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    ‘Scoop’ and Prince Andrew’s Newsnight Interview: What to Know

    A new Netflix film dramatizes the 2019 BBC conversation that led to the royal stepping back from public life.When Prince Andrew, Queen Elizabeth II’s second son, agreed to be interviewed on the BBC in November 2019, he likely didn’t expect it would one day inspire a feature film. But “Scoop,” which comes to Netflix on Friday, follows a TV musical and a documentary in depicting the 58-minute interview and its fallout. (Amazon is also producing an upcoming limited series.)In the explosive conversation, Prince Andrew discussed his friendship with the financier and convicted sex offender Jeffrey Epstein, and denied allegations that he had sex with a 17-year-old girl. Viewers were appalled by his comments, and British and international news media characterized the appearance as a PR disaster. In the following days, Prince Andrew announced he would step back from public life.Though the interview was conducted by the journalist Emily Maitlis, “Scoop” emphasizes the work of Sam McAlister, the producer who secured it. The Netflix film is based on McAlister’s memoir, “Scoops: Behind the Scenes of the BBC’s Most Shocking Interviews,” which was published in 2022.Here’s what else to know about the interview and its fallout.Why did the interview take place?When Maitlis asked Prince Andrew on-camera why it was the right time to “speak out” and give a rare public interview, he replied: “Because there is no good time to talk about Mr. Epstein and all things associated.”By November 2019, Prince Andrew was widely acknowledged as one of Epstein’s friends, with whom he was known to have vacationed and partied. In a 2015 civil case, Virginia Roberts Giuffre accused Epstein of forcing her to have sexual relations with Prince Andrew when she was 17. Buckingham Palace denied the accusation.Sewell, and Gillian Anderson as Emily Maitlis, in “Scoop.”Peter Mountain/NetflixWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Ira von Fürstenberg, Jet-Setting Princess and Actress, Dies at 83

    With her aristocratic lineage, high-profile husbands and famous friends, she embodied a chic life of luxury as an international social figure.Ira von Fürstenberg, who came as close as one can get to having it all as an Italian-born princess descended from Charlemagne, an heiress to the Fiat fortune, a Vogue model, a big-screen ingénue and a globe-trotting bon vivant, died on Feb. 19 at her home in Rome. She was 83.Her son, Hubertus von Hohenlohe, said she died after breaking ribs and perforating her lungs in a domestic accident.Blending the gilded privilege of the old-world European aristocracy with the élan of the midcentury film and fashion peerage, Ms. von Fürstenberg seemingly defined the term “jet setter,” bouncing between homes in Rome, London, Paris and Madrid and on Lake Geneva.“My only real home is on airplanes,” she said. “I spend so much time going from country to country that my children suspect that I’m really a flight attendant.”She shared a surname with the renowned fashion designer Diane von Fürstenberg, who married the princess’s fashion designer brother, Egon, in 1969. “When I first met Egon, she was the famous sister,” Diane told Women’s Wear Daily last month. “She had gotten married in Venice and was a movie star.”Ms. von Fürstenberg in Monte Carlo in 2007. Descended from Charlemagne and the founder of Fiat, she lived a lavish life, including as an actress, model, artist and fashion executive.Hubertus von HohenloheWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The Crown’ Auction Could Help You Live Like a Queen

    Bonhams is selling hundreds of costumes and props from “The Crown,” including a horse-drawn carriage, robes of state and the queen’s bed.Despite all the scandals and tragedies, the royal lifestyle in “The Crown” looked enviably lavish.During six seasons, Queen Elizabeth II rode around London in a golden carriage, pulled by six horses. Princess Diana gallivanted, and moped, her way across Europe in a succession of designer outfits. For special occasions, the royals donned crowns and ermine robes.For most viewers, watching the show, which ended in December, was the closest they could get to the trappings of royal life.Until now. Sort of.On Feb. 7, the auction house Bonhams is scheduled to offer hundreds of items from “The Crown” in London, including intricate set pieces like a full-size replica of the golden state coach (with an estimated price of up to 50,000 pounds, or $63,000), as well as more affordable props that gave “The Crown” an air of authenticity. Those include two porcelain corgis that appeared on the queen’s writing desk ($380) and the Queen Mother’s drinks tray and champagne swizzle stick ($101).Some items look set to be bargains — relatively speaking. One of Princess Diana’s real dresses sold last year for more than $1 million, and her “revenge dress” — the black evening gown that she wore on the evening that Prince Charles admitted, on national television, to cheating on her — once fetched $74,000. The version of the revenge dress that Elizabeth Debicki wears on “The Crown” has an estimated lot price of $10,000 to $15,000 in the Bonhams sale.In interviews, three members of the show’s costume and set departments discussed some of the auction’s key lots. Below are edited excerpts from the conversations.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Leave the Poor Princess Alone

