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    Inside the 2023 Tony Awards After-Parties

    Spirited celebrations that included a block party in Washington Heights and a gathering at the Carlyle Hotel extended past 4 a.m.It wasn’t hard to spot J. Harrison Ghee at the official Tony Awards after-party outside the United Palace theater in Washington Heights on Sunday night — they towered over much of the crowd in a vibrant blue gown, with a statuette in hand and a trail of well-wishers close behind. After their groundbreaking win for best leading actor in a musical — they became the first out nonbinary performer to win in the category — the gown color, it seemed, was fortuitous.“I felt like this is such a Cinderella moment,” they said.Hundreds of the ceremony’s attendees spilled out, shortly after 11 p.m., almost directly into the party: a tented extension of the fuchsia carpet and its lush floral backdrop, with catering that reflected both the culinary traditions of the neighborhood’s surrounding communities (paella, ceviche, mango on sticks) and also the immediate hunger of nominees who had sat snackless for hours. (About 800 hamburgers from Shake Shack were gone within 90 minutes.)Suzan-Lori Parks, left, with LaChanze at the after-party near the United Palace theater. Jutharat Pinyodoonyachet for The New York TimesThe Tonys, which celebrate Broadway’s best plays and musicals, were held uptown for the first time this year at the United Palace — an ornate movie house at 176th Street in Washington Heights, nearly eight miles north of Times Square. The theater is tucked within the largely Dominican neighborhood where Lin-Manuel Miranda shot the 2021 film adaptation of his musical “In the Heights.”“To show off one of the cultural gems of the city to a national audience is super exciting,” Heather Hitchens, the president and chief executive of the American Theater Wing, which puts on the Tonys with the Broadway League, said in an interview on Saturday.“The after-party is always important, but to celebrate that we made it through a season and we gave some awards out and actually had a telecast?” she said, continuing, “We haven’t been able to do that for so long.”Sunday’s ceremony was certainly an unusual one. With the Writers Guild of America still on strike, the show featured unscripted commentary from presenters, abundant musical performances from the year’s productions — plus Lea Michele’s rendition of “Don’t Rain on My Parade” from last season’s “Funny Girl” — and a wordless opening dance number by Ariana DeBose, the show’s host.Kelli O’Hara, a presenter at the Tonys, at the party in Washington Heights. Jutharat Pinyodoonyachet for The New York TimesAbout 800 hamburgers from Shake Shack disappeared within 90 minutes at the after-party outside the United Palace.Jutharat Pinyodoonyachet for The New York TimesBowls of Frosted Flakes were scattered around the official after-party. Tony the Tiger attended the Tonys this year.Jutharat Pinyodoonyachet for The New York Times“Ariana DeBose,” Wayne Brady, who is set to star in the 2024 Broadway revival of “The Wiz,” said later in the evening, shaking his head. “She was tremendous. She can improvise like no one’s business.”“It went so smoothly,” said Bonnie Milligan, a Tony Award winner for best featured actress in a musical for her performance as a scheming aunt in the offbeat musical “Kimberly Akimbo,” which was the top winner of the night with five trophies overall. “So many people were able to speak in solidarity with the strike.”With a long list of celebrations still ahead, many of the night’s winners and nominees stayed at the official after-party only briefly before moving on to smaller soirees hosted by individual productions across the city.Myles Frost, last year’s winner for best leading actor in a musical for playing Michael Jackson in “MJ,” at the official after-party. Jutharat Pinyodoonyachet for The New York TimesJulia Lester, a nominee for her turn as Little Red Riding Hood in the revival of “Into the Woods,” was leaving with her father as many attendees were still arriving. Ms. Lester said she was “just seeing where the night takes me.” She wore a voluminous green ball gown, sheer elbow-length gloves, a black choker and a bow in her red curly hair. “I’m wearing a hoop skirt, so I can’t do that much. Sitting down was a nightmare.”Jordan Roth, the president of Jujamcyn Theaters, donned a sparkling scarlet outfit meant to elicit, he said, “Big Red Riding Hood.” His after-party plans, he added, would extend “until the hood falls off, which is literally impossible. It’s pinned, glued, sewn — I probably won’t be able to take it off to go to sleep.”The event at the Carlyle Hotel, hosted by the theater publicist Rick Miramontez and the producer John Gore, picked up after midnight. Rebecca Smeyne for The New York TimesBy 12:30 a.m., many had left the official after-party, and most of the nominees began heading to the Carlyle Hotel on the Upper East Side, where the theater publicist Rick Miramontez — dressed in a white blazer with red-and-white striped shorts — was hosting his famed late-night shindig for several hundred guests with the producer John Gore.