Russian Invasion of Ukraine (2022)

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      Dropping Anna Netrebko, the Met Turns to a Ukrainian Diva

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      The Ukrainian soprano Liudmyla Monastyrska, replacing one of Russia’s biggest stars in “Turandot,” is using her platform to defend her country.The call from the Metropolitan Opera came one afternoon in early March.Liudmyla Monastyrska, a Ukrainian soprano, was in Poland, shopping for concert dresses ahead of a performance. Her phone rang, and it was Peter Gelb, the Met’s general manager, on the other end. He was blunt: His company was in a bind.Ukraine had recently been invaded, and the Met had parted ways with the Russian soprano Anna Netrebko over her previous support for President Vladimir V. Putin of Russia. Gelb wanted Monastyrska, a charismatic singer known for her lush sound, to replace Netrebko in a revival of Puccini’s “Turandot,” which opens on Saturday.Monastyrska, 46, was reluctant. In 2015, after a punishing run at the National Opera of Ukraine in Kyiv, she had vowed never to perform the title role of “Turandot” again, worn down by its demands. And she was nervous about getting caught in the politics of the Russian invasion and alienating Netrebko, one of opera’s biggest stars, whom she has known for seven years.Gelb reassured Monastyrska, promising that her appearance would help bring attention to the plight of the Ukrainian people.“I was surprised, but I felt it was important for me to sing,” Monastyrska said in an interview. “I wanted to help however I could.” She still felt uneasy, though. “I don’t like to sing other people’s contracts,” she said.Throughout her career, Monastyrska has made a studied effort to avoid politics. She does not have a Facebook page and tries not to read the news, preferring to focus on her family, her faith (she’s Ukrainian Orthodox) and her artistry.But in recent weeks, as the war in Ukraine has intensified, she has found a political voice. She has criticized Netrebko’s meandering statements on the invasion, saying that Netrebko’s opposition to the war and attempts to distance herself from Putin have come too late. She has railed against the Russian government (“They are killing people for no reason,” she said in the interview) and denounced artists who continue to support Moscow.Yonghoon Lee, left, and Monastyrska in a recent rehearsal for “Turandot” at the Met.Lila Barth for The New York TimesHer profile will likely rise in the months ahead. Next season, she will step in for another artist who has come under fire for her ties to Putin, replacing the Russian soprano Hibla Gerzmava in a Met revival of “Tosca,” the company said on Thursday. (Gerzmava had been criticized for signing a letter in support of Putin in 2014.)And the Met announced this week that Monastyrska will be front and center when the Ukrainian Freedom Orchestra, a newly formed ensemble of Ukrainian musicians, tours Europe and the United States this summer. She will sing “Abscheulicher,” an aria from Beethoven’s “Fidelio” that touches on themes of peace, injustice and humanity.“She is a powerful, vocal symbol of the Ukrainian cause,” Gelb said in an interview, “and it will be manifested every night of the tour, when she’s singing Beethoven’s words against oppression and call for freedom. The opening recitative of the aria she is singing could be addressed directly to Putin.”Gelb said he chose her for “Turandot” primarily because of her “very beautiful and incredibly powerful voice.”“It’s a voice that can knock ‘Turandot’ out of the park in a house like the Met,” he added. “The fact that she’s Ukrainian is an extra element of poetic justice that certainly didn’t go unnoticed.”Born in Kyiv, Monastyrska trained in Ukrainian conservatories and spent much of her early career in opera houses there. Her break on the global stage came in 2010, at 35, when she was asked to sing, with only a week’s notice, the title role in Puccini’s “Tosca” with the Deutsche Oper in Berlin.She made her Met debut in 2012, taking up the title role in Verdi’s “Aida.” In The New York Times, the critic Corinna da Fonseca-Wollheim described her performance as a “triumphant house debut,” saying she had arrived at the Met a “fully mature artist.”“She is gifted with a luscious round soprano that maintains its glow even in the softest notes,” da Fonseca-Wollheim wrote.Monastyrska became known for sensitive portrayals of opera’s most famous characters, including Lady Macbeth, Manon Lescaut and Abigaille in Verdi’s “Nabucco,” which she sang at the Met in 2016. Her blossoming career brought her into the same orbit as Netrebko, who is four years older. She described Netrebko as a “very warm person” and a “fantastic singer”; once, Monastyrska was invited to Netrebko’s apartment in New York for a party around Thanksgiving.Monastyrska in the title role of “Aida” at the Met in 2012.Andrea Mohin/The New York TimesShortly before the Russian invasion of Ukraine, the two crossed paths in Naples, Italy, where they were appearing on alternate nights in the same production of “Aida.” During a rehearsal, Monastyrska said, Netrebko approached her and told her that she opposed the idea of war between the two countries.Later, Netrebko came under pressure to publicly denounce the war and Putin, whom she had supported in the past. She had endorsed his re-election and was photographed in 2014 holding a flag used by Russian-backed separatists in Ukraine.After condemning the war but remaining silent on Putin, Netrebko saw her engagements in Europe and North America evaporate. She issued a new statement last month seeking to distance herself from Putin, saying that she had met him only a few times and that she was not “allied with any leader of Russia.”How the Ukraine War Is Affecting the Cultural WorldCard 1 of 6Gavriel Heine. More