    There she is in her pink suit, pearl earrings and feathered shag.There she is with her upcast eyes, unknowable sorrow and perfect sympathy.There she is, that candle in the wind someone keeps relighting.Though killed in a car crash in 1997, Diana, Princess of Wales, turns up everywhere today, in plays, on television, in movies and even musicals. She’s entertainment gold: the perfect combo of stardom, tragedy and unanswerability.Which makes her, like a Dickens novel, public domain.In the last two years alone, I’ve spent more time with her than I did in the 36 she was alive. I saw her in a play called “Casey and Diana,” produced by the Stratford Festival in Ontario and now available to stream on Stratfest@Home. She was a spectral presence Off Broadway in “Dodi & Diana,” a marital drama that hijacked her story to lend oomph to its own.The 2021 film “Spencer,” which I rewatched on Hulu over New Year’s, did much the same thing, trying to wring some ichor of glamour out of her corpse. On television, “The Crown” hung the breathless first half of its final season on the buildup to the crash, blithely making stuff up where the record is thin. (Netflix justified it as “fictional dramatization.”) And what can one say about “Diana, the Musical,” which had a brief run on Broadway in 2021 (but an ongoing one on Netflix), except that it, too, died in a disaster?Reader, I cried at them all. (The musical because it was so bad.) I am thus part of the problem of her exploitation, seeking out more Diana content when there’s little left to say. Doing so establishes a kind of contract with the culture: In return for feeding my “feelings” about a celebrity, the culture has my proxy to do so however it pleases.But what right do I or any of us have to feelings about Diana in the first place? Quite profoundly we did not know her, any more than most of us knew pop-biography grab bags like Elvis Presley, Judy Garland, J. Robert Oppenheimer and Leonard Bernstein, all of them falsified, fudged or “interpreted” in recent movies. History is not the point in such efforts, it is the impediment.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    ‘The Crown’ and What the U.K. Royal Family Would Like Us to Forget

    Netflix’s sprawling drama has never been about revealing anything new, but instead speaks to several furtive truths about the British monarchy.Over the last seven years, “The Crown” has been criticized by numerous prominent Britons on behalf of their royal family.After former Prime Minister John Major described the show as a “barrel-load of nonsense,” and the actress Judi Dench — who is friends with Queen Camilla — accused it of “crude sensationalism” in 2022, Netflix labeled the show a “fictional dramatization.” But these complaints misunderstood the sprawling drama’s appeal for many British fans and, for the real royal family, its usefulness.The show has never been about revealing anything new. Instead, it has resurfaced what the royal family would most like us to forget. “The Crown” has, over six seasons, spoken to several furtive British truths: the public perception of the monarchy, the self-preservation strategies of a family preoccupied with becoming irrelevant and the family’s rigorous quashing of internal dissent.In Seasons 1 and 2, Matt Smith played Prince Philip and Claire Foy was Queen Elizabeth II. Des Willie/NetflixThe glossy dramatization of these truths is partly why the popularity of “The Crown” has endured, finding an audience in Britain even among people who want to end the monarchy or are indifferent to it. I am one of the former.On the show’s premiere in 2016, I was captivated by Claire Foy’s depiction of a young Elizabeth thrust onto the throne prematurely following tragedy, entertained by Olivia Colman’s more confident queen who had more challenging relationships with her prime ministers, and have stayed loyal to her story as Imelda Staunton closes off “The Crown” as a pious matriarch and meddling parent.Much of the show has been devoted to the royals’ romantic woes, but over the years I have been more interested in its depiction of the extent the crown will go to protect its power and traditions.In Season 4, Diana Spencer (Emma Corrin) begins her unhappy marriage to Prince Charles. Des Willie/NetflixThis was clear in episodes in which Elizabeth, as a princess, traveled to Kenya to try to counter the country’s independence movement (Season 1); the family hid the queen’s disabled cousins, Nerissa and Katherine Bowes-Lyon, in an institution (Season 4); and a 20-year-old Diana becomes trapped in a loveless marriage so that the future king can have a chaste-seeming bride (Season 4).Still, the show has often neglected to explore the monarchy’s true wealth and political influence. The crown’s real estate portfolio is valued at 16.5 billion pounds ($21 billion), and the monarch enjoys a broad exemption from most taxes, as well as many other laws. Under official rules, members of the royal family must not be criticized in Parliament, even as, according to a report from The Guardian, Charles has written directly to the country’s top politicians to ask for changes to national policy.In June 1981, members of Britain’s royal family gathered on the balcony of Buckingham Palace in London after attending an annual parade to celebrate the monarch’s birthday. Bob Dear/Associated PressIn Britain, what the public sees of the royal family is carefully stage-managed: We are presented with recorded Christmas broadcasts and gentle waves from chariots and balconies to fawn over as we wave our little Union Jacks. The “Palace,” as the royal institution is known, would like us to know the family through their carefully curated