“This is the party,” Mr. Brady proclaimed from a couch nestled alongside an open bar near the hotel’s entrance.Kolton Krouse, who starred in a recent revival of “Bob Fosse’s Dancin’” and uses the pronouns they and them, also opted for business-on-top-party-on-the-bottom, sporting a black blazer that barely covered their torso atop gold heels.Bonnie Milligan, left, who won the Tony for best featured actress in a musical, and Miriam Silverman, who won for best featured actress in a play, at the Carlyle Hotel.Rebecca Smeyne for The New York TimesVictoria Clark, who won the Tony for best leading actress in a musical for her role in “Kimberly Akimbo,” at the Carlyle party.Rebecca Smeyne for The New York TimesJessica Chastain, with her grandmother Marilyn Herst, whom the actress said she brings to “all the parties.”Rebecca Smeyne for The New York Times“Congratulations!” they said, lunging to stop Jessica Chastain, who was wearing a caped, sunshine-yellow Gucci gown, her long red hair in a high ponytail, as she swept in around 12:30 a.m. — accompanied by her grandmother, Marilyn Herst.“I bring her with me to all the parties,” said Ms. Chastain, who was nominated for best leading actress in a play for her performance as the housewife Nora Helmer in Jamie Lloyd’s bare-bones revival of “A Doll’s House.”The English actress Jodie Comer had won the category for her performance as a lawyer who defends men accused of sexual assault in the one-woman show “Prima Facie,” but you would not know it by Ms. Chastain’s cadre of photographers, who temporarily clogged the passageway between the upper lounge and a bar area, and a receiving line of those congratulating the actress after the play’s final performance this past weekend.“I hope it’s not over forever,” Ms. Chastain said as shutters clicked away.Alex Newell, left, and J. Harrison Ghee at the Carlyle, hours after becoming two of the first out nonbinary performers to win a Tony Award.Rebecca Smeyne for The New York TimesJordan Roth, the president of Jujamcyn Theaters, at the Carlyle. His after-party plans would extend “until the hood falls off,” he said.Rebecca Smeyne for The New York TimesBuckets of Moet & Chandon champagne were placed around the room, while waiters in white blazers ferried silver trays of sliders and cartons of French fries around four rooms. On side tables sat slender trays of nuts and chips, which nominees appreciatively munched.In a back room alongside a bar, a cabaret singer crooned Frank Sinatra’s “Nice ‘n’ Easy” accompanied by a pianist and a cellist. (The Tony-winning soprano Kelli O’Hara, in a feathery white gown, bopped to the music.)Julia Lester, a nominee for “Into the Woods,” arriving at the Carlyle party, hoop skirt and all.Rebecca Smeyne for The New York TimesBen Platt and Micaela Diamond, the stars of “Parade,” at the Carlyle.Rebecca Smeyne for The New York TimesZachary Prince, left, with Brandon Uranowitz, who won a Tony for best featured actor in a play for his role in “Leopoldstadt.”Rebecca Smeyne for The New York TimesThe party began to pick up around 1 a.m. Ben Platt, accompanied by his fiancé, Noah Galvin, in a matching black suit, got a hug from Micaela Diamond, his co-star in “Parade,” which won best revival of a musical. Ms. Lester — whose night had apparently taken her to the Carlyle — was deep in conversation in a corner with Julie Benko, the “Funny Girl” alternate for Michele’s Fanny Brice.Attendees discussed the beauty of the United Palace, a dazzling remnant of the golden age of cinema, which many had been inside for the first time that night.“I am so in love with that house,” Mr. Brady said.Natasha Katz, who won the Tony for best lighting design for her work on the Josh Groban-led “Sweeney Todd” revival, received a hug at the Carlyle.Rebecca Smeyne for The New York TimesShortly before 3 a.m., many of the performers began heading out, though the party would last until after 4 a.m.“I’m excited to have a shot at the Tonys next year,” Mr. Brady, “The Wiz” star-to-be, said around 2:30 a.m., before heading for the door.“In the bigger sense, I’m excited about making history with such a melanated cast, a mostly Black creative team.” More

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    Broadway and West End Theater Owners Agree to Join Forces

    A major British theater company, Ambassador Theater Group, says it is “combining operations” with Jujamcyn, the smallest of Broadway’s three big landlords.Jujamcyn Theaters, the smallest of the three big Broadway landlords, is combining its operations with a large British company, the Ambassador Theater Group, or A.T.G.The transaction, confirmed Tuesday by Jujamcyn and International Entertainment Holdings Limited, which is A.T.G.’s parent company, would give A.T.G., which already operates two of the 41 Broadway houses, a more sizable foothold in the heart of America’s theater industry, and would give Jordan Roth, the Jujamcyn president, more resources for showcasing his creative ambitions. Jujamcyn operates five Broadway houses; A.T.G. has 58 venues in Britain, Germany, and the United States.The companies said that the transaction is subject to regulatory approval, but did not say by what entity and in which country. No financial terms were specified.Roth, one of the most colorful characters on Broadway’s business side, will become