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      Kamasi Washington’s Ecstatic Return, and 9 More New Songs

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      Hear tracks by 4batz featuring Drake, Salt Cathedral, Swamp Dogg and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Kamasi Washington, ‘Prologue’“Prologue” is actually the final track on Kamasi Washington’s coming album, “Fearless Movement,” and it’s dense and bustling. Double time drumming, frenetic percussion and hyperactive keyboard counterpoint roil around a melody that rises resolutely over descending chords, while breakneck solos from Dontae Winslow on trumpet and Washington on saxophone exult in sheer agility and emotional peaks. JON PARELESShabazz Palaces and Lavarr the Starr, ‘Take Me to Your Leader’Shabazz Palaces — Ishmael Butler from Digable Planets — sets up a sci-fi scenario in “Take Me to Your Leader” from his album due March 29, “Exotic Birds of Prey.” He and a guest rapper, Lavarr the Starr, have to convince a powerful, mysterious queen that “our race deserves to survive.” Amid blipping electronics and slow-pulsing bass, with voices warped by echoes and effects, they set out a strategy of gifts, philosophizing, seduction and “a steady-bumping beat she can freak with.” PARELESSalt Cathedral, ‘Off the Walls’We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean Combs Accused of Sexual Misconduct by Music Producer

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      Rodney Jones Jr. filed a federal lawsuit on Monday that says the hip-hop mogul made unwanted sexual contact while they worked on an album. A lawyer for Mr. Combs denied the allegations.Sean Combs was sued on Monday by a music producer who accused the hip-hop mogul of making unwanted sexual contact and of forcing him to hire prostitutes and participate in sex acts with them.The latest misconduct allegation against Mr. Combs was filed in Federal District Court in Manhattan by Rodney Jones Jr., also known as Lil Rod. In 2022 and 2023, Mr. Jones says in his suit, he worked on what became “The Love Album: Off the Grid,” the latest album by Mr. Combs, the hip-hop and R&B impresario who has variously been known as Puff Daddy and P. Diddy. Mr. Jones says he served as a producer on nine of the album’s tracks and lived with Mr. Combs for months at a time.While working on “The Love Album,” Mr. Jones says in his complaint that Mr. Combs grabbed his genitals without consent, and that he also tried to “groom” Mr. Jones into having sex with another man, telling him it was “a normal practice in the music industry.”In a statement, Shawn Holley, a lawyer for Mr. Combs, said: “Lil Rod is nothing more than a liar who filed a $30 billion lawsuit shamelessly looking for an undeserved payday. His reckless name-dropping about events that are pure fiction and simply did not happen is nothing more than a transparent attempt to garner headlines. We have overwhelming, indisputable proof that his claims are complete lies.”According to Mr. Jones’s complaint, at a listening party in July 2023 at Mr. Combs’s home in California, he was forced to drink shots of tequila laced with drugs, though the legal papers do not specify who offered him the shots or how he was forced. In the suit, Mr. Jones says that after he had the drink, he passed out and awoke “at 4 a.m. the following morning naked with a sex worker sleeping next to him.”According to the suit, Mr. Combs also forced Mr. Jones to “solicit sex workers and perform sex acts to the pleasure of Mr. Combs.” To induce him, Mr. Jones says, Mr. Combs offered him money and also threatened him with violence.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      SZA’s ‘Saturn,’ and 8 More New Songs

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      Hear tracks by Rhiannon Giddens, Norah Jones, Les Amazones d’Afrique and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes), and sign up for The Amplifier, a twice-weekly guide to new and old songs.SZA, ‘Saturn’The song SZA introduced in a commercial during the Grammy Awards, “Saturn,” has now been separated from its credit-card plug and released to streaming services in multiple versions; one, the sped-up version, brings out its clear pop structure. But the real-time version is better. The song is about a longing for the better place that her karma has earned: “Stuck in this paradigm/Don’t believe in paradise,” she sings. Arpeggios glimmer around her; a boom-bap beat brings an undertow. Her vocal lines argue with the beat as she joins generations of Afrofuturists like Sun Ra, looking beyond Earth and insisting, “There’s got to be more.” JON PARELESLes Amazones d’Afrique, ‘Musow Danse’“Musow Danse” (“Women’s Dance”) is the title track of the jubilant new album by Les Amazones D’Afrique: a Pan-African, proudly multilingual alliance of singers and songwriters carrying feminist messages to dance floors. “Musow Danse” is propelled by gritty distorted electronics and traditional drumming; it features Mamani Keïta from Mali, Fafa Ruffino from Benin, Dobet Gnahoré from the Ivory Coast and Kandy Guira from Mali, singing (respectively) in Bambara, Fon, Bété and Mooré, and sharing the chorus, “Rise up African woman!” PARELESA.G. Cook, ‘Britpop’We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ye Has a No. 1 Album for the 11th Time With ‘Vultures 1’