charity work, patronage, garden parties, weddings and jubilees.So there is something thrilling about the depiction of such a powerful family onscreen without their control. It’s the same pleasure that many of us will have gotten from watching Oprah’s interview by Prince Harry and his wife, Meghan, or reading Harry’s memoir, “Spare.”Britons eager for an unvarnished view of the royal family have, in previous decades, pored over the intrusive paparazzi shots of Princess Diana on a yacht or Sarah Ferguson, the Duchess of York, having her toes sucked on vacation. But because “The Crown” is a “fictional dramatization,” it can be enjoyed guilt-free, without having to engage with the sleaze of Britain’s tabloid newspapers.Prince Charles (Dominic West) and Camilla Parker Bowles (Olivia Williams) in Season 5.Keith Bernstein/NetflixPerhaps it is no surprise that anonymous sources have relayed accounts of the royal family being upset by a show that dramatizes moments they would rather forget. But this doesn’t take into account the degree to which “The Crown” has humanized the people sitting at the top of Britain’s rigid class system.Louis Staples, a Harper’s Bazaar columnist and frequent commenter on “The Crown,” points out that, these days, “intimacy is one of the most valuable currencies in our culture. When people share with us deeply enough — their flaws, their failures, their ups and downs — we form a connection with them.”Queen Elizabeth was famous for not sharing the messy, human and emotional parts of herself with her public, and for encouraging the rest of her family to do the same. The public relations strategy “never complain, never explain,” considered a core principle of her reign, holds that silence is dignified and public expression damaging.In the final season, the queen asks Prince William (Ed McVey), left, and Prince Harry (Luther Ford) for their thoughts on whether Prince Charles should be able to marry again. NetflixBut story lines on “The Crown” — like the suggestion of infidelity between Prince Philip and Penelope Knatchbull or young William and Harry’s heartache after losing their mother — may have served to humanize people generally kept at a distance from the public.Given that the real existential threat to the royal family is not public hatred, but total irrelevance — especially since the queen’s death — “The Crown” has given the Windsors an invaluable kind of outreach, even if they have had to swallow it like bitter medicine.Once the show has ended and viewers are no longer gripped by discovering the (yes, fictionalized) stories of the real people behind the onscreen characters, the royal family might find themselves wishing for one more season. More

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    ‘The Crown’: The History Behind the Final Episodes

    To close the show’s six-season run, the episodes open in 1997 and depict a heartthrob prince, an offensive party costume, several deaths and a marriage.After seven years of seamlessly blending royal fact and fiction, the second part of “The Crown” Season 6 brings the lavish Netflix show to a close.The final six episodes, which arrived on Thursday, open in 1997, and follow several story lines concerning members of the royal family and aspects of Tony Blair’s tenure as Britain’s prime minister. (Bertie Carvel plays Blair.)A grieving Prince William (Ed McVey) unexpectedly becomes a worldwide heartthrob and falls in love while studying at the University of St. Andrews. The queen (Imelda Staunton) grapples with her own mortality following the loss of her sister, Princess Margaret (Lesley Manville), and the Queen Mother (Marcia Warren), in a short space of time. In the finale, set in 2005, Prince Charles (Dominic West) finally marries his longtime partner, Camilla Parker Bowles (Olivia Williams).Here is a look at what The Times and other news outlets reported at the time. You can find more in the TimesMachine archive browser. (Warning: This feature contains spoilers for Season 6 of “The Crown.”)Episode 5, ‘Willsmania’Prince William (Ed McVey) returns to boarding school soon after the death of his mother. NetflixIn this episode, Prince William returns to school soon after Princess Diana’s funeral. He attended Eton College, the prestigious British boarding school known for educating prime ministers, Nobel laureates and, of course, aristocracy.In April 2017, the British tabloid The Sun reported that William returned to school just four days after the ceremony and received handwritten condolence letters from more than half of his fellow students.On the show, he is also handed a sack of letters from his fans across the globe, especially adoring young women. It is the beginning of the so-called “Willsmania” of the late ’90s, when William became the focus of intense international attention. This new heartthrob status is also made clear when he visits Vancouver with his father and younger brother Harry (Luther Ford), and young women line up to catch a glimpse.Young fans of Prince William cheered and screamed as he visited Vancouver, Canada, in 1998.Tim Graham Photo Library, via Getty ImagesOn June 22, 1998, The Times reported that the trip to Vancouver in March of that year “alerted the palace to what a pinup the 6-foot-1-inch prince with the shock of blond hair, blue eyes and downward looking shy smile so reminiscent of his mother has become to teenage girls.”The following year, Christina Ferrari, the managing editor of Teen People, a youth-focused version of People magazine, told The Times that Will was “an international superstar almost on the level of