my career, but in my personal life, and will remain so. There’s no denying her impact on our show and she will be missed in our future ‘Top Chef’ adventures.”Colicchio did not immediately respond to a request for comment.Officials at NBCUniversal and Magical Elves, the production company for “Top Chef,” praised and thanked Lakshmi in statements which suggested that they planned to continue the program. “We will miss her on set at the judges’ table and as an executive producer, but we will remain forever grateful for her unwavering dedication to connecting with our cheftestants and Bravo’s viewers alike,” Casey Kriley and Jo Sharon, the co-chief executives of Magical Elves, said in a statement.Lakshmi, 52, an Indian-born model, author and activist, has been praised for imbuing the reality show with grace and humor, becoming the undeniable face of the franchise.Last month, Lakshmi’s other television show, “Taste the Nation,” aired its second season, on Hulu. On it, she travels the United States, exploring what it means to cook and eat in America.Also last month, she was featured in the Sports Illustrated swimsuit issue, posing in a gold-coin bikini. “This is me,” she wrote alongside a video of the photo shoot that she’d posted on Instagram. “I wouldn’t go back to my 20s if you paid me all the money in the world.”Her first cookbook, “Easy Exotic,” was published in 1999. Since then, she has released several other books, including “Tangy, Tart, Hot & Sweet”; a memoir, “Love, Loss and What We Ate”; a reference guide called “The Encyclopedia of Spices and Herbs”; and a children’s book, “Tomatoes for Neela.”Brett Anderson More

    • 100 Shares99 Views

      in Movies

      How the Last Writers’ Strike Changed Things Onscreen

      by

      The impact included promising shows that lost their audiences, films rushed into production with flimsy scripts and turbocharging reality programming.The 2007 writers’ strike couldn’t have come at a worse time for the screenwriter Zack Stentz. After three years of being unemployed, Mr. Stentz was happily ensconced in a new job as an executive story editor on Fox’s “Terminator: The Sarah Connor Chronicles.” He was working with a high-caliber group of writers on a show he described as “dark, thoughtful and weird.”Before the strike, the staff had successfully completed nine episodes of the show, which tracked the aftermath of events depicted in the blockbuster film “Terminator 2: Judgment Day.” When the hourlong drama debuted in January 2008, it earned solid ratings and a loyal fan base. Still, Mr. Stentz, who has gone on to write for series like J.J. Abrams’s “Fringe” and Greg Berlanti’s “The Flash,” believes the 100-day strike ultimately sealed the show’s fate: a truncated two-season, 31-episode arc.“It was heartbreaking because we felt like we were doing something really special,” said Mr. Stentz, who recalled the show’s budgets being slashed during the second season, after the extended break caused ratings to plunge. “The conventional wisdom on the show is that it was ahead of its time and if it would have come out in the 2010s, it probably would have been a much bigger success.”“The Sarah Connor Chronicles” is just one of many television shows and movies whose fate was altered by the last writers’ strike, which cost the Los Angeles economy $2.1 billion in lost revenue. Movies like the James Bond film “Quantum of Solace,” “G.I. Joe: The Rise of Cobra” and “X-Men Origins: Wolverine” were among those rushed into production with unfinished scripts.Daniel Craig acknowledged he rewrote scenes for the James Bond film “Quantum of Solace” while on set.Susie Allnutt/Columbia PicturesThings were so grim on “Quantum of Solace” that the star Daniel Craig later admitted to rewriting scenes himself while on set. The film’s director, Marc Forster, who declined to comment for this article, told the website Collider in 2016 that he considered quitting what was then his biggest budget movie to date.“At that time I wanted to pull out,” he said. “But everybody said, ‘No, we need to make a movie, the strike will be over shortly so you can start shooting what we have and then we’ll finish everything else.’”Not every project suffered because of the work stoppage. Take the series “Breaking Bad.” According to one of the show’s producers, Mark Johnson, the character of Jesse Pinkman, portrayed by Aaron Paul, was originally supposed to die in the final episode of the show’s first season.The strike, however, forced “Breaking Bad” to halt production after just seven episodes. And, Mr. Johnson recalled in a recent interview, once the show’s creator, Vince Gilligan, realized how well the character played against Bryan Cranston’s chemistry teacher-turned-drug dealer Walter White, he decided to let him live.Jesse Pinkman lasted the entire 62-episode run, and Mr. Paul won three Emmys. “Because of the strike, we learned a lot about the show,” Mr. Johnson said. (Others have said the decision to keep Mr. Paul’s character was made before the strike, though other key plot elements of the show were adjusted.)The strike halted production on the first season of “Breaking Bad,” allowing major changes to be made to the plot arc of the show.Doug Hyun/AMCThe entertainment industry of today is much different from what it was 15 years ago, of course, and all the lessons learned during the last strike may not be applicable. Broadcast networks have cut back on scripted programming. Streaming services aren’t obligated to assemble a fall schedule. The major film studios have said they have enough movies in production to keep releasing them at a steady pace through the middle of 2024.“The dynamics are different now,” said Kevin Reilly, a veteran television executive. “Really, the only choke point is that at a certain point your development pipe gets a little bit dry. But I don’t think that’s even a speed bump in the streaming world. It would have to go on for at least six months for that to really start to feel the pressure. The same at the box office.”Studios have been leaning heavily into this narrative over the past few weeks. Ted Sarandos, Netflix’s co-chief executive, told investors during the company’s first-quarter earnings that because of its “large base of upcoming shows and films from around the world,” the streaming giant “can probably serve our members better than most.” Paramount Global’s chief executive, Bob Bakish, also said that the strike would have little impact on the company’s business in the short term.“We do have many levers to pull and that will allow us to manage through the strike even if it’s an extended duration,” he said during the company’s post-earnings conference call.Companies have said they have enough content in the pipeline to withstand the strike, but a prolonged work stoppage could have unforeseen consequences.Mark Abramson for The New York TimesBut a prolonged strike could have unforeseen effects just the same. Just one week into the shutdown, television shows like Netflix’s “Stranger Things,” HBO Max’s “Hacks” and Apple TV+’s “Loot” have halted production.It remains unclear how the studios will adjust should the strike be prolonged. As one writer, Joe McClean (“Resident Evil: Vendetta”), noted from the picket line last week, the 2007 strike led to a renewed boom in reality TV shows, which are relatively inexpensive to produce and don’t need writers.“There’s a pretty nice thread that can show that the last writers’ strike led to Donald Trump becoming president,” Mr. McClean said, referring to “Celebrity Apprentice,” which debuted in January 2008 and intensified Mr. Trump’s already significant television presence. “Because we had no writers and no good content on television, that was where all of the viewers were going, and it just elevated his star.” More