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      The rapper’s collaboration LP with Ty Dolla Sign debuted atop the Billboard 200 with the equivalent of 148,000 in sales.A year and a half ago, the career of Ye — the rapper, producer and controversy generator formerly known as Kanye West — seemed all but dead. After a series of antisemitic remarks in late 2022, Ye lost his major-label record deal and booking agent, along with lucrative fashion partnerships with Adidas, Balenciaga and other brands.But he was never quite abandoned by many of his fans. And now Ye has the 11th No. 1 album of his career with “Vultures 1,” a joint LP with the singer Ty Dolla Sign that Ye released on his own, after previewing it this month with arena events in Chicago and Long Island where tickets went for $140 and up. Ye and Ty Dolla Sign’s new LP beats “Coming Home,” the comeback release by Usher, who had perhaps the greatest platform available to any performer: the Super Bowl halftime show.Ye had been teasing “Vultures 1” since late last year, and, fitting a pattern that long preceded his recent industry-pariah status, the album’s rollout was stumbling and chaotic. After its release to digital services following a listening event on Feb. 9, the LP’s availability briefly flickered, and Ye was quickly accused of borrowing music by Black Sabbath and Donna Summer without permission.Last week, “Vultures 1” again disappeared for a short time from Apple Music and was made unavailable as a download, while behind the scenes there was a switch in the distribution platform that Ye’s brand YZY used to supply the album to digital services. The song “Good (Don’t Die),” which appears to borrow a melody from Summer’s hit “I Feel Love,” was also removed from online versions of the album.“Vultures 1” ended its first week with the equivalent of 148,000 sales in the United States, which includes 168 million streams and 18,000 copies sold as a complete package, according to the tracking service Luminate. It is Ye’s first No. 1 album since “Donda” in 2021.Usher scores his highest-charting album in 12 years, with “Coming Home” arriving at No. 2 after the R&B veteran’s performance at the Super Bowl on Feb. 11, with guests including Alicia Keys, Lil Jon and Ludacris. “Coming Home,” also released independently, had the equivalent of 91,000 sales, including 46 million streams and 53,000 traditional sales. Usher’s last studio album, “Hard II Love,” went to No. 5 in 2016, and “Looking 4 Myself” reached No. 1 in 2012.Also this week, Noah Kahan’s “Stick Season” is No. 3, Morgan Wallen’s “One Thing at a Time” is No. 4 and SZA’s “SOS” is No. 5. More

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      8 Crush Songs for Valentine’s Day

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      Hear tracks by Frank Ocean, Alicia Keys and of course, the Jets.Frank Ocean.Angela Weiss/Agence France-Presse — Getty ImagesDear listeners,Tomorrow is Valentine’s Day, but for today’s playlist I wanted to give you something more specific than a collection of love songs. (For one thing, that mix would be approximately three billion tracks long.) Here, instead, is a playlist of crush songs.How exactly to define a crush? I’m glad you asked, because earlier this week The Times published an entertaining history of the word’s etymological evolution. For all the experts consulted in the piece, I most appreciated the definition offered by one reporter’s 7-year-old daughter: A crush “means you are in love with someone but the other person doesn’t know.” She added, “If you walk past them, all your blood goes up to your head, and it feels so startling.”Naturally, this state of being has provided inspiration for all sorts of notable songwriters, like Bruce Springsteen, Frank Ocean and Alicia Keys. As you’ll hear on this playlist, though, crush songs run the emotional gamut from painfully heart-wrenching to light and flirty, sometimes even with a bit of self-deprecating humor thrown in.Valentine’s Day is too often considered a holiday only for those already lucky and content in love. But if you’ve got your eye on someone special and haven’t let them know yet, or if you’re just trying to ride things out until you catch the ick and are finally liberated, let this playlist be your soundtrack. Consider it a candy heart from me to you. Crank it up and get ready to pine.Got a beach house I could sell you in Idaho,LindsayListen along while you read.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Rock & Roll Hall of Fame Nominees Include Cher, Mariah Carey and More

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      Oasis and Sade will appear on the ballot for the first time, alongside Dave Matthews Band, A Tribe Called Quest, Mary J. Blige and others.Cher, Mariah Carey, Sinead O’Connor, Oasis and Sade are among the first-time nominees for the Rock & Roll Hall of Fame’s class of 2024, which were revealed Saturday.Other new names on the hall’s short list include Foreigner, Peter Frampton, Kool & the Gang and Lenny Kravitz. Also on the list are Dave Matthews Band, Mary J. Blige, Jane’s Addiction, A Tribe Called Quest and Eric B. & Rakim, each of whom has been nominated at least once before. Ozzy Osbourne, who is already part of the pantheon as a member of Black Sabbath, has gotten the nod as a solo artist for the first time.“This remarkable list of nominees reflects the diverse artists and music that the Rock & Roll Hall of Fame honors and celebrates,” John Sykes, the chairman of the Rock & Roll Hall of Fame Foundation, said in a statement. “Continuing in the true spirit of rock ’n’ roll, these artists have created their own sounds that have impacted generations and influenced countless others that have followed in their footsteps.”The 15 cited artists are the first batch of nominees since the abrupt departure last year of Jann Wenner, the Rolling Stone editor and co-founder of the Rock Hall, who had long held a powerful sway over the awards process.In September, Wenner was ejected from the hall’s governing board just one day after the publication of an interview in The New York Times in which he justified the subjects for his interview collection “The Masters” — all of them white and male — with comments that were widely condemned as racist and misogynistic. Female artists like Joni Mitchell, he said, were not “philosophers of rock,” and Black performers like Stevie Wonder and Marvin Gaye “just didn’t articulate at that level.”It is also a little more than a year after Jon Landau, the former Rolling Stone critic who became Bruce Springsteen’s producer and manager, stepped down from his longtime perch as the chairman of the hall’s deliberately secretive nominating committee.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Henry Fambrough, Last of the Original Spinners, Dies at 85