Leonardo DiCaprio.”Episode 6, ‘Ruritania’In the sixth season, Prime Minister Tony Blair is played by Bertie Carvel.Justin Downing/NetflixIn Episode 6, Queen Elizabeth seems threatened by the public’s positive reception of Blair, the new prime minister. “People really do seem to love him, and see him as a true son of England,” she says, “and a unifying national symbol, in a way they used to see me.”In February 1999, Warren Hoge wrote in The Times that Blair was a “youthful, articulate and visionary leader” and “the most popular prime minister in British history.”On the show, we see Blair telling the queen about his attempts to persuade President Bill Clinton to send troops to Kosovo to drive Serb forces out. The queen is concerned to learn that the prime minister has a new nickname: “King Tony.” According to a Times report from 1999, he was given that sarcastic nickname by attendees of that year’s NATO Summit, because of all the media attention he was getting.Queen Elizabeth and Blair toasting the New Year in London at the turn of the millennium.Pool photo by Tim GrahamAccording to that Times report, Blair made a “grand entrance” in Washington before embarking on a “media blitz” to garner American public support for fighting the Yugoslav president, Slobodan Milosevic. (White House officials said Clinton “did not feel upstaged.”)Episode 7, ‘Alma Mater’Meg Bellamy as Kate Middleton and McVey as Prince William.Justin Downing/NetflixViewers meet an 18-year-old Prince William, who informs journalists that he has met the requirements to attend his chosen college, St. Andrews, where he will go after taking a year off from his studies.In “The Crown,” the prince receives his exam results while with his family, but in reality, he had already left Britain for his year abroad. In video footage by ITN of Prince William at a news conference on Sept. 29, 2000, he told journalists that when he received his results, he was “in the middle of nowhere” in a jungle in Belize.At St. Andrews, the episode follows Kate Middleton (Meg Bellamy) and William as they adjust to university life. Despite William initially dating a woman named Lola Airdale-Cavendish-Kincaid and Middleton a man named Rupert, there is clear romantic chemistry between the pair.According to The Times of London, Prince William dated two women before Kate: Olivia Hunt, who they newspaper called “a brainy sort,” and Carly Massy-Birch, whom “William had a two-week snog with,” according to an anonymous source. Somebody else (also anonymous) told the paper that Kate had apparently dated Rupert Finch, “a handsome Norfolk boy,” whom she met when she arrived at college.Episode 8, ‘Ritz’In a flashback, the young princesses, Elizabeth (Viola Prettejohn), left, and Margaret (Beau Gadsdon), sneak out of Buckingham Palace to celebrate V-E Day.NetflixFlashbacks to the young princesses Margaret (Beau Gadsdon) and Elizabeth (Viola Prettejohn) celebrating the end of World World II on May 8, 1945, or V-E Day, show the pair sneaking out of Buckingham Palace to party among the public on the streets and at the Ritz hotel. An initially shy Elizabeth finds a large group of Americans swing dancing, and she joins in after some initial hesitation.“You dark horse. Who’d have known you could jive,” Margaret says to her older sister on their way back to the palace. “There must have been 50 men chasing you.”In reality, while Margaret and Elizabeth did take to the streets of London to celebrate the war’s end, it seems they had their parents’ permission. In 1985, the queen gave a televised speech to the British public, in which she “for the first time told her subjects how she and Princess Margaret had slipped into the crowds outside Buckingham Palace to join the V-E Day celebrations and had walked for miles through the city,” according to The Times.“I remember we were terrified of being recognized,” Queen Elizabeth is reported to have said.In May 2020, during another televised address, the queen spoke of the “jubilant scenes” the royal family saw from the balcony of Buckingham Palace earlier on V-E Day. “The sense of joy in the crowds who gathered outside and across the country was profound,” she said.Crowds in Piccadilly Circus, in London, celebrating the end of World War II in 1945.F Greaves/Daily Herald Archive/National Science & Media Museum, via Getty ImagesThis episode also follows Princess Margaret’s declining health, and a series of strokes she suffered between 1998 and 2001. The first was at a party on the Caribbean island of Mustique; in a second, in a bathtub, she suffered severe burns; and one more, in her bedroom, left her hospitalized. Margaret died soon after, in February 2002.“The Crown” shows the princess smoking and drinking against her doctor’s orders, but Margaret’s friends have refuted that she lived such a lifestyle. “I have seen far too much suggesting that Margaret was an unashamed hedonist who spent her life partying,” a friend told The Guardian after she died. “It truly misunderstands her.”Margaret’s obituary in The Times describes her as an “attractive and fun-loving” woman who “earned a reputation in her youth as a free spirit.”Episode 9, ‘Hope Street’The Egyptian businessman Mohamed al-Fayed (Salim Daw), who accuses the royal family of murdering Princess Diana.NetflixIn a television interview at the start of the ninth episode, the Egyptian businessman Mohamed al-Fayed (Salim Daw) calls the royal family “gangsters” who intentionally killed Princess Diana and his son, Dodi. Al-Fayed claims that when the “dracular British royal family” discovered that Diana was pregnant “with