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      Dispatch Has Rereleased ‘The General’ in Russian to Support Ukraine

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      The band members Chadwick Stokes and Brad Corrigan said they hope that Russian soldiers will hear the antiwar song and discontinue their invasion.The roots rock band Dispatch on Tuesday rereleased its popular antiwar anthem, “The General,” after recording it in Russian in hopes, the band said, that Russian soldiers might hear the song and its message and “question their role” in the Ukrainian invasion.The song, originally released in 1998, tells the story of a “decorated general with a heart of gold” who has a dream about the opposing soldiers (and their affected mothers) on the eve of battle and wakes up to tell his men about a change of heart.“He said, ‘I have seen the others, and I have discovered that this fight is not worth fighting,’” the band sings in the chorus. “‘And I’ve seen their mothers, and I will no other to follow me where I’m going.’”“‘So take your shower, shine your shoes, you got no time to lose; you are young and you must be living,’” the original chorus continues. “‘Go now, you are forgiven.’”Chadwick Stokes and Brad Corrigan, two of the founding members of the band, said in a statement that they realized how relevant the lyrics were to the war in Ukraine. Stokes then recorded the whole song in Russian, working with Olga Berg, who acted as a translator and language coach.“I would say, ‘There’s too many syllables in this line; I just can’t fit it in,’” Stokes said in a video interview. “And in other places, I’d say, ‘I need more syllables for it to work.’ It was a lot of jigsaw puzzling.”The duo also tweaked much of the wording, as literary translations are rarely direct. “I’ve seen their mothers,” in English, for example, became “I’ve seen the eyes of their mothers.” In the second line, the “stories” that the general told were replaced with a Russian expression that roughly translates to “wealth of stories.”Berg, who was born in Zaporizhzhia in Southeastern Ukraine, is working with several nonprofit organizations to support Ukraine, including the Polish Institute for Emergency Medicine.“This song, it’s an effort toward unity, toward humanity,” Berg said in the same interview. “We all speak the same language, we all have mothers, we all have children, and we want them to stay alive.”All proceeds from streaming the song will go toward the Leleka Foundation, which provides first aid kits for fighters and emergency medical responders in Ukraine. Founded in 2014 after Russia invaded and annexed Crimea, the foundation says it has now raised almost $2 million since the war began in February.Dispatch, formed in 1996, has crafted eight studio albums and five live albums. On hiatus since 2002, the band reunited in 2011 for a national tour. This summer, Dispatch will tour North America with the rock band O.A.R.The idea for the Russian version came from social media comments, including one on a Ukrainian flag graphic that Dispatch posted to the band’s Instagram account.How the Ukraine War Is Affecting the Cultural WorldCard 1 of 6Gavriel Heine. More

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      Denouncing War, Ukrainian Musicians Unite for a World Tour