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      He was a mainstay of the group that was known for hits like “Could It Be I’m Falling Love,” from its inception in 1954 until his retirement last year.Henry Fambrough, the last surviving original member of the hit-making R&B vocal group the Spinners, died on Wednesday at his home in Herndon, Va. He was 85.His death was announced by a spokeswoman for the group, Tanisha Jackson. She did not specify a cause.Mr. Fambrough died less than a year after he announced his retirement, and just a few months after the Spinners’ classic 1970s lineup of Mr. Fambrough, Billy Henderson, Pervis Jackson, Bobbie Smith, Philippé Wynne and John Edwards was inducted into the Rock & Roll Hall of Fame.That same year, the group donated 375 of its performance outfits to the Motown Museum in Detroit. Touring Motown’s Studio A that day, Mr. Fambrough told reporters that he “used to dream about this place” before the Spinners began recording there in the 1960s — and that he sometimes had to convince his wife that he was going to the studio when he left the house in the middle of the night.The Spinners in an undated photo, from left: Bobby Smith, Billy Henderson, Pervis Jackson, Mr. Fambrough and Philippé Wynne.Echoes/Redferns via Getty ImagesOriginally known as the Domingoes, the Spinners were formed in 1954 in Ferndale, Mich., a northern suburb of Detroit. The group joined the Motown roster a decade later but had only one big hit for the label, “It’s a Shame,” which was co-written and produced by Stevie Wonder and peaked at No. 14 on the Billboard Hot 100 in 1970.They hit their artistic and commercial stride after they signed with Atlantic Records in 1972 and began working with the producer Thom Bell. The ensuing string of hits began with the Top 10 singles “I’ll Be Around” and “Could It Be I’m Falling in Love” and included “Then Came You,” a collaboration with Dionne Warwick that reached No. 1 on the Hot 100 in 1974. Their last hit was a medley of “Cupid” and “I’ve Loved You for a Long Time” in 1980.The Spinners were nominated for six Grammy Awards, though they never won. They were inducted into the National Rhythm & Blues Hall of Fame in 2015.Mr. Smith and Mr. Wynne handled most of the group’s lead vocals, but Mr. Fambrough took or shared the spotlight on a few songs, notably “Ghetto Child,” a No. 4 R&B hit in 1973.Henry Lee Fambrough was born in Detroit on May 10, 1938. His survivors include his wife of 52 years, Norma Fambrough; a daughter, Heather Williams; and a sister, Martha.Like many other groups of their era who no longer have any original members, the Spinners have continued touring. After Mr. Fambrough announced his retirement in April 2023, he said in a statement: “The Spinners are still here and still singing for our people who want to hear us. And that’s not going to change. We’ll still be there for them.”The New York Times contributed reporting. More

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      Usher’s Biggest Songs and Career Highlights: A Super Bowl Guide

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      The singer will perform at halftime of the N.F.L.’s championship game in Las Vegas on the heels of his popular career-spanning residency and the release of a new album.Usher’s “My Way” residency, which began in 2021 in Las Vegas (the town where Frank Sinatra himself once gallivanted), had the R&B singer courting celebrities and viral social media moments for 100 consecutive sold-out shows. The staging was energetic, replete with roller skates and stripper poles.But spectacle wasn’t the only draw. Usher, 45, used the retrospective to showcase the hallmarks of his 30-year music career: pristine vocals, polished but effortless dance moves and heart-melting charm in the tradition of his idols Sammy Davis Jr. and Ben Vereen, his godfather. It’s appropriate, then, that on Feb. 11 the eight-time Grammy winner will perform the halftime show at Super Bowl LVIII in Las Vegas, days after he’s slated to release his ninth studio album “Coming Home,” which he called a “love letter to the legacy of my career.” Here are the eras that have defined Usher’s career.1988-1994New Jack Swing BeginningsAfter starting out in his church choir, Usher began singing professionally at age 10 with an R&B group in his hometown, Chattanooga, Tenn. A solo performance on “Star Search” in 1991 landed him an audition with the LaFace Records co-founder L.A. Reid, who signed him to the label based in Atlanta. Usher moved there at age 12 and worked under the tutelage of producer Sean “Puff Daddy” Combs, who had developed Jodeci and Mary J. Blige. More