a Muslim child” — Dodi’s — “they killed her.”In reality, much like the show depicts, al-Fayed gave several interviews over many years in which he accused the royal family of playing a significant role in Princess Diana’s death.In 1998, The Times reported that al-Fayed told the British media that “there was a conspiracy, and I will not rest until I have established exactly what happened”; speaking on “60 Minutes Australia” in 1999, al-Fayed also claimed that MI6, aided by the C.I.A., had been spying on Dodi and Diana; and in a 2007 interview with Al Jazeera English, he called the crash “absolute clear horrendous murder.”The show also shows Operation Paget, a police inquiry that was opened to re-examine the incidents leading up to the car crash that killed the couple. In December 2006, The Times reported that the inquiry took three years, and cost British taxpayers 3.69 million pounds, about $7 million at the time. It concluded that Princess Diana “was killed the way the authorities always said she had been killed: in a car accident, along with her boyfriend, Dodi Fayed, and their driver, Henri Paul,” Sarah Lyall wrote.While the investigation into Diana’s death is ongoing on “The Crown,” Prince William continues his studies at St. Andrews, where the recently single Kate Middleton models in a charity fashion show. The show recreates the sheer dress the real-life Kate wore in 2002 for the college show, a piece designed by Charlotte Todd, who was a college student at the time. In 2011, and following the announcement of William and Kate’s engagement, Todd sold the dress for £78,000, according to The Daily Telegraph (around $125, 000 at the time).“The Crown” recreates the sheer dress Kate Middleton (Meg Bellamy) wore in 2002 for a college fashion show.Justin Downing/NetflixOn the show, soon after William attends the fashion show, the pair start formally dating and move in together, along with two friends. According to The Sun, the couple moved into 13A Hope Street with Olivia Bleasdale and a fellow Etonian, Fergus Boyd.Back at the palace, the queen is dealing with her mother’s death and the Golden Jubilee, an international celebration to mark 50 years of her reign. Elizabeth spends most of the episode worried about a lack of public interest, and whether a crowd will gather for her balcony appearance at Buckingham Palace. She is pleasantly surprised by the masses of people who attend.On June 5, 2002, The Times reported that over one million people cheered outside the gates of the palace for the jubilee. On the same day, The Guardian reported that the event was more successful than both critics and organizers had anticipated.Episode 10, ‘Sleep, Dearie Sleep’In the final episode, the queen contemplates plans for her funeral.NetflixTo wrap the show up, the final episode of “The Crown” finds a way to address the queen’s death — she died in 2022 — while still being set in 2005. We see her planning her own funeral, including choosing the bagpipe lament “Sleep, Dearie Sleep” to play at the funeral.According to The Times of London, it took 20 years to plan the queen’s real funeral, with the task falling to Edward Fitzalan-Howard, the 18th Duke of Norfolk, whose ancestors have been responsible for planning significant royal occasions since 1672. Before the queen’s death, “we had annual meetings in the throne room of Buckingham Palace,” the duke told the newspaper in 2022. “It started off with 20 people; by April this year, it had reached 280. I have had a lot of help from Buckingham Palace staff.”The queen’s personal piper, Paul Burns, did indeed play “Sleep, Dearie Sleep” to close the queen’s funeral on Sept. 19, 2022.Paul Burns playing the bagpipes at Queen Elizabeth’s funeral in 2022.Pool photo by Gareth CattermoleNegative press surrounding Prince Harry during his younger years also gets some screen time. The prince is photographed at a “colonials and natives” costume party, wearing a military outfit with a swastika on the arm, which soon makes front-page news. In the aftermath of the scandal, William and Harry argue about the part each had played in the choice of costume, which the show depicts William encouraging when the brothers shop for their costumes.On Jan. 13, 2005, a photograph of Prince Harry in the outfit, holding a drink and a cigarette, ran on the front page of The Sun. Harry apologized for his unsuitable costume choice in the accompanying article: “I am very sorry if I have caused an offense,” he said. “It was a poor choice of costume.” In his recent memoir, “Spare,” Harry wrote that William and Kate “howled” with laughter when they saw the costume.“The Crown” also portrays Blair’s fall from public grace. He has a new nickname, “Tony Bliar,” because many believed he misled the public over the invasion of Iraq in 2003. That year, The Times reported that at least 750,000 antiwar protesters gathered at a demonstration in London, and noted that Blair had lost the British public’s approval. “I do not seek unpopularity as a badge of honor,” Blair is reported to have said. “But sometimes it is the price of leadership and the cost of conviction.”With the queen’s blessing, Charles and Camilla were finally married in a televised civil wedding ceremony. In April 2005, The Times said: “Given all the twists of fate and circumstance that have conspired against it, perhaps the most wondrous thing about the wedding on Saturday between Prince Charles and Camilla Parker Bowles is that it took place at all.” More

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    Who Is Meg Bellamy, Who Plays Kate Middleton in ‘The Crown’?