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      The newly formed Ukrainian Freedom Orchestra will perform in Europe and the United States this summer, using music to oppose the Russian invasion.The Russian invasion has devastated cultural life in Ukraine, forcing renowned musical ensembles to disband and leading to an exodus of conductors, composers and players.Now some of Ukraine’s leading artists, with the help of the Metropolitan Opera in New York and the Polish National Opera in Warsaw, are uniting to use music to express opposition to Russia’s continuing attacks. They will form a new ensemble, the Ukrainian Freedom Orchestra, and make an 11-city tour of Europe and the United States in July and August, the orchestra announced on Monday.“This is something we can do for our country and for our people,” Marko Komonko, a Ukrainian violinist who will serve as the orchestra’s concertmaster, said in an interview. “It’s not much, but this is our job.”The 75-member orchestra, which will be made up of Ukrainian refugees as well as musicians still in the country, will appear at several European festivals, including the BBC Proms in London for a televised performance on July 31. It will make stops in Germany, France, Scotland and the Netherlands, before heading to the United States to perform at Lincoln Center and at the Kennedy Center in Washington. Proceeds from the concerts will benefit Ukrainian artists.The orchestra will be led by the Canadian Ukrainian conductor Keri-Lynn Wilson, who came up with the idea for the ensemble, eager to find a way to help musicians and others in Ukraine.“We want to show the embattled citizens of Ukraine that a free and democratic world supports them,” Wilson said in an interview. “We are fighting as artistic soldiers, soldiers of music. This gives the musicians a voice and the emotional strength to get through this.”Marko Komonko, the orchestra’s concertmaster, said: “This is something we can do for our country and for our people. It’s not much, but this is our job.”via Marko KomonkoWilson pitched the idea to her husband, Peter Gelb, the Met’s general manager, who offered the company’s support and persuaded the Polish National Opera to assist as well. The orchestra will assemble in mid-July in Warsaw for rehearsals and hold an opening concert at the Wielki Theater, home to the Polish National Opera.Gelb said it was important that artistic groups spoke out against the Russian invasion. Shortly after the invasion began, the Met announced it would not engage performers or institutions that supported President Vladimir V. Putin of Russia. Last month, the Met staged a concert in support of Ukraine; banners forming the Ukrainian flag stretched across the exterior of the theater, bathed in blue and yellow floodlights.“This is a world situation that is far beyond politics,” Gelb said in an interview. “It’s about saving humanity. The Met, as the largest performing arts company in the United States and one of the leading companies in the world, clearly has a role to play and we’ve been playing it.”The Freedom Orchestra will perform a variety of works, including the Ukrainian composer Valentin Silvestrov’s Seventh Symphony; Chopin’s Piano Concerto No. 2, featuring the Ukrainian pianist Anna Fedorova; Brahms’s Fourth Symphony; and Dvorak’s Ninth Symphony.How the Ukraine War Is Affecting the Cultural WorldCard 1 of 6Gavriel Heine. More

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      Citing Ukraine War, an American Resigns From Russia’s Mariinsky