the creative director of the combined company and its largest individual shareholder, with a seat on the board. There are also significant institutional shareholders: A large Rhode Island-based private equity firm, Providence Equity Partners, has for the last decade been A.T.G.’s majority shareholder, and at the height of the pandemic, when theaters were being financially squeezed by a lengthy shutdown, an Australian company, T.E.G., acquired a minority share of the company.Roth, the 47-year-old son of the real estate titan Steven Roth and the Broadway producer Daryl Roth, has been a singular force in a staid industry, with a disruptive emphasis on customer service in his theaters, a fondness for couture, an exuberant presence on social media, and left-leaning politics sharply at odds with those of his Trump-supporting father.The transaction portends a potential shift from the quirky to the corporate: A.T.G. is a large company, run by a former wine industry executive, Mark Cornell, who will remain as chief executive of the combined company. A.T.G. is fundamentally British, which could be a cause for concern on Broadway, where there is occasional worry about too many London shows — often developed with British government support — swamping work by American theater artists. (After Second Stage Theater, a nonprofit that focuses on work by living American writers, finally acquired a Broadway house in 2015, its artistic director, Carole Rothman, proudly proclaimed that her organization’s Broadway programming would feature “No Brits.”)The companies, which would not make anyone available for comment, did not describe the transaction as either an acquisition or a merger, and it is not immediately clear what “combining operations” will mean for the employees or operations at the five Jujamcyn houses or the two A.T.G. Broadway houses.The Jujamcyn theaters include the Eugene O’Neill, which is the long-term home of “The Book of Mormon,” as well as the Al Hirschfeld (“Moulin Rouge!”), the Walter Kerr (“Hadestown”), the August Wilson (“Funny Girl”) and the St. James (awaiting a new musical called “New York, New York”). Roth is expected to continue to decide what shows run in those five theaters, and he has previously shown a strong interest in work by American writers: Four of the five current Jujamcyn musicals have American origins; “Moulin Rouge!” has Australian roots, but the stage musical was developed in the United States.A.T.G. has an ambitious Broadway track record thus far. The company has for a decade operated one of the biggest Broadway houses, the Lyric, which, lavishly reconfigured for 1,622 seats, has for the last five years been home to “Harry Potter and the Cursed Child.” A.T.G. has since 2017 also operated one of Broadway’s smaller houses, the Hudson, which with just under 1,000 seats often presents plays; the latest, a revival of “A Doll’s House” starring Jessica Chastain, began previews Monday night. Among the hallmarks of the company’s Broadway presence: fancier food and drink than at most of the American-operated houses.Notably, both “Harry Potter and the Cursed Child” and “A Doll’s House” are produced by companies financed by A.T.G. A lead producer of “Cursed Child” is Sonia Friedman, a prolific and powerful London-based producer whose production company is an A.T.G. affiliate; the director of “A Doll’s House” is Jamie Lloyd, a British director whose production company is also affiliated with the group. (Friedman is also a lead producer of “Funny Girl” and “New York, New York,” both running at Jujamcyn theaters.)The combination of A.T.G. and Jujamcyn — it is not clear what the amalgamated venture will be called — will still be the smallest of the three big Broadway landlords, but now with seven of the 41 theaters. The Shubert Organization has 17 theaters and the Nederlander Organization has nine. Six theaters are operated by nonprofits, one by Disney, and one (Circle in the Square) is independently owned.Jujamcyn, founded in the late 1950s, was named for Judy, James and Cynthia Binger, the grandchildren of the company’s founder. The Binger family sold the company to Rocco Landesman in 2005; Jordan Roth bought a stake in the company in 2009.Roth has been an activist theater owner. In the buildings, he has overseen everything from a redesign of the ice cubes (to reduce the clinking noise) to bringing in a new ticket seller, SeatGeek, to manage ticket sales.He has presented multiple hit shows, among the biggest of which has been “The Book of Mormon,” which has been running since 2011. He also landed “Springsteen on Broadway,” an enormously successful Bruce Springsteen concert show that had runs both before and after the pandemic shutdown.Roth has also been active as a producer, most recently transferring a concert-style production of “Into the Woods” from City Center to the St. James; he was also a producer of the Tony-winning 2018 revival of “Angels in America.”A.T.G. has been expanding its presence in the United States, where it now owns, operates or manages 16 theaters, including not only the two Broadway houses, but also the King’s Theater in Brooklyn, the Colonial Theater in Boston, and theaters in Detroit, New Orleans, San Antonio, San Francisco and Sugar Land, Texas. More