    When Meg Bellamy got the call that would change her life — the one telling her that after months of auditions, it was she, among thousands of hopefuls, who would play Kate Middleton in the final season of “The Crown” — she was already standing in the shadow of Windsor Castle. But she wasn’t looking the part of a royal just yet.“I was crouched in costume among the bin lorries of a delivery car park at Legoland,” Ms. Bellamy, 21, said at a London hotel suite last month. “Until that point, my most regular acting gig had been playing a red plastic brick.”In 2022, and with no professional acting experience, she was working as a performer at the theme park when she spotted a casting call on Twitter for the role of Kate Middleton. Competition to play one of the most famous women in the world during her college years was fierce. Thousands of young actresses were posting videos about their auditions. But after a neighbor remarked on her resemblance to Britain’s future queen, Ms. Bellamy, crushed after several drama school rejections schools, decided to try out for the part. Three weeks after sending a tape, she got a call — the first in what would be a several monthslong casting process.“I never really believed I would get the role, not in the beginning anyway,” she said. “But then with every round, I started to feel like I had a real chance, and that it might actually be mine to keep. When it was, I was completely shellshocked.”Now, more than two years after that call, Ms. Bellamy’s trajectory from obscurity to the brink of stardom appears to be well underway. Last week, she appeared on the front of The Daily Telegraph, which used a still from the series that recreated the moment in 2002 when Ms. Middleton, on a charity fashion catwalk in a daringly sheer dress, was rumored to have first turned the head of Prince William.This week, ahead of the release of Part 2 of “The Crown” on Dec. 14, Ms. Bellamy was on the red carpet at the London premiere in a creamy Valentino column gown — 24 hours after attending the Fashion Awards, where she wore a blazer dress with a suit and tie by Huishan Zhang.And for months she has been courted by big fashion names like Gucci and Dior — she attended Dior shows in Paris in July and September — which have a habit of snapping up emerging talent with juicy contracts before they ascend to heights of celebrity. After all, if a fashion house can’t hire the Princess of Wales to sell lipstick and handbags, perhaps the unknown actress playing her to an audience of millions is the next best thing.Ms. Bellamy at a finale celebration of “The Crown” in London this month. “Until last month I’d never been to Hollywood,” she said. “Then I was not just there, but on a red carpet with people shouting my name.”Lia Toby/Getty ImagesMs. Bellamy at the annual Fashion Awards in London in December.Dominic Lipinski/Getty ImagesShe attended the Los Angeles premiere in November.Michael Tran/Agence France-Presse — Getty ImagesOver its six seasons, the casting of “The Crown” has largely been anchored by a constellation of established performers, though it has also boosted the sparkly careers of several new faces, including Emma Corrin, who played Princess Diana in Season 4. What was it about Ms. Bellamy that prompted executives to take a chance on her for this role?“We found that there was an openness to her, an intelligence and a sweetness to her, and a chemistry between her and Ed McVey, who plays Prince William,” said Robert Sterne, the casting director for “The Crown.” “You wanted to go on the journey with Meg. You wanted her to tell you the story.”Doing Kate JusticeMuch has already been made of the parallels between Ms. Bellamy and Ms. Middleton, beyond their delicate features and masses of glossy auburn hair. How both were raised by close families in the royal county of Berkshire. (Ms. Bellamy was actually born in Leeds, in Yorkshire, and has a light Northern twinge that still lingers on some of her vowels.) How both were extremely sporty at school, with a particular love of lacrosse. (Ms. Bellamy, who said she was academic, was also head girl, which is similar to a class president.)But unlike the Princess of Wales, who studied art history at the University of St. Andrews, Ms. Bellamy didn’t attend university. After a number of star turns in school musical productions, including Sandy in “Grease” and Scaramouche in “We Will Rock You,” she wanted only to act. She is acutely aware that people wait a lifetime for a break like hers, which came months after leaving high school.Before the six month shoot, Ms. Bellamy spent months preparing to play Ms. Middleton. She watched documentaries and read newspaper clips compiled by researchers. She also worked with movement and voice coaches to perfect her performance. She took home costumes — a nostalgic Noughties-inspired wardrobe of low-rise flared jeans, peplum tops, chunky belts and fringed suede knee-high boots — to wear as she practiced her lines.Ms. Bellamy as Kate Middleton and Ed McVey, who plays Prince William, in a scene from “The Crown.” Netflix/The Crown“I must have looked insane,” Ms. Bellamy said. “I would be dressed as her, reading a book about her and trying to sound like her while walking around the house.” She noted that while there is endless footage of Ms. Middleton after she formally joined the royal family in 2011, there is little — beyond a handful of paparazzi photographs — from her time at St. Andrews, where she first befriended and then fell in love with Prince William.