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      “There’s no way I could ever be in denial of what is happening,” said the conductor Gavriel Heine, a fixture at the prestigious Russian theater.The American conductor Gavriel Heine has been a fixture at the Mariinsky Theater in St. Petersburg, Russia, for 15 years. He has led hundreds of performances of classics like “Swan Lake” and “The Rite of Spring.” And he has done so as a protégé of the company’s leader: Valery Gergiev.On Saturday, Mr. Heine went yet again to the Mariinsky, but not for an evening at the podium. He was there to inform Mr. Gergiev — a longtime friend and supporter of President Vladimir V. Putin of Russia — that he was resigning from his post as one of the state-run theater’s resident conductors. Mr. Heine gathered his possessions, including a few white bow ties and scores for “La Bohème” and “The Turn of the Screw,” and prepared to leave the country.Mr. Heine, 47, had been increasingly disturbed by the Russian invasion of Ukraine. “There’s no way I could ever be in denial of what is happening in Ukraine,” he said during a series of interviews over the past week. “Russia is not a place where I want to raise my son. It’s not a place where I want my wife to be anymore. It’s not a place I want to be anymore.”His resignation comes as the war continues to upend performing arts. Cultural institutions in Europe and North America, vowing not to hire performers who support Mr. Putin, have severed ties with some artists — most notably Mr. Gergiev — as well as orchestras, theaters and ballet companies. Many artists, citing the invasion, have canceled appearances in Russia.Mr. Gergiev, the theater’s general and artistic director, was once one of the world’s busiest conductors, but his international career has crumbled. Carnegie Hall, for example, canceled a pair of concerts of the Mariinsky Orchestra under his baton that had been planned for May, after he had been dropped from a series of Vienna Philharmonic performances in February. He has returned in recent weeks to St. Petersburg to focus on that company and his domestic cultural empire, which encompasses several stages, thousands of employees and tens of millions of dollars in state financing.Valery Gergiev, a mentor of Mr. Heine’s and a longtime friend and supporter of President Vladimir V. Putin of Russia.James Hill for The New York TimesMr. Heine found Mr. Gergiev at the Mariinsky on Saturday, where he was leading rehearsals and performances of Wagner’s “Götterdämmerung” and Verdi’s “Attila.” He described repeatedly trying to catch his mentor backstage to inform him of his resignation, finally cornering him in an elevator.It was a quick conversation: five minutes while Mr. Gergiev was rushing to a meeting. Mr. Heine said that Mr. Gergiev seemed surprised but accepted his decision.“He was very nice to me,” Mr. Heine said. “He gave me a handshake and a hug and wished me well. And of course I thanked him for giving me such a huge chance pretty early in my career.”The two conductors also spoke about recent tensions between Russia and the West. Mr. Gergiev — who was fired from engagements in the United States and Europe, as well as from the podium of the Munich Philharmonic, over his refusal to publicly condemn the war — defended his decision, saying that he was not a child, Mr. Heine recalled.The Mariinsky declined to comment on Monday, and said it could not yet confirm Mr. Heine’s resignation. However, the company removed Mr. Heine’s biography from its website Monday evening.Mr. Heine’s departure from the Mariinsky is an unexpected conclusion to his three-decade career in Russia, where he studied with renowned teachers and rose to become a conductor at one of the country’s most prestigious houses. And his exit is another blow to Russian cultural institutions, which are grappling with boycotts and cancellations by foreign groups as the country’s arts increasingly turn inward under Mr. Putin. Mr. Gergiev remains a critical figure in Mr. Putin’s campaign. Mr. Putin, during a televised meeting last month, asked Mr. Gergiev whether he was interested in the idea of uniting the Bolshoi Theater in Moscow with the Mariinsky, an arrangement that would take Russia back to the days of the czars.“Russia is just going to be more and more closed,” said Simon Morrison, a music professor at Princeton University. “It’s going to revert more and more to its own true self, harsh as that might seem — a sealed-off, angry, paranoid and resentful feudal realm.”Mr. Heine, who grew up in Cherry Hill, N.J., became interested in Russian culture as a teenager. He accompanied his mother, a pianist, to a performance in Moscow, and while there took cello lessons with a professor at the Moscow Conservatory.After high school, he returned to Russia for language and cultural studies. In 1998, he became one of the Moscow Conservatory’s first American graduates, then began to study with the eminent Russian conductor Ilya Musin, who also taught Mr. Gergiev.Mr. Heine leading the Mariinsky’s orchestra in 2017.Irina TumineneHis break came in 2007, when Mr. Heine approached Mr. Gergiev during a rehearsal in Philadelphia and asked him whether the Mariinsky had any openings. Mr. Heine was invited to make his debut at the theater later that year with Mozart’s “Le Nozze di Figaro,” and soon began to lead performances there regularly. In 2009, he was named a resident conductor.During his time at the Mariinsky, Mr. Heine was at the podium for over 850 performances and watched as the company grew in power and size under Mr. Gergiev. The arts and the state, Mr. Heine said he came to understand, were inexorably linked in Russia. He was in the theater on two occasions when Mr. Putin, the house’s main benefactor, appeared for awards ceremonies and other events.“I just assumed that culture is a priority for this government, for whatever reason,” he said. “And they feel very strongly about it, and that’s the relationship.”How the Ukraine War Is Affecting the Cultural WorldCard 1 of 6Gavriel Heine. More

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      Anna Netrebko, Shunned in Much of the West, to Sing in Monte Carlo

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      After Russia invaded Ukraine, the soprano lost work in the West because of her past support of President Vladimir V. Putin. She was invited to sing this month in Monaco.Anna Netrebko, the superstar soprano whose international career crumbled after the invasion of Ukraine because of her past support of President Vladimir V. Putin of Russia, has been invited to sing in Monaco this month at the Opéra de Monte-Carlo.Ms. Netrebko was initially scheduled to sing the title role of Puccini’s “Turandot” at the Metropolitan Opera in New York at the end of April, but the company, like many in the West, parted ways with her over concerns that she had failed to sufficiently distance herself from Mr. Putin after he began the war in Ukraine.Instead, Ms. Netrebko will now appear in Monaco, singing the title role in another Puccini opera, “Manon Lescaut,” in four performances at the Opéra de Monte-Carlo, the company announced on Thursday. They will be her first engagements since the invasion began in late February, but she has other appearances planned later this spring.“I am overjoyed to be unexpectedly making my stage debut at the Monte Carlo Opera,” Ms. Netrebko said in a statement. “It is going to be made even more special by performing with my husband, tenor Yusif Eyvazov, in the same Puccini masterpiece that marked our first encounter at the Rome Opera in 2014.”Ms. Netrebko has faced a wave of cancellations at leading opera houses. She once endorsed Mr. Putin’s re-election and, in 2014, she was photographed holding a flag used by Russia-backed separatists in Ukraine.After initially denouncing the war but remaining silent on Mr. Putin, Ms. Netrebko saw her engagements in the West evaporate. So Ms. Netrebko issued a new statement last month seeking to distance herself from Mr. Putin, saying she had only met him a few times and stating that she was not “allied with any leader of Russia.” Her words prompted a backlash in Russia, with a theater in Novosibirsk, Siberia, canceling an appearance and a senior lawmaker denouncing her as a traitor.Opéra de Monte-Carlo on Thursday defended its decision to hire Ms. Netrebko, saying she had done enough to distance herself from the war.“Anna Netrebko made a statement two weeks ago regarding the war and her relationship with Putin,” Christiane Ribeiro, a spokeswoman for the opera house, said in an email. “She has taken a clear position against the war in Ukraine. As a consequence, she has been declared an ‘enemy of the homeland’ by the speaker of the Duma and a theater in Novosibirsk canceled her appearance.”Opéra de Monte-Carlo described its decision as artistic, noting that Ms. Netrebko is to replace the Italian soprano Maria Agresta, who canceled because of illness.In her statement, Ms. Netrebko said, “I wish my friend and colleague Maria Agresta a full and speedy recovery.”How the Ukraine War Is Affecting the Cultural WorldCard 1 of 7Valentin Silvestrov. More

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      Ukraine Benefit Featuring Russian Ensemble Is Canceled in Vienna

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      A planned benefit concert in support of Ukraine was canceled in Vienna on Monday amid concerns about the Russian-based ensemble it was to feature, MusicAeterna, which is led by the conductor Teodor Currentzis and is supported by a state-owned bank in Russia.The concert, organized by the Konzerthaus in Vienna, one of Austria’s premier halls, was to take place on Tuesday and feature MusicAeterna, which is based in St. Petersburg and is financed in part by VTB Bank, one of Russia’s largest financial institutions. The United States and other western countries have recently imposed sanctions on the bank because of the Russian invasion of Ukraine.The Vienna Konzerthaus said it canceled the concert after the Ukrainian ambassador to Austria, Vasyl Khymynets, expressed concern about featuring Russian artists at an event meant to benefit Ukraine. The ensemble’s founder, Mr. Currentzis, who was born in Athens, is a charismatic conductor who has built a large following in Russia and abroad.“The Vienna Konzerthaus cannot ignore the political dimension of the performance of a St. Petersburg-based orchestra at a time of immense suffering caused by the Russian Federation’s war of aggression against Ukraine,” Matthias Naske, the hall’s chief executive and artistic director, said in a statement. “We understand and share the despair over the war crimes in Ukraine and condemn this aggression without reservation.”The Konzerthaus said that it would suspend ticket sales for future appearances by MusicAeterna until the group secured an independent source of financing. But it also said it would allow MusicAeterna to perform a separate concert planned for Monday night. (The ensemble already performed at the hall on Sunday.)Mr. Khymynets and the Ukrainian foreign ministry did not immediately respond to requests for comment.The cancellation of the benefit concert comes as tensions between Russia and the west continue to reverberate in the performing arts. Several high-profile Russian artists have lost global engagements in recent weeks because of their ties to the government of President Vladimir V. Putin of Russia.MusicAeterna, renowned for its intense, electric performances, has come under scrutiny for its connections to VTB Bank, which has helped finance some of its tours and recording projects. Mr. Currentzis called for peace in Ukraine in a statement issued last month by the SWR Symphony Orchestra in Germany, where he is chief conductor, though he has not directly criticized the Russian government or Mr. Putin.“Teodor Currentzis and the members of the SWR Symphony Orchestra unequivocally support the common appeal for peace and reconciliation,” the statement said. The orchestra has said it was aware of MusicAeterna’s association with VTB Bank, but it has continued to defend Mr. Currentzis. “From today’s perspective, this is certainly problematic, but it has existed for a longer period of time,” the statement said, referring to the bank’s support for MusicAeterna.The benefit concert in Vienna was to feature works by Mozart, Beethoven, Tchaikovsky, Shostakovich and others.MusicAeterna is set to perform in Germany, Austria and France in the coming weeks. Mr. Currentzis is scheduled to lead the ensemble in a production of Bartok’s “Bluebeard’s Castle” at the Salzburg Festival this summer, paired with “De temporum fine comoedia” by the German composer Carl Orff. The Elbphilharmonie in Hamburg, Germany, another major concert hall, said on Monday it had no plans to cancel a series of engagements this week by MusicAeterna. More

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      President Volodymyr Zelensky Gives Emotional Speech at the Grammys

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      Volodymyr Zelensky, the president of Ukraine, addressed the Grammy Awards in a video, giving an emotional plea for support in his country’s war against Russia.“What is more opposite to music?” Zelensky said. “The silence of ruined cities and killed people.”The leader’s aides had lobbied for an appearance at the Academy Awards last week, but organizers did not commit to it, drawing some backlash.In his brief address, Zelensky, an actor turned wartime leader, emphasized that many of the musicians in his country were fighting in the battle against the Russian invasion.“Our musicians wear body armor instead of tuxedos,” he said. “They sing to the wounded in hospitals. Even to those who can’t hear them.”“Support us in any way you can,” he added. “Any, but not silence.”After Zelensky’s address, John Legend performed his song “Free,” featuring a Ukrainian singer, Mika Newton, and a poet, Lyuba Yakimchuk, who fled the country days ago.Here is Zelensky’s full speech:The war. What is more opposite to music? The silence of ruined cities and killed people. Our children draw swooping rockets, not shooting stars. Over 400 children have been injured and 153 children died. And we’ll never see them drawing. Our parents are happy to wake up in the morning in bomb shelters. But alive. Our loved ones don’t know if we will be together again. The war doesn’t let us choose who survives and who stays in eternal silence. Our musicians wear body armor instead of tuxedos. They sing to the wounded in hospitals, even to those who can’t hear them. But the music will break through anyway. We defend our freedom to live, to love, to sound on our land. We are fighting Russia, which brings horrible silence with its bombs. The dead silence. Fill the silence with your music. Fill it today to tell our story. Tell the truth about the war on your social networks, on TV. Support us in any way you can. Any — but not silence. And then peace will come. To all our cities the war is destroying — Chernihiv, Kharkiv, Volnovakha, Mariupol and others — they are legends already. But I have a dream of them living and free. Free like you on the Grammy stage.Many in the music industry have made public statements opposing Russia’s invasion of Ukraine and showing support for the Ukrainian people. On Sunday night at the Grammys, the Recording Academy teamed up with Global Citizen to highlight its “Stand Up for Ukraine” initiative.The three major record conglomerates — Sony, Warner Music and Universal Music — have all suspended operations in Russia in response to the war, along with the touring behemoth Live Nation, which released a statement saying the company will “cease work with any and all Russian-based suppliers.” Spotify suspended its streaming service in Russia and closed its office in Moscow.How the Ukraine War Is Affecting the Cultural WorldCard 1 of 7Valentin Silvestrov. More

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      Anna Netrebko Faces Backlash in Russia After Attempt to Distance Herself From Putin

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      The star soprano Anna Netrebko lost work in the West over her ties to the Russian president. Now, following an about-face, she has been called a traitor at home.The Russian soprano Anna Netrebko, one of opera’s biggest stars, faced backlash on Friday in her home country after she tried to distance herself from President Vladimir V. Putin amid his invasion of Ukraine.Ms. Netrebko issued a statement on Wednesday that appeared to be an attempt to revive her international career, which has crumbled recently because of her past support for Mr. Putin. In the statement, she condemned the war and said she was not allied with him.In Russia, where Ms. Netrebko has a large fan base, her words were met with criticism. She was denounced on Friday as a traitor by Vyacheslav Volodin, a senior lawmaker who has been an outspoken critic of artists who oppose the war.“You can’t call it anything other than betrayal,” Volodin wrote on his Telegram channel. “There is a voice, but no conscience. The thirst for enrichment and glory outweighed the love for the motherland.”And the Novosibirsk Opera and Ballet Theater in Siberia canceled a coming appearance by Ms. Netrebko, saying she seemed more interested in her global career than “the fate of the motherland.”“Today is not the time to sacrifice principles for more comfortable living conditions,” the house said in a statement on its website. “Now is the time to make a choice.”Ms. Netrebko could not immediately be reached for comment.Since the war started, Ms. Netrebko has faced a wave of cancellations around the world because of her ties to Mr. Putin. Her performances at the Metropolitan Opera — where she had sung for 20 years and become its prima donna — have been canceled indefinitely. Other leading opera houses, including in Munich and in Zurich, have also scrapped coming engagements.In her statement this week, Ms. Netrebko sought to distance herself from Mr. Putin, saying that they had met only a few times. “I am not a member of any political party nor am I allied with any leader of Russia,” she said, describing herself as a taxpayer in Austria, where she now resides.While she condemned the war in Ukraine, she did not explicitly criticize Mr. Putin, and did not directly address her record of support for him.It remains unclear whether she will succeed in reviving her career. The day she issued her statement, the Paris Opera announced that she would star in a production of Verdi’s “La Forza del Destino” this fall. (Alexander Neef, that house’s director, said in a statement on Wednesday that the company was evaluating the situation.) The Met responded by saying it was not prepared to change its position; Peter Gelb, its general manager, said, “If Anna demonstrates that she has truly and completely disassociated herself from Putin over the long term, I would be willing to have a conversation.”Ms. Netrebko once endorsed Mr. Putin’s re-election and has over the years offered support for his leadership. In 2014, she was photographed holding a flag used by Russia-backed separatists in Ukraine. In her statement this week, she said, “I acknowledge and regret that past actions or statements of mine could have been misinterpreted.”Now, she risks becoming persona non grata in her homeland and abroad.“She’s damned if she does, damned if she doesn’t,” said Simon Morrison, a professor of music at Princeton University who studies Russia. “She’s canceled for her years of pro-Putinism, then she critiques the war to save her international career, and then gets castigated at home for caring more about her gigs than ‘the fate of Russia.’”Ivan Nechepurenko contributed reporting. More