“Her first press interview was when she became engaged at 29, so she was something of a blank canvas,” Ms. Bellamy said. “I spent a lot of time thinking about what she would have been like before she knew where life would take her and that William would become her husband. I hope that I’ve done Kate justice.”At the same time, she added, it was nice to remove the layer of complexities that come with being a royal and just play her as a girl who’s going to university and falling in love.When photographs of Ms. Bellamy and Mr. McVey filming at St. Andrews emerged this spring — and ever since then — there was intense online interest in her private life and next career steps. (So far, Ms. Bellamy has yet to announce her next role.) Lately she has been working with the stylist Felicity Kay to hone her public image and build a brand for herself.Has being thrust into the spotlight given her a vague notion of what it must be like to be a royal?“It’s something I’ve been thinking about, especially as we’ve done more press ahead of the release,” she said. “I really can’t imagine the level of pressure royals face day to day. I mean, until last month I’d never been to Hollywood. Then I was not just there, but on a red carpet with people shouting my name.”She added: “But I keep telling myself that this is something I’ve always dreamed about. You have to remember that, before all of this, I wore a school uniform and could only afford high-street brands like Primark.” More

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    ‘The Crown’: What to Watch Ahead of the Final Season

    Before the Netflix show’s sixth season starts Thursday, here’s a selection of previous episodes to help you get up to speed with the royal twists and turns.With its sixth and final season almost upon us, “The Crown” is approaching 1997, and Princess Diana’s fatal accident in Paris. In its previous seasons, the opulent Netflix show covered six decades and numerous scandals, all under the careful eye of Queen Elizabeth II. The first group of final-season episodes will premiere on Thursday, which gives viewers time to look back at some of the show’s earlier chapters.Certain themes emerge, which are also relevant to the final season: the royal family’s obsession with protocol, its awkwardness with public displays of emotion, its disapproval of inappropriate marriages and how its slipping grip on the press exposes it to exploitation. These are a few past episodes worth revisiting.Season 1, Episode 10, ‘Gloriana’Vanessa Kirby as Princess Margaret in the first season.Robert Viglasky/NetflixIf anyone knows how being a royal can ruin a romance, it’s Princess Margaret (Vanessa Kirby). Season 1 followed her attempt to marry a divorced commoner, Group Capt. Peter Townsend (Ben Miles), and the British press’s subsequent tizzy.The royals struggle with damage control after attempting — unsuccessfully — to separate the two lovers (an intervention tactic they’ll try again with Prince Charles and Camilla Parker Bowles). In the Season 1 finale, “Gloriana,” Margaret and Elizabeth learn how much opposition there is to such a match within church and state (although not among the more warmhearted public) thanks to the Royal Marriages Act of 1772.One solution presents itself: If Margaret agrees to renounce all royal trappings — her title, privileges and income — she could become Mrs. Peter Townsend. Margaret agrees to forsake all for love, but in the end, she is blocked by the strictures of the royal establishment, and Elizabeth’s position on royals marrying divorced persons or seeking remarriage is established for years to come. As sovereign and head of the Church of England, she isn’t prepared to pull a Henry VIII just yet.Season 2, Episode 6, ‘Vergangenheit’Queen Elizabeth (Claire Foy), right, speaking with her uncle, the Duke of Windsor (Alex Jennings), in Season 2 of “The Crown.”Robert Viglasky/NetflixKing Edward VIII’s 1936 decision to abdicate the throne for love hangs over all the star-crossed royal romances that follow. In the years after his decision, Edward, or David Windsor (Alex Jennings), and his double divorcée, Wallis Simpson (Lia Williams), spin a web of fairy-tale romance, which gets them lots of party invites and undue influence over impressionable young royals. But their public personas conveniently leave out an important detail: their pro-Nazi sympathies.A little belatedly, Elizabeth is finally given the secret files that reveal how much the duke and duchess did — not for love, or for England, but for the Führer. In “Vergangenheit,” watch Elizabeth process some rather difficult (and suppressed) truths about her beloved uncle, but then fail to alert the rest of the royal family to this ugly secret.Season 3, Episode 3, ‘Aberfan’In Season 3, the queen (Olivia Colman) delays visiting the site of a coal-mining tragedy for more than a week.Des Willie/NetflixOver the years, the queen gets a few lessons in public grief, including the death of her royal father or the assassination of President John F. Kennedy, when she was willing to break protocol and ring the bells of Westminster Abbey for a nonroyal.But Elizabeth (Olivia Colman) is most sorely tested in 1966, when she initially fails to respond to the death of more than 140 people in a coal-mining tragedy in South Wales. When it’s suggested she visit immediately to comfort the bereaved, she sends only a message of sympathy, putting off a personal visit for more than a week.Was she hesitant to hinder rescue operations? To violate protocol? What does the monarchy rule book actually dictate for accidents? How much agency does the queen really have? Elizabeth’s lagging response to tragedy is a recurring theme in Peter Morgan’s work, and will emerge again in the final season in the wake of Princess Diana’s death.Season 4, Episodes 2 and 3, ‘The Balmoral Test’ and ‘Fairytale’Diana (Emma Corrin) and Prince Charles (Josh O’Connor) before they are married. Des WilliePrince Charles (Josh O’Connor) longs to be with Camilla Parker Bowles (Emerald Fennell), but she is inconveniently already married. To secure the future of the monarchy, the prince needs a suitable princess, so he begins to eye Lady Diana Spencer (Emma Corrin).Diana realizes she’s auditioning for the part of Princess of Wales, but she doesn’t grasp that she’s being drawn into an arranged marriage. After she passes various social hurdles and wins the royal family’s approval, Charles begins to complain that he’s being “strung up and skinned,” but if anyone is being mounted as a trophy, it is Diana. She still requires “princess lessons,” though, the most difficult among them the sad truth that Camilla is already Charles’s wife in all but name.Season 5, Episode 3, ‘Mou Mou’Diana (Elizabeth Debicki) and Mohamed al-Fayed (Salim Daw) in the fifth season of “The Crown.”Keith BernsteinAs “The Crown” tells it, Mohamed al-Fayed (Salim Daw) set up his eldest son, Dodi (Khalid Abdalla), with Princess Diana (Elizabeth Debicki), so it’s crucial to understand al-Fayed’s obsession with the royal family. To sate his cravings for royal distinction, he hires King Edward VIII’s former valet, and then buys and restores Edward and Wallis’s former home in Paris, which he renames Villa Windsor.Al-Fayed offers the royal family the contents of the house, and this gets the queen’s attention, since Elizabeth fears revelations about her uncle’s Nazi past. But she doesn’t let his offerings gain him access to her, sending proxies instead. Enter a lonely Princess Di, who becomes Mohamed’s consolation prize.Season 5, Episodes 5 and 8, ‘The Way Ahead’ and ‘Gunpowder’Camilla Parker Bowles (Olivia Williams) in the show’s fifth seasonNetflixBoth Prince Charles (Dominic West) and Princess Diana might be accused of giving T.M.I., but they are also victims of the royals’ evolving relationship with an increasingly intrusive media. In “The Way Ahead,” Charles and Camilla (Olivia Williams) must weather “Tampongate,” when one of their phone conversations is intercepted and recorded.The newspaper in possession of the tape charitably sits on it for three years, only making the contents public after Charles and Diana separate. In the wake of the scandal, the Prince and Princess of Wales decide to take control of their public narratives.Charles grants a controversial TV interview in which he addresses his aspirations and his adultery. Diana counters with her own TV tell-all, orchestrated by the duplicitous Martin Bashir (Prasanna Puwanarajah). The BBC debates broadcasting this encounter on the queen’s wedding anniversary, but the days of deference to the crown are now long gone. In real life, Prince William and Prince Harry have said that the airing of this program contributed to their mother’s “paranoia and isolation” before her death.Season 5, Episode 9, ‘Couple 31’Charles (Dominic West) and Diana (Elizabeth Debicki) in Season 5.Keith BernsteinIn the wake of Diana’s Panorama interview, the queen (Imelda Staunton) not only approves a royal divorce, but actually requests it. This is a huge shift in attitude, given Elizabeth’s previous dictate that Charles remain married if he wishes to one day be king. But several high-profile royals — Princess Margaret, Princess Anne, Prince Andrew — have already undergone divorces, so why not Charles?Of course, the next question will be whether Charles should be allowed to remarry — and if so, could he marry a divorced woman? Or have the crown’s discriminatory attitudes about divorce not changed? Overcoming public resistance might be required first, so Camilla confers with a spin doctor, while divorce lawyers and a prime minister endeavor to end the very public “War of the